Guro Dino of the Mandirigma Research Organization met Professor Angel Postigo and his father on one of his many business trips to Los Angeles from Mexico. Professor Postigo is a person with a very impressive resume in the warrior arts and journalism, among other things, having written for Artes Marciales, Katana, Kung Fu Magazine, Legitima Defensa and National Sports Directory of Mexico. They found that they both have a passion for history and its relationship to the warrior arts. Some of the discussions they had concerned the connections between the Philippines and Mexico for hundreds of years. Professor Postigo felt that mandirigma.org would be an excellent venue to present his articles of this often overlooked relationship between the Philippines and Mexico in history. Quoting Professor Postigo, “The reason why I am interested in working with “mandirigma.org” is to showcase my work as a writer interested in disseminating and spreading the culture of the Martial Arts of the Philippines, work that I have done in several Mexican magazines.”

Friday, October 12th, 2007
The Two Conquests
By Angel Postigo

Suddenly, the ascent they had begun at the beach, finally ended. Thousands of miles behind, their guides had led them to cross between those two volcanoes, the Popocatepetl and the Iztacihuatl. Standing in the snow, those iron men and their heraldic horses had that spectacle at their feet: beyond this wooded spot of splendid beauty, far beyond, into those mountains, a wide green valley was extended, and in the center the lakes shined like silver, and above the islands and the banks, those citadels with plazas and wide roads, the high roofs of its temples upon splendid hand-painted pyramids, and the woods and great fields full of exotic plants that enlightened those magic days of autumn. For the first time, western men looked at that wonderful landscape, as if painted on the evening air, and their eyes glowed as they contemplated the plain and remembered the gold and sacred feathered presents they had been offered as a plead to retire, to stay away.

Cortes and his soldiers had started the advance to that plain, to Tenochtitlan, and the battles were about to begin. The great lord of the empire, Moctezuma II, intelligent and educated man, though deeply superstitious as most of his people, knew that his kingdom had come to its end. The news had spread as a desperate scream: Quetzalcoatl has returned, the Serpent God that promised to return in the year one, Acatl (1519), the prophecies are fulfilled now, the white-skinned bearded God has returned. Moctezuma knows a battle against a God is impossible, he has to have the help of other gods in order to save his nation.

Being Cortes an extremely skillful politician and warrior, he perceives the rivalries between the different towns, and above all, the exacerbated hate against the Mexicas and their Aztec empire.

Cortes returned to Tenochtitlan, not before suffering a defeat known as the Sad Night, when fallen and surrounded he was spared as many soldiers thanks to the tradition of not killing the enemy, just defeating them to take some prisoners for the ritual sacrifices. According to the number of prisoners, those warriors, Eagle men and Jaguar men, ascended in their military ranges. They were true conquerors who went further their frontiers of Guatemala, but their conquest had seeded rancor against the Aztec empire. Their armies were the best armed and trained. They had a regular troop, Yaoquizquel, and a lower but considerable number of noble warriors, Pipiltin, who belonged to a society known as the Eagle men, Quauhtin, and Jaguar men, Ocelomeh. Their elegant clothing had the skins of those felines and the feathers of those sacred birds. They were the sons of nobles who went to the Calmecac to receive military and cultural education, they learned astronomy, rhetoric, poetry, but above all, religion, and their status was well established, and how they could ascent according to their bravery, but above all, to the number of prisoners caught in battle. The Tlamani were the ones in charged of guarding the prisoners. This noble warriors, elegantly dressed, had as their main weapons the Macuahuitl, a kind of long club with sharp obsidian points, a round shield made of leather named Chimalli, an arc known as Tlauitolli, and a throwing spear, Atlatl.

As he walks through many different spots of this empire, Cortes realizes the situation. In some places he has battles, but in others he comes to agreements easily, accomplishing an alliance in the first year of his arrival, and after establishing the Villa Rica de la Vera Cruz. One of the alliances was with the Zapoteca people, and afterwards, with others oppressed by the Aztec empire, the Texcocanos, the Huejotzincas and the Totonacas.

Cortes starts his first march towards Mexico, Tenochtitlan, on August 16th, 1519, towards the heart of the empire. He has only 400 Spanish soldiers, 15 horses, 3 canons, but the amazing number of 13,000 Totonaca warriors, and others from other alliances.

Meanwhile, on August 10th of the same year, five ships set sail from Sevilla, Spain, in search of new routes, sailing to the Pacific Ocean. From these ships, only one returned to the old continent. Don Fernando de Magallanes, captain of the expedition, dies on April 27th, 1521, with many of his men; the place of his death, a small island called Mactan, in the archipelago that later would be named Filipinas, in honor of Felipe de Second, King of Spain. A noble and chief of this island, Lapu Lapu, with his Mandirigma warriors, armed with their Kampilan, Sibat, Olisis, and their devastating fighting techniques, were able to resist that first battle. Thanks to the huge number of Filipino warriors, that first attempt of conquest was stopped.

In that same year, 1521, in the beginnings of January, Cortes has duplicated his number of warriors in Mexico after his first incursion and defeat. Thanks to his new, more powerful allies, the Tlaxcaltecas, who built those 12 canoes that Cortes needed for the final assault to the Tenochtitlan islet, on April 16th, the Spanish and native armies entered Xochimilco, close to the great Tenochtitlan, being this the final battle. On August 13th, Cuautemoc, the last Aztec emperor, is taken prisoner, thus ending the war and starting the real conquest of Mexico.

Time has passed, and the relationship between the nations of Mexico and Filipinas seems forgotten, but both nations were conquered by the same culture, by the same religion.

With the need of knowledge and investigation of the different Filipino combat systems, their structure and origin, we have found interesting data that came from important libraries of Spain, a country where these two nations were connected, not only by the Nao de la China, that Spanish ship which set sail in Manila, Filipinas, and passed through certain spots of the far East till it reached port in Acapulco, Mexico; those trips lasted from 1565 to 1815, and while they lasted, these two nations interchanged merchandize, traditions and combat strategies.

Many were the conquering expeditions that the Spanish crown sent from the new continent harbors, many set sailed from Mexico, in ships built by the hands of old allies and Aztec slaves. One of this expeditions, the one captained by Ruy Lopez de Villalobos, set sail in 1542, arriving to Luzon, Filipinas, in 1543, and among the troops there were the first mixed-blooded people. Despite the 24 pages document that the Real Audience of Mexico gave to Captain Legazpi, in which codes, rules and behavior norms were specified, and we can read in them that ìit wonít be allowed in any case that natives, blacks, men or women, married or single, go on board of these shipsî, we know it was not like that.

It was Miguel Lopez de Legazpi, setting sail in 1564 from Navidad harbor in the State of Jalisco, Mexico, and with his mixed-blooded troops, who accomplished the colonization of the Filipinas islands, and established spots like the Villa del SantÌsimo, Nombre de Jesus and the Villa de San Miguel, today Cebu City.

In 1566, the San Geronimo galleon arrives, and the rout is established. In 1567, 2100 Spanish conquerors and Mexican soldiers, those previous allies, all under the orders of the King, arrived to Cebu and built San Pedro harbor and fortress, which became the spot of commerce with Mexico and also the protection spot against native rebellions, thus starting the true conquest of the Filipinas, and followed the conquest of the rest of the islands, Panay, Masbate, Mindoro and finally Luzon.

Thus the events took place. Those once allies, confronted each other for the conquest of these islands, face to face, first as enemies, then as conquerors. The Spanish people and the tribes of the Filipinas interchanged, during those many encounters, their culture and combat strategies, hence a theory we will leave for further investigation: that the combat arts of the American natives and mixed-blooded were confronted in a moment in history, and the ones they came to know first were those of the Filipino combat.

Lameco SOG – Kapisanang Mandirigma

The Los Angeles – Historic Filipinotown Chapter of Lameco SOG – Kapisanang Mandirigma includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold A. Noche, Gary Quan and Hans Anton Tan . It is also this core group that came up with the term “SOG” with the guidance and approval of the two highest-ranking Lameco Eskrima International members, Master Christopher N. Ricketts (RIP) and Master Reynaldo S. Galang. We are still in touch with the other Lameco SOG members (who are also very busy heading their own organizations) with whom we occasionally get together with to collaborate or socialize. The majority of us who banded together after our teacher’s death continue to do so since 1997.

When Punong Guro passed away, the members unified to keep his teachings and vision alive in ways besides the commercial route. Hence, we began volunteering / teaching a youth program in the Los Angeles Historic Filipinotown area. The program, which started in 1999, teaches Lameco Eskrima, Filipino Martial Arts, Philippine Culture and History as a diversion for ‘at risk youths’ from the temptations of gangs and drugs.

Historic Filipinotown , located in Los Angeles’ Rampart District, is notorious for being among the highest in gang, murder and drug activity in the country since the 1960′s. In as much so, that Hollywood has portrayed it in television shows such as “Adam-12” and most recently in “The Shield” , as well as in feature films like “Training Day”. Even the video game, “Grand Theft Auto: San Andreas”, contains a story-line reminiscent of the Rampart Police Scandal of the 1990′s. It’s notoriety is also mentioned in the acclaimed literary works such as Charles Bukowskis’ “Ham on Rye” and Carlos Bulosan’s “America is in the Heart”.

The initial youth program has expanded into several other nonprofit agencies to include children, adults and seniors.* We even picked up a few awards along the way. Since then we have been involved in many aspects of the Filipino volunteer / cultural community that included being one of only two cultural groups to usher in the First Official “Filipinotown” in America– televised inside the iconic Los Angeles City Hall. Other activities include lecturing at the Filipino American National Historical Society (FANHS) Conferences and a number of prestigious universities as well and doing various newspaper, radio and television interviews in the U.S. and Philippines. To avoid typical martial arts politics, Lameco SOG members teach these Lameco Eskrima-based programs under different organizations. This has allowed us to focus on one of Punong Guro’s visions – to promote the Arts with honor and integrity. Punong Guro was passionate about his culture as a whole.

Since Punong Guro Sulite’s passing the group has continued to train together and have trained a second generation of students in the Lameco SOG method. Given the nature of our neighborhood, a number of these students have used their lessons for self-preservation with actual knife, stick and even gun situations. We have been teaching these students since they were teens. They are now adults and are now assisting us in teaching the next generation.

Kali Klub
Kali Klub, an award-winning project of Kapisanang Mandirigma, initially started
as a positive diversion against drugs and gangs for youths in the Temple-Beverly
corridor, now known as Historic Filipinotown. It is; a collaboration with several non-
profit agencies in the area such as FilAm Arts, SIPA and PWC. Now entering their 9th
year, they have expanded to teaching Children (ages 5-12), Youths (ages 13-17), Adults
(ages 18 & over) and Elders (ages 40 & Over) the Warrior Arts of the Philippines in a
non-commercial, non-political environment where art, culture and heritage are integrated
into their curriculum.
Presentations include the dedication of Historic Filipinotown at the Los Angeles
City Hall and a lecture/demo at the Filipino Historical Society Conference at Loyola
University.

Kali Klub sa FilAm ARTS – www.filamarts.org
The Association for the Advancement of Filipino American Arts & Culture
(“FilAm ARTS”) was founded in 1999 but has consistently delivered the annual
presentation of the Festival of Philippine Arts & Culture (FPAC) since their early
beginnings in 1992 and has now added two other programs: the California-statewide
Pilipino Artists Network (PAN) and the Eskuwela Kultura Neighborhood Cultural
School.
Kali Klub sa FilAm ARTS, established in 2004, is a joint project between
Kapisanang Mandirigma and the Association for the Advancement of Filipino American
Arts & Culture (FilAm ARTS) under their community-based nonprofit 501(c)(3) status.

Kali Klub sa SIPA – www.esipa.org
Founded in 1972, Search to Involve Pilipino Americans (“SIPA”) has long
established itself as a key service provider among the low-income and underserved multi-
ethnic youth and families in the Temple Beverly corridor and the Pilipino American
community of Los Angeles County. Their mission is to enhance the quality of life of the
Pilipino American community by: Supporting youth development and leadership;
Providing family programs, health and human services and affordable housing;
Facilitation of collaborative actions within multi-ethnic communities.
Kali Klub sa SIPA, established in 1999, is a joint project between Kapisanang
Mandirigma and Search to Involve Pilipino Americans (SIPA) under their community-
based nonprofit 501(c)(3) status.

Kali Klub sa PWC – www.pwcsc.org
The Pilipino Workers’ Center (“PWC”) was founded in 1997 on the idea that all
workers have a right to safe working conditions, living wages, a decent standard of living
and quality of life. Their mission is to organize Filipino Workers to collectively address
our needs and issues both in the work place and in the community.
Kali Klub sa PWC, established in 2003, is a joint project between Kapisanang
Mandirigma and Pilipino Workers’ Center (PWC) under their community-based nonprofit
501(c)(3) status.