Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. November 22nd, 2020.

Las Vegas Seminar 11-20

Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. November 22nd, 2020.         Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. April 4th, 2020. Guro Ariel Flores Mosses and Dino Flores will be doing a seminar in Las Vegas November 22nd, 2020. It will be held at the Lohan School of Shaolin. 3850 Schiff Dr., Las Vegas, NV 89103. Strictly No Video Recording. Photos OK. Payments: Combat FMA Paypal – CombatFMA@yahoo.com   More Instructor Information: Guro Ariel: https://ariel-mosses.squarespace.com/about-ariel-f-mosses Guro Dino: http://mandirigma.org/?p=122   More Information at: http://mandirigma.org/ http://backyardeskrima.com/ https://www.facebook.com/Eskrimador1898/ https://www.youtube.com/user/MandirigmaOrg https://vimeo.com/mandirig     … [Read more...]

Online Lameco Eskrima S.O.G. and Kali Ilustrisimo Seminar – Hosted by EFA , Chiapas Mexico. November 21, 2020

Zoom 2 Seminar

Online Lameco Eskrima S.O.G. and Kali Ilustrisimo Seminar – Hosted by EFA , Chiapas Mexico. November 21, 2020   … [Read more...]

Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. October 11th, 2020.

LAS VEGAS SEMINAR October 11 2020

Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores Las Vegas, Nevada. October 11th, 2020.   … [Read more...]

Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. July 26th, 2020.

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      Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. July 26th, 2020.   Guro Ariel Flores Mosses and Dino Flores will be doing a seminar in Las Vegas April 4th, 2020. It will be held at - Ten Tigers Martial Arts, 6985 Sahara Ave., Las Vegas, Nevada. Strictly No Video Recording. Photos OK. Payments: Combat FMA Paypal – CombatFMA@yahoo.com   More Instructor Information: Guro Ariel: https://ariel-mosses.squarespace.com/about-ariel-f-mosses Guro Dino: http://mandirigma.org/?p=122   More Information at: http://mandirigma.org/ http://backyardeskrima.com/ https://www.facebook.com/Eskrimador1898/ https://www.youtube.com/user/MandirigmaOrg https://vimeo.com/mandirig   Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Washington State, Oregon, Nevada and California.  About Guro Ariel: Traditional Arts for a Modern World!Master Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under the watchful eyes and close supervision of three legendary Grandmasters: Filipino Martial Arts Hall of Fame Grandmaster Conrad A. Manaois, the late Grandmaster Christopher “Topher” Ricketts of Kali Ilustrisimo, and the late Punong Guro Edgar G. Sulite, founder of Lameco Eskrima International.Master Ariel F. Mosses is the Vice President and Chief Instructor for Manaois Systems International. Master Mosses holds an 8th degree black belt in Kali Jukune Do, as well as an 8th level Master Instructor in Manaois Eskrima.He is an authorized Senior Instructor in Lameco S.O.G., and an authorized Senior Instructor in Kali Ilustrisimo C.N.R. Master Mosses is enshrined in the Filipino Martial Arts Hall of Fame, and is a proud member of Kapisanang Mandirigma, a Federation of warriors from different disciplines of the Warrior Arts of the Philippines.Master Mosses is a certified Nevada CCW instructor.Trained by LEGENDS of Filipino CombatThe Filipino Warrior Tradition is founded upon honoring and preserving the knowledge passed on though our teachers. Each generation of students should seek to maintain the virtues and the original intent of his teachers’ systems of combat. These are the teachers and friends who have directly trained Master Mosses.Grand Master Conrad A. ManaoisGrand Master Christopher “Topher” RickettsPunong Guro Edgar G. Sulite   Close Ties: Family, Honor, TraditionMaster Mosses has close ties with the influential trainers and practitioners in FMA today. This close knit group forms a small community, frequently training together to keep the tradition ALIVE, VIBRANT, and TRUE to its roots. Master Mosses’s cousin, Guro Dino Flores, shares in this long history of training and sparring together.They began their formal training in the 1980′s with Grandmaster Henry Bio, of Sikaran Arnis. Both Master Mosses and Guro Flores also trained in the NINOY CINCO TEROS Arnis style with Grand Master Conrad A. Manaois.Each also trained directly with Punong Guro Edgar G. Sulite. Guro Dino was accepted as an initial member of Sulite’s newly formed BACKYARD GROUP, AKA The Sulite Oriehenal Group (S.O.G.) into which Master Mosses became an honorary member.Master Mosses soon relocated to Washington State, where Punong Guro Sulite made Master Mosses his head representative for the state. Over the years, Punong Guro spent many weeks at Master Mosses’s home where he PERSONALLY trained Master Mosses. He became Master Mosses’s close friend and mentor. Today, Master Mosses continues to teach his beloved instructor’s Lameco Eskrima in its pure form. Guro Flores and Master Mosses also trained for many years under Grand Master Christopher N. “Topher” Ricketts until his passing in 2010.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro … [Read more...]

Baybayin: Surat Bisaya

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  Original Article from Prehispanic CEBU: https://prehispaniccebu.wordpress.com/2020/11/02/surat-bisaya/?fbclid=IwAR0c3WbOE-USQB3V4Yy7paNkvV_qzKa-LyzrzOVYi1gaFFhlrSd9_bN4u5Y     Prehispanic CEBU Glimpse of the past from prehistory to 16th century through the primary sources of Cebu’s antiquity.   Surat Bisaya  DBCantillas  Etymology and Origins  November 2, 2020 2 Minutes House Bill 1022 or the “National Writing System Act” was previously approved last April 23, 2018 and declares Baybayin as the country’s national writing system and thus aims to put the script to use in street signs, public facilities, government halls, publications and even food labels. Many linguists, historians and several Filipinos were upset that other Philippine scripts are ignored. Prehispanic writing system has enjoyed a resurgence over the past few years with some Filipinos taking interest in learning as their means of tracing one’s roots and connecting with one’s culture. Of our 17 accounted Philippine syllabaries, systems of consonant plus vowel syllables, only four (4) remain in use among indigenous communities of present-day according to UNESCO. Brahmic Scripts Prehispanic Philippine syllabaries are the writing systems that developed (and soon flourished) all over the Philippines. Many of the Southeast Asian writing systems clearly descended from ancient alphabets used in India over 2000 years ago. In the languages of Sumatra, Sulawesi as well as Philippines, the native name for letter, or script, is the indigineous term: surat. By the 21st century, various Filipino cultural organizations simply collectively referred the scripts as suyat. The country’s surat–or suyat–are related closely to other Southeast Asian writing, nearly all are abugidas or alpha-syllabary where any consonant is pronounced with the inherent vowel /a/ following it; using diacritical marks to express other vowels. It developed from South Indian Brahmi scripts utilized in Asoka Inscriptions and Pallava Grantha–type of writings during the ascendancy of India’s Pallava dynasty around the 5th century. Surat (Suyat) Baybayin does not encompass an entirety of writing systems being just one of those 17 prehispanic scripts present around the Philippines. Widespread use was likewise reported among other coastal-groups like the Bisaya, Iloko, Pangasinan, Bikol, and Pampanga in the 16th century. H.B. 1022 critics worry that relegating the Baybayin would erase the diversity that continue to exist and also perpetuate Tagalog-centric national identity. The Visayans have Surat Bisaya, Suwat Bisaya or Sulat Bisaya (aka Badlit; Surat is historically the more appropriate name for Visayan scripts). It is written from left to right and requires “no spaces” between words. Space is applied only after ends of a sentence or punctuation, although in its modern writing it usually contains spaces after each word to enhance readability of the narrative. Artifacts found with Surat inscriptions then deciphered through our Visayan language included the Calatagan Pot, Monreal Stones (two) and Limasawa Pot. When the Spaniards arrived, they studied and used surat to communicate with the early Filipinos; and teach Catholicism. As Filipinos soon started to learn the Roman alphabet from the Spanish, the use of our native scripts especially in lowland places began to disappear. Meanwhile, surat of Sulu and Maguindanao were replaced by the Arabic alphabet around the 14th and 15th centuries, respectively. Phonemes and Diacritics Surat Bisaya has 20 (originally from 18) phonemes: 15 primary consonants and 5 (from 3) vowels. Basic consonants (or sinugdanan na katingog)–b, k, d, g, h, l, m, n, ŋ (ng), p, r, s, t, w, j (y)–followed by inherent vowel /a/, are as follows: Ba, Ka, Da, Ga, Ha, La, Ma, Na, Nga, Pa, Ra, Sa, Ta, Wa, Ya. Five vowels (the pantingog) are: A, U, O, I, E. In prehispanic period, Bisaya only had three vowel-phonemes: /a/, /i/, and /u/. This was later expanded into five (5) with the introduction plus integration of some Hispanic-words: /a/, /e/, /i/, /o/, and /u/. Kudlit (or diacritical marks) enables the writer to change the default /a/ sound of any of our basic consonants via using the same character. Put that kudlit below the syllable to change the consonants default vowel to /u/ or /o/, or above the syllable for /i/ or /e/. Spaniards even introduced to terminate consonants default vowel as well as various panulbok (“punctuation marks”).   … [Read more...]

Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. April 4th, 2020.

LAS VEGAS SEMINAR MAY 4 2020

    Seminar: Lameco SOG Eskrima and Kali Ilustrisimo with Guro Ariel Flores Mosses and Guro Dino Flores. Las Vegas, Nevada. April 4th, 2020. Guro Ariel Flores Mosses and Dino Flores will be doing a seminar in Las Vegas April 4th, 2020. It will be held at the Lohan School of Shaolin. 3850 Schiff Dr., Las Vegas, NV 89103. Strictly No Video Recording. Photos OK. Payments: Combat FMA Paypal – CombatFMA@yahoo.com   More Instructor Information: Guro Ariel: https://ariel-mosses.squarespace.com/about-ariel-f-mosses Guro Dino: http://mandirigma.org/?p=122   More Information at: http://mandirigma.org/ http://backyardeskrima.com/ https://www.facebook.com/Eskrimador1898/ https://www.youtube.com/user/MandirigmaOrg https://vimeo.com/mandirig … [Read more...]

Keeping ‘balangay’ legacy alive By: Erwin M. Mascariñas

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Keeping ‘balangay’ legacy alive By: Erwin M. Mascariñas - @inquirerdotnet Philippine Daily Inquirer / February 16, 2020   BUTUAN CITY, Agusan del Norte, Philippines — On Dec. 17 last year, two wooden boats docked at the port of nearby Nasipit town, in Agusan del Norte province, the modern gateway for goods and people in the Caraga region. They had earlier sailed from Palawan to Cebu in time for the launching of a 500-day countdown to the 500th anniversary of the Battle of Mactan next year. The 18-meter and 21-meter boats are replicas of the “balangay,” a vessel used by mariners of an ancient civilization that developed along the mighty Agusan River during the third century. These balangay are navigated through the way of ancient mariners by relying on the position of the sun and stars, wind direction, cloud formations, wave patterns and bird flights.   Tapping the traditional navigational methods would, in a way, “resurrect the seafaring spirit of our forefathers,” leading people to appreciate “what [they were] are capable of doing, … as adventurous seafarers and discoverers,” said Arturo Valdez, who led the crew.     The boats do not have modern navigational aids and are only equipped with small engines for use in case of emergency.“Now I am back here in Butuan City, the home of the balangay, hopefully to stir the conscience and revive the pride, and remind everyone here that the balangay is a Butuan boat, and that Butuan is the balangay,” Valdez said. In 2006, Valdez organized the conquest by Filipino climbers of Mt. Everest.   To honor their arrival in Butuan, the city government hosted a welcome ceremony for Valdez and his crew. Glorious past The balangay, Valdez said, indicated that Butuan was once a center of trade and commerce in this part of the world, long before the arrival of the Spaniards. Italian chronicler Antonio Pigafetta mentioned about the vessel in his accounts of Ferdinand Magellan’s voyage in the 1500s. Historians have pointed out that jars found in an archaeological site in Butuan indicated that the city had trading ties with old kingdoms in its immediate neighborhood of Southeast Asia and China, and as far as Persia, now Iran. “We have a boat that precedes even the Viking ships,” said Valdez, who has been using the balangay voyages since 2009 to talk about the Philippines’ precolonial past and drum up pride in it.     Archaeological excavations in Butuan City unearthed a skull and coffin, dating back to the 14th century, several meters from where an ancient balangay was found. Pottery shards were also recovered from a balangay in 2012. The oldest balangay unearthed in Barangay Libertad in Butuan dates back to 320 AD. Other finds were dated around 900 AD and 1250 AD. Treasure hunters discovered the ancient boats in 1976. Experts from the National Museum counted nine vessels, but in 2012, more diggings in the area yielded the tenth. The boats have been declared national cultural treasures under Proclamation No. 86, issued by then President Corazon Aquino in March 1987.So far, remnants of three boats had been dug. A more complete boat is on display at the Maritime Hall of the National Museum in Manila while another is at a National Museum site in Libertad. Replica Excavations stopped in 2014 as funding ran short and access problems cropped up as the site sits on private property. Efforts to revive the balangay legacy came when the three replicas were built starting 2009. The boats set off on a voyage, with Valdez leading the crew that used the traditional navigation methods. Valdez tapped the centuries-old boat-building knowledge of the Sama people of Tawi-Tawi to build the balangay replicas. He sought permission from the Department of Environment and Natural Resources to harvest local hardwood species, like red “lawaan,” apitong and “yakal,” to build the boats. UNEARTHING HISTORY A technician of the National Museum cleans parts of a wooden plank of a “balangay” during an archaeological excavation in Butuan City eight years ago. Work on one boat, named “Diwata ng Lahi,” was done at the Cultural Center of the Philippines complex next to Manila Bay while two — “Masawa Hong Butuan” and “Sama Tawi-Tawi” — were done in Butuan. Diwata ng Lahi’s first voyage was on Sept. 1, 2009, sailing from Manila to Butuan and passing by 54 ports. On Feb. 4, 2010, Masawa Hong Butuan joined Diwata ng Lahi in a voyage to Zamboanga City and on to Sulu where the third boat, Sama Tawi-Tawi, caught up with them from Butuan. By September that year, all three boats journeyed to Brunei, Indonesia, Malaysia, Cambodia, Thailand and Singapore, and back to the Philippines.  After the voyage, the Diwata ng Lahi was loaned to the National Museum as a cultural exhibit. So was the Masawa Hong Butuan in Butuan. Two more balangay … [Read more...]