A finales de Junio 2011 Workshop con armas blancas con Guro Dino Flores - conocido como uno de los peleadores más técnicos y avanzados del grupo SOG de LAMECO y KALIS ILUSTRISIMO (Sulite Original Backyard Group) http://www.kali-jeetkunedo.com/6noticias.html Interested contact with Sifu Tim Fredianelli 615308348 Space must be reserved in advance for these courses, places are limited to ensure quality. Special rates and privileges for members only at our school … [Read more...]
Film: Amigo (2010)
February 27, 2011 By
Movie: Amigo (2010) Amigo is a 2010 American drama film written and directed by John Sayles. The film takes place in the Philippines in 1900 during the Philippine–American War. It is one of only a small handful of films directed by an American to address the war. Plot Amigo centers on Rafael Dacanay, cabeza of the barrio of San Isidro in a rice-growing area of Luzon. His brother Simón, head of the local guerilla band, has forced the surrender of the Spanish guardia civil outpost and charged Rafael with the task of imprisoning the guardia Captain and the barrio’s Spanish friar, Padre Hidalgo, in the name of the revolutionary government. But when the American troops chasing General Aguinaldo arrive, the Spanish officer and Padre Hidalgo are freed, and a garrison under the command of Lieutenant Ike Compton is left to ‘protect’ the barrio. The American occupation policy now changes from ‘hearts and minds’ to ‘concentration’ (what was called ‘hamletting’ during the Vietnam war) and Rafael has to answer to both the Americans and the Filipino patriots, with deadly consequences. Cast • Chris Cooper as Col. Hardacre • Garret Dillahunt as Lt. Compton • DJ Qualls as Zeke • Yul Vàzquez as Padre Hidalgo • Joel Torre as Rafael • Lucas Neff as Shanker • James Parks as Sgt. Runnels • Dane DeHaan as Gill • Stephen Taylor as Pvt. Bates • Rio Locsin as Corazon • Jemi Paretas as Zuniga • Bill Tangradi as Dutch • Bembol Roco as Policarpio • Ronnie Lazaro as Simon • Irma Adlawan as Josefa Press Cinematical reports that the film was once titled Baryo, and that the idea for it came from a yet-to-be-published novel Some Time in the Sun, detailing U.S. imperialism in the Philippines. The book will actually be called A Moment in the Sun, though the unrealized screenplay which inspired it was called Some Time in the Sun. Distribution Amigo will show on September 14 at the 2010 Toronto International Film Festival. It will also screen at the San Sebastián International Film Festival and the Rio de Janeiro International Film Festival. In North America, the film will be released on August 20, 2011 by Variance Films. From Wikipedia … [Read more...]
The Two Conquests By Angel Postigo
February 23, 2011 By
Guro Dino of the Mandirigma Research Organization met Professor Angel Postigo and his father on one of his many business trips to Los Angeles from Mexico. Professor Postigo is a person with a very impressive resume in the warrior arts and journalism, among other things, having written for Artes Marciales, Katana, Kung Fu Magazine, Legitima Defensa and National Sports Directory of Mexico. They found that they both have a passion for history and its relationship to the warrior arts. Some of the discussions they had concerned the connections between the Philippines and Mexico for hundreds of years. Professor Postigo felt that mandirigma.org would be an excellent venue to present his articles of this often overlooked relationship between the Philippines and Mexico in history. Quoting Professor Postigo, "The reason why I am interested in working with "mandirigma.org" is to showcase my work as a writer interested in disseminating and spreading the culture of the Martial Arts of the Philippines, work that I have done in several Mexican magazines." Friday, October 12th, 2007 The Two Conquests By Angel Postigo Suddenly, the ascent they had begun at the beach, finally ended. Thousands of miles behind, their guides had led them to cross between those two volcanoes, the Popocatepetl and the Iztacihuatl. Standing in the snow, those iron men and their heraldic horses had that spectacle at their feet: beyond this wooded spot of splendid beauty, far beyond, into those mountains, a wide green valley was extended, and in the center the lakes shined like silver, and above the islands and the banks, those citadels with plazas and wide roads, the high roofs of its temples upon splendid hand-painted pyramids, and the woods and great fields full of exotic plants that enlightened those magic days of autumn. For the first time, western men looked at that wonderful landscape, as if painted on the evening air, and their eyes glowed as they contemplated the plain and remembered the gold and sacred feathered presents they had been offered as a plead to retire, to stay away. Cortes and his soldiers had started the advance to that plain, to Tenochtitlan, and the battles were about to begin. The great lord of the empire, Moctezuma II, intelligent and educated man, though deeply superstitious as most of his people, knew that his kingdom had come to its end. The news had spread as a desperate scream: Quetzalcoatl has returned, the Serpent God that promised to return in the year one, Acatl (1519), the prophecies are fulfilled now, the white-skinned bearded God has returned. Moctezuma knows a battle against a God is impossible, he has to have the help of other gods in order to save his nation. Being Cortes an extremely skillful politician and warrior, he perceives the rivalries between the different towns, and above all, the exacerbated hate against the Mexicas and their Aztec empire. Cortes returned to Tenochtitlan, not before suffering a defeat known as the Sad Night, when fallen and surrounded he was spared as many soldiers thanks to the tradition of not killing the enemy, just defeating them to take some prisoners for the ritual sacrifices. According to the number of prisoners, those warriors, Eagle men and Jaguar men, ascended in their military ranges. They were true conquerors who went further their frontiers of Guatemala, but their conquest had seeded rancor against the Aztec empire. Their armies were the best armed and trained. They had a regular troop, Yaoquizquel, and a lower but considerable number of noble warriors, Pipiltin, who belonged to a society known as the Eagle men, Quauhtin, and Jaguar men, Ocelomeh. Their elegant clothing had the skins of those felines and the feathers of those sacred birds. They were the sons of nobles who went to the Calmecac to receive military and cultural education, they learned astronomy, rhetoric, poetry, but above all, religion, and their status was well established, and how they could ascent according to their bravery, but above all, to the number of prisoners caught in battle. The Tlamani were the ones in charged of guarding the prisoners. This noble warriors, elegantly dressed, had as their main weapons the Macuahuitl, a kind of long club with sharp obsidian points, a round shield made of leather named Chimalli, an arc known as Tlauitolli, and a throwing spear, Atlatl. As he walks through many different spots of this empire, Cortes realizes the situation. In some places he has battles, but in others he comes to agreements easily, accomplishing an alliance in the first year of his arrival, and after establishing the Villa Rica de la Vera Cruz. One of the alliances was with the Zapoteca people, and afterwards, with others oppressed by the Aztec empire, the Texcocanos, the Huejotzincas and the Totonacas. Cortes starts his first march towards Mexico, Tenochtitlan, on August 16th, 1519, towards the heart of the empire. He has only 400 Spanish soldiers, 15 horses, 3 canons, … [Read more...]
Film: The Pacific Connection – Philippines, 1974
February 12, 2011 By
Roland Dantes plays an avenging hero, who defeats the forces of oppression with the power of Arnis! Roland Dantes plays Ben, a farm boy who comes into conflict with the Evil Spanish Governor and his two sons. One of the sons is played by a young Dean Stockwell. To assist in their oppression the Governor hires a Samurai played by Hiroshi Tanaka to teach his son the Japanese Katana sword. To counter this, Ben studies under a blind Franciscan monk to obtain some advanced fighting secrets and develop his warrior senses. Additionally Ben must search for the legendary "Iron Reed". A mystical stick so strong that grows in the lava of an active Volcano. One of the first full length movies featuring the Philippine Warrior Arts. A must see for any Filipino Martial Arts practitioner. Made in a similar spirit of the "Kung Fu" movies coming out of Hong Kong at the same time in the 1970's. The fight scenes were choreographed by Professor Remy Presas himself and is jam packed with Arnis inspired fight scenes. Dean Stockwell learned Arnis for his role and continued his Arnis practice long after the filming was over. The success of this movie led to a follow up film "Arnis: Sticks of Death" in 1984 also starring Roland Dantes. Director: Luis Nepomuceno Country: Philippines Language: English Release Date: 1974 (Philippines) Stars: Roland Dantes, Dean Stockwell, Hiroshi Tanaka, Nancy Kwan, Guy Madison, Alejandro Rey, Gilbert Roland, Elizabeth Oropesa, Fred Galang, Gloria Sevilla, Vic Diaz, Cole Mallard … [Read more...]
Los Angeles – Historic Filipinotown Chapter of Lameco SOG
February 12, 2011 By
Los Angeles – Historic Filipinotown Chapter of Lameco SOG By Mandirigma.org Lameco SOG members including: Joel Adriatico, Roger Agbulos, Jason Ancheta, Hospecio "Bud" Balani Jr., Ron Balicki, Rem V. Cruz, Marc F. Denny, Mar Elepaño, Bryant Emerson, Choy Flores, Dino Flores, Dave Gould, Steven Grody, Elmer R. Hebia, Sung Han Kim, Eric Dupois Koh, Arnold A. Noche, Lowell Pueblos, Gary Quan, Phillip Rapagna, Pantaleon "Mang Leo" Revilles, Jr. (RIP), Hans Anton Tan, Steve Tarani, Pelix Velenciar and Rodney Wilson. The group occasionally gets together to train or collaborate. Many are busy with heading their own organizations. A good number of the Lameco SOG members have continued to train together regularly since their teacher's death in 1997. Besides continued training in the Lameco Backyard Method, the group also continued study in the Lameco primary root fighting systems of Ilustrisimo and De Campo Uno-Dos-Tres Orihinal. This group is sometimes reffered to as The Los Angeles – Historic Filipinotown Chapter of Lameco SOG. This includes Guros Joel Adriatico, Hospecio "Bud" Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). It is also this group that came up with the term “SOG” or Sulite Orehenal Group with the guidance and approval of the two highest-ranking Lameco Eskrima International members, Master Christopher N. Ricketts and Master Reynaldo S. Galang. A few of these members to teach the public, however most prefer to keep their knowledge a private matter. When Christopher N. Ricketts moved to California backyard members Hospecio "Bud" Balani Jr., Mar Elepaño, Bryant Emerson, Ron Baliki, Choy Flores, Dino Flores and Arnold Noche trained under Master Rickets in Ilustrisimo and recognized him as the highest ranking Lameco Eskrima Member. With the tragic passing of Master Ricketts, the highest ranking Lameco Eskrima Member is currently Master Rey Galang Above is the largest Filipino-American mural in the U.S.A. located in Historic Filipinotown, Los Angeles. Painted by Eliseo Art Silva. The mural measures 145 feet x 25 feet. The mural was created in commemoration of the Centennial of the Philippine Revolution against Spain … [Read more...]
Who Discovered the Philippines? by Perry Diaz
February 7, 2011 By
Who Discovered the Philippines? PerryScope Perry Diaz, Global Balita Philippine history books have been saying that Ferdinand Magellan discovered the Philippines. But was he really the one who discovered the Philippines? Long before Magellan landed in the Philippine archipelago, visitors and colonizers from other lands had come to our shores. The earliest evidence of the existence of modern man — homo sapiens sapiens — in the archipelago was discovered in 1962 when a National Museum team led by Dr. Robert Fox uncovered the remains of a 22,000-year old man in the Tabon Caves of Palawan. The team determined that the Tabon Caves were about 500,000 years old and had been inhabited for about 50,000 years. In the late 1990s, Jared Diamond, Professor of Geography at UCLA and winner of the Phi Beta Kappa Award in Science, and Peter Bellwood, Professor of Archaeology at the Australian National University, postulated that the Austronesians had their roots in Southern China. Diamond said that they migrated to Taiwan around 3,500 B.C. However, Bellwood believed that the Austronesian expansion started as early as 6,000 B.C. Around 3,000 B.C., the Malayo-Polynesians — a subfamily of the Austronesians — began their migration out of Taiwan. The first stop was northern Luzon. Over a span of 2,000 years, the Malayo-Polynesian expansion spread southward to the rest of the Philippine archipelago and crossed the ocean to Celebes, Borneo, Timor, Java, Sumatra, Malay Peninsula, and Vietnam; westward in the Indian Ocean to Madagascar; and eastward in the Pacific Ocean to New Guinea, New Zealand, Samoa, Fiji, Marquesas, Cook, Pitcairn, Easter, and Hawaii. Today, the Malayo-Polynesian speaking people have populated a vast area that covers a distance of about 11,000 miles from Madagascar to Hawaii, almost half the circumference of the world. In 2002, Bellwood and Dr. Eusebio Dizon of the Archaeology Division of the National Museum of the Philippines led a team that conducted an archaeological excavation in the Batanes Islands, which lie between Taiwan and Northern Luzon. The three-year archaeological project, financed by National Geographic, was done to prove — or disprove — the “Out of Taiwan” hypothesis for the Austronesian dispersal. The archaeological evidence that they gathered proved that the migration from Taiwan to Batanes and Luzon started about 4,000 years ago. For the next 500 years after the arrival of the Malayo-Polynesians in Batanes and Northern Luzon, native settlements flourished throughout the archipelago. The Philippine islands’ proximity to the Malay Archipelago, which includes the coveted Moluccas islands — known as the “Spice Islands” — had attracted Arab traders who had virtual monopoly of the Spice Trade until 1511. By the 9th century, Muslim traders from Malacca, Borneo, and Sumatra started coming to Sulu and Mindanao. In 1210 AD, Islam was introduced in Sulu. An Arab known as Tuan Mashaika founded the first Muslim community in Sulu. In 1450 AD, Shari’ful Hashem Syed Abu Bakr, a Jahore-born Arab, arrived in Sulu from Malacca. He married the daughter of the local chieftain and established the Sultanate of Sulu. In the early 16th century, Sharif Muhammad Kabungsuan, a Muslim preacher from Malacca arrived in Malabang in what is now Lanao del Sur and introduced Islam to the natives. In 1515 he married a local princess and founded the Sultanate of Maguindanao with Cotabato as its capital. By the end of the 18th century, more than 30 sultanates were established and flourished in Mindanao. The Sultanates of Maguindanao and Sulu were the most powerful in the region. Neither of them capitulated to Spanish dominion. Chinese traders — who were also involved in the Spice Trade — started coming to the Philippine archipelago in the 11th century. They went as far as Butuan and Sulu. However, most of their trade activities were in Luzon. In 1405, during the reign of the Ming Dynasty in China, Emperor Yung Lo claimed the island of Luzon and placed it under his empire. The Chinese called the island “Lusong” from the Chinese characters Lui Sung. The biggest settlement of Chinese was in Lingayen in Pangasinan. Lingayen also became the seat of the Chinese colonial government in Luzon. When Yung Lo died in 1424, the new Emperor Hongxi, Yung Lo’s son, lost interest in the colony and the colonial government was dissolved. However, the Chinese settlers in Lingayen — known as “sangleys” — remained and prospered. Our national hero Dr. Jose P. Rizal descended from the sangleys. The lucrative Spice Trade attracted the European powers. In 1511 a Portuguese armada led by Alfonso d’Albuquerque attacked Malacca and deposed the sultanate. Malacca’s strategic location made it the hub of the Spice Trade; and whoever controlled Malacca controlled the Spice Trade. At that time, Malacca had a population of … [Read more...]
Macario Sakay: Tulisán or Patriot? by Paul Flores
February 4, 2011 By
Macario Sakay: Tulisán or Patriot? by Paul Flores © 1996 by Paul Flores and PHGLA All rights reserved Contrary to popular belief, Philippine resistance to American rule did not end with the capture of Emilio Aguinaldo in 1901. There were numerous resistance forces fighting for Philippine independence until the year 1910. One of these forces was led by Macario Sakay who established the Tagalog Republic. Born in 1870 in Tondo, Macario Sakay had a working-class background. He started out as an apprentice in a calesa manufacturing shop. He was also a tailor, a barber, and an actor in comedias and moro-moros. His participation in Tagalog dramas exposed him to the world of love, courage, and discipline. In 1894, Sakay joined the Dapitan, Manila branch of the Katipunan. Due to his exemplary work, he became head of the branch. His nightly activities as an actor in comedias camouflaged his involvement with the Katipunan. Sakay assisted in the operation of the Katipunan press. During the early days of the Katipunan, Sakay worked with Andres Bonifacio and Emilio Jacinto. He fought side by side with Bonifacio in the hills of Morong (now Rizal) Province. During the initial stages of the Filipino-American war, Sakay was jailed for his seditious activities. He had been caught forming several Katipunan chapters and preaching its ideals from town to town. Republika ng Katagalugan Released in 1902 as the result of an amnesty, Sakay established with a group of other Katipuneros the Republika ng Katagalugan in the mountains of Southern Luzon. Sakay held the presidency and was also called "Generalisimo." Francisco Carreon was the vice-president and handled Sakay's correspondence. Julian Montalan was the overall supervisor for military operations. Cornelio Felizardo took charge of the northern part of Cavite (Pasay-Bacoor) while Lucio de Vega controlled the rest of the province. Aniceto Oruga operated in the lake towns of Batangas. Leon Villafuerte headed Bulacan while Benito Natividad patrolled Tanauan, Batangas. In April 1904, Sakay issued a manifesto stating that the Filipinos had a fundamental right to fight for Philippine independence. The American occupiers had already made support for independence, even through words, a crime. Sakay also declared that they were true revolutionaries and had their own constitution and an established government. They also had a flag. There were several other revolutionary manifestos written by the Tagalog Republic that would tend to disprove the U.S. government's claim that they were bandits. The Tagalog Republic's constitution was largely based on the early Katipunan creed of Bonifacio. For Sakay, the new Katipunan was simply a continuation of Bonifacio's revolutionary struggle for independence. Guerilla tactics In late 1904, Sakay and his men took military offensive against the enemy. They were successful in seizing ammunition and firearms in their raids in Cavite and Batangas. Disguised in Philippine Constabulary uniforms, they captured the U.S. military garrison in Parañaque and ran away with a large amount of revolvers, carbines, and ammunition. Sakay's men often employed these uniforms to confuse the enemy. Using guerrilla warfare, Sakay would look for a chance to use a large number of his men against a small band of the enemy. They usually attacked at night when most of the enemy was looking for relaxation. Sakay severely punished and often liquidated suspected collaborators. The Tagalog Republic enjoyed the support of the Filipino masses in the areas of Morong, Laguna, Batangas, and Cavite. Lower class people and those living in barrios contributed food, money, and other supplies to the movement. The people also helped Sakay's men evade military checkpoints. They collected information on the whereabouts of the American troops and passed them on. Muchachos working for the Americans stole ammunition and guns for the use of Sakay's men. Unable to suppress the growth of the Tagalog Republic, the Philippine Constabulary and the U.S. Army started to employ "hamletting" or reconcentration in areas where Sakay received strong assistance. The towns of Taal, Tanauan, Santo Tomas, and Nasugbu in the province of Batangas were reconcentrated. This cruel but effective counter-insurgency technique proved disastrous for the Filipino masses. The forced movement and reconcentration of a large number of people caused the outbreak of diseases such as cholera and dysentery. Food was scarce in the camps, resulting in numerous deaths. Meanwhile, search and destroy missions operated relentlessly in an attempt to suppress Sakay's forces. Muslims from Jolo were brought in to fight the guerrillas. Bloodhounds from California were imported to pursue them. The writ of habeas corpus was suspended in Cavite and Batangas to strengthen counter-insurgency efforts. With support cut off, the continuous American military offensive caused the Tagalog Republic to weaken. Fall of … [Read more...]
Lameco Sulite Orihinal Group
January 28, 2011 By
Lameco Sulite Orihinal Group Sulite Orihinal Group is comprised of dedicated Lameco Eskrima International practitioners who were handpicked by Punong Guro himself to be a part of his regular "backyard" training sessions. Many loyal Lameco practitioners have trained in the "backyard", yet there was and always will be a distinction between "Invitation Only" and "Open Invitation" students. The open invitation students were the selected few individuals who attended the rigorous, 3 days a week, 4-hour sessions and were frequently shown numerous techniques not shared with the general public. An important factor among the core members was that they held no administrative ties to other Filipino Martial Arts styles and systems. One of the primary reasons Punong Guro created the elite group was to create a first generation of practitioners that owed allegiance, first and foremost, to Lameco Eskrima. Because the sessions were conducted at his personal residence, Punong Guro was extremely selective about whom he allowed to participate. Punong Guro often mentioned that although many individuals were eager to train, very few actually allowed themselves to be trained. It is not a system, for it already exists, but a fraternity of dedicated practitioners with a common bond. One factor that is prevalent among the original core members is that they initially joined Lameco Eskrima International for reasons of pride, culture and heritage. The primary aim of the group is to keep the art of Lameco Eskrima alive through continued training in a combat realistic, non-commercial and non-political environment. Passion for the art was, and always will be, the prime motivator. As a sign of respect so that Punong Guro’s name shall always be remembered for many generations to come, the core members named themselves “Sulite Orihinal Group.” Sulite Orihinal Group considers their inherited knowledge more precious beyond any material compensation, just as much as the blood, sweat and tears that were spilled by our forefathers in order to obtain it, so we strive to be worthy of the generations of warriors before us. The desire of the brotherhood is to continue traveling upon the same path, which Punong Guro Edgar G. Sulite had started them on. They wish to keep his legacy, and the heritage, alive and pure and pursue it with a mind, body and sprit that is nothing short of being honorable. Sulite Orihinal Group will continue to uphold this tradition in order to maintain the spirit of brotherhood and unity amongst its members. Lameco Sulite Orihinal Group circa 1992 -1997 Lameco Sulite Orihinal Group circa 1992 -1997 Lowell Pueblos, Eric Koh, Ron Balicki Mar Elepano, Hospecio "Bud" Balani, jr., Rem V. Cruz, Dino Flores, Arnold Noche, Hans Anton Tan, Pelix Balencia, Dave Gould, Steve Grody Elmer "Bong" Hebia, Roger Agbulos, Jason Ancheta Marc F. Denny, Steve Tarani, Phil Rapagna , Choy Flores, Gary Quan Joel '"Jay" Adriatico, Bryant Emerson, Sung Han Kim, Rodney Wilson, Pantaleon " Mang Leo" Revilles, jr. ( R.I.P. ) … [Read more...]
Grandmaster Christopher ’Topher’ Ricketts Interview by David Foggie and Dino Flores
January 11, 2011 By
Grandmaster Christopher ’Topher’ Ricketts Interview Research & questions by David Foggie Interviewed by Dino Flores. Answers by Master Ricketts given in Tagalog, Translation by Dino Flores. Interview commenced 12 th February 2006 and conducted over a span of three months by Dino Flores in Los Angeles, California U.S.A. Grandmaster Christopher N. Ricketts or 'Master Topher 'is Chief Instructor of Bakbakan International whose motto is "Matira Matibay" (The Best of the Best). Concerned with training and passing on his knowledge to students rather than collecting accolades and titles, Master Topher's skills and credentials are impeccable and second to none; he is one of the best of the best. A senior disciple of the revered Grandmaster Antonio Ilustrisimo and one of the 5 Pillars of Kali Ilustrisimo, he is the highest ranking living instructor in Lameco Eskrima, having trained personally with Grandmaster Edgar Sulite. With teaching credentials in several martial arts systems including Ngo Cho Kuen (5 Ancestor Fist), Sagasa Filipino Kickboxing as well as being a professional boxing trainer, he has dedicated his life to the martial arts and other fighting systems. With his brother Ronnie Ricketts being a well known and respected action star in Philippine movies, Master Topher has provided his vast experience in the fighting arts to choreograph fight scenes. Through an introduction from my teacher Grandmaster Roland Dantes in 1998, I have been fortunate to benefit from Master Topher's extensive knowledge and experience. Knowing the high regard my instructor, Roland Dantes and many other respected elders of FMA hold Master Topher and having witnessed his immense skills, it was an opportunity not to be missed. When I first observed Master Topher demonstrate Kali Ilustrisimo at his home, I knew that I was in the presence of a genuine master of Kali Ilustrisimo. During our training sessions, the true scope of Master Topher's knowledge became apparent as did his effective use of body mechanics. Under Master Topher's instruction, I was introduced to the principles and techniques which form the foundation and in fact, the nucleus or core of Kali Ilustrisimo. With a sharp eye for perfect form and understanding, Master Topher meticulously dissected each technique and corrected even the minutest nuances until he was satisfied. My time spent training under Master Topher has afforded me the opportunity to see the various aspects of this remarkable martial artist. A remarkable man, he is a fighter, teacher and friend to his students. Martial arts are meant to be about honor, respect, integrity, loyalty and dedication. Master Topher embodies these traits and as such, it is easy to see why Grandmaster Roland Dantes and many other highly respected masters are his friends and respect him. It was with the approval of my teacher, Grandmaster Roland Dantes, I began studying Kali lIustrisimo under Master Topher and as such, I consider him also to be my teacher. More importantly, I consider him to be a respected, loyal and much valued friend. It is my pleasure and honor to present, Grandmaster Christopher 'Topher' Ricketts. (Q) Firstly what is the history and aim of Bakbakan? Bakbakan means something along the lines of a free for all brawl. Bakbakan was founded in 1967 by a group of instructors from various styles of martial arts in the Philippines. Prior to the organization becoming a bastion of martial arts in the Philippines, the main objective of the original members was to elevate their fighting skills through constant full contact sparring. Originally there were only six of us: Ding Binay, Rolly Maximo, Christian Gloria, Eddie Ben Alicante, Rey Vizer and myself. We would meet at my house in San Miguel Village in Makati, where my bedroom was our original gym. (Q) Prior to studying under Grandmaster Antonio Tatang' Ilustrisimo did you have much exposure to FMA? Prior to Kali Ilustrisimo my training included the Rapillon style of Mang Sciano Cleope in 1967. He was a well-known eskrimador from Quezon province of the Philippines and I was a training partner of his son, Edgar Cleope. For a little while I trained with Jimmy Gales in his arnis style which he called Sphinx. He used the centro baston (central grip) and susi (inverted grip) styles of wielding a stick. I also trained with Doc Lengson in the Arnis Federation of the Philippines style from 1973-1978. (Q) Grandmaster Ilustrsimo is celebrated as one of the greatest masters of FMA. How did you come to know of Tatang and how did you come to be accepted as his student? I was introduced to Tatang by my good friend Alex Co, a driving force in the Philippine martial arts world. It was the same time that I met Edgar Sulite, Yuli Romo and Tony Diego. When we met for some reason the old man took a liking to me and thus I was accepted as one of his students. (Q) You were exposed to and had seen other systems of arnis. Why did you … [Read more...]
Lameco SOG – Kapisanang Mandirigma
January 11, 2011 By
Lameco SOG - Kapisanang Mandirigma The Los Angeles – Historic Filipinotown Chapter of Lameco SOG - Kapisanang Mandirigma includes Guros Joel Adriatico, Hospecio "Bud" Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold A. Noche, Gary Quan and Hans Anton Tan . It is also this core group that came up with the term “SOG” with the guidance and approval of the two highest-ranking Lameco Eskrima International members, Master Christopher N. Ricketts (RIP) and Master Reynaldo S. Galang. We are still in touch with the other Lameco SOG members (who are also very busy heading their own organizations) with whom we occasionally get together with to collaborate or socialize. The majority of us who banded together after our teacher's death continue to do so since 1997. When Punong Guro passed away, the members unified to keep his teachings and vision alive in ways besides the commercial route. Hence, we began volunteering / teaching a youth program in the Los Angeles Historic Filipinotown area. The program, which started in 1999, teaches Lameco Eskrima, Filipino Martial Arts, Philippine Culture and History as a diversion for ‘at risk youths’ from the temptations of gangs and drugs. Historic Filipinotown , located in Los Angeles' Rampart District, is notorious for being among the highest in gang, murder and drug activity in the country since the 1960's. In as much so, that Hollywood has portrayed it in television shows such as “Adam-12” and most recently in “The Shield” , as well as in feature films like “Training Day". Even the video game, "Grand Theft Auto: San Andreas", contains a story-line reminiscent of the Rampart Police Scandal of the 1990's. It's notoriety is also mentioned in the acclaimed literary works such as Charles Bukowskis' “Ham on Rye” and Carlos Bulosan’s “America is in the Heart”. The initial youth program has expanded into several other nonprofit agencies to include children, adults and seniors.* We even picked up a few awards along the way. Since then we have been involved in many aspects of the Filipino volunteer / cultural community that included being one of only two cultural groups to usher in the First Official "Filipinotown" in America– televised inside the iconic Los Angeles City Hall. Other activities include lecturing at the Filipino American National Historical Society (FANHS) Conferences and a number of prestigious universities as well and doing various newspaper, radio and television interviews in the U.S. and Philippines. To avoid typical martial arts politics, Lameco SOG members teach these Lameco Eskrima-based programs under different organizations. This has allowed us to focus on one of Punong Guro’s visions – to promote the Arts with honor and integrity. Punong Guro was passionate about his culture as a whole. Since Punong Guro Sulite's passing the group has continued to train together and have trained a second generation of students in the Lameco SOG method. Given the nature of our neighborhood, a number of these students have used their lessons for self-preservation with actual knife, stick and even gun situations. We have been teaching these students since they were teens. They are now adults and are now assisting us in teaching the next generation. … [Read more...]
Kali Klub Sa Historic Filipinotown Los Angeles
January 10, 2011 By
Kali Klub Kali Klub, an award-winning project of Kapisanang Mandirigma, initially started as a positive diversion against drugs and gangs for youths in the Temple-Beverly corridor, now known as Historic Filipinotown. It is; a collaboration with several non- profit agencies in the area such as FilAm Arts, SIPA and PWC. Now entering their 9th year, they have expanded to teaching Children (ages 5-12), Youths (ages 13-17), Adults (ages 18 & over) and Elders (ages 40 & Over) the Warrior Arts of the Philippines in a non-commercial, non-political environment where art, culture and heritage are integrated into their curriculum. Presentations include the dedication of Historic Filipinotown at the Los Angeles City Hall and a lecture/demo at the Filipino Historical Society Conference at Loyola University. Kali Klub sa FilAm ARTS - www.filamarts.org The Association for the Advancement of Filipino American Arts & Culture ("FilAm ARTS") was founded in 1999 but has consistently delivered the annual presentation of the Festival of Philippine Arts & Culture (FPAC) since their early beginnings in 1992 and has now added two other programs: the California-statewide Pilipino Artists Network (PAN) and the Eskuwela Kultura Neighborhood Cultural School. Kali Klub sa FilAm ARTS, established in 2004, is a joint project between Kapisanang Mandirigma and the Association for the Advancement of Filipino American Arts & Culture (FilAm ARTS) under their community-based nonprofit 501(c)(3) status. Kali Klub sa SIPA - www.esipa.org Founded in 1972, Search to Involve Pilipino Americans ("SIPA") has long established itself as a key service provider among the low-income and underserved multi- ethnic youth and families in the Temple Beverly corridor and the Pilipino American community of Los Angeles County. Their mission is to enhance the quality of life of the Pilipino American community by: Supporting youth development and leadership; Providing family programs, health and human services and affordable housing; Facilitation of collaborative actions within multi-ethnic communities. Kali Klub sa SIPA, established in 1999, is a joint project between Kapisanang Mandirigma and Search to Involve Pilipino Americans (SIPA) under their community- based nonprofit 501(c)(3) status. Kali Klub sa PWC - www.pwcsc.org The Pilipino Workers' Center ("PWC") was founded in 1997 on the idea that all workers have a right to safe working conditions, living wages, a decent standard of living and quality of life. Their mission is to organize Filipino Workers to collectively address our needs and issues both in the work place and in the community. Kali Klub sa PWC, established in 2003, is a joint project between Kapisanang Mandirigma and Pilipino Workers' Center (PWC) under their community-based nonprofit 501(c)(3) status. … [Read more...]
Mandirigma Research Organization/Mandirigma.org
January 10, 2011 By
Mandirigma Research Organization/Mandirigma.org, a project of Kapisanang Mandirigma, is a research organization dedicated to cultural research. Their focus includes preserving and promoting the Warrior Arts of the Philippines commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve the culture it originated from. Thus, mandirigma.org is also involved in researching culture in issues from ancient to current. The primary objective of mandirigma.org is to do its part in keeping alive ancient knowledge and give honor to the sacrifices made by previous generations. Using both traditional and modern methods in its work, mandirigma.org has organized, collaborated with and participated in classes, conferences, demonstrations, festivals, lectures, seminars and workshops with prominent college and community organizations. Aside from their hands-on approach, mandirigma.org utilizes multimedia technologies such as audio, desktop, video and web to reach people across the globe. Researching since the 1970's, mandirigma.org believes in being actively involved in giving back to the community. They have collaborated with and volunteered in various non-profit agencies. They have also arranged fundraisers in order to assist causes for indigenous tribal groups and organizations dedicated to cultural preservation in the Philippines. Mandirigma.org believes that this expansive pursuit is at its best a collaborative effort. This has allowed mandirigma.org to meet and work with many fine individuals and organizations throughout the Philippines, the United States and the world. mandirigma.org welcomes all with an open and positive mind to participate and join them on this never-ending cultural adventure. This humble site is dedicated to honoring the sacrifices of Filipino Warriors throughout the many generations that have come before us. Maraming Salamat! … [Read more...]
Film: Sticks of Death (Arnis: The Sticks of Death) – 1984
February 13, 2000 By
Sticks of Death (Arnis: The Sticks of Death) This Filipino Martial Arts action film features Roland Dantes. Dantes plays Johnny Guerrero, a man who masters the ancient art of arnis with the help of his grandfather to get revenge on a group of crooks who attempted to beat him to death. Using two deadly sticks, slingshots, poisonous darts and more, Johnny also seeks to bring down an international drug ring and fights at a renowned arnis tournament alongside an Interpol agent. Director: Ave C. Caparas Release Date: 1984 Cast: Roland Dantes, Rosemarie Gil, Veronica Jones, Anita Linda, Mario Montenegro, Rusty Santos … [Read more...]
Baybayin: Pre-Spanish Philippine writing system
February 21, 1999 By
Baybayin Baybayin is a pre-Spanish Philippine writing system. It is a member of the Brahmic family and is recorded as being in use in the 16th century. It continued to be used during the Spanish colonization of the Philippines up until the late 19th Century. The term Baybay literally means "to spell" in Tagalog. Baybayin was extensively documented by the Spanish. Some have attributed it the name Alibata, but this name is incorrect. (The term "Alibata" was coined by Paul Rodriguez Verzosa after the arrangement of letters of the Arabic alphabet alif, ba, ta (alibata), “f” having been eliminated for euphony's sake." ) Versoza's reasoning for creating this word was unfounded because no evidence of the baybayin was ever found in that part of the Philippines and it has absolutely no relationship to the Arabic language. Furthermore, no ancient script native to Southeast Asia followed the Arabic arrangement of letters, and regardless of Versoza's connection to the word alibata, its absence from all historical records indicates that it is a totally modern creation. The present author does not use this word in reference to any ancient Philippine script. Modern scripts in the Philippines, descended from Baybayin, are Hanunó'o, Buhid, Tagbanwa, the Kapampangan script and the Bisaya script. Baybayin is one of a dozen or so individual writing systems used in Southeast Asia, nearly all of which are abugidas where any consonant is pronounced with the inherent vowel a following it— diacritical marks being used to express other vowels (this vowel occurs with greatest frequency in Sanskrit, and also probably in all Philippine languages). The term Baybay literally means "to spell" in Tagalog. Baybayin was extensively documented by the Spanish. Some have attributed it the name Alibata, but this name is incorrect. (The term "Alibata" was coined by Paul Rodriguez Verzosa after the arrangement of letters of the Arabic alphabet alif, ba, ta (alibata), “f” having been eliminated for euphony's sake." ) Versoza's reasoning for creating this word was unfounded because no evidence of the baybayin was ever found in that part of the Philippines and it has absolutely no relationship to the Arabic language. Furthermore, no ancient script native to Southeast Asia followed the Arabic arrangement of letters, and regardless of Versoza's connection to the word alibata, its absence from all historical records indicates that it is a totally modern creation. The present author does not use this word in reference to any ancient Philippine script. Modern scripts in the Philippines, descended from Baybayin, are Hanunó'o, Buhid, Tagbanwa, the Kapampangan script and the Bisaya script. Baybayin is one of a dozen or so individual writing systems used in Southeast Asia, nearly all of which are abugidas where any consonant is pronounced with the inherent vowel a following it— diacritical marks being used to express other vowels (this vowel occurs with greatest frequency in Sanskrit, and also probably in all Philippine languages). Origins Baybayin was noted by the Spanish priest Pedro Chirino in 1604 and Antonio de Morga in 1609 to be known by most, and was generally used for personal writings, poetry, etc. According to William Henry Scott, there were some datus from the 1590s who could not sign affidavits or oaths, and witnesses who could not sign land deeds in the 1620s. There is no data on when this level of literacy was first achieved, and no history of the writing system itself. There are at least six theories about the origins of Baybayin. Kawi Kawi originated in Java, and was used across much of Maritime Southeast Asia. Laguna Copperplate Inscription. The Laguna Copperplate Inscription is the earliest known written document found in the Philippines. Butuan Ivory Seal It is a legal document, and has inscribed on it a date of Saka era 822, corresponding to April 21, 900 AD Laguna Copperplate Inscription#cite note-bibingka-1. It was written in the Kawi script in a variety of Old Malay containing numerous loanwords from Sanskrit and a few non-Malay vocabulary elements whose origin is ambiguous between Old Javanese and Old Tagalog. One hypothesis therefore reasons that, since Kawi is the earliest attestation of writing on the Philippines, then Baybayin may be descended from Kawi. A second example of Kawi script can be seen on the Butuan Ivory Seal, though it has not been dated. An earthenware burial jar, called the "Calatagan Pot," found in Batangas is inscribed with characters strikingly similar to Baybayin, and is claimed to have been inscribed ca. 1300 AD. However, its authenticity has not yet been proven. Old Sumatran "Malay" scripts Another hypothesis states that a script or script used to write one of the Malay languages was adopted and became Baybayin. In particular, the Pallava script from Sumatra is attested to the 7th century. Sulawesi The Liboginese and/or Makassarese … [Read more...]
Kapisanang Mandirigma
January 10, 1998 By
Kapisanang Mandirigma - A federation of warriors from different disciplines of the Warrior Arts of the Philippines. It is not a style, nor a representation of any singular style, but rather a federation of practitioners with similar goals to provide a vehicle for growth and personal discovery through continued training. Founded in 1998 by Guros Joel Adriatico, Hospecio "Bud" Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP) from Lameco SOG (Sulite Orihinal Group), this unique federation has an ever-growing but extremely selective membership representing numerous progressive fighting styles. The ideas that interchange between the diverse styles and dedicated members create a dynamic foundation for continuously keeping the Warrior Arts of the Philippines alive with integrity for future generations. … [Read more...]
LAMECO: Legacy of Steel By Steve Tarani
February 28, 1997 By
This article was reprinted with the author's permission from the Souvenir Edition of Arnisador Magazine published by Goodwill Publications Limited. More information about the magazine can be obtained by calling Peter Morgan in London at +44 (0) 171-895 0800. Saturday, June 1st, 1996 LAMECO: Legacy of Steel By Steve Tarani Swollen knuckles, bleeding forearms and battered shins - two warriors face off in a clearing. Sharp strikes of clashing rattan mix with the drawl of heavy breathing and shuffling feet. Intensely focused and alert, both combatants melt into the sweltering humidity. Glistening beads of sweat roll down to fingers wrought with open blisters. Ignoring the searing pain, each man continues fighting. Skillfully, cautiously - each life hinges upon immediate reaction to a deadly salvo of crushing blows. Such is the way of life of an Arnisador - a path chosen by Punong Guro Edgar G. Sulite. Since and before the days of Magellan, the Filipino martial arts have proven themselves highly effective standing in defiance of determined warring tribes, rabid Conquistadors and greedy foreign hordes. The LAMECO system, systematically structured and easily assimilatable according to modern training methods, is the stainless steel link in an unbroken chain of training succession. Great-grandfather to grandfather to father to son, a continual succession of knowledge and commitment breathes life into the ancient art from those very early days of foreign aggression to the current days of domestic violence. The heritage of combat-ready warriors runs deeply through the bloodline of the Sulite family tree. Born on September 25, 1957 in a rural province on the Visayan Island of Leyte, Tacloban City, Punong Guro Edgar G. Sulite was raised by a family of martial arts devotees in a rugged barrio neighborhood where deadly brawls and Bolo knife skirmishes were commonplace. In other martial arts, the attainment of a certain level automatically designates the title Master or Grandmaster. In the Philippines, there are certain norms to be satisfied before one can be called and accepted as a Master or Grandmaster. After expressing great interest in the Filipino fighting arts at a very early age, young Edgar was introduced to the rigorous training by his own father - Grandmaster Helacrio Sulite Sr. Grandmaster Helacrio first studied with his father Grandmaster Timoteo Sulite in the 1930s. Grandmaster Helacrio went on to further enhance his skills under the tutelage of several other Arnis masters of varied styles (such as the late Grandmaster Melicio Ilustrisimo and Master Almario of Cebu among others.) Grandmaster Timoteo Sulite's instructors were active in the mid-19th century and their grandfathers recalled stories of their grandfathers which included the defeat of several infamous Spanish conquistadors using the very same styles of Arnis that have been meticulously passed down to Punong Guro Edgar G. Sulite who, in turn, continues the solemn tradition to this very day. While simultaneously training under his father and coming to master the family system known as Sulite Rapelon, Punong Guro Edgar G. Sulite continually expanded his skills and combat technology by training intently with several other masters and Grandmasters all across the Philippine Islands. Punong Guro devoted his entire life to the study of the ancient systems and masters who transformed him from young eager aspirant to the refined physical embodiment of technical perfection that he has become today. Among the long list of such distinguished curators of the ancient ways is Grandmaster Antonio Ilustrisimo of Bag-on Bantayan - founder of Kali Ilustrisimo, Grandmaster Jose D. Caballero of Ozamis City, Western Mindanao - founder of De Campo 1-2-3 Orihenal and Grandmaster Leo T. Gaje Jr. of Negros Occidental - founder of Pekiti Tirsia (a close quarters combat system that specializes in knife and Espada y Daga.) Punong Guro sheds further light on the methods of his masters in a series of educational books and video tapes available to the general public. Especially in his third book, MASTERS OF ARNIS, KALI & ESKRIMA, Punong Guro provides a rare glimpse into the arcane and mystical world of the traditional Filipino warrior class. Punong Guro is also the author of ADVANCED BALISONG: FILIPINO BUTTERFLY KNIFE and THE SECRETS OF ARNIS and has produced a total of ten instructional video tapes. Punong Guro Sulite believes that the ancient tradition of keeping the sacred art only in the family is a double-edged sword. On the one hand the art is kept pure and in accordance with tradition. On the other hand, as modern times erode the interests of today's youth, (who would much rather play video games rather than listen to grandpa tell old war stories,) the passing of the torch becomes more and more limited to only a select few. Unfortunately, when such masters pass away, so goes with them, forever, the art which they … [Read more...]
