Baybayin - The Ancient Script of the Philippines by Paul Morrow This language of ours is like any other, it once had an alphabet and its own letters that vanished as though a tempest had set upon a boat on a lake in a time now long gone. "To My Fellow Children”, attributed to Jose Rizal, 1869 English translation by P. Morrow The tempest in Rizal's verse struck the Philippines in the 16th century. It was the Spanish Empire and the lost alphabet was a script that is known today as the baybayin. Contrary to the common misconception, when the Spaniards arrived in the islands they found more than just a loose collection of backward and belligerent tribes. They found a civilization that was very different from their own. The ability to read and write is the mark of any civilization and, according to many early Spanish accounts, the Tagalogs had already been writing with the baybayin for at least a century. This script was just beginning to spread throughout the islands at that time. Furthermore, the discovery in 1987 of an inscription on a sheet of copper in Laguna is evidence that there was an even more advanced script in limited use in the Philippines as far back as the year 900 C.E. (See The Laguna Copperplate Inscription) Continue at: http://www.mts.net/~pmorrow/bayeng1.htm … [Read more...]
Way Of The Balisong – An independent documentary film project that examines the history and culture of the Balisong Knife.
Way Of The Balisong An independent documentary film project that examines the history and culture of the Balisong Knife. BE ON THE LOOKOUT FOR OUR KICKSTARTER CAMPAIGN STARTING SOON!!! Synopsis> From the Batangas region of the Philippines, to the cutlery factories of Oregon-USA, to the practitioners and aficionados connected by the World Wide Web, this film examines the origins, history and culture of the notorious Balisong Knife. Well-known from its appearance in films and popularity among blade enthusiasts, often overlooked is the small town which made the knife famous, now struggling to maintain its identity in a modernizing world. Help Make This Film> The Film is one-third through it's principle completion. Finishing the film will require your help. If you would like to support this project and be a part of history please join our mailing list and follow us on facebook / twitter to stay tuned to announcement for our Kickstarter funding campaign, starting on October 7th. https://www.facebook.com/WayOfTheBalisongwww.wayofthebalisong.comhttps://twitter.com/BalisongMovie Help Make This Film 'Way of the Balisong' is a passion project that started from a visit to the heritage town of Taal, in the Batangas region of the Philippines by filmmaker Paul Factora in 2012. After hearing about the plight of the people in Barangay Balisong and speaking with prominent blade merchant Diosdado Ona about the disappearing industry within the Town it was named after, a decision was made to return and document their story. After 2 subsequent trips to the Philippines, the story expanded. Originally intended as a short 10 minute piece, it became apparent that the tale of the Balisong knife was not relegated to just the Philippines and in order to tell the full story the project must also grow. It wasn't just about a knife, it became about the people who pioneered a craft that spread throughout the world and how that craft is now dwindling away. Along with a couple of friends & cameras one-third of the principle photography was shot in the Philippines completely self funded. Completing the film in it's envisioned entirety, will require another trip to the Philippines and several interviews shot throughout the U.S. 'Way Of The Balisong' will need YOUR help to be completed. Please join our mailing list to recieve updates on our Kickstarter Campaign beginning October 7, 2013 and stay tuned to learn what you can do to help make 'Way Of The Balisong' a reality. http://www.wayofthebalisong.com/about.html … [Read more...]
BOOK: Anting-Anting Stories And Other Strange Tales of the Filipinos By Sargent Kayme. Boston: Small, Maynard & Company. 1901
Anting-Anting Stories And Other Strange Tales of the Filipinos By Sargent Kayme Boston: Small, Maynard & Company 1901 [Contents]Copyright, 1901, by Small, Maynard & Company (Incorporated)Entered at Stationers’ HallPress of J. J. Arakelyan Boston, U.S.A.[V] [Contents] Foreword The life of the inhabitants of the far-away Eastern islands in which the people of the United States are now so vitally interested opens to our literature a new field not less fresh and original than that which came to us when Mr. Kipling first published his Indian tales. India had always possessed its wonders and its remarkable types, but they waited long for adequate expression. No less wonderful and varied are the inhabitants and the phenomena of the Philippines, and a new author, showing rare knowledge of the country and its strange peoples, now gives us a collection of simple yet powerful stories which bring them before us with dramatic vividness. Pirates, half naked natives, pearls, man-apes, towering volcanoes about whose summits clouds and unearthly traditions float together, strange animals and birds, and stranger men, pythons, bejuco ropes stained with human blood, feathering palm trees now fanned by soft breezes and now crushed to the ground by tornadoes;—on no mimic stage was ever a more [VI]wonderful scene set for such a company of actors. That the truly remarkable stories written by Sargent Kayme do not exaggerate the realities of this strange life can be easily seen by any one who has read the letters from press correspondents, our soldiers, or the more formal books of travel. Strangest, perhaps, of all these possibilities for fiction is the anting-anting, at once a mysterious power to protect its possessor and the outward symbol of the protection. No more curious fetich can be found in the history of folk-lore. A button, a coin, a bit of paper with unintelligible words scribbled upon it, a bone, a stone, a garment, anything, almost—often a thing of no intrinsic value—its owner has been known to walk up to the muzzle of a loaded musket or rush upon the point of a bayonet with a confidence so sublime as to silence ridicule and to command admiration if not respect. The Editor.[VII] [Contents] Contents The Anting-Anting of Captain Von Tollig1 The Cave in the Side of Coron21 The Conjure Man of Siargao41 Mrs. Hannah Smith, Nurse65 The Fifteenth Wife93 “Our Lady of Pilar”113 A Question of Time131 The Spirit of Mount Apo153 With What Measure Ye Mete179 Told at the Club195 Pearls of Sulu211 [3] [Contents] Anting-Anting Stories The Anting-Anting of Captain Von Tollig There had been a battle between the American forces and the Tagalogs, and the natives had been driven back. The stone church of Santa Maria, around which the engagement had been hottest, and far beyond which the native lines had now been driven, had been turned into a hospital for the wounded Tagalogs left by their comrades on the field. Beneath a broad thatched shed behind the church lay the bodies of the dead, stiff and still under the coverings of cocoanut-fibre cloth thrown hastily over them. The light of a full tropic moon threw the shadow of the roof over them like a soft, brown velvet pall. They were to be buried between day-break and sunrise, that the men who buried them might escape the heat of the day. The American picket lines had been posted a quarter of a mile beyond the church, near which no other guards had been placed. Not long after midnight a surgeon, one of the two [4]men left on duty in the church, happened to look out through a broken window towards the shed, and in the shadow, against the open moonlight-flooded field beyond, saw something moving. Looking close he could make out the slim, brown figure of a native passing swiftly from one covered form to another, and turning back the cocoanut-fibre cloth to look at each dead man’s face. Calling the man who was working with him the surgeon pointed out the man beneath the shed to him. “That fellow has no business there,” he said, “He has slipped through the lines in some way. He may be a spy, but even if he is not, he is here for no good. We must capture him.” “All right,” was the answer. “You go around the church one way, and I will come the other.” When the surgeon, outside the hospital, reached a place where he could see the shed again, the Tagalog had ceased his search. He had found the body he was looking for, and sunk down on his knees beside it was [5]searching for something in the clothing which covered the dead man’s breast. A moment later he had seen the men stealing towards him from the church, had cleared the open space beneath the shed at a leap, and was off in the moonlight, running towards the outposts. The surgeons swore; and one fired a shot after him from his revolver. “Might as well shoot at the shadow of that palm tree,” the one who had shot said. “Anyway it will wake up the pickets, and … [Read more...]
SILENT FILM: Philippine American War – Advance of Kansas Volunteers at Caloocan by Thomas A. Edison; 5 June 1899
Philippine American War - Advance of Kansas Volunteers at Caloocan by Thomas A. Edison; 5 June 1899 From LibraryOfCongress, Washinton D.C. Comment by Mandirigma.org: At the time of this production, film was a brand new medium. This Film by Thomas Edison shows Filipino Freedom Fighters defending their country against American Invaders. However the director portrays the Filipinos as "Rebels" and the Americans as defenders of "Freedom" and "Liberty" who overcome the "Insurgents". http://youtu.be/_ZjrPU6rPHE SUMMARY From Edison films catalog: From the thick underbrush where the Filipinos are massed comes volley after volley. They are making one of those determined stands that marks Caloocan as the bloodiest battle of the Filipino rebellion. Suddenly, with impetuous rush, Funston's men appear. They pause but for a moment, to fire, reload and fire. The color bearer falls, but the standard is caught up by brave Sergeant Squires and waves undaunted in the smoke and din of the receding battle. This is one of the best battle pictures ever made. The first firing is done directly toward the front of the picture, and the advance of the U.S. troops apparently through the screen is very exciting; the gradual disappearance of the fighters sustaining the interest to the end. 65 feet. $9.75. NOTES Copyright: Thomas A. Edison; 5June1899; 37443. Original main title lacking. Reenacted by the New Jersey National Guard. Materials listed originate from the paper print chosen best copy of two for digitization; for other holdings on this title, contact M/B/RS reference staff. Edison code name (for telegraphic orders): Unbroached. MAVIS 47087; Advance of Kansas Volunteers at Caloocan. Reenacted May 1899 in the Orange Mountains near West Orange, New Jersey. Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, 1997; Niver, K.R. Early motion pictures, 1985; Edison films catalog, no. 94, March 1900, p. 4 [MI]; Edison films catalog, no. 105, July 1901, p. 30 [MI]. SUBJECTS United States.--Army.--Kansas Volunteer Infantry Regiment, 20th. Philippines--History--Philippine American War, 1899-1902--Battlefields. Battles--Philippines. Soldiers. Revolutionaries--Philippines. Funston, Frederick,--1865-1917--Military leadership. Battle casualties--Philippines. Flags--United States. War films. Historical reenactments (Motion pictures) Short films. Silent films. Nonfiction films. RELATED NAMES White, James H. (James Henry), production. New Jersey. National Guard. Thomas A. Edison, Inc. Paper Print Collection (Library of Congress) CALL NUMBER FEC 2820 (ref print) FPE 9628 (dupe neg) FPE 9135 (masterpos) LC 973a (paper pos) DIGITAL ID sawmp 0973 http://hdl.loc.gov/loc.mbrsmi/sawmp.0973 … [Read more...]