New Lameco Eskrima Book by Guro David Gould released 2014. Published by Mark Wiley’s – Tambuli Media.

lameco-eskrima-cover

New Lameco Eskrima Book by Guro David Gould released 2014. Published by Mark Wiley's - Tambuli Media.     In the art of Eskrima, few names stand out like the late Edgar Salute’s. He dedicated his life to mastering the art of Eskrima and put his reputation on the line, taking challenges for money and honor. He earned the confidence of a collection of legendary grandmasters of the day, and earned the mutual respect of his era’s newest masters. When Sulite came to the United States he took the country—and then the world—by storm. In this unique book, Guro David E. Gould recounts the life, the art and the legacy of Punong Guro Edgar G. Sulite and his Lameco Eskrima system. Broken down into 10 distinct chapters, Lameco Eskrima: The Legacy of Edgar Sulite, presents the evolution of a fighter and his art, from his early days in Tacloban City and Ozamis City, through his middle period in Manila, and finally his later years in the United States. http://www.amazon.com/Lameco-Eskrima-Legacy-Edgar-Suilite/dp/0692306757/ref=sr_1_2?ie=UTF8&qid=1415230995&sr=8-2&keywords=lameco+eskrima   http://tambulimedia.com/ … [Read more...]

Lameco/Ilustrisimo/Bakbakan Workshop with Guro Doran Sordo and Guro Dino Flores in FMA Informative Newspaper Vol3 No12 – 2014

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Lameco/Ilustrisimo/Bakbakan Workshop with Guro Doran Sordo and Guro Dino Flores in FMA Informative Newspaper Vol3 No12 – 2014     … [Read more...]

Lameco Eskrima Mexico Camp 2014 in FMA Informative Newspaper – Vol3 No11 – 2014

FMA_Informative_Newspaper-Vol3No11-2014

Lameco Eskrima Mexico Camp 2014 in FMA Informative Newspaper - Vol3 No11 - 2014   … [Read more...]

Close Quarter Gun vs Knife Tactics – 8 week course with live fire in Las Vegas, Nevada. With Guro Ariel Mosses of Combat FMA

Combat fma2

 Quarter Gun vs Knife Tactics - 8 week course with live fire in Las Vegas, Nevada. Close Quarter Gun vs Knife Tactics - 8 week course with live fire in Las Vegas, Nevada. With Guro Ariel Mosses of Combat FMA http://t.co/S7hhM1WbGm http://combatfma.com/special-events.html http://combatfma.com/about-ariel-f.-mosses.html     … [Read more...]

Workshop: Grandmaster Conrad A. Manaois, Sunday Dec. 7, 2014. Las Vegas Lohan School of Shaolin

Manaois

Grand Master Conrad A. Manaois Workshop Grand Master Conrad A. Manaois will be conducting a workshop this Sunday Dec. 7 at Las Vegas Lohan School of Shaolin showcasing his combat proven, close quarter fighting techniques!   … [Read more...]

The first written account of “KALI” as the pre-Hispanic name of the Filipino Martial Arts by FMA History Redux

Mga Karunungan

The first written account of "KALI" as the pre-Hispanic name of the Filipino Martial Arts Source: http://fmahistoryredux.blogspot.com/2014/11/the-first-written-account-of-kali-as.html?spref=fb http://fmahistoryredux.blogspot.com/2014/11/philippine-hero-rev-fr-gregorio-aglipay.html “Mga Karunungan sa Larong Arnis” by Placido Yambao and Buenaventura Mirafuente, University of the Philippines Press, 1957... the first book on the Filipino Martial Arts that we know now... its section on the history of the Filipino Martial Arts stated that when the Spaniards arrived in the Philippines, Filipino Martial Arts was not yet called "ARNIS" but "KALI" (“Ang KALI na dinatnan ng mga Kastila ay hindi pa ARNIS ang tawag noong 1610")... The book also mentioned that a KALI demonstration was once performed in honor of the newly-arrived Conquistador Miguel Lopez de Legazpi on the order of a tribal leader in the Island of Leyte...     Philippine Hero Rev. Fr. Gregorio Aglipay, the source of Yambao & Mirafuente's "KALI"...   REV. FR. GREGORIO AGLIPAY, 1860-1940 (center), the first Supreme Bishop of the Philippine Independent Church (Wikipedia photo)...Rev. Fr. Aglipay was the source of the information that the original name of the Filipino Martial Arts is KALI in the book “Mga Karunungan sa Larong Arnis” authored by Placido Yambao and Buenaventura Mirafuente (University of the Philippines Press, 1957):'Ang KALI na Dinatnan ng mga Kastila ay Hindi pa Arnis ang Tawag nuong 1610.... Noong unang panahon ang larong ito'y kilala sa tawag na "KALI" ng ating mga ninuno, nguni't sa hindi maiwasang pagbabago ng panahon at pangyayari (underscoring mine) ay pinamagatan nila ng "Panandata" sa Tagalog, "Pagkalikali" sa kapatagan ng Kagayan ng mga Ibanag, "Kalirongan" sa Pangasinan, "Kaliradman" sa Bisaya at "Pagaradman" sa Ilongo nuong 1860, at "Didya" sa Ilokos at muling naging "Kabaroan," ayon kay Rev. Fr. Gregorio Aglipay na bantog din sa arnis nuong 1872.'TRANSLATION: 'The indigenous martial art that the Spanish encountered in 1610 was not yet called Arnis at that time. During those times, this martial art was known as "KALI" to our ancestors.  Due to theunavoidable changing of the times and circumstances (underscoring mine), this martial art became known as "Panandata" to the Tagalogs, "Pagkalikali" to the Ibanags of the plains of Cagayan, "Kalirongan" to the people of Pangasinan, "Kaliradman" to the Visayans, "Pagaradman" to the Ilonggos in 1860, and "Didya" to the Ilocanos (but later on changed to "Kabaroan").  This is according to Rev. Fr. Gregorio Aglipay, who himself was a famous Arnis practitioner in 1872.' … [Read more...]

Eskrima Workshop: with Guro Doran Sordo and Guro Dino Flores. Boracay Island, Philippines. Oct 30th to Nov 5th, 2014.

Bakbakan Lameco Ilustrisimo

Bakbakan Combat Arts International Senior Instructor -Doran Sordo. Guro Doran Sordo has had the privilege to begin training in his teens under the legendary Punong Guro Edgar Sulite, Master Yuli Romo, Master Tony Diego, Master Christopher Ricketts and Grandmaster Antonio Ilustrisimo himself. Guro Dino is a long time practitioner who has had the privilege to train with under legendary Masters -  Punong Guro Edgar Sulite, Master Yuli Romo, Master Tony Diego and Master Christopher Ricketts. … [Read more...]

Filipino Martial Arts Reported in a New York Newspaper, 1900

1900 FMA Kali Arnis Eskrima Escrima

Filipino Martial Arts Reported in a New York Newspaper, 1900 Article From: http://martialartsnewyork.org/2014/10/14/filipino-martial-arts-reported-in-a-new-york-newspaper-1900/ On October 28, 1900, a lengthy article appeared in the Rochester Democrat and Chronicle, describing the many weapons used by the native inhabitants of the Philippines, as well as details pertaining to the method of their use, and rituals in the duel. The article, complete with illustrations, is probably one of the first in America to detail the martial culture of the Philippines, and is almost certainly the first such article to appear in New York State. Although Filipino martial arts such as Kali and Arnis had likely not yet made their appearances in New York, this article offers a fascinating glimpse at how such fighting arts were viewed by visiting Americans at the turn of the century. After an initial examination of the social importance of the Bolo and its method of manufacture, the article proceeds to describe other indigenous weapons and their manner of use. The first is the Sundang, or northern (Luzon) version of the Bolo: “The weapon is curiously shaped and cunningly balanced so as to throw the weight toward the striking end. Even a light blow is terribly effective. The average Filipino is as dextrous in handling the sundang as a fencing master is with the rapier.” Next, the Campilan is described: “It is carried over the shoulder and is never unsheathed for the first stroke. When necessity for its use arises it is brought down on the head with the scabbard on it. The blade cuts through the thread, thus unsheathing itself…There is a regular drill the Moros go through with this weapon, cutting and chopping with extraordinary swiftness while continually leaping hither and thither to avoid the return of the enemy. An individual encounter between two natives armed with the campilan presents a curious and startling spectacle. One sees the sudden stroke, hears the clap and rattle of the wooden scabbard as it lands and watches it fall to the ground in halves…It seems hideously incongruous that the recipient of the stroke should go down with his skull split at the same moment. But the sheathed steel does its work swiftly and such duels are over with the first swing that reaches the mark.” Next, the article describes the method of using the Kris, the staff officer’s favorite weapon: “The approved kris stroke is for the body with a peculiar weaving motion of the wrist, supposed to send the blade home and spread the wound…it is brandished above the head of the charging leader, a beacon of victory.” Also described is the smaller punal de kris, a “diminutive but deadly weapon,” as well as the quinabasi, or knife of the private soldier: “He carries it very much as the American private does his bayonet…Generally speaking it is a utensil rather than a weapon, though by no means to be despised at close quarters.” The author describes other weapons as well such as the terciada, borong, andtalibong. If you’d like to read more, the entire article can be loaded and read by clicking on the image below. Also, if you enjoyed this article, see: Filipino versus Spanish Knife Fighters and a Duel in New York City, 1931   … [Read more...]

Tribute and tribulation by Romeo Macapagal for Manila Times. A Tribute to Grandmaster Tony Diego.

Tribute and tribulation by Romeo Macapagal for Manila Times. A Tribute to Grandmaster Tony Diego.   Original article at this link: http://www.manilatimes.net/tribute-tribulation/122855/     When a human being rises to the greatest heights of achievement possible in spite of in surmountable obstacles, this is greatness. When this level of accomplishment is matched with kindness and compassion, with surpassing generosity even at the sacrifice of personal material needs, this greatness is defined by spirituality and becomes the “Grandeur of the Human Spirit.” This was Antonio Ramoneda Diego. Father, husband, friend, student, mentor, benefactor. A measure of Tony’s humanity and greatness is the fact that he has raised a brood of eight children, two children-in-law, and two grandchildren, and yet none of these children are his and his wife’s biological issue. Yet, he has struggled, worked hard and honestly to raise them, still looking after them till the time of his death, being especially fond of the grandchildren. As a husband, Tony was especially devoted to his wife Gelynn and loved her so much he could not face life without her. When she was stricken with cancer, he too deteriorated in health and overtook her in death. Gelynn is now very frail and may follow Tony soon. It seems she too cannot live without Tony. When his house burned down, the proceeds of his retirement went up in smoke. It is a measure of his loving, caring character that his students gathered resources so that Tony could rebuild his house to provide a home for his family. And when his wife needed medical care, his students returned in full measure the loving attention and generous instruction he had given them. He was as attentive, caring and generous to his students as he was with his own children. Under Antonio “Tatang” Ilustrisimo, Tony was a diligent student, loyal and generous as much as his resources would allow. He modeled Tatang in practically every aspect of living and his goal was to become exactly like Tatang. When Tony became a master in his own right, he taught ceaselessly, sharing unstintingly of his knowledge. He studied and planned endlessly to be able to transmit his knowledge and skill to the increasing number of adherents to the Ilustrisimo system under him. Tony contributed very much to the popularity and fame of Filipino Martial Arts (FMA). He had given a foreign seminar only once, 30 years ago, and in spite of moving no further than the confines of Tondo district, the Luneta, and rarely beyond the City of Manila, he was able to contribute to the fame of the FMA, that icon of the Filipino, so that the FMA is the object of study of so many followers around the world. Tony was a good friend, warm, generous, loyal and sincere. He had a gift of natural leadership and charisma. While prone to fits of temper, this was mostly directed at those who would offend his friends. Tony’s material resources were never enough. Yet he maintained his dignity and honesty at his work as a stevedoring supervisor and later manager. Even when other FMA teachers were making a good living from student’s payments, Tony remained undemanding, accepting whatever amount was given him, never charging a fixed fee. When paid, he took care to share with those who helped him teach. Even when his house burned down, part of funds he received for reconstruction were shared as food for his neighboring fire victims. Tony’s undemanding and gentle approach made him victim by many unscrupulous students who exploited his knowledge and generous nature. He would be hurt by their actions but then forgave easily. The trials and tribulations of Tony’s life eventually wore him down, both physically and emotionally, but his spirit as a swordsman and teacher prevailed, always thinking of the future of his students in terms of their continuing learning. A man’s character is measured by the sincere regard given him by others. With Tony, it is the love, affection and gratitude given by students all over the world to provide for those he has left behind because they know he loved them so much. Tony is gone, and like all great men there is no replacing him. Once in several lifetimes, there are such men as him, but not very often. Faced with adversity, they triumph over obstacles to rise to the heights of greatness in their chosen field. Like the “Grand Old Man of the Sword,” Antonio “Tatang” Ilustrisimo, his master, teacher and model, Antonio “Tony” Diego has achieved greatness. Original article at this link: http://www.manilatimes.net/tribute-tribulation/122855/ … [Read more...]

Guro Doran Sordo pays tribute to his long time teacher Grandmaster Tony Diego.

Guro Doran Sordo

  I met Mang Tony Diego Kalis Ilustrisimo around 1986. He was introduced to me by my master, GM Topher Ricketts when we would accompany him to practice at the Luneta park on Sundays or the gym in Binondo. As the years passed, Master Topher would always ask Master Tony to teach me some techniques and polish details in my form whether it be stance, swing, footwork, etc. Master Tony was always so generous in his teaching and would share so much. I know him to be a quiet, humble man who would always tell me not to call him "Master". Whenever he saw me, he would always fondly greet me by exclaiming "Sord!" and he always had a smile on his face whenever i came to Luneta. We would sit sometimes between practice and just chat. He would tell me about the good old days with Master Topher, showing me techniques while we were chatting. How he remembers us when we were still young and would joke that we were thinner then. He was a learned man, who would often ask me how my spiritual practice was coming along. I remember one of the last conversations I had with Master Topher before he passed away. He told me "Never forget your Ilustrisimo. See Master Tony as often as you can and learn as much as you can. You practice what you learn until you are old." I remember now the last conversation i had with Master Tony at his home in Tondo. He said to always be mindful of the details. I remember the last time I saw him. It was a day before he passed away. We said a prayer together and I went downstairs so he could rest. I am honoured to be his student and proud to continue his legacy however way I can. I feel privileged to have been able to spend some time with him and learn from this great teacher. I can almost hear swords clashing as he is reunited once again with Grand Master Tatang Ilustrisimo, GM Topher Ricketts and PG Edgar Sulite. We miss you Master Tony. Paalam Po, GM Tony Diego. Pugay   … [Read more...]

Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. August 25, 2014

Master Diego 1

  Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. Rest In Peace Master Tony Diego. Thank you for the friendship, knowledge and wisdom you shared. I hope you are now happily practicing again with your dear teacher - Grandmaster Antonio Ilustrisimo. Along with your old training buddies Master Christopher Ricketts and Punong Guro Edgar Sulite who also departed way too soon. Love & Respect,Dino Flores … [Read more...]

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo.

Master Tony Diego Ilustrisimo

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo. I just wanted to pass on some sad news, that being the passing of Grand Master Tony Diego of Kalis Ilustrisimo fame. He passed due to a long illness yesterday on August 25, 2014 (Philippine Time). GM Tony Diego and Master Yuli Romo were the first students of GM Antonio "Tatang" Ilustrisimo who formally began their training with the old battle tested Grand Master in 1977. years later along came PG Edgar G. Sulite, Master Christopher N. Ricketts and Master Rey Galang who were recognized as the 5 Pillars of Kalis Ilustrisimo and were credited with spending the most time training directly under the astute tutelage of GM Antonio "Tatang" Ilustrisimo as well as them being credited with better organizing the Kalis Ilustrisimo system and creating its curriculum based on the movements and reactions of their teacher, "Tatang" Ilustrisimo regarding that discipline. For us in the Lameco Eskrima System Master Tony Diego was a great influence and he was the one who really brought PG Edgar G. Sulite to Kalis Ilustrisimo and to GM Antonio "Tatang" Ilustrisimo, basically resulting from a sparring match between PG Edgar G. Sulite and Master Tony Diego, this was a defining moment in the evolution of the Lameco Eskrima System as we know it today, simply because up until this sparring session Lameco Eskrima was comprised of only 4 major influences, those being; De Campo 1-2-3 Orehenal, Kali Pekiti-Tirsia, Modernos Largos and the Sulite Rapelon Style along with the 6 minor influences of the system. Kalis Ilustrisimo would prove to be the missing piece of the system and this was discovered during that very crucial sparring session between PG Edgar G.Sulite and Master Tony Diego so many years ago. The result of that sparring match saw PG Edgar G. Sulite becoming a student of Kalis Ilustrisimo under GM Antonio "Tatang" Ilustrisimo and over the years adding countless techniques, concepts and principles from Kalis Ilustrisimo to the Lameco Eskrima curriculum to strike a fine balance to the system, especially regarding the blade and dagger portion of the curriculum. Master Tony Diego became fast friends with PG Edgar G. Sulite and remained a very close friend for the rest of Edgar`s life and was partially responsible for the International Recognition of Kalis Ilustrisimo, Bakbakan International and Lameco Eskrima International along with Master Yuli Romo, Master Christopher Ricketts, PG Edgar G. Sulite and Master Rey Galang. After GM Antonio "Tatang" Ilustrisimo Passed away in 1997 Master Tony Diego being the heir apparent of the system was elected by the other senior members of kalis Ilustrisimo to take control of the system. It is a shame that he has been taken from us but he was taken contributing much back to the Filipino Warrior Arts Community from which much was given him over his life time. Rest in Peace Master Tony Diego and long live your legacy! … [Read more...]

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio   Those who have seen The Bladed Hand would have understood that a lot of the Grand Masters in the Philippines are not well-off. They live in very tough conditions, some are employed for a paltry sum, and there are others who have no source of income other than when they have students to teach.Please be understanding when you approach them and do not ask for discounted rates, or take advantage of them by giving them empty promises of compensation or trips abroad.FMA may give some folks abroad a decent income, or even "street cred", but here in the Philippines, these Masters do not own gyms or schools or training facilities. They teach in public parks, or give private lessons at the students' homes.Pay them on time whatever rate you agreed on per session, and have the decency to acknowledge them for what they taught you. Pay, or at the very least, offer to pay them for their cab, or bus, or jeepney ride to meet up with you. Feed them as well, especially if ask to meet at a cafe or restaurant.Be mindful of the fact that photo ops with the Masters sometimes have consequences not favorable to them. Note that when you bug them to give you a certificate (when they normally don't because they have no registered business for their FMA system) for just a few days or hours of training, you are taking something away from them. There's just too much of this going around. A lot of them complain, but there is no avenue for them to adress any of their concerns. Sometimes they give in because they have no choice. It's a matter of understanding, and of respecting their intellectual property, among other things.   http://youtu.be/2LK2SNOWqdI … [Read more...]

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 – 2014.

Lameco Eskrima 2014

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 - 2014.   … [Read more...]

Photo Archive: Lameco Practitioners & Friends at the Dog Brothers Gathering in 1997

lameco SOG at dog bros

Photo Archive: Lameco Practitioners & Friends at the Dog Brothers Gathering in 1997 Photo courtesy of Arnold Noche. This photo was taken in 1997.  It was at the Dog Brothers Gathering in Hermosa Beach, California. Arnold was in town from NYC. Some of the people in the photo: Arnold Noche, Dino Flores, Ron Balicki, Diana Inosanto, Sebastian, Al, Perla,  JP, Crafty Dog, Hans Tan, Nick Papadakis, Sung Han, Felix and Dogzilla.   … [Read more...]

FMA Informative – Issue 138 – featuring Fanged Blade with Guro Ariel Flores Mosses and Lance Parvin.

Ariel Mosses Lameco Ilustrisimo

  FMA Informative - Issue 138 - Fanged Blade What is the Fanged Blade Program? -Technique Examples --Fanged Blade --Manaois System --Lameco Footwork Within Filipino Martial Arts A Tactical Professionals’ View Fanged Blade in Action - A Students’ Perspective The Cultural Arts Training Foundation The FMA Informative in talking with Lance Parvin found out that the Fanged Blade was created by Ariel Mosses and Lance Parvin to address worst-case scenarios. The program incorporates several arts and systems, mainly comprised of Filipino martial arts including: Lameco S.O.G, Kali Ilustrisimo, and Manaois Eskrima, Ninoy Cinco Teros Arnis. Based on violent, destructive, and killing strikes, Filipino ground fighting (Buno), and “uninterrupted biting and eye gouging” (Kagatin at Mangamot ng Mata) techniques are emphasized. Fanged Blade comes under the main organization, “The Cultural Arts Training Foundation” which uses movement arts to empower those dealing with traumatic injury, PTSD, and bullying. The programs are developed by qualified professionals with dynamic backgrounds in movement including: kinesiology, gymnastics, martial arts, dance, and yoga. Lance Parvin, Founder and Executive Director, created the organization after his own traumatic injury from a near fatal car accident left him with spine damage. Visit www.fmainformative.info and download a copy. Link - www.fmainformative.info/Informative_Issues/2014/FMA_Informative-Issue138.pdf … [Read more...]

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014

Ariel Dino Lameco Ilustrisimo Arnis Kali Eskrima FMA

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014 … [Read more...]

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles.

eskrima kali arnis fma 1

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles. When our teacher Punong Guro Edgar Sulite passed away, the group wanted to honor his work but in the least commercial way possible. We weren't sure how we could do it...and looking back I am not sure why we wanted to do it that way. One day after one of our countless demos around the city, Aki from PWC approached me to do a history workshop at Glendale City College. Afterwards she asked if I would like to use the art to help at risk to kids to gangs violence and drug use. My first reaction was "are you sure?" I was thinking we are kind of a rough bunch and we are wielding sticks, knives and swords and were more like a gang ourselves. I didn't think it was exactly appropriate at the time. I was reminded that the Rampart district (where the movie "Training Day" was set) had the highest murder rate in the city at the time and was kind of rough itself with numerous hyper violent gangs such as MS13 and 18th St. claiming the area as their turf. Thus I half heartedly accepted. Anyway, to cut a long story short - our recruiter was right. We had a surprisingly high success rate with the youth. Just a few minor glitches like gunshot wounds, knife fights, comas and molotov cocktails on roofs...but thats another story.From what I can gather, most of the rougher kids changed their ways....after maybe a little backyard method persuasion techniques. Two things were very effective. 1.Military style drilling, rules and lots of push ups for the whole class if someone was out of line - Guro Bud was an expert at this method. 2. Lots and lots of sparring. Be it Eskrima, Grappling, Kickboxing etc. If they were very bad they would have to spar everyone in class ending with me. It was truly a transformative and effective method...but probably illegal in several states...lol. Some parents told us their kids grades had gone up. Another parent told us that a school teacher said to her that her son was "The most moral student in the school" (since joining the program)...still makes me laugh. We had an amazing experience doing volunteer work with those great Non-Profit Community organization like SIPA, PWC and FilAm ARTS. The at risk youth positive diversion program from gangs and drugs we taught from 1997 to 2004 was a big learning experience for us all. I am proud that when government funding was low or disappeared, we didn't let it stop us. Instead myself, Guro Arnold A. Noche and Guro Bud Balani Jr. offered adult classes at the centers at an affordable rate and used the proceeds to assist in funding the youth programs. One of the adult students even got Asics to sponsor us for a semester and we got some cases of their wrestling shoes. It was a grand adventure that took us far and wide. What more could you ask for, help a few kids out, teach a few adults some culture and still train in the art you love. All that was missing was a small paycheck for the Eskrima staff...lol. It's funny to think that all those non-martial artist participants who went through the program where forced to learn our Eskrima lineage and history. They were exposed to Lameco and the teacher in our lineage such as GM Ilustrisimo and his 5 Pillars (GM Tony Diego, GM Yuli Romo, GM Rey Galang, GM Christopher Ricketts and PG Edgar Sulite), GM Caballero and various other arts over the years. Our first guest instructor at the program was none other than the legendary Grandmaster Doc Lengson - which was an incredible honor for me. Not only was GM Dr. Guillermo B. “Doc” Lengson one of Master Ricketts teachers. He was also the one who advised GM Presas to add "Modern" to Arnis. GM Lenson also advised PG Sulite to use the title" Punong Guro". Punong Guro was the first to use this term in the Martial Arts, all others since were somehow inspired by his usage. GM Lengson was the first to feature FMA on Philippine TV. One of the TV shows had a 14 year old Master Ricketts representing Sagasa Kickboxing fighting a seasoned professional boxer. With another legend GM Roland Dantes as a judge. Other guest instructors at our program included GM Taboada, GM Gaabucayan, GM Manaois, GM Olavides, Guro Ariel Mosses, Guro Hans Tan and half of Lameco SOG. What a journey. Maybe this is why the kids responded.     Some items of recognition for our volunteer work back in the days of seemingly limitless energy. … [Read more...]

Guro Ariel Flores Mosses to teach Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas. August 4th, 2014.

Escrima Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores to teach Mosses Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas   … [Read more...]

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014

Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014 Announcing the upcoming seminar in Honolulu, Hawaii September 13 & 14, 2014. Please check out our exciting new website at www.combatfma.com designed by humaninterestvideoproductions@gmail.com   \ … [Read more...]

Seminar: Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014

Kali Arnis Eskrima Lameco Ilustrisimo

    Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014       Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued  training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses.   … [Read more...]

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

combat fma

Guro Ariel Flores Mosses:   About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012.   To contact Guro Ariel go to: http://combatfma.com/index.html   … [Read more...]

Documentary WWII: Battle of Corregidor – The Fight for Manila – Philippines 1942

corrigador

http://youtu.be/RYlEC94XgGU   The Battle of Manila - Starts with discussion from 2 Vets memories of the WW2 Japanese invasion and internment of civilians to the military incursion to rescue the civilian prisoners at Santo Tomas and Battle of Corregidor. Battle scenes in Philippines, views of rescued US civilians, street fighting in Manila at Intramuros, bridges destroyed. Destruction of buildings from cannon fire. Japanese were told 'hold Manila or burn it' so it burned. They won by taking Intramuros. The surviving Filipinos from Intramuros did a mass exodus across the river. MacArthur then returned to Manila.   … [Read more...]

Documentary: World War II: Manila Clean-Up (1945)

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http://youtu.be/NtR4UTFQOGM   A month after the 1st Cavalry Division arrived in the Philippines, the battle for Manila’s liberation finally met its conclusion. The wrath of war resulted to the deaths of 100,000 Filipino civilians and the destruction of stunning landmarks that once made Manila the Pearl of the Orient.   In 1995, a monument called the “Memorare-Manila 1945” was placed at Plazuela de Sta. Isabel in Intramuros to remember this dark chapter in country’s history. The inscription, which was penned by National Artist Nick Joaquin, says that “This memorial is dedicated to all those innocent victims of war, many of whom went nameless and unknown to a common grave, or never even knew a grave at all, their bodies having been consumed by fire or crushed to dust beneath the rubble of ruins.”   From: http://www.filipiknow.net/rare-historical-videos-philippines/   … [Read more...]

Documentary: The End of Manila 1945, The Forgotten Atrocity (Warning: Graphic Content)

End of Manila

http://youtu.be/RzmE8H5wiC8   Battle of Manila (1945) The month-long  Battle of Manila in 1945 was one of the bloodiest moments of WWII, killing at least 100, 000 Filipino civilians who were either bombed or bayoneted–some were even burned alive.   It all started when the American forces led by Field Marshal Douglas MacArthur arrived in Manila in January 1945. Their initial goals were to liberate Allied civilians interned at UST as well as seize the Malacañan Palace, which they were able to achieve. Threatened by the advancing American forces, the group under General Tomoyuki Yamashita withdrew to Baguio City. All hell broke loose when Rear Admiral Sanji Iwabuchi refused to surrender and chose to defend the city until death. Historical buildings and bridges were destroyed, Bayview Hotel served as a rape center, and entire row of houses were burned together with their occupants. Thousands of innocent Filipino civilians were killed using the most atrocious of methods–they were massacred with the help of machine guns, katanas, and bayonets. In his book “American Caesar,”  author William Manchester wrote that the “devastation of Manila was one of the great tragedies of World War II. Seventy percent of the utilities, 72 percent of the factories, 80 percent of the southern residential district, and 100 percent of the business district were razed… Hospitals were set afire after their patients had been strapped to their beds. The corpses of males were mutilated, females of all ages were raped before they were slain, andbabies’ eyeballs gouged out and smeared on walls like jelly.”   From: http://www.filipiknow.net/rare-historical-videos-philippines/   … [Read more...]

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor

An illustration by J. Alexander Mackay published in the book Bamboo Tales by Ira L. Reeves (1900) IMAGE FROM PROJECT GUTENBERG

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor Arma Blanca is the name of the clandestine regiment of Filipino bolomen active during the revolution against the Spaniards and the Americans. Arma Blanca is a Spanish singular term for a bladed weapon like a sword or a knife. A fairly recent mention of Arma Blanca was made in Orlino Ochosa’s book Bandoleros: The Outlawed Guerillas of the Philippine-American War of 1903 to 1907 (New Day Publications, 1995), and it reads, “Manila’s Arma Blanca that phantom army of bolomen whom General Luna had so much depended upon in his bold attack of Manila at the start of the war with the Americans.” An earlier reference to Arma Blanca can be found in The Philippines Past and Present, by Dean C. Worcester released in 1914. Worcester, who had served as Secretary of the Interior of the Philippine Islands from 1901 to 1913 and was a member of the Philippine Commission from 1900 to 1913, wrote, “The regiment of Armas Blancas had already been raised in Tondo and Binondo. It was in existence there in December, 1898, and may have been originally organized to act against Spain.” The bolo being both a farm implement and a weapon was carried with impunity by Filipinos even in the presence of Spanish and American soldiers. Its blade is often designed heavily weighted towards the tip for ease of chopping hence when used in combat, it can easily severe a limb with a single stroke. The Philippine bolo boasts of a sturdy construction and minor dents on its blade could easily be fixed by a little hammering and filing. In the absence of guns, the Philippine revolutionary forces greatly depended upon the bolo in inflicting casualty on the enemy. A part of Worcester’s book reads, “There is no reason for believing that this is a complete statement of sandatahan [Filipino armed groups] organized in Manila by the end of January, and yet this statement gives a force of at least 6,330 men. General Otis said that this force had been reported to him as being 10,000 men. It is probably true that only a small number of them had rifles; but armed with long knives and daggers they could have inflicted much damage in a sudden night attack in the narrow and badly lighted streets of Manila.” Filipino bolomen even received precise instructions on how to use the blade in conducting raids to snatch the guns of their enemies. A part of Emilio Aguinaldo’s order to the sandatahan was included in Worcester’s book, and it reads, “At the moment of the attack the sandatahan should not attempt to secure rifles from their dead enemies, but shall pursue, slashing right and left with bolos until the Americans surrender, and after there remains no enemy who can injure them, they may take the rifles in one hand and the ammunition in the other.” Continue reading story at: http://www.manilatimes.net/the-bolomen-of-the-revolution/104227/ … [Read more...]

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014

kali kalis arnis eskrima escrima lameco ilustrisimo fma arnis sulite ricketts

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014     Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued  training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses.   … [Read more...]

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room.

guro ariel flores mosses

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. http://youtu.be/11s-EeaYD6A Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. This GVR Tacticals class is included in the Club Membership and open to the public. The S.A.F.E. Program (Survive an Attack by Fighting Effectively) is based on Filipino Martial Arts. Utilizing everyday objects like a pen, keys, a rolled up magazine, stick and a knife, Ariel Mosses instructs on basic self-defense techniques. These techniques can be utilized and adapted for different age groups and physical ability. Every month GV Range offers a Skill Building Class called "GVR Tacticals" with guest instructors who specialize in specific self - defense arts. Be sure to like and share our video and stop on by to get some Trigger Time on at Green Valley Range! Stay Safe! Guro Ariel F. Mosses is also an advisor for Mandirigma.org and a founding member of Kapisanang Mandirigma. More information on him at: http://combatfma.com, http://backyardeskrima.com/?cat=43 and http://backyardeskrima.com/?p=858         … [Read more...]

Evidence of pre-colonial FILIPINO MARTIAL ARTS by Perry Gil S. Mallari FIGHT Times Editor

Evidence of pre-colonial FILIPINO MARTIAL ARTS

Evidence of pre-colonial FILIPINO MARTIAL ARTS May 25, 2014 12:30 am by Perry Gil S. Mallari FIGHT Times Editor While there is scant mention of the specific names of the martial arts that pre-colonial Filipinos practiced, I believe that various prototypes of Filipino martial arts (FMA) were already in existence long before the arrival of Spain. To me, three things serve as indicators of the existence of indigenous FMA: organized method of warfare, metallurgical technology and sophisticated blade culture. All three aforementioned were chronicled by the Spaniards when they arrived in the Philippines.    Organized method of warfareAsdang is the prehispanic Filipino term for hand-to-hand combat as mentioned by William Henry Scott in his excellent book Barangay: Sixteenth-Century Philippine Culture and Society (1994), “Asdang was hand-to-hand combat. Bulu was a duel. Hulaw was a man known to be on the lookout for an enemy,” he wrote. While it may be true that sheer number is the prime factor why the native army of Lapulapu defeated the forces of Magellan in Mactan, I am firm in my stand that the pre-colonial Filipinos were already schooled in their own methods of warfare. Scott in his book wrote that the Visayan general term for warfare was gubat. He distinguished combat engagements into two—gahat (by land) and mangayaw (by sea). Salakay is the word used for attacking.” On land attacks, he comments, “The preferred tactic on land was ambush—habon, saghid, hoom or pool—either by lying in wait or by such strategies as exposing a few agile warriors to enemy view to lure them into a trap. Sayang was to pass by hidden enemies unawares.”  Scott even referred to an individual tactic used while being pursued by the enemy as well as how the concept of death could affect a warrior’s psyche, “Pinaorihiyan was for a fleeing warrior to turn and spear his pursuer; naga kamatayan was to fight to the death; and mangin matay was a desperate man determined to die on the field of battle.” Terminologies pertaining to military affairs also abound as the following lines from Scott’s book indicate, “Special roles connected with the conduct of war included away, enemy; bantay, sentinel; bila, allies; kagon, mediator; and laway, spy.”   Continue reading article here: http://www.manilatimes.net/evidence-of-pre-colonial-filipino-martial-arts-2/99117/     … [Read more...]

The PBS Film: Crucible of Empire – The Spanish American War

Katipunero

  The PBS Film: Crucible of Empire - The Spanish American War   One hundred years ago, United States celebrated victory in the Spanish-American War. Popular songs and headlines popularized Commodore Dewey's victories at sea and Theodore Roosevelt's ride up Kettle Hill. Although the Spanish-American War sparked unprecedented levels of patriotism and confidence, the defeat of the Spanish also raised new questions about the nation's role as a world power. CRUCIBLE OF EMPIRE: THE SPANISH-AMERICAN WAR, narrated by award-winning actor Edward James Olmos, examines the colorful characters and historic events surrounding this 100-year-old war and its relevance to the twentieth century. When a declining Spain, beset by rebellion abroad, fell to American expansionism, the United States inherited her colonies and suddenly emerged as a world power. The experience and questions that the Spanish-American War raised about foreign intervention echo throughout the 20th century—as recent events in Kosovo show. Even in its own time, the war with Spain was understood as a turning point in American history. As the twentieth century ends, it is instructive to note the complexities and significance of this very brief war that began this century. In the words of noted historian Walter LaFeber, "The 1898 war literally as well as chronologically ushered in the United States as a major shaper, soon the major shaper, of twentieth-century world politics and commerce." In the process, it also unified a nation still embittered by Civil War divisions; debuted the media in its role as catalyst of U.S. intervention; built up the navy and inspired a re-evaluation of the army; and vastly broadened the powers of the president in wartime and foreign affairs. Clearly, the Spanish-American War was more than the war that ended the nineteenth century; it was also the war that launched the American century. Using original footage and period photographs, newspaper headlines, more than a dozen popular songs from the 1890s, and interviews with some of America's most prominent historians, CRUCIBLE OF EMPIRE tells how issues of race, economy, technology, yellow journalism, and public opinion propelled America into this war. Four 1990s Senators bring to life the 1899 Senate debate on imperialism: Patrick Leahy (VT), Frank Lautenberg (NJ), Paul Simon (IL), and Alan Simpson (WY). The film also features Larry Linville (Major Frank "Ferret Face" Burns of "M*A*S*H") as the voice of Rough Rider Theodore Roosevelt, Laurence Luckinbill as President William McKinley, and Lou Diamond Phillips as Philippine revolutionary Emilio Aguinaldo. Continue reading at: http://www.pbs.org/crucible/film.html https://www.youtube.com/watch?v=8g8NpQsmxj4 http://youtu.be/8g8NpQsmxj4 … [Read more...]

Photo: Eskrimadors in the Korean War

mandirigma.org kali arnis eskrima escrima philippines

Eskrimadors in the Korean War Philippine Army soldiers in South Korea display their bladed weapons (the Bolo) which they used in silently killing Chinese and North Korean sentries or during hand to hand fighting. The Filipino soldiers earned a well-deserved reputation in the Korean War as brutally efficient in killing the enemy soldiers with their bolos.         The Philippine Expeditionary Force to Korea (PEFTOK): 1950-1955 THE KOREAN WAR, which began 63 years ago on 25 June 1950, remains a"Forgotten War" for most of today’s 100 million Filipinos. Hardly surprising in a country where three out of four persons is 35 years old or younger. But for the 7,420 officers and men of the Philippine Army that served in Korea from 1950 to 1955, and for those who actively supported our fighting men, the Korean War was probably the defining event of their lives. From 1950 to 1955, five Battalion Combat Teams (BCTs) of the Philippine Army served in Korea as the elite PHILIPPINE EXPEDITIONARY FORCE TO KOREA orPEFTOK. PEFTOK’s mission was to defend the Republic of Korea against communist conquest. Continue at: http://peftok.blogspot.com         More about the Korean War at Office of the Historian, Bureau of Public Affairs, United States Department of State http://history.state.gov/milestones/1945-1952/korean-war-2 … [Read more...]

Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor – Doran Sordo. Boracay, Philippines. May 2014

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Grandmaster Antonio "Tatang" Ilustrisimo Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor - Doran Sordo. Introduction to Kalis Ilustrisimo. Covering basic strikes, body mechanics, combative ranges, footwork, blade drills and defense, and Punta y Daga or sword and dagger. Kalis Ilustrisimo is the blade art or system of the late Grand Master Antonio Ilustrisimo. Brought to you by Bakbakan Combat Arts International Senior Instructor -Doran Sordo. Dates to be announced for May, 2014. Demo class tomorrow at The Vessel, Mandala Spa & Villas. —  at The Vessel, Mandala Spa & Villas. Boracay, Philippines This seminar is not to be missed! Bakbakan Combat Arts International Senior Instructor - Doran Sordo sharing Kalis Ilustrisimo! Just in case you need more convincing, the seminar is in Beautiful Boracay. Be there! Date in May to be announced. Proceeds go to Grandmaster Tony Diego's medical fund. More Information: http://facebook.com/doransordo     Training with Master Christopher Ricketts in Makati, Philippines.   Training with Master Tony Diego in Luneta Park, Philippines.   Training session with Bakbakan Brothers Monsour del Rosario and Miguel Zubiri in Manila, Philippines. … [Read more...]

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite

edgar-sulite

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite based on his training and experience with various Philippine Martial Arts masters, with heavy influence from Jose Caballero and Antonio Ilustrisimo. The word Lameco is actually a combination of words which are the three basic ranges of combat involved in the study and practice of Lameco Eskrima – Largo, Medio and Corto (Long, Middle, close). Contents One of the characteristics of Filipino martial arts is the use of weapons from the very beginning of training. Lameco uses Double and single Stick, Double and single Dagger, Stick and Dagger, Sword, Staff, Handkerchief, and Empty Hands. Lameco Eskrima is a synthesis of five major and six minor systems of Eskrima. Lameco training includes  drills called Laban Laro (Play Fighting). Laban Laro allows the escrimador to come as close to real combat as possible without injury. It is also designed to get an uncountable number of repetitions in a short period of time. Through his constant efforts for developing new training innovations, Edgar invented unique armor for the hands and forearms that allowed practitioners to safely train more realistically. History At a young age Edgar Sulite’s father exposed him to the Filipino Martial Arts, himself being a boxer and Arnisador. Growing up in the Barrios of the Philippines, Edgar witnessed many skirmishes settled blade against blade. Edgar trained with martial arts masters who included Leo Gaje of Pekiti-Tirsia, Jose Cabellero of De Campo Uno-Dos-Tres Orehenal, Jesus Abella of Modern Largos, Antonio Illustrisimo of Kali Illustrisimo and many others. In 1981, he moved to Manila to train under Grandmaster Antonio Ilustrisimo. After relocating to the United States on June 30, 1989. … [Read more...]

Kalis Ilustrisimo Seminar with Arnold Narzo and Peachie Baron-Saguin. June 21-22 in Seminar in Denver, Colorado, USA

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Kalis Ilustrisimo in Colorado!!!! June 21-29, 2014 Denver and Estes Park, Colorado. Kapatiran Mandirigma is proud to announce the only appearance in the United States for Kalis Ilustrisimo Senior Instructors Arnold Narzo and Peachie Baron-Saguin. They are direct students of the Living Legend in the Philippines, Grandmaster Tony Diego of Kalis Ilustrisimo. Grandmaster Tony Diego is the top disciple of Grandmaster Antonio ‘Tatang’ Ilustrisimo and is continuing Tatang’s legacy through his Kalis Ilustrisimo Repeticion Orehenal. Do not miss this once in a lifetime chance to train with a legend! We are hosting a week’s worth of training in Colorado. June 21-22. 2 Day Seminar in Denver. Everyone is welcome to attend. Beginners or experts. Cost – Pre-Registration. $150 for 2 days and $90 for one day. Pre-Registration is Deadline May 17th. After May 17th, $180 for 2 days, $110 for one day. Location - Northglenn Rec Center. http://goo.gl/maps/cepWE Time – 9am-4pm with a one hour lunch. June 23-25. Private Training during the week GM Tony and his assistants will train you in a small group, or privately. Openings are limited, so please reserve your spot soon. We will have two days worth of private lessons in Denver and one day in Longmont. Locations of the private training will be announced to those who reserve spots. Cost - $150 for a 4-5 hour session. June 27-29. Kapatiran Mandirigma Camp in Estes Park. Please go here for the official Event Page -> https://www.facebook.com/events/443936922405914/ KM will host their yearly camp in Estes Park. This year, we will have Peachie Baron and Arnold Narzo teaching. We will also have a few special guest instructors. The camp is held on private land with cabins with bunk beds, lodge house with kitchen and entertainment area and acres of wilderness to explore. The camp is only a few minutes from old town Estes Park and many hotels and lodges. Camp lodging is limited to 25 persons. Camp attendance is limited to 40 persons. Location and schedule will be provided to those who reserve a spot. Cost – Pre-Registration. $180 for the whole camp. (which includes lodging, training and meals). $100 for Saturday only. Pre-Registration Deadline is May 17th. After May 17th, $220 for the whole camp and $110 for Saturday. If you attend both the Denver Seminar and the KM Camp, you will receive a 10% Discount. For more information, please email Shelley Millspaugh at sanduko@gmail.com We are only taking payments by Paypal or Money Order. To send your payment through Paypal, send to dan@theacademyofma.com with a description of what you are paying for (seminar, privates, camp). If sending a Money Order, please make it out to 'The Academy of martial Arts'' and send to: Dan Lowman 20210 West Sycamore Drive Spring Hill, KS 66083 Sponsored by Kapatiran Mandirigma, U.T.A.M.A. and Archipelago Sandata.     … [Read more...]

Master Christopher Ricketts and Bakbakan Philippines doing Ilustrisimo on TV Show – 2005.

Master Christopher Ricketts on TV

Master Christopher Ricketts and Bakbakan Philippines doing Ilustrisimo on TV Show. Master Ricketts is assisted by Bruce Ricketts, Dodong Sta. Iglesia, Miguel Zubiri, Doran Sordo, Brandon Ricketts, Monsour del Rosario and other members of Bakbakan Philippines. Shot at Olympians Taekwondo Training Center (OTTC) in Fort Bonifacio, Manila, Philippines. 2005.   http://www.youtube.com/watch?v=-ZFL1s9N7e4&feature=youtu.be   … [Read more...]

Movie Poster: The Pacific Connection – Philippines, 1974. Starring Master Roland Dantes

Master Roland Dantes

  Roland Dantes plays an avenging hero, who defeats the forces of oppression with the power of Arnis! Roland Dantes plays Ben, a farm boy who comes into conflict with the Evil Spanish Governor and his two sons. One of the sons is played by a young Dean Stockwell. To assist in their oppression the Governor hires a Samurai played by Hiroshi Tanaka to teach his son the Japanese Katana sword. To counter this, Ben studies under a blind Franciscan monk to obtain some advanced fighting secrets and develop his warrior senses. Additionally Ben must search for the legendary “Iron Reed”. A mystical stick so strong that grows in the lava of an active Volcano. One of the first full length movies featuring the Philippine Warrior Arts. A must see for any Filipino Martial Arts practitioner. Made in a similar spirit of the “Kung Fu” movies coming out of Hong Kong at the same time in the 1970′s. The fight scenes were choreographed by Professor Remy Presas himself and is jam packed with Arnis inspired fight scenes. Dean Stockwell learned Arnis for his role and continued his Arnis practice long after the filming was over. The success of this movie led to a follow up film “Arnis: Sticks of Death” in 1984 also starring Roland Dantes. Director: Luis Nepomuceno Country: Philippines Language: English Release Date: 1974 (Philippines) Stars: Roland Dantes, Dean Stockwell, Hiroshi Tanaka, Nancy Kwan, Guy Madison, Alejandro Rey, Gilbert Roland, Elizabeth Oropesa, Fred Galang, Gloria Sevilla, Vic Diaz, Cole Mallard … [Read more...]

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

Guro Ariel Flores Mosses mandirigma.org

Guro Ariel Flores Mosses:   About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012.   To contact Guro Ariel go to: http://combatfma.com/index.html   … [Read more...]

Comparative table of Baybayin variations by Pedro Paterno, 19th century.

paterno

Comparative table of Baybayin variations In the 19th century Pedro Paterno published this comparative table of the various baybayin variations. Baybayin the correct term for our pre-Spanish syllabary not "Alibata". … [Read more...]

Mandirigma.org – Online Since 1998 – A Project of Kapisanang Mandirigma

  Mandirigma.org – Online Since 1998 - A Project of Kapisanang Mandirigma Mandirigma.org Mandirigma Research Organization also known as mandirigma.org is a project of Kapisanang Mandirigma. Their focus includes preserving and promoting the Warrior Arts commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve the culture. Thus, mandirigma.org is also involved in researching issues from ancient to current. The primary objective of mandirigma.org is to do its part in keeping alive ancient knowledge and give honor to the sacrifices made by previous generations.Using both traditional and modern methods in its work, mandirigma.org has organized, collaborated with and participated in classes, conferences, demonstrations, festivals, lectures, seminars and workshops with prominent college and community organizations. Aside from their hands-on approach, mandirigma.org utilizes multimedia technologies such as audio, desktop, video and web to reach people across the globe. Researching since the 1970′s and online since 1998, mandirigma.org believes in being actively involved in giving back to the community. They have collaborated with and volunteered in various non-profit agencies. They have also arranged fundraisers in order to assist causes for indigenous tribal groups and organizations dedicated to cultural preservation in the Philippines. mandirigma.org believes that this expansive pursuit is at its best a collaborative effort. This has allowed mandirigma.org to meet and work with many fine individuals and organizations throughout the Philippines, the United States and the world. mandirigma.org welcomes all with an open and positive mind to participate and join them on this never-ending cultural adventure. This humble site is dedicated to honoring the sacrifices of Warriors throughout the many generations that have come before us. Maraming Salamat!   … [Read more...]

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum’s “Top 200 Living Guro’s” List

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum's "Top 200 Living Guro's" List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, history, literature and virtual artifacts. The writing ranges from incisive to light-hearted to even controversial, and the literary and virtual exhibits encompass all aspects of Filipino martial arts systems and disciplines including arnis, kali, eskrima, dumog, buno, hilot and other indigenous arts of the Philippines. Authors are well-known experts in their fields as well as volunteer writers. Article submissions are encouraged. The authors of these articles have consented to have their articles reprinted and republished in whole or in part, as long as the author’s name, website reference address and this website are acknowledged. I would like this site to become the most comprehensive online reader-written encyclopedia on FMA. It is meant to be a contemporary or living as well as an archival museum. Send your submissions for The Top 200 Living Masters, The Top 100 FMA Schools and other FMA Museum Who’s Who series, and then see your submissions published online. We also accept original articles and online book publications. http://www.filipinomartialartsmuseum.com/index.htm   http://www.filipinomartialartsmuseum.com/FMA_masters-systems-schools/FMAguros-living-list.html 1 Dino Flores Lameco Los Angeles, CA, USA 2 Hospecio Balani Lameco Los Angeles, CA, USA 3 David Gould Lameco 4 Leonard Trigg Lameco 5 Arnold Noche Lameco Los Angeles, CA, USA 6 John Jacobo Bakbakan Maryland, USA 7 Roger Agbulos Lameco North Hills, CA, USA 8 Marc Denny Dog Brothers CA, USA 9 Eric Knauss Dog Brothers CA, USA 10 Tim Hartman Modern Arnis USA 11 Kelly Worden Modern Arnis WA, USA 12 Myrlino Hufana Modern Arnis WA, USA 13 Jeffrey Delaney Modern Arnis Canada 14 Randi Schea Modern Arnis 15 Jay de Leon Modern Arnis, Los Angeles, CA, USA 16 Alvis Solis Seneres Arnis TX, USA 17 Ron Balicki Inosanto Kali Los Angeles, CA, USA 18 Diana Balicki Inosanto Kali Los Angeles, CA, USA 19 Ramon Rubia San Miguel Eskrima CA, USA 20 Mel Lopez Villabrille-Largusa 21 Greg Alland Dekiti-Tirsia-Siradas 22 Mary Ann Presas Modern Arnis San Pablo, CA, USA 23 Demetrio Presas Modern Arnis San Pablo, CA, USA 24 Remy Presas, Jr. Modern Arnis San Pablo, CA, USA 25 Tom Bolden Modern Arnis NY, USA 26 Jerome Barber Modern Arnis NY, USA 27 Percival “Val” Pableo Doce Pares 28 Graciella Casillas CA, USA 29 Raffy Pambuan Pambuan Tulisan Arnis FL, USA 30 Steven Dowd Arnis Balite Fallon, NV, USA 31 Hock Hochheim Modern Arnis, Kombatan TX, USA 32 Jorge Penafiel Balintawak Cincinatti, OH, USA 33 Larry Alcuizar Doce Pares Los Angeles, CA, USA 34 Felix Valencia Lameco Santa Barbara, CA, USA 35 Anthony Davis Cabales Serrada CA, USA 36 Sultan Uddin Cabales Serrada CA, USA 37 Darren Tibbon Cabales Serrada CA, USA 38 Jason Inay Inayan Eskrima San Jose, CA, USA 39 Jena Inay Inayan Eskrima San Jose, CA, USA 40 Ray Dionaldo Sayoc Kali FL, USA 41 Edwin Mosqueda Doce Pares 42 Nate Defensor Doce Pares Chicago, IL, USA 43 Conrado Manaois Manaois Eskrima Los Angeles, CA, USA 44 Dan Anderson Modern Arnis WA, USA 45 Rocky Pasiwk Modern Arnis 46 Ron Harris Original Filipino Tapado New Orleans, LA, USA 47 Tim Waid Pekiti-Tirsia TX, USA 48 Leslie Buck Pekiti-Tirsia TX, USA 49 Erwin Ballarta Pekiti-Tirsia TX, USA 50 Gaudencia Ruby Comjuka TX, USA 51 Phil Rapagna Lameco, Inosanto Kali Los Angeles, CA, USA 52 Victor Gendrano Inosanto Kali Los Angeles, CA, USA 53 Stephen Aron Inosanto Kali Glendora, CA, USA 54 Menandro “Anding” de Leon Arnis de Leon Garland, TX, USA 55 Jaime Abregana Hawaii, USA 56 Vincent Cabales Cabales Serrada CA, USA 57 Vincent Cabales, Jr. Cabales Serrada CA, USA 58 Carlito Bonjoc Mata sa Bagyo CA, USA 59 Mark Wiley Cabales Serrada 60 Tom Bisio San Miguel Eskrima 61 Rafael Kayanan Sayoc Kali 62 Tom Kier Sayoc Kali 63 Jeff Chung Sayoc Kali 64 Paul Vunak Inosanto Kali CA, USA 65 Burton Richardon Inosanto Kali HI, USA 66 Steve Grody Lameco 67 Steve Tarani 68 Blaise Loong 69 Cass Magda CA, USA 70 Rick Tucci Inosanto Kali Princeton, NJ 71 James A. Keating Comtech Walla Walla, WA, USA 72 Ed Goco Galang Las Vegas, NV, USA 73 Michael Replogle Modern Arnis USA 74 Felix Roiles Doce Pares Los Angeles, CA, USA 75 Spencer Gee Pananandata NY, USA 76 Bruce Ricketts Kali Ilustrisimo San Diego, CA, USA 77 Maurice Gatdula CA, USA 78 Mar de Leon Tumba-tumba Arnis San Diego, CA, USA 79 Chris Siangco Pedoy Derobio Eskrima San Diego, CA, USA 80 Ernie Reyes, Jr. San Jose, CA, USA 81 Alex France Kombatan CA, USA 82 Alex Ercia Kombatan CA, USA 83 Arthur Gonzalez De … [Read more...]

FILIPINO MARTIAL ARTS – TYPHOON YOLANDA (HAIYAN) RELIEF SEMINAR. Saturday, 14 December 2013. Nashville, TN, USA

FILIPINO MARTIAL ARTIST TYPHOON YOLANDA (HAIYAN) RELIEF SEMINAR. Saturday, 14 December 2013. Nashville, TN, USA

Over the course of the last month, the Philippines has been rocked by a series of natural disasters. First was the 7.2 magnitude earthquake that destroyed homes, many historical churches, and buildings on the islands of Cebu and Bohol. And the most recent, super Typhoon Yolanda (Haiyan), cut a path of destruction through our island nation and other parts of Southeast Asia. Yolanda (Haiyan) has been declared the most powerful typhoon to make landfall in recorded history. The US Navy Joint Typhoon Warning Center stated that at its height, the storm produced sustained winds around 319kph (198mph) with gusts topping out at 379kph (235mph). The final details of fatalities, injuries, and property damage are yet unknown as many areas were left without power and are out of communication with emergency management services. This is a public event open to anyone wishing to learn the foundational concepts and principles of the Filipino Martial Arts. Guro David Gould of Lameco Eskrima, Guro Viko Perrine, and Guro Jerome Teague will be taking participants through some of the fundamentals of their respective systems including: sword, stick, knife, empty, hands, and weapon disarming. This will be an amazing gathering and will benefit a worthy cause. To register, please contact Guro Jerome Teague at (615) 319-3992. Cost is $40 with ALL proceeds going to the Philippine Red Cross. We will also be taking donations of clothing and other essential items. More Info at: https://www.facebook.com/events/169367563261944/ … [Read more...]

MANONUDA For The Philippines Typhoon Victims – “Hubud Session”, Brussels, Belgium

Typhoon

    Join our semianr in aid to the Philippines. All the profit will be donated here: http://www.1212.be/fr/haiyanfr/actualites-haiyan/item/5358-encourageant … [Read more...]

Filipino Martial Arts Fund Raising Event in favour of the Philippines Typhoon Victims, Brussels, Belgium. December 15th, 2013.

Fund Raising Event Banner

South East Asian Martial Arts Martial Arts Research Systems Belgium - Fund Raising Event in favour of the Philippines Typhoon Victims, Brussels, Belgium. December 15th, 2013.       We are all doing Filipino Martial Arts and thus are directly connected to the Filippins. I am setting up an event to support the victime of the Hayian Typhon that causes huge damage in the Filipins recently. I would ask all of my Martial Arts friends to relay the information of the event. The goal of the event is to raise a maximum of funds, During the event your will have the opportunity to train Filipino Martial arts technique and see some demontration. The event is open to all, practicioner as non martial arts practicioner. To be able to join this event, it will be requested that the particpants to give a donation of 15€ minimum directly to the NGO "Action Against Hunger" & "Philippine Red Cross" or any other NGO actively involved in helping the Filipinos victimes. The reason we have choosen "Action Against Hunger" & "Philippine Red Cross" as main NGO, we know from friends who are currently linving in the Philipines that those NGO's are active all the year long doing concret actions. All donations given to any other NGO's are of course welcome. Minimum participation is fixed at 15€ To register send your details and a copy of the proove of payment at info@seama.eu The proof of payement will be the ticket entrance. Minimum participation is fixed at 15€ for a 3hours event. Web Site : Philippine Red Cross: http://www.redcross.org.ph/donate Action Against Hunger: http://www.actionagainsthunger.org/take-action/donate Many thanks for your involvment https://www.facebook.com/events/185510098307114/ http://www.seama.eu/a … [Read more...]

Filipino Martial Artists Join with other Martial Arts Groups for a Typhoon Haiyan Relief Seminar.

Filipino Martial Artists Join with other Martial Arts Groups for a Typhoon Haiyan Relief Seminar.

  A "Foundations" Seminar -a multi disciplinary day of learning martial arts such as BJJ, Balintawak, Modern Arnis, Aikido, and other arts by some of the most talented instructors in the Carolinas. All proceeds will be donated to UNICEF to aid the families in need during this crisis. https://www.facebook.com/events/430164680418042/?ref_newsfeed_story_type=regular … [Read more...]

Filipino Martial Arts – Knife Defense Seminar – Fundraiser for Typhoon Relief Assistance in the Philippines, Hollywood, Florida, USA. Nov 30th, 2013

Filipino Martial Arts - Special Knife Defense Seminar Fundraiser for the Philippines, Hollywood, Florida USA. Nov 30th, 2013

Please join us for this full day seminar where you will get a chance to explore the topic of KNIFE DEFENSE from 3 different perspectives: GARIMOT ARNIS, CSSD/SC and Russian Martial Art SYSTEMA. Presenters: Gat Puno Abundio Baet (Chief Instructor "GAT" Garimot Arnis Training), GM Bram Frank (Chief Instructor Common Sense Self Defense Street Combat) and Joe Gehr (Chief Instructor of Systema Miami and Technon Tactical). All proceeds for this event will go to benefit the people of the Philippines via direct contact of Gat Puno Abon on the field. Min. suggested donation for this event $100. All donations are welcome. Give what you can but join us and show your support. More information will be posted here soon. SAVE THE DATE and SPREAD THE WORD. … [Read more...]

Arnis Philippines Inc. (ARPI) organized “Operation Tulong” for ARPI members who had been victims of super typhoon “Yolanda”

Arnis Philippines

Arnis Philippines OPERATION TULONG FOR ARNISADORS Arnis Philippines Inc. (ARPI) organized “Operation Tulong” for ARPI members who had been victims of super typhoon “Yolanda”. Directors Med Quiambao and Rene Pronstroller were tasked to monitor the donations. President Raymond Velayo said that all donations nationwide shall go directly to the victims. Their names, contact numbers and area are as follows: 1. Arnis GM Carlito Ondillo 0921-5226327 Capiz Province 2. Glerio Urmeneta 0949-6958970 Tacloban City * Others to follow Please give us your full name and the victims name and donation given for posting inwww.arnisphilippines.com and arnisphilippines. Thank you for whatever assistance that you will give. Please continue to pray for all the victims of the typhoon and may God always bless you! … [Read more...]

Kalis Ilustrisimo Book by Guro Peachie Baron on Punta y Daga to be released early 2014

punta book

Kalis Ilustrisimo Book by Guro Peachie Baron Saguin on Punta y Daga to be released early 2014         What Is It Like to Train with the Master of Kalis Ilustrisimo? By: Peachie Baron-Saguin Submitted by: Steven Dowd I first met Master Tony Diego when I joined Bakbakan International in 1989. He was a friend of the Master of Bakbakan Christopher Ricketts, and was invited frequently in our practice sessions, to share with the students of Bakbakan his style in sword and knife fighting. Master Tony Diego When Master Christopher Ricketts left for the States, I started training with Master Diego on a regular basis with his Binondo group, the Kalis Ilustrisimo. My training then took on a leap. I was showed the proper way to hold the blade, not to grip the handle too tight, to prevent it from being disarmed when struck heavily with another sword. I was then taught the different kinds and forms of striking and blocking, and the footwork and stances that goes for each attack and counter attack. I was asked to repeatedly execute a particular strike before moving on to the next. Master Diego has always reiterated the importance of a repetitive exercise for one to gain mastery of the form. Peachie Baron-Saguin training with Master Tony Diego Soon enough Master Diego taught me how to use the stick and knife at the same time. This style is called Puntai y Daga. From this style, my interest grew more and more and I always look forward to a sword play with Master Diego, where my speed and accuracy to block and strike are put to test, my distance and movements, checked and corrected. There are moments when Master Diego would attack me when my guard is down to find out how I would react. If I stopped, he would tell me not to think but just to react, otherwise I get hit. The word “sorry” is never use in the gym. If you get hit, it’s your fault. After considerable drills with a wooden sword, Master Diego gave me as a gift, a real sword to practice on. Again my strikes and counter strikes were checked. Using the real sword, Master Diego would ask me to execute the different strikes and counter strikes. The purpose of this exercise, he said, is to gain better control of the blade and to prevent improper techniques from developing, and thus trains the student to hit at the right angle. My first swordplay using a real sword with Master Diego was really scary, but then I passed with flying colors. Suffice it to say, I was taught not only to defend and attack on a standing position, but on a sitting and lying down position as well. The exercise of ascending and descending the stairs during a duel is so difficult and tiring. Disarming is also part of the drills. Training with Master Diego is not easy. I often find myself catching my breath during the swordplay, while Master Diego is laughing and comfortably attacking and parrying my strikes. At the end of each session, I am totally exhausted. My shoulders ache and I could hardly lift my arms. At home before going to bed, I would take a muscle relaxant to relieve the pain so I could train again in the next session. Master Tony Diego and Tommy Dy Tang (Tom) in action using a bladed bolo or sword in an exhib- ition of Kalis Ilustrisimo. Tom is an instructor of Kalis Ilustrisimo, owner of the gym in Binondo where the group practices. As I continue my training with Master Diego, I am learning not only the art of bladed weapons but also, the essence of a good swordsman, the discipline and the commitment that one must have to the art.   … [Read more...]

Some of the Combat, Massacres,Rebellions, Disputes And Calamities of the Philippine Islands according to the book “The Inhabitants of the Philippines” By Frederic H. Sawyer. 1900

pilipinas inhabintants

Some of the Combat, Massacres, Rebellions, Disputes And Calamities of the Philippine Islands. according to the Book_   The Inhabitants of the Philippines By Frederic H. Sawyer Memb. Inst. C.E., Memb. Inst. N.A. London Sampson Low, Marston and Company Limited St. Dunstan’s House Fetter Lane, Fleet Street, E.C. 1900     Some of the Combat, Massacres, Rebellions, Disputes And Calamities of the Philippine Islands.   1521. Magellan and several of his followers killed in action by the natives of Mactan, near Cebú; Juan Serrano and many other Spaniards treacherously killed by Hamabar, King of Cebú. 1525. Salazar fights the Portuguese off Mindanao, and suffers great losses in ships and men. 1568. Legaspi’s expedition attacked in Cebú by a Portuguese fleet, which was repulsed. 1570. Legaspi founds the city of Cebú, with the assistance of the Augustinians. 1571. Legaspi founds the city of Manila, with the assistance of the Augustinians. 1572. Juan Salcedo fights the Datto of Zambales, and delivers his subjects from oppression. 1574. Siege of Manila by the Chinese pirate Li-ma-hon with 95 small vessels and 2000 men. The Spaniards and natives repulse the attack. The pirates retire to Pangasinan, and are attacked and destroyed by Juan Salcedo. 1577. War against Mindanao and Joló, parts of which are occupied. Disputes between the missionaries and the military officers who desire to enrich themselves by enslaving the natives, which the former stoutly oppose, desiring to convert them, and grant them exemption from taxes according to the “Leyes de Indias.” They considered the cupidity of the soldiers as the chief obstacle to the conversion of the heathen. The Crown decided in favour of the natives, but they did not derive all the benefits they were entitled to, as the humane laws were not respected by the governors. The Franciscans arrived in Manila. 1580. Expedition sent by Gonzalo Ronquillo to Borneo to assist King Sirela. 1581. Expedition sent by the same to Cagayan to expel a Japanese corsair who had established himself there. The expedition succeeded, but with heavy loss. Expedition against the Igorrotes to get possession of the gold-mines, but without success. The Jesuits arrive in Manila. 1582. Expedition against the Molucas, under Sebastian Ronquillo.[390]An epidemic destroyed two-thirds of the expedition, which returned without accomplishing anything. Great disputes between the encomenderos and the friars in consequence of the ill-treatment of the natives by the former. Dissensions between the Bishop of Manila and the friars who refused to submit to his diocesan visit. Manila burnt down. 1584. Second expedition against the Molucas, with no better luck than the first. Rebellion of the Pampangos and Manila men, assisted by some Mahometans from Borneo. Combat between the English pirate, Thomas Schadesh, and Spanish vessels. Combat between the English adventurer Thomas Cavendish (afterwards Sir Thomas), and Spanish vessels. 1587. The Dominicans arrive in Manila. 1589. Rebellion in Cagayan and other provinces. 1593. Third expedition against the Molucas under Gomez Perez Dasmariñias. He had with him in his galley 80 Spaniards and 250 Chinese galley-slaves. In consequence of contrary winds, his vessel put into a port near Batangas for shelter. In the silence of the night, when the Spaniards were asleep, the galley-slaves arose and killed them all except a Franciscan friar and a secretary. Dasmariñias built the castle of Santiago, and fortified Manila with stone walls, cast a large number of guns, and established the college of Sta. Potenciana. 1596. The galleon which left Manila for Acapulco with rich merchandise, was obliged to enter a Japanese port by stress of weather, and was seized by the Japanese authorities. The crew were barbarously put to death. 1597. Expedition of Luis Perez Dasmariñias against Cambodia, which gained no advantage. 1598. The Audiencia re-established in Manila, and the bishopric raised to an archbishopric. Expedition against Mindanao and Joló, the people from which were committing great devastations in Visayas, taking hundreds of captives. Much fighting, and many killed on both sides, without any definite result. 1599. Destructive earthquake in Manila and neighbourhood. 1600. Great sea combat between four Spanish ships, commanded by Judge Morga, and two Dutch pirates. One of the Dutchmen was taken, but the other escaped. Another destructive earthquake on January 7th, and one less violent, but long, in November. 1603. Conspiracy of Eng-Cang and the Chinese against the Spaniards. The Chinese entrench themselves near Manila; Luis Perez Dasmariñias marches against them with 130 Spaniards. They were all killed and decapitated by the … [Read more...]

BOOK: True Version of the Philippine Revolution By Don Emilio Aguinaldo y Famy President of the Philippine Republic., Tarlak (Philippine Islands), 23rd September, 1899

Aguinaldo-Emilio

True Version of the Philippine Revolution By Don Emilio Aguinaldo y Famy President of the Philippine Republic. Tarlak (Philippine Islands), 23rd September, 1899 To All Civilized Nations and Especially to the Great North American Republic I dedicate to you this modest work with a view to informing you respecting the international events which have occurred during the past three years and are still going on in the Philippines, in order that you may be fully acquainted with the facts and be thereby placed in a position to pronounce judgment upon the issue and be satisfied and assured of the Justice which forms the basis and is in fact the foundation of our Cause. I place the simple truth respectfully before and dedicate it to you as an act of homage and as testimony of my admiration for and recognition of the wide knowledge, the brilliant achievements and the great power of other nations, whom I salute, in the name the Philippine nation, with every effusion of my soul. The Author. Page 1 The Revolution of 1896 Spain maintained control of the Philippine Islands for more than three centuries and a half, during which period the tyranny, misconduct and abuses of the Friars and the Civil and Military Administration exhausted the patience of the natives and caused them to make a desperate effort to shake off the unbearable galling yoke on the 26th and 31st August, 1896, then commencing the revolution in the provinces of Manila and Cavite. On these memorable days the people of Balintawak, Santa Mesa, Kalookan, Kawit, Noveleta and San Francisco de Malabon rose against the Spaniards and proclaimed the Independence of the Philippines, and in the course of the next five days these uprisings were followed by the inhabitants of the other towns in Cavite province joining in the revolt against the Spanish Government although there was no previous arrangement looking to a general revolt. The latter were undoubtedly moved to action by the noble example of the former.Page 2 With regard to the rising in the province of Cavite it should be stated that although a call to arms bearing the signatures of Don Augustin Rieta, Don Candido Firona and myself, who were Lieutenants of the Revolutionary Forces, was circulated there was no certainty about the orders being obeyed, or even received by the people, for it happened that one copy of the orders fell into the hands of a Spaniard named Don Fernando Parga, Military Governor of the province, who at that time was exercising the functions of Civil Governor, who promptly reported its contents to the Captain-General of the Philippines, Don Ramon Blanco y Erenas. The latter at once issued orders for the Spanish troops to attack the revolutionary forces. It would appear beyond doubt that One whom eye of man hath not seen in his wisdom and mercy ordained that the emancipation of the oppressed people of the Philippines should be undertaken at this time, for otherwise it is inexplicable how men armed only with sticks andgulok1 wholly unorganized and undisciplined, could defeat the Spanish Regulars in severe engagements at Bakoor, Imus and Noveleta and, in addition to making many of them prisoners, captured a large quantity of arms and ammunition. It was owing to this astonishing success of the revolutionary troops that General Blanco quickly concluded to endeavour, to maintain Spanish control by the adoption of a Page 3conciliatory policy under the pretext that thereby he could quel the rebellion, his first act being a declaration to the effect that it was not the purpose of his Government to oppress the people and he had no desire “to slaughter the Filipinos.”. The Government of Madrid disapproved of General Blanco's new policy and speedily appointed Lieutenant-General Don Camilo Polavieja to supersede him, and despatched forthwith a large number of Regulars to the Philippines. General Polavieja advanced against the revolutionary forces with 16,000 men armed with Mausers, and one field battery. He had scarcely reconquered half of Cavite province when he resigned, owing to bad health. That was in April, 1897. Polavieja was succeeded by the veteran General Don Fernando Primo de Rivera, who had seen much active service. As soon as Rivera had taken over command of the Forces he personally led his army in the assault upon and pursuit of the revolutionary forces, and so firmly, as well as humanely, was the campaign conducted that he soon reconquered the whole of Cavite province and drove the insurgents into the mountains. Then I established my headquarters in the wild and unexplored mountain fastness of Biak-na-bató, where I formed the Republican Government of the Philippines at the end of May, 1897.Page 4 1 A kind of sword—Translator. The Treaty of Biak-na-bató Don Pedro Alejandro Paterno (who was appointed by the Spanish Governor-General sole mediator in the discussion of the terms of peace) visited Biak-na-bató several times to negotiate terms of … [Read more...]

Baybayin – The Ancient Script of the Philippines by Paul Morrow

Ang Baybayin

Baybayin - The Ancient Script of the Philippines  by Paul Morrow   This language of ours is like any other, it once had an alphabet and its own letters that vanished as though a tempest had set upon a boat on a lake in a time now long gone. "To My Fellow Children”, attributed to Jose Rizal, 1869 English translation by P. Morrow The tempest in Rizal's verse struck the Philippines in the 16th century. It was the Spanish Empire and the lost alphabet was a script that is known today as the baybayin. Contrary to the common misconception, when the Spaniards arrived in the islands they found more than just a loose collection of backward and belligerent tribes. They found a civilization that was very different from their own. The ability to read and write is the mark of any civilization and, according to many early Spanish accounts, the Tagalogs had already been writing with the baybayin for at least a century. This script was just beginning to spread throughout the islands at that time. Furthermore, the discovery in 1987 of an inscription on a sheet of copper in Laguna is evidence that there was an even more advanced script in limited use in the Philippines as far back as the year 900 C.E.  (See The Laguna Copperplate Inscription) Continue at: http://www.mts.net/~pmorrow/bayeng1.htm … [Read more...]

Baybayin: The Lost Filipino Script (Part 1) by Indio Historian

baybayin

Baybayin: The Lost Filipino Script (Part 1) by Indio Historian The Baybayin as we know it today is an ancient Filipino system of writing, a set of 17 characters or letters that had spread throughout the Philippine archipelago in the sixteenth century. The graphic contours of the Baybayin are distinguished by smoothly flowing curvilinear strokes that convey both suppleness and strength. For some history enthusiasts, never ever ever ever call Baybayin “Alibata”. This name was invented by Paul Versoza who thought that Baybayin came from Arabic and thus named it ‘Alif-bata,’ the first letters of the Arabic script. Recent studies suggest that Baybayin may have come from Sanskrit, the ancient Indian script, brought to the Philippine shores by Indian traders. Where did the name Baybayin come from? The word ‘baybay’ in ancient Tagalog means ‘to spell’ or in modern Filipino, ‘syllable.’ As early as 900 AD, there are tidbits of evidences that the ancients in our islands had a sophisticated way of writing. As to why it quickly disappeared comes from the fact that we were never a print culture like China and Korea, that used paper and built large libraries of scrolls to preserve their history, their memory. Another factor is the effective colonization of Spain by the forcing of the houses of ‘natives’ to be gathered around a town-square called ‘reducciones’ close to the church and the alcaldes for the close supervision of the Spanish authorities. Continue at: http://indiohistorian.tumblr.com/post/13097309564/baybayin-the-lost-filipino-script-part-1-the … [Read more...]

Way Of The Balisong – An independent documentary film project that examines the history and culture of the Balisong Knife.

1 way of the balisong movie 1A

Way Of The Balisong An independent documentary film project that examines the history and culture of the Balisong Knife. BE ON THE LOOKOUT FOR OUR KICKSTARTER CAMPAIGN STARTING SOON!!! Synopsis> From the Batangas region of the Philippines, to the cutlery factories of Oregon-USA, to the practitioners and aficionados connected by the World Wide Web, this film examines the origins, history and culture of the notorious Balisong Knife. Well-known from its appearance in films and popularity among blade enthusiasts,  often overlooked is the small town which made the knife famous, now struggling to maintain its identity in a modernizing world. Help Make This Film> The Film is one-third through it's principle completion.  Finishing the film will require your help.  If you would like to support this project and be a part of history please join our mailing list and follow us on facebook / twitter to stay tuned to announcement for our Kickstarter funding campaign, starting on October 7th.   https://www.facebook.com/WayOfTheBalisongwww.wayofthebalisong.comhttps://twitter.com/BalisongMovie   Help Make This Film   'Way of the Balisong' is a passion project that started from a visit to the heritage town of Taal, in the Batangas region of the Philippines by filmmaker Paul Factora in 2012. After hearing about the plight of the people in Barangay Balisong and speaking with prominent blade merchant Diosdado Ona about the disappearing industry within the Town it was named after,  a decision was made to return and document their story. After 2 subsequent trips to the Philippines, the story expanded. Originally intended as a short 10 minute piece, it became apparent that the tale of the Balisong knife was not relegated to just the Philippines and in order to tell the full story the project must also grow. It wasn't just about a knife, it became about the people who pioneered a craft that spread throughout the world and how that craft is now dwindling away. Along with a couple of friends & cameras one-third of the principle photography was shot in the Philippines completely self funded. Completing the film in it's envisioned entirety, will require another trip to the Philippines and several interviews shot throughout the U.S. 'Way Of The Balisong' will need YOUR help to be completed. Please join our mailing list to recieve updates on our Kickstarter Campaign beginning October 7, 2013 and stay tuned to learn what you can do to help make 'Way Of The Balisong' a reality. http://www.wayofthebalisong.com/about.html … [Read more...]

BOOK: Anting-Anting Stories And Other Strange Tales of the Filipinos By Sargent Kayme. Boston: Small, Maynard & Company. 1901

Anting-Anting-Stories-218x340

Anting-Anting Stories And Other Strange Tales of the Filipinos By Sargent Kayme Boston: Small, Maynard & Company 1901 [Contents]Copyright, 1901, by Small, Maynard & Company (Incorporated)Entered at Stationers’ HallPress of J. J. Arakelyan Boston, U.S.A.[V] [Contents] Foreword The life of the inhabitants of the far-away Eastern islands in which the people of the United States are now so vitally interested opens to our literature a new field not less fresh and original than that which came to us when Mr. Kipling first published his Indian tales. India had always possessed its wonders and its remarkable types, but they waited long for adequate expression. No less wonderful and varied are the inhabitants and the phenomena of the Philippines, and a new author, showing rare knowledge of the country and its strange peoples, now gives us a collection of simple yet powerful stories which bring them before us with dramatic vividness. Pirates, half naked natives, pearls, man-apes, towering volcanoes about whose summits clouds and unearthly traditions float together, strange animals and birds, and stranger men, pythons, bejuco ropes stained with human blood, feathering palm trees now fanned by soft breezes and now crushed to the ground by tornadoes;—on no mimic stage was ever a more [VI]wonderful scene set for such a company of actors. That the truly remarkable stories written by Sargent Kayme do not exaggerate the realities of this strange life can be easily seen by any one who has read the letters from press correspondents, our soldiers, or the more formal books of travel. Strangest, perhaps, of all these possibilities for fiction is the anting-anting, at once a mysterious power to protect its possessor and the outward symbol of the protection. No more curious fetich can be found in the history of folk-lore. A button, a coin, a bit of paper with unintelligible words scribbled upon it, a bone, a stone, a garment, anything, almost—often a thing of no intrinsic value—its owner has been known to walk up to the muzzle of a loaded musket or rush upon the point of a bayonet with a confidence so sublime as to silence ridicule and to command admiration if not respect. The Editor.[VII] [Contents] Contents The Anting-Anting of Captain Von Tollig1 The Cave in the Side of Coron21 The Conjure Man of Siargao41 Mrs. Hannah Smith, Nurse65 The Fifteenth Wife93 “Our Lady of Pilar”113 A Question of Time131 The Spirit of Mount Apo153 With What Measure Ye Mete179 Told at the Club195 Pearls of Sulu211 [3] [Contents] Anting-Anting Stories The Anting-Anting of Captain Von Tollig There had been a battle between the American forces and the Tagalogs, and the natives had been driven back. The stone church of Santa Maria, around which the engagement had been hottest, and far beyond which the native lines had now been driven, had been turned into a hospital for the wounded Tagalogs left by their comrades on the field. Beneath a broad thatched shed behind the church lay the bodies of the dead, stiff and still under the coverings of cocoanut-fibre cloth thrown hastily over them. The light of a full tropic moon threw the shadow of the roof over them like a soft, brown velvet pall. They were to be buried between day-break and sunrise, that the men who buried them might escape the heat of the day. The American picket lines had been posted a quarter of a mile beyond the church, near which no other guards had been placed. Not long after midnight a surgeon, one of the two [4]men left on duty in the church, happened to look out through a broken window towards the shed, and in the shadow, against the open moonlight-flooded field beyond, saw something moving. Looking close he could make out the slim, brown figure of a native passing swiftly from one covered form to another, and turning back the cocoanut-fibre cloth to look at each dead man’s face. Calling the man who was working with him the surgeon pointed out the man beneath the shed to him. “That fellow has no business there,” he said, “He has slipped through the lines in some way. He may be a spy, but even if he is not, he is here for no good. We must capture him.” “All right,” was the answer. “You go around the church one way, and I will come the other.” When the surgeon, outside the hospital, reached a place where he could see the shed again, the Tagalog had ceased his search. He had found the body he was looking for, and sunk down on his knees beside it was [5]searching for something in the clothing which covered the dead man’s breast. A moment later he had seen the men stealing towards him from the church, had cleared the open space beneath the shed at a leap, and was off in the moonlight, running towards the outposts. The surgeons swore; and one fired a shot after him from his revolver. “Might as well shoot at the shadow of that palm tree,” the one who had shot said. … [Read more...]

SILENT FILM: Philippine American War – Advance of Kansas Volunteers at Caloocan by Thomas A. Edison; 5 June 1899

Philippine American War

Philippine American War - Advance of Kansas Volunteers at Caloocan by Thomas A. Edison; 5 June 1899 From LibraryOfCongress, Washinton D.C.   Comment by Mandirigma.org: At the time of this production, film was a brand new medium. This Film by Thomas Edison shows Filipino Freedom Fighters defending their country against  American Invaders. However the director portrays the Filipinos as "Rebels" and the Americans as defenders of "Freedom" and "Liberty" who overcome the "Insurgents".   http://youtu.be/_ZjrPU6rPHE     SUMMARY From Edison films catalog: From the thick underbrush where the Filipinos are massed comes volley after volley. They are making one of those determined stands that marks Caloocan as the bloodiest battle of the Filipino rebellion. Suddenly, with impetuous rush, Funston's men appear. They pause but for a moment, to fire, reload and fire. The color bearer falls, but the standard is caught up by brave Sergeant Squires and waves undaunted in the smoke and din of the receding battle. This is one of the best battle pictures ever made. The first firing is done directly toward the front of the picture, and the advance of the U.S. troops apparently through the screen is very exciting; the gradual disappearance of the fighters sustaining the interest to the end. 65 feet. $9.75. NOTES Copyright: Thomas A. Edison; 5June1899; 37443. Original main title lacking. Reenacted by the New Jersey National Guard. Materials listed originate from the paper print chosen best copy of two for digitization; for other holdings on this title, contact M/B/RS reference staff. Edison code name (for telegraphic orders): Unbroached. MAVIS 47087; Advance of Kansas Volunteers at Caloocan. Reenacted May 1899 in the Orange Mountains near West Orange, New Jersey. Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, 1997; Niver, K.R. Early motion pictures, 1985; Edison films catalog, no. 94, March 1900, p. 4 [MI]; Edison films catalog, no. 105, July 1901, p. 30 [MI]. SUBJECTS United States.--Army.--Kansas Volunteer Infantry Regiment, 20th. Philippines--History--Philippine American War, 1899-1902--Battlefields. Battles--Philippines. Soldiers. Revolutionaries--Philippines. Funston, Frederick,--1865-1917--Military leadership. Battle casualties--Philippines. Flags--United States. War films. Historical reenactments (Motion pictures) Short films. Silent films. Nonfiction films. RELATED NAMES White, James H. (James Henry), production. New Jersey. National Guard. Thomas A. Edison, Inc. Paper Print Collection (Library of Congress) CALL NUMBER FEC 2820 (ref print) FPE 9628 (dupe neg) FPE 9135 (masterpos) LC 973a (paper pos) DIGITAL ID sawmp 0973 http://hdl.loc.gov/loc.mbrsmi/sawmp.0973   … [Read more...]

Fundraiser for Master Tony Diego of Kalis Ilustrisimo, July 2013

Master Tony Diego, Ilustrisimo, Kali Ilustrisimo, Kalis Ilustrisimo, Antonio Ilustrisimo, Arnis, Escrima, www.http://mandirigma.org, www.http://backyardeskrima.com/

  Greetings friends, We are seeking assistance for Master Tony Diego of Kalis Ilustrisimo. Master Diego's wife has breast cancer and has just had surgery for the second time. Sadly, even with surgery it has spread and costly chemotherapy is required. Master Diego is retired from work and has no medical or retirement benefits, so any amount donated will be very much appreciated and put to good use. If you would like to donate you can contact Dino at: mandirigma.org@gmail.com or you can contact Peachie Baron at:  peachiebaron@facebook.com … [Read more...]

The Films of Bakbakan Philippines member Master Ronnie Ricketts and the Warrior Arts of the Philippines

The Films of  Bakbakan Philippines member Ronnie Ricketts and the Warrior Arts of the Philippines ilustrisimo bakbakab

The Films of  Bakbakan Philippines member Ronnie Ricketts and the Warrior Arts of the Philippines Ronnie Ricketts is an actor, film producer and film director in the Philippine Movie and Film Industry. What is less commonly know is that he is a martial artist expert and a Master instructor in the Martial Arts group, Bakbakan International. He is currently the Chairman of the Optical Media Board (OMB), a Philippine Government Agency, which combats piracy of films, music, computer games and software. Ronnie in versed in several forms on Martial arts including the Filipino Warrior Art Kali Ilustrisimo. Ronnie is the brother of Grandmaster Christopher Ricketts the founder of the Martial Arts Brotherhood - Bakbakan International. Several of Ronnie's films feature the Martial Arts including the Warrior Arts of the Philippines generally know as Kali, Arnis or Eskrima. Bakbakan Members frequently appear in Ronnies movies. Ronnies latest movie "The Fighting Chefs". Some scenes feature the Philippines Martial Arts performed by himself and his nephews Bruce and Brandon Ricketts. Bruce and Brandon are Martial Arts experts and instructors in Kali Ilustrisimo.    Behind the scence for the movie "The Fighting Chefs. Ronnie with nephews Bruce and Brandons rehearsing some Ilustrisimo Filipino Martial Arts moves for the scene.   Ronnie with his brother, Grandmaster Christopher Ricketts. Poster for Mano Mano 3: The Lost Art.   Ronnie Ricketts Filmography 2013 The Fighting Chefs 2007 One Percent Full 2006 Lagot Ka Sa Kuya Ko 2005 Uno 2004 Mano Mano 3: Arnis The Lost Art 2003 Utang Ng Ama - Director (Uncredited) 2003 Dayo 2001 Mano Mano 2: Ubusan Ng Lakas 1999 Ang Boyfriend Kong Pari 1999 Desperado, Bahala Na Ang Itaas 1998 May Sayad 1998 My Guardian Debil 1998 Kamandag Ko Ang Papatay Sa 'Yo (Released Date: 4 February 1998) 1998 Anting-Anting 1997 Emong Salvacion 1997 Ilaban Mo Bayan Ko 1997 Wala Ka Ng Puwang Sa Mundo (Released Date: 22 October 1997) 1996 Kahit Sa Bala Kakapit Ako (Released Date: 9 October 1996) 1996 Hawak Ko Buhay Mo (Released Date: 25 September 1996) 1996 Madaling Mamatay, Mahirap Mabuhay (Released Date: 22 May 1996) 1995 Huwag Mong Isuko Ang Laban (Released Date: 25 December 1995) to (1995 MMFF) 1995 Mano Mano 1995 Angel On Fire 1995 Ultimate Revenge 1995 Matinik Na Kalaban (Released Date: 8 November 1995) 1994 Matira Ang Matibay (Released Date: 22 June 1994) 1993 Maton (Directed by: TOTO NATIVIDAD) (Released Date: 24 November 1993) 1993 Pambato (Released Date: 6 October 1993) 1993 Ikaw Lang (Released Date: 25 August 1993) 1993 Alejandro 'Diablo' Malubay (Released Date: 26 May 1993) 1992 Boy Recto (Released Date: 25 December 1992) to (1992 MMFF) 1992 Basagulero (Released Date: 14 October 1992) 1992 Dalawa man ang Buhay mo Pagsasabayin ko (Released Date: 12 August 1992) 1992 Aguila At Guerrero (Released Date: 22 July 1992) 1992 True Confessions (Evelyn, Myrna, & Margie) 1992 Zei Fa Wei Long 1991 Ganti Ng Api 1991 Kumukulong Dugo 1991 Anak ng Dagat 1990 Baril ko ang Uusig (Released Date: 14 November 1990) 1990 Isa-Isahin Ko Kayo (Released Date: 6 June 1990) 1990 Kakampi Ko Ang Diyos (Released Date: 8 May 1990) 1989 My Darling Domestic (Greyt Eskeyp) 1989 Black Sheep Baby (Released Date: 22 November 1989) 1989 UZI Brothers (Released Date: 27 September 1989) 1989 Uzi Brothers 9mm (Released Date: 9 August 1989) 1989 Tatak Ng Isang Api (Released Date: 26 April 1989) 1989 Gapos Gang (Released Date: 22 March 1989) 1988 Alex Boncayao Brigade: The Liquidation Arm Of The Npa 1988 Kumakasa, Kahit Nag-iisa 1988 Tumayo Ka't Lumaban 1988 Target: Maganto 1987 The Rookies And The Mighty Kids 1987 Mga Agila Ng Arkong Bato 1987 Ambush 1987 Target Sparrow Unit 1987 Cabarlo 1987 Kamandag Ng Kris 1986 Payaso 1986 Nakagapos Na Puso 1986 Agaw Armas 1986 Bodyguard: Masyong Bagwisa Jr. 1986 I Love You Mama, I Love You Papa 1986 The Graduates 1986 John En Marsha '86 TNT Sa America 1986 Dongalo Massacre 1985 The Crazy Professor 1985 Heated Vengeance 1984 Sa Hirap At Ginhawa 1983 Love Birds 1983 I Love You, I Hate You 1982 Good Morning, Professor 1982 My Heart Belongs To Daddy Directed by Ronnie Ricketts Rumble Boy (2007) Lagot ka sa kuya ko (2006) (as Ronn Rick) ... aka Isusumbong kita sa kuya ko (Uno (2005) (as Ronn Rick) Mano Mano 3: Arnis, the Lost Art (2004) (as Ronn Rick) Dayo (2003) (as Ronn Rick) Boyfriend kong pari, Ang (1999) (as Ronn Rick) Boy Buluran (1997) (as Ronn Rick) Wala ka nang puwang sa mundo (1997) (as Ronn Rick) Madaling mamatay, mahirap mabuhay (1996) (as Ronn Rick) Produced: Lagot ka sa kuya ko (2006) ... aka Isusumbong kita sa kuya ko (Philippines: Tagalog title) Mano Mano 3: Arnis, the Lost Art (2004) (producer) Wrote: Mano Mano 3: Arnis, the Lost Art (2004) Huwag mong isuko … [Read more...]

Second Lameco Eskrima DVD featuring Guro Dino Flores released by Budo International

guro dino flores budo

Second Lameco Eskrima DVD featuring Guro Dino Flores released by Budo International This dvd is focused in long distance with the sword, a special training that was heavily influenced by Great Grandmaster Antonio Ilustrisimo. Guro Flores will teach you the differences in strategy in long distance with either stick or sword, the footwork and five of the 12 Eskrima Drills in detail with their applications and variations. Guro Dino Flores has focused this work on long range distance, a distance you must master before venturing into medium or short range distance with any weapon and without protective gear. The 12 Eskrima Drills are a combination of the movements Punong Gruo Sulite found most common in real combat situations and referred to them as the “Soul of Lameco”, because many hidden secrets are found in these apparently simple exercises. Though most of the Eskrima exercises can be done either with stick or sword, this dvd is focused in long distance with the sword, a special training that was heavily influenced by Great Grandmaster Antonio Ilustrisimo. Guro Flores will teach you the differences in strategy in long distance with either stick or sword, the footwork and five of the 12 Eskrima Drills in detail with their applications and variations. These exercises are essential in order to understand the Great Art of Fighting know as Lameco Eskrima. LANGUAGES: ENGLISH. ESPAÑOL, ITALIANO, FRANÇAIS http://www.budointernational.net/296_dino-flores   http://youtu.be/kb2291PfCms     Information on the first DVD can be found at this link: http://backyardeskrima.com/?p=361 … [Read more...]

Kapisanang Mandirigma and other Eskrima Groups to perform at the 22nd Festival of Philippine Arts and Culture, 2013 in Los Angeles

fpac 22 2013

    Kapisanang Mandirigma and other Eskrima Groups to perform at the 22nd Festival of Philippine Arts and Culture, 2013 in Los Angeles     http://fpacpahayag.wordpress.com/2013/05/13/martial-artists/           The iconic festival and annual celebration returns, now in its 22nd year! FilAm ARTS invites you to join us Sep.7-8 at Pt Fermin Park for the largest and longest-running community tradition in Southern California -- the only event where you can see over 500 artists & performers from all over the world entertain you and 25,000 of your closest friends & family! Advance tickets are available at http://fpac22.eventbrite.com/ Whether it's your first time or 22nd, it's always a party at FPAC. Bring everyone you can to the Filipino party of the year! FPAC is produced by FilAm ARTS - the Association for the Advancement of Filipino American Arts & Culture, a non-profit 501(c)(3) organization, and sponsored by the City of Los Angeles, LA County Arts Commission, California Arts Council, National Endowment for the Arts, California Community Foundation, Toyota, The Getty Foundation, LA-18, Mavshack, The Asian Journal, Weekend Balita, BakitWhy.com, Oishi Media, The James Irvine Foundation, and LEAP, Inc.   Martial Artists Posted on May 13, 2013 Nick Papadakis Kombat Instruments Ltd. Nick “Pappy” Papadakis has 30 years experience in the martial arts with over 100 fights in the Dog Brothers Gathering of the Pack. Instructor Pekiti Tirsia Kali, Full Instructor Dog Brothers Martial Arts, Blue Belt BJJ, 2nd degree black belt North American Self Defense Institute Kombat Instruments Ltd. is a company created to serve the needs of combat martial artists by providing durable gear for full-contact stick fighting and weapon matches. For more information on Nick or Kombat Instruments Ltd visit www.bloodsport.com  ::: Master Joe Tan Modern Tapado Joe feels very lucky and privileged to have trained personally and forged friendship with the original founders of these three Arnis groups that have made their own unique contributions in the propagation of Stick fighting as an Art. He has lot to share with the world. Tapado is an Original Filipino Martial Art which came from a Hiligaynon ( a Filipino dialect) word ‘Tapat’ or ‘Tapos’ which means – finished or done in english.or to finish the job in one strike. For more information visit www.mastertapadoarnis.com  :::  Willie Laureano FMA Instructor Guro Willie Laureano is a Kali, Silat, and Kickboxing instructor at Elite Training Center.  Willie says, “I am proud to be associated with Elite Training Center where I offer the best in all aspects of the Martial way including physical training respect and confidence.” Willie has lots of Martial Arts training and teaching experience. He has even trained and taught under Guro Dan Inosanto. He has also trained and taught alongside many notable instructors from around the world. Elite Training Center is a martial arts school focusing on self-defense and fitness. Teaching confidence while respecting others, they are founded on the four principals of Respect, Honor, Discipline, and Strength. Techniques include LOTAR®(Close Quarter Battle techniques) and Krav Maga (intuitive self-defense independent of strength or size), Muay Thai kickboxing, Adult Mixed Martial Arts (MMA) as sport, Youth MMA that emphasizes our founding principles, and Kali/Silat/Eskrima (Filipino open hand and stick fighting). For more information visit www.elitetrainingcenter.net  ::: Dino Flores The Kapisanang Mandirigma Eskrima Training Institute Guro Dino has taught numerous seminars and classes over the years. He has appeared on Television, Instructional Videos, Independent Film and Radio Shows promoting the arts. He has contributed to magazine article for publications such as “Masters”, “Blitz” and “FMA Digest. Guro Dino has also contributed to book publications including “Masters of the Blade” and “Warrior Arts of the Philippines”. He is currently working on several book and video projects for various masters.

Guro Dino has conducted numerous seminars, lectures and demonstrations. Including conferences at UCLA, Cal State Fullerton, University of California Irvine, Loyola Marymount University, Glendale College, Cherry Blossom Festival, Lotus Festival, Philippie Tourism Expo, Sports Expo in Manila, Balintawak Cuentada Gathering Las Vegas and The Festival of Philippine Arts & Culture to name a few. Guro Dino was one of the first instructors invited to the World Filipino Martial Arts Association EXPO in Seattle, Washinton in 1993. One of his proudest moments was to be one of two cultural groups (the othe one being traditional dance) to perform in the world famous Los Angeles City Hall during the televised dedication of the the very first official … [Read more...]

2nd FMA Charity Festival in Trebur, Germany for Grandmaster Tony Diego of Kalis Ilustrisimo

Master Tony Dieg Ilustrisimo Kalis

2nd FMA Charity Festival in Trebur, Germany for Grandmaster Tony Diego of  Kalis Ilustrisimo https://www.facebook.com/events/492191180856607/?notif_t=plan_edited "Master Tony's wife has breast cancer and had her second surgery last week. Even with the surgery though, it has spread and chemo therapy is needed. Master Tony is very much affected. Master Diego is retired from work and has no medical or retirement benefits. They had been saving money to operate on Master Diego's knees as they have deteriorated considerably in recent years. Master Diego is constantly in pain because of it. When the cancer was discovered, all the saved knee operation funds went to his wife's first cancer operation costs."   Instructors: GM Datu Dieter Knuettel (National Coach Modern Arnis) Master Philipp Wolf (NickelStick Balintawak Eskrima) Guro Flavio Ruiz Van Hoof (M.A.R.S.) Guro Tobias Ricker (Cacoy Doce Pares) Guro Jojo Balinado (Balinado Arnis Krusada) Guro Lars Helms (Pekiti Tirsia Kali) Hanjo Bergmann (Giron Arnis Eskrima) Andreas Hofmann (Filipino Fighting Arts) Joe Brandt (Lightning Scientific Arnis) Christof Froehlich (Lameco Eskrima) Minimum Donation: 25€ you are more than welcome to donate more;-) ALL DONATIONS GO DIRECTLY TOWARDS GM TONY DIEGO WITHOUT ANY COMMISIONS!! MORE INFORMATIONS FOLLOW https://www.facebook.com/events/492191180856607/?notif_t=plan_edited Organized by Christof Froehlich of Kapisanang Mandirigma Germany and Lameco Eskrima Germany … [Read more...]

Magazine interview featuring Guro Dino Flores in July, 2013 issue of Cinturon Negro

guro dino flores www.mandirigma.org

Magazine interview featuring Guro Dino Flores in July, 2013 issue of Cinturon Negro http://www.budointernational.net/         … [Read more...]

Massive balangay ‘mother boat’ unearthed in Butuan By TJ DIMACALI,GMA News

mandirigma.org kali arnis escrima eskrima

Massive balangay 'mother boat' unearthed in Butuan By TJ DIMACALI,GMA News The largest sailing vessel of its kind yet discovered is being unearthed in Butuan City in Mindanao, and it promises to rewrite Philippine maritime history as we know it. Estimated to be around 800 years old, the plank vessel may be centuries older than the ships used by European explorers in the 16th century when they first came upon the archipelago later named after a Spanish king, Las Islas Felipenas. Continue at: http://www.gmanetwork.com/news/story/321334/scitech/science/massive-balangay-mother-boat-unearthed-in-butuan The find also underscores theories that the Philippines, and Butuan in particular, was a major center for cultural, religious, and commercial relations in Southeast Asia. 'Nails' the size of soda cans National Museum archeologist Dr. Mary Jane Louise A. Bolunia, who leads the research team at the site, says almost everything about the newly-discovered "balangay" is massive.She holds up her hand and curls her fingers into a circle, as if grasping a soda can. "That's just one of the treenails used in its construction," Bolunia says. An aptly descriptive term, a "treenail" is a wooden peg or dowel used in place of iron nails in boatbuilding. So with "nails" that size, exactly how big is this boat? Dr. Bolunia produces a piece of onionskin paper with a carefully-inked map of the archeological site. On the upper corner is a roughly pea pod-shaped boat wreck, about 15 meters long, one of nine similarly-sized balangays discovered at the site since the 1970's. But right next to it, discovered only in 2012, are what seem to be the remains of another balangay so wide that it could easily fit the smaller craft into itself twice over – and that's just the part that's been excavated so far. Although the boat has yet to be fully excavated, it's estimated to be at least 25 meters long. Aside from the treenails, the individual planks alone are each as broad as a man's chest – roughly twice the width of those used in other balangays on the site. The planks are so large that they can no longer be duplicated, because there are no more trees today big enough to make boards that size, according to Dr. Bolunia. Proceeding with caution Historians, and Bolunia herself, caution that much work still needs to be done before the boat can be conclusively dated and identified."(The newly-discovered boat) will need more technical verification to establish its connection and relationship with the other boats already excavated, so that we can know its date, boat typology, and technology," said Dr. Maria Bernadette L. Abrera, professor and chairperson of the Department of History at the University of the Philippines-Diliman, in an email interview. "We have to be careful," said Ramon Villegas, a scholar who has done extensive research on pre-colonial Philippine history. "There has not been enough time to study (the artifacts). It could be a Spanish boat or Chinese junk." Aside from carbon dating to determine the age of the wood, the construction techniques used and even the type of wood itself need to be ascertained before anyone can come to a definitive conclusion. "Everything depends on the construction, on how the boat was built, before you can properly call it a 'balangay'," explains archeologist and anthropologist Dr. Jesus Peralta. He said he has yet to see the newfound boat for himself. Nevertheless, the boat's proximity to previous sites of buried balangays promises to send ripples through the academic world. "It's a 'mother boat'," Dr. Bolunia says with little hesitation, "and it's changing the way we think about ancient Filipino seafarers." Rewriting Philippine history It has long been established that Filipinos traveled across Southeast Asia as early as the 10th century, reaching as far as Champa – what is now the eastern coast of Vietnam – in groups of balangays. These groups or flotillas have always been thought to consist of similarly-sized small vessels, an idea perpetuated by the term "barangay" – the smallest administrative division of the present-day Philippine government. But, according to Dr. Bolunia, this new discovery suggests that these may just have been support vessels for a much larger main boat, where trade goods and other supplies were likely to have been held for safekeeping. The discovery also suggests that seafaring Filipinos were much more organized and centralized than previously thought. Butuan as a major center of culture and trade "This balangay reinforces the findings of the earlier excavations about the role of Butuan as a commercial and population center in precolonial Philippines," Abrera told GMA News."Butuan seaport had long-time trade links with Champa and Guandong (China). You can retrace the importance of (the newly-discovered boat) by utilizing it as an archeological key to that period when Butuan … [Read more...]

FMA Fundraising Seminar Friday, 16 August 2013, Idar-Oberstein, Germany

Fundraiser kali arnis eskrima escrima kalis fma Fundraiser kali arnis eskrima escrima kalis fma Fundraiser kali arnis eskrima escrima kalis fma 2013

FMA Fundraising Seminar Friday, 16 August 2013, Idar-Oberstein, Germany   FMA Fundraising Seminar schedule of training: August 16. Freiday, 10 am - 12 noon, 14 pm - 18 pm August 17. Saturday 10 am - 12 noon, 14 pm - 18 pm August 18. Sonnday 10 am - 14 pm … [Read more...]

Katipunero: Simeón Ola y Arboleda -Philippine Revolution Hero and the last General to surrender to American forces during the Philippine-American War

backyard eskrima

  The Paternal Great Grandfather of Mandirigma.orgs' Guro Dino Flores, Segundo Flores was a Katipunero serving under the General Simeón Ola y Arboleda in the Bicol Region. Major Simeón Ola y Arboleda was under General Vito Belarmino, the Zone Commander of the Revolutionary Forces in the Bicol Region. ---------- Simeón Ola y Arboleda Municipal President of Albay, In office 1904–1908 Born: 2 September 1865 Guinobatan, Albay, Philippines Died : 14 February 1952 (aged 86) Guinobatan, Albay, Philippines Organization: Katipunan Simeón Ola y Arboleda (September 2, 1865 – February 14, 1952) was a hero of the Philippine Revolution and the last general to surrender to American forces during the Philippine-American War. Biography Simeon Ola was born on September 2, 1865 to Vicente Ola and Apolonia Arboleda, who were ordinary citizens with little money. He was enrolled in Holy Rosary Minor Seminary and studied Philosophy, but didn't finish the course. He joined the local branch of the Katipunan in his hometown province of Albay and later became the leader. With the help of a parish priest he was able to acquire arms to support his men. He was promoted to the rank of captain after the battle of Camalig in Albay, 1898 and again promoted to the rank of major after a daring ambush mission that led to the capture of three Americans. He was also the leader of the subsequent valiant attacks on Albay towns namely, Oas, Ligao and Jovellar. He later surrendered on the condition that his men would be granted amnesty. He was put on trial and was proven guilty of sedition and was sentenced to thirty years in prison. In 1904, he was given a pardon and returned to his place of birth and became the municipal president. The regional police command in Legazpi City was name after him. SIMEON A. OLA (1865-1952) Revolutionist In Guinobatan, Albay hailed Simeon Ola, the man who would lead the Bicolanos fight for their freedom. He was born on September 2, 1865 to Vicente Ola and Apolonia Arboleda. Ola was highly regarded in Guinobatan, being the teniente de cuadrillos and a trusted confidant of Father Carlos Cabido, the parish priest of his town. These positions helped him carry out his revolutionary works – recruiting men and acquiring firearms for the revolutionary army. He connived with the jail warden in his town, Sergeant Loame, to free about 93 prisoners. The prisoners soon joined his army. In April 1898, he fought in the battle of Camalig. General Vito Belarmino, the Zone Commander of the Revolutionary Forces in the Bicol Region, designated him the rank of a Captain. Fully committed to the cause of the revolution, he also raised funds amounting to P42, 000.00, which he turned over to General Mariano Trias, Secretary of Finance of the Revolutionary Government. On January 23, 1900, he was promoted Major after he successfully effected an ambush and captured three American soldiers: Dubose, Fred Hunter and Russel. In February that same year, his troops fought against the Americans in Arimbay, Legaspi. His cousin Jose Arboleda perished in the bloody battle. American soldiers’ mighty firepower and combat training did not dampen his spirit; he continued to fight so that his men were encouraged and more men joined his army. With the army of Colonel Engracio Orence, he fought valiantly in the battle of Binogsacan in Guinobatan, Albay. His army rested for over a month in July 1901 when he accompanied General Belarmino to Manila. He resumed his campaign in August by raiding the town of Oas, Albay. On August 12, 1902, he ambushed the American detachment at Macabugos, Ligao. Ola became a marked man to the Americans. Although his troops were easily repulsed during battles, the Americans took him seriously. From March to October 1903, the Americans set up the reconcentration system as a means to stop Ola’s activities. Because of the damage it caused even to the innocent civilians, they turned into negotiations. They sent Ramon Santos and Major Jesse S. Garwood of the Constabulary as emissaries to negotiate for his surrender, which he politely refused. Instead, he carried on his battle. On July 15, 1903, he ambushed the 31st Philippine Scout Garrison under the command of Sergeant Nicolas Napoli in Joveliar, Albay. The persistent effort of the peace panel and his battle weary men made Ola realized that he could never win the war. He became open to the agreement set by Colonel Harry H. Bandholtz, the Assistant Commander of the Constabulary in Lucena, Tayabas, for his surrender. The agreement included general amnesty, fair treatment and justice to his comrades in arms. On September 25, 1903 the negotiating panel composed of Ramon Santos, Eligio Arboleda, Epifanio Orozco, Frank L. Pyle, John Paegelow, J.B. Allison and Joseph Rogers went to his camp in Malagnaton, Mapaco, Guinobatan. Eventually, Ola surrendered to Governor Bette and Colonel … [Read more...]

Emilio Aguinaldo filmed with actor Douglas Fairbanks, Philippines, 1931

Emilio Aguinaldo and Douglas Fairbanks his Cavite home March 26 1931

Emilio Aguinaldo filmed with actor Douglas Fairbanks, Philippines, 1931 http://youtu.be/QJyqxWhQ38o In 1931 Douglas Fairbanks went on a trip to Asia, and made a comic travelogue entitled "Around the World in 80 Minutes". The clip from the Philippines included a short speech in Spanish by Emilio Aguinaldo. Fairbanks was a movie producer and actor in silent films. He co-founded the American film studio United Artists and hosted the first Oscars Ceremony in 1929. La calidad del audio deja mucho que desear, pero me parece que el Sr. Aguinaldo dijo: "Os participo de que he dado la bienvenida a nuestro gran actor (?Douglas Fairbanks) de America. Por la misma razón espero que esta visita que nos ha dignado dicho gran actor,(???), estrechará más la armonía entre americanos y filipinos" Una traducción literal: I have given welcome to our great actor, Douglas Fairbanks, from America. For the same reason, I hope that this visit by this great actor, who has humbled himself to us, will develop greater harmony between Americans and Filipinos.     … [Read more...]

Sino pumatay kay Antonio Luna? – Philippine TV Show Crime Klasik – Episode #301 – June 8, 2012

General Antonio Luna

Sino pumatay kay Antonio Luna? - Philippine TV Show Crime Klasik - Episode #301 - June 8, 2012 http://www.youtube.com/watch?v=JvBeckZI9Jo     Isa sa pinakamatapang at pinakamatalinong Heneral na lumaban sa mananakop si General Antonio Luna. Pero hindi tulad ng ibang bayani, sa kamay raw ng kapwa Pilipino natapos ang kaniyang buhay. Paano nabago nito ang ating kasaysayan?   Was it Aguinaldo who had Antonio Luna killed? Go back in time and know the history of Antonio Luna here in Crime Klasik.   More on Crime Klasik: https://www.facebook.com/CrimeKlasik     … [Read more...]

Cordillera People’s Flag – Igorot Autonomous Region – Northern Philippines

Cordillera People's Flag (Igorot Autonomous Region)

Cordillera People's Flag - Igorot Autonomous Region - Northern Philippines Explanation of the flag The Cordillera people are 7 interior people native to Cordillera mountains which stretch from North Borneo all the way to Luzon Island. The flag has 8 lances: 7 which represent the 7 interior people and 1 which represents the Tagalog people. The flag is also used with the letters CPDF in black under the emblem when it is used as the flag of the Cordillera People's Democratic Front. … [Read more...]

Documentary: Itinaga sa Bato – Baybayin Documentary written by Howie Severino and directed by Cris Sto. Domingo

Itinaga sa Bato baybayin

Documentary: Itinaga sa Bato - Baybayin Documentary written by Howie Severino and directed by Cris Sto. Domingo   http://youtu.be/nk2SF81q7kY Part 1   http://youtu.be/HWmFhBlJLko Part 2   http://www.gmanetwork.com/news/story/227829/publicaffairs/iwitness/itinaga-sa-bato-documentary-by-howie-severino http://www.imdb.com/title/tt2010078/ Many Filipinos are in the dark about their pre-colonial past, or Philippine history before the Spaniards came. That past is coming to light with Amaya, the first prime-time teleserye about Philippine society and culture before Europeans knew these existed. But even that history is based on what Spanish chroniclers wrote about the islanders they called indios. A recently discovered stone may change all that. A doormat for many years outside a Masbate classroom, the stone slab was cleaned by school children, revealing beneath the hardened mud writing in the ancient Filipino script called baybayin. Is it really a window into our pre-colonial past, or simply the work of a more recent hobbyist? Howie Severino and his documentary team accompany scientists to Ticao Island in Masbate as they try to authenticate the stone's origins and unlock its secrets. What does the writing say? Their investigation leads Howie's team's to living baybayin writers in Manila trying to keep the ancient script alive, convinced that it is an essential element in Filipinos' modern identity and a way for them to stand tall in a globalizing world where many languages, and the cultures they represent, are vanishing.       … [Read more...]

Book review: “Baybayin Atbp.: Mga Pag-aaral at Pagpapayaman ng Kulturang Pilipino” – Why is baybayin relevant today? Ime Morales

Baybayin Atbp book cover

Book review: Why is baybayin relevant today? Text and photo by IME MORALES If you think that baybayin, or the alibata, as it has come to be known in recent times, is simply our Filipino ancestors’ way of writing, then the contents of “Baybayin Atbp.: Mga Pag-aaral at Pagpapayaman ng Kulturang Pilipino” (Teresita B. Obusan, Raymond M. Cosare, and Minifred P. Gavino) will awaken your curiosity and, hopefully, your spirit. It is true, first of all, that baybayin is the indigenous writing form invented by our great grandfathers. But it is also true that it is much more than that. During a September 28 lecture organized by UP Tomo-Kai in Palma Hall, UP Diliman, social worker and writer Dr. Teresita B. Obusan said that the baybayin is a symbol of our culture and a means to study and understand mysticism. She explained, “We did not copy this. It was created by our ancestors and it becomes us.” In the booklet, which was printed earlier this year and written in the vernacular, she writes: “Baybayin is a gift from heaven, given to us through our ancestors; it is a legacy for the Filipino people... and it is our responsibility to take care of it and nurture it.”   Article continues at: http://www.gmanetwork.com/news/story/278915/lifestyle/reviews/book-review-why-is-baybayin-relevant-today … [Read more...]

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio

kali, arnis, eskrima, escrima, www.mandirigma.org, www.backyardeskrima.com, kali, arnis, eskrima, escrima, www.mandirigma.org, www.backyardeskrima.com

Respecting the Grand Masters of the Warrior Arts in the Philippines   by Jay Ignacio   Those who have seen The Bladed Hand would have understood that a lot of the Grand Masters in the Philippines are not well-off. They live in very tough conditions, some are employed for a paltry sum, and there are others who have no source of income other than when they have students to teach.Please be understanding when you approach them and do not ask for discounted rates, or take advantage of them by giving them empty promises of compensation or trips abroad.FMA may give some folks abroad a decent income, or even "street cred", but here in the Philippines, these Masters do not own gyms or schools or training facilities. They teach in public parks, or give private lessons at the students' homes.Pay them on time whatever rate you agreed on per session, and have the decency to acknowledge them for what they taught you. Pay, or at the very least, offer to pay them for their cab, or bus, or jeepney ride to meet up with you. Feed them as well, especially if ask to meet at a cafe or restaurant. Be mindful of the fact that photo ops with the Masters sometimes have consequences not favorable to them. Note that when you bug them to give you a certificate (when they normally don't because they have no registered business for their FMA system) for just a few days or hours of training, you are taking something away from them. There's just too much of this going around. A lot of them complain, but there is no avenue for them to adress any of their concerns. Sometimes they give in because they have no choice. It's a matter of understanding, and of respecting their intellectual property, among other things.   http://youtu.be/2LK2SNOWqdI … [Read more...]

Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event, Las Vegas, Nevada, USA. June 27-30 – 2013

ariel flores mosses, kali, arnis, eskrima, www.mandirigma.org, www.backyardeskrima.com, manaois escrima, speakman

Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27-30 – 2013         … [Read more...]

Cordillera Administrative Region – Northern Philippines

PH_Cordillera_Administrative_Region_flag

Cordillera Administrative Region The Cordillera Administrative Region (CAR) of the Philippines is a land-locked region consists of the provinces of Abra, Benguet, Ifugao, Kalinga, Mountain Province and Apayao. Baguio City is the regional center. The Cordillera region encompasses most of the areas within the Cordillera Central mountain range of Luzon, the largest range in the country. This region is home to numerous indigenous tribes collectively called the Igorot. The Cordillera Administrative Region is the only landlocked region in the country. Source: wikipilipinas.org Cordillera Administrative Region Flag   Cordillera Administrative Region Map   Cordillera Administrative Provinces/Seals   … [Read more...]

Laban Laro – Invitation Only Sparring, June 22nd. Aranda/Ricketts Memorial Gym

Final Laban, GM Ricketts, PG Sulite, Guro Brandon Ricketts, Guro Dino Flores, Guro Bud Balani, Guro Ariel Flores Mosses, Ilustrisimo, Lameco, Bakbakan Philippines, Kali, Kalis, Arnis, Eskrima, Escrima,

Laban Laro - Invitation Only Sparring, June 22nd. Aranda/Ricketts Memorial Gym An Event Honoring the Sparring Tradition Founded by the Five Pillars of Ilustrisimo and the Original Bakbakan Philippines. Participating Organizations: Bakbakan Philippines - USA HQ,  Ilustrisimo USA, Lameco SOG, Kapisanang Mandirigma. Event Supervised by: Guro Brandon Ricketts, Guro Bud Balani, Guro Ariel Flores Mosses,  Guro Dino Flores.   … [Read more...]

Kapisanang Mandirigma presents an Introductory Course in Backyard Lameco Eskrima. JULY 14th till AUGUST 17th, 2013, Los Angeles, California.

http://mandirigma.org/, http://backyardeskrima.com/, dino flores, guro dino flores, kali, kalis, arnis, eskrima, escrima, fma, lameco, ilustrisimo, sulite, ricketts, luzon, visayas, mindanao, kampilan, balisong, kris, rattan

Kapisanang Mandirigma presents an  Introductory Course in Backyard Lameco Eskrima.                                                                                     JULY 14th until AUGUST 17th, 2013, Los Angeles, California. This course will introduce you to the the Foundations and Combat Applications of Lameco Eskrima, the Philippine Warrior Art System founded by Punong Guro Edgar Sulite. Class will focus on core Lameco “Eskrima Drills” and “Kali Drills”. Classes will be conducted primarily by Guro Dino Flores. Classes will be kept small in order to ensure quality instruction.
This is a very rare opportunity. These classes are only held when time permits. This course also serves as a prerequisite to any future classes that are only open to members and individuals that have completed this course. For further course details go to: http://backyardeskrima.com and email us directly from the “Contact” page. Please give us a little background on yourself when requesting information. Maraming Salamat. … [Read more...]

The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013

master diego fma digest ilustrisimo kalis ilustrisimo eskrima escrima arnis

The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013   http://www.fmainformative.info/Informative_Issues/2013/FMA_Informative-Issue67.pdf http://www.fmainformative.info/Informative_Issues/past_informative-issues.html Informative Issue No #67 Kalis Ilustrisimo The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013 Master Antonio “Tony” Diego When Master Tony moved to Manila, he trained in the Balintawak style of Arnis with the Eskrimadors from Cebu while he was working at the docks and at the same time training with Berting Presas (Modern Arnis) in Quiapo, a district of Manila. Soon after, he met Antonio “Tatang” Ilustrisimo in 1974. Tatang’s simple but ferocious style greatly impressed him. He then requested Tatang to teach him. At first Tatang would not teach Master Tony, explaining that it was only for his use alone! He said he remained undefeated because others do not know his style. Master Tony, far from being deterred, relentlessly pestered Tatang with attention and gifts until the old man finally agreed to teach him the ways of the blade. As a teacher of Eskrima, Master Tony has earned the highest reputation as a person and as an instructor. He fully believes that a student who learns the Ilustrisimo system should give credit where credit is due, and not to learn and then claim it or its derivatives as a personal innovation or declare it as coming from an imagined family tradition. Compared with Tatang, Tony teaches almost the same way with the exception that he has structured his instruction procedures into sets of techniques which make learning easier. This comes from having seen it from the student’s point of view. Tony has insisted on maintaining the purity of the system as Tatang taught it. The only change is the way the Ilustrisimo system is now taught in a structured sense, which Tatang did not. Any Questions Contact: Ms. Peachie Baron-Saguin at: peachiebaron@yahoo.com ———————— Kalis Ilustrisimo in its Pure Form Kalis Ilustrisimo in its pure form tries to maintain the life and death combative perspective and ex- presses this point of view in its techniques and their applications. There has been also a need to enter the Filipino martial arts world, which has a greater emphasis on the sports aspect. For this, Ilus- trisimo methods and techniques have perforce been modified in order to keep within the structure of the necessary constricting rules of sports. These rules are meant for the safety of participants and life and death combat movements are illegal. This is true for other ing, etc. Because of the greater emphasis on sports in the present Filipino martial arts community, students are more – keen on learn- ing techniques believing these will enhance their skill and their chances of winning competitions. In contrast, instruction in Ilustri- simo is based on the foundational combat philosophy of Antonio “Tatang” Ilustrisimo when teach- ing the techniques and their appli- cation. This point of view delin- eates objectives which give rise to the movements or techniques necessary to achieve such objec- The original main objective of Tatang’s fighting system is win- ning in battle and coming out of it alive and unhurt. For this, a flexi- ble fighting capability is necessary. Thus the Ilustrisimo system has a varied set of techniques which are effective at various distances and with various weapons all the way to empty hands. In using Kalis Ilustrisimo they use what one would call fraction (Master strikes at the student according to numbers). The Master strikes the student first countering the strikes one through twelve strikes, Abierta: Compared with Tatang, Master Tony teaches almost the same way with the exception that he has structured his instruction procedures into sets of techniques which make learning easier. This comes from having seen it from the student’s point of view. Master Tony has insisted on maintaining the purity of the system as Tatang taught it. … [Read more...]

Kapisanang Mandirigma Spain

Spain Eskrima School kali arnis escrima kalis fma ilustrisimo lameco ricketts sulite

Kapisanang Mandirigma Spain Representative Tim B. Fredianelli is the Kapisanang Mandirigma Spain Representative. He is in the process of obtaining his Level One Trainer Credentials. He can be contacted at: tim.fredianelli@facebook.com +++++++++++++++++++ About Tim B. Fredianelli: Tim B. Fredianelli is Assistant Instructor iin Jeet Kune Do under Sifu Tim Tackett and Sifu Bob Bremmer, Certified Knife Expert under Hock Hocheim, 2ºdan Black Belt in Kick Boxing, was a senior member of the Instituto de Kali Jun Fan in Madrid for 11 years training in Inosanto Kali and Muay Thai, and Wing Chung, Jun Fan and Jeet Kune Do. Has more than 25 years of experience in martial arts. Was the first to train and promote Lameco and Kalis Ilustrisimo in Spain, and has been promoting and training Lameco and Kalis Ilustrisimo since 2003. He now trains a small group of dedicated students in all these arts. http://www.kali-jeetkunedo.com/7instructor.html   … [Read more...]

Imprinting Andres Bonifacio: The Iconization from Portrait to Peso by The Malacañan Palace Library

Andres_Bonifacio_photo

Imprinting Andres Bonifacio: The Iconization from Portrait to Peso by The Malacañan Palace Library   The face of the Philippine revolution is evasive, just like the freedom that eluded the man known as its leader.   The only known photograph of Andres Bonifacio is housed in the Archivo General de Indias in Seville, Spain. Some say that it was taken during his second wedding to Gregoria de Jesus in Katipunan ceremonial rites. It is dated 1896 from Chofre y Cia (precursor to today’s Cacho Hermanos printing firm), a prominent printing press and pioneer of lithographic printing in the country, based in Manila. The faded photograph, instead of being a precise representation of a specific historical figure, instead becomes a kind of Rorschach test, liable to conflicting impressions. Does the picture show the President of the Supreme Council of the Katipunan as a bourgeois everyman with nondescript, almost forgettable features? Or does it portray a dour piercing glare perpetually frozen in time, revealing a determined leader deep in contemplation, whose mind is clouded with thoughts of waging an armed struggle against a colonial power? Perhaps a less subjective and more fruitful avenue for investigation is to compare and contrast this earliest documented image with those that have referred to it, or even paid a curious homage to it, by substantially altering his faded features. This undated image of Bonifacio offers the closest resemblance to the Chofre y Cia version. As attested to by National Scientist Teodoro A. Agoncillo and the National Historical Commission of the Philippines, it is the image that depicts the well-known attribution of Bonifacio being of sangley (or Chinese) descent. While nearly identical in composition with the original, this second image shows him with a refined–even weak–chin, almond-shaped eyes, a less defined brow, and even modified hair. The blurring of his features, perhaps the result of the image being timeworn, offers little room for interjection. In contrast, the next image dating from a February 8, 1897 issue of La Ilustración Española y Americana, a Spanish-American weekly publication, features a heavily altered representation of Bonifacio at odds with the earlier depiction from Chofre y Cia. This modification catered to the Castilian idea of racial superiority, and to the waning Spanish Empire’s shock–perhaps even awe?–over what they must have viewed at the time as indio impudence. Hence the Bonifacio in this engraving is given a more pronounced set of features–a more prominent, almost ruthless jawline, deep-set eyes, a heavy, furrowed brow and a proud yet incongruously vacant stare. Far from the unassuming demeanor previously evidenced, there is an aura of unshakable, even obstinate, determination surrounding the revolutionary leader who remained resolute until his last breath. Notice also that for the first (although it would not be the last) time, he is formally clad in what appears to be a three-piece suit with a white bowtie–hardly the dress one would expect, given his allegedly humble beginnings. Given its printing, this is arguably the first depiction of Bonifacio to be circulated en masse. The same image appeared in Ramon Reyes Lala’s The Philippine Islands, which was published in 1899 by an American publishing house for distribution in the Philippines. The records of both the Filipinas Heritage Library and the Lopez Museum reveal a third, separate image of Bonifacio which appears in the December 7, 1910 issue of El Renacimiento Filipino, a Filipino publication during the early years of the American occupation. El Renacimiento Filipino portrays an idealized Bonifacio, taking even greater liberties with the Chofre y Cia portrait. There is both gentrification and romanticization at work here. His receding hairline draws attention to his wide forehead–pointing to cultural assumptions of the time that a broad brow denotes a powerful intellect–and his full lips are almost pouting. His cheekbones are more prominent and his eyes are given a curious, lidded, dreamy, even feminine emphasis, imbuing him with an air of otherworldly reserve–he appears unruffled and somber, almost languid: more poet than firebrand. It is difficult to imagine him as the Bonifacio admired, even idolized, by his countrymen for stirring battle cries and bold military tactics. He is clothed in a similar fashion to the La Ilustración Española y Americana portrait: with a significant deviation that would leave a telltale mark on succeeded images derived from this one. Gone is the white tie (itself an artistic assumption when the original image merely hinted at the possibility of some sort of neckwear), and in its stead, there is a sober black cravat and even a corsage on the buttonhole of his coat. Here the transformation of photograph to engraving takes … [Read more...]

Origin of the Symbols of the Philippine National Flag by The Malacañan Palace Library

pinoy flag

Origin of the Symbols of the Philippine National Flag by The Malacañan Palace Library Aside from the Masonic influence on the Katipunan, the design of the Philippine flag has roots in the flag family to which it belongs—that of the last group of colonies that sought independence from the Spanish Empire at the close of the 19th century, a group to which the Philippines belongs. The Presidential Communications Development and Strategic Planning Office traces the origins of the Philippine flag’s design elements, which have been in use since General Emilio Aguinaldo first conceived them—the stars and stripes; the red, white, and blue; the masonic triangle; and the sun—and have endured since. Source: http://malacanang.gov.ph/3846-origin-of-the-symbols-of-our-national-flag/     … [Read more...]

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013 kali arnis eskrima kalis

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013 The FMA Informative was very lucky to be able through the cooperation of Guro Dino Flores to be able to bring just a hint of the knowledge that was put forth and the skills that were demonstrated on March 16 and 17, 2013. At the Lameco S.O.G and Kali Ilustrisimo Memorial Seminar the instructors were the dedicated instructors of Punong Guro Edgar G. Sulite and Master Christopher Ricketts. They were: Guro Dino Flores, Guro Bud Balani, Guro David Gould, Guro Bong Hebia, Guro Ariel Flores Mosses, and the son of Master Christopher Ricketts Guro Brandon Ricketts. First you will read about the participant Dr. Bryan Stoops reflections on his experience in the 12 Week Backyard Lameco Eskrima course and the 2 day Lameco S.O.G and Ilustrisimo Eskrima Seminar. Then on another aspect Guro David Gould his thoughts on the 2nd Lameco Eskrima “SOG” Memorial Seminar held in Los Angeles, California. Visit www.fmainformative.info and download a copy. Download a copy - www.fmainformative.info/Informative_Issues/2013/FMA_Informative-Issue68.pdf   … [Read more...]

SEMINARIO DE “LAMECO ESKRIMA” CON EL RECONOCIDO ARTISTA MARCIAL GURO DAVE GOULD!! EN TUXTLA GUTIERREZ, CHIAPAS, JUNIO 29 Y 30

lameco eskrima kali arnis escrima fma

SEMINARIO DE "LAMECO ESKRIMA" CON EL RECONOCIDO ARTISTA MARCIAL GURO DAVE GOULD!! EN TUXTLA GUTIERREZ, CHIAPAS, JUNIO 29 Y 30 … [Read more...]

Filipino American Museum of Culture & History Presents – THE INOSANTO STORY. JUNE 1, 2013. Los Angeles

Guro Dan Inosanto Story JKD Kali Arnis Eskrima

Filipino American Museum of Culture & History Presents - THE INOSANTO STORY. JUNE 1, 2013. Los Angeles FMA Enthusiasts! Here's a fund-raising event that not only showcases our pride in Filipino culture and history but also helps to build handicap access for the Filipino Disciples Christian Church. Dress:  Business casual R.S.V.P. by phone or email A.S.A.P followed up by payment.  Last year they had to turn people away because there wasn't enough room or food for them.  The absolute latest they can receive payment and an R.S.V.P. is May 22nd.  If anyone is interested in putting together a display table for their FMA, etc. they can contact Lorna (see below for contact info). To R.S.V.P., call or email: Lorna Dumapias (213) 379-6456 lorna.dumapias7@gmail.com Checks or money orders should be made payable to: Filipino American Museum of Culture & History And checks / money orders can be sent to: Lorna Dumaplas P.O. Box 71372, Los Angeles, CA. 90071 Here's more info about the event: Other highlights of this special event: Guru Dan mentions a historical footnote in his promotion of traditional Filipino martial arts - kali and escrima:  that the art was mainly perpetuated through dance -- while plotting a revolution against 300 years rule by Spain. A traditional Filipino folk-dance will be performed during the Filipino meal--you will recognize some of the foot, hand and arm movements! Demonstration of kali and escrima will follow the folk-dance on stage. Our social hall  has a permanent History Photo Gallery which features Guru Dan's mother and father, as well as Guru Dan. (Guru Dan taught Sunday School to our church's college-age group in the 1960's which is his affiliation with our church--to date, the only Historic-Cultural monument/landmark of Filipino- American origin proclaimed by the City of Los Angeles. In addition, a special photo exhibit about the Inosanto family will be on display. There will also be a table displaying information/activities about the Inosanto Academy and Guru Dan's coming seminars, etc, as well as about the schedule of classes, activities and coming seminars, etc. of Diana Lee Inosanto and Ron Balicki. Because both Guru Dan and his daughter Diana Lee, have always been supportive of preserving and promoting traditional Filipino martial arts as well as other disciplines such as JKD, etc. we invite the martial arts community to participate.  We offer the following: Your group's tax-deductible donation of five tickets at $20 each (could be aggregate of individual check or money order payments) = leader's name with group/studio name listed on printed program as a "Friend of the Museum".  Reservations/payment(s) may be sent payable to the Filipino American Museum of Culture & History and mail to Lorna Dumapias, P.O. Box 71372, Los Angeles, CA. 90071. Ten tickets = listing on printed program and on press releases slated for distribution May 15, and inclusion in a display table(s) promoting martial arts community, where you can promote your specific programs/studio.  (We reserve the right to select final display -- no weapons or inappropriate content allowed.  No actual selling.) Our book titled "Filipino-American Experience: the Making of a Historic-Cultural Monument", a coffee table publication in glossy, landscape style format which includes the Inosanto Story written by Guru Dan's niece, Dr. Celeste Howe, be will be offered at a discount to the martial arts community, seniors and students with school ID. Because we  must know actual number of attendees as soon as possible for seating arrangements due to limited room capacity as well as to help us confirm our order with the restaurant catering the meal, we would appreciate your prompt response. Thanks for your participation!  We hope to see you soon! Best, Lorna Dumapias, Volunteer Curator/Director Filipino American Museum of Culture & History 213/379-6456 … [Read more...]

Pre-Standardized Philippine Flag by Ambeth R. Ocampo

Philippine Revolution Sun

Before the Philippine flag was standardized into the form we know today, the sun had a human face and eight rays that differed depending on who made it. The sun in the flag also appeared as: seals, stamps, and logos on official communications. I'm not sure if this is a stamp for postage, revenue, or documentary tax. Ambeth R. Ocampo … [Read more...]

Protected: Member Equipment List

matibay

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Guro Bill Aranda – A True Warrior’s Path – January 22, 1947 – April 12, 2013

guro bill aranda kali arnis eskrima fma guro bill aranda kali arnis eskrima fma inosanto jkd kali guro bill aranda kali arnis eskrima fma guro bill aranda kali arnis eskrima fma inosanto jkd kali guro bill aranda kali arnis eskrima fma guro bill aranda kali arnis eskrima fma inosanto jkd kali

Guro Bill Aranda - A True Warrior's Path Guro Billʼs involvement in the Filipino Martial Art (FMA) has spanned a period of over 6 decades.  He has been studing and researcing this complete, ethnically Filipino, fighting art with masters and guros of Kali, Escrima, & Arnis from both the Philippines & the USA since the summer of 1962.  His years of training has familiarized him in the use of single & double, equal & unequal length, rigid & flexible, bladed & impact weapons, and in the Filipino empty hand art of bunoan (grappling), suntukan (boxing), & sipaan (kicking).  Today he continues to actively promote the art through individual & group classes and public seminars & demonstrations.  His years of practice has led him to see this simple, direct, & intuitive art not just as the fighting art that it is, but also as a path for personal growth (physical, mental, emotional, & spiritual) that can be taught & practiced by all people regardless of sex, age, nationality, and martial arts background. It is his hope that through the FMA, people will develop an appreciation for All Things Filipino (ATF) - especially its culture and history. Training Guro Bill has trained with many different teachers specializing not only in the FMA, but also in other weapon and empty hand based martial arts through training seminars & classes given on an individual & group basis, in a formal & informal environment, using structured & unstructured teaching methodology. Through the years his training progressed through different phases.  From the early 60s thru the 80s, the conscious effort was on learning the lessons taught by his instructors (the how & when phase).  On the 90s, learning continued with an emphasis on understanding the lessons (the what & why phase).  From the beginning of the millennium to the present, the learning & understanding was augmented with extracting the essence of the lessons using the Lee methodology. The many instructors who have served as a guide and influence in Guro Billʼs personal growth as a martial artist and to whom he will be forever grateful, include the following: Core • Guro Mike Barairo, Private Individual Training Makati, Philippines Eskrima, Arnis, Judo, & Boxing • Guro Dan Inosanto, Formal Group Classes Kali Academy of America, Torrance, CA Leo Giron System (Arnis), & Angel Cabales System (Eskrima), Villabrille/Largusa System (Kali), John La Coste System (Kali), Pekiti Tirsia (Eskrima) Inosanto Academy, Culver City, CA Leo Giron System (Arnis), & Angel Cabales System (Eskrima), Villabrille/Largusa System (Kali), John La Coste System (Kali), Sikaran, Western Boxing, Wing Chun, Jun Fan Gung Fu, Tai Chi Kali-Eskrima-Silat/JunFan Martial Arts Academy, Marina Del Rey, CA Leo Giron System (Weapon All Ranges), Angel Cabales System (Weapon Corto Range), Villabrille/Largusa System (Weapon & Empty Hands Training Methods & all Ranges), John La Coste System (Weapon, Empty Hand, & Kicking Ranges), Western Boxing (Empty Hands w/o Reference Points), JunFan Gung Fu (Energy Drills, Chinese Boxing, Trapping, & Attacking Concepts), Silat (Leveraging Concepts), Doce Pares System (Uneven Length Weapon), Siniwali (Equal Length Weapon), Capoera (Brazilian Kick Boxing), Savate (French Kick Boxing), Muay Thai (Thai Kick Boxing), Cinco Teros System (Long Range), Suntukan/Sikaran (Filipino Kick Boxing), Carenza, Numerado, & Sumbrada (Filipino Training Methods), with special emphasis on proper body mechanics, fighting ranges, rhythm, & timing • Guro Pete BatungBakal, Private Individual Training Makati, Philippines • Arnis, Tabak Toyok, Japanese Sai & Staff; through this teacher Guro Bill met GM Porfiro Lanada of the Lanada System • Guro Chris Kent, Formal Group Classes Kali-Eskrima-Silat/JunFan Martial Arts Academy, Marina Del Rey, CA Inosanto Blended System using impact & bladed weapons, empty hands, and kick boxing • Guro Ted LucayLucay, Formal Group Classes Kali-Eskrima-Silat/JunFan Martial Arts Academy, Marina Del Rey, CA Inosanto Blended System plus the LucayLucay Kali/JKD System of Panantukan/Sikaran, Knife Fighting, tabak maliit • GM Topher Ricketts, Private Individual/Group Training Glendale FMA Academy, Glendale, CA Ilustrisimo (Eskrima, Kali), Sagasa (Filipino Karate), Ngo Cho Kun (Beng Kiam Kung Fu), Boxing, Hand Sparring Other • Guro Richard Bustillo, Inosanto Blended System • Guro Jeff Imada, Inosanto Blended System • Master Fernando Bernardo, Scientific Lightning Arnis • Guro Louis Campos, Pentjak Silat Serak & Bukti Negara • GM Bobby Taboada, Balintawak Arnis Cuentada • Punong Guro Edgar Sulite, LAMECO Eskrima • Pendekar Guru Besar Herman Suwanda, Pencak Silat Mande Muda • GM Leo Giron/Master Tony Somera, Bahala Na Arnis/ Eskrima • GM … [Read more...]

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013 For More Information: combatacademy.central@gmail.com Eduardo Herrera 777 254 58 35   … [Read more...]

Guro John Jacobo Kali Ilustrisimo Seminar. Humble, Texas. February 18th & 19th, 2012.

kali ilustrisimo seminar kali arnis escrima eskrima kali ilustrisimo seminar kali arnis escrima eskrima

Guro John Jacobo Kali Ilustrisimo Seminar. Humble, Texas. February 18th & 19th, 2013. For more information: http://www.swacom.com/   … [Read more...]

Tribute to Grandmaster Roland Dantes (1945 – 2009) by David Foggie for Blitz Australasian Martial Arts Magazine

Master Roland Dantes by David Foggie for Blitz Australia Magazine 2012 Master Roland Dantes by David Foggie for Blitz Australia Magazine 2012

Tribute to Grandmaster Roland Dantes by David Foggie for Blitz Australasian Martial Arts Magazine. David Foggie was a close friend and student of the Legendary Grandmaster Roland Dantes. Permission given to Mandirigma.org to reprint the Blitz Australasian Martial Arts Magazine given by David Foggie.       … [Read more...]

Boxer Codex Manuscript – circa 1595

Tagalog royalty mandirigma.org

Boxer Codex Boxer Codex is a manuscript written circa 1595 which contains illustrations of Filipinos at the time of their initial contact with the Spanish. Aside from a description of and historical allusions to the Philippines and various other Far Eastern countries, it also contains seventy-five colored drawings of the inhabitants of these regions and their distinctive costumes. Fifteen illustrations deal with Filipinos. [1] It is believed that the original owner of the manuscript was Luis Pérez das Mariñas, son of Governor General Gómez Pérez das Mariñas, who was killed in 1593 by the Sangleys (Chinese living in the Philippines). Luis succeeded his father in office as Governor General of the Philippines. Since Spanish colonial governors were required to supply written reports on the territotries they governed, it is likely that the manuscript was written under the orders of the governor. [2] The manuscript's earliest known owner was Lord Ilchester. The codex was among what remained in his collection when his estate, Holland House in London, suffered a direct hit during an air raid 1942. The manuscript was auctioned in 1947 and came into the possession of Prof. Charles R. Boxer, an authority on the Far East. It is now owned by the Lilly Library at Indiana University. [3] The Boxer Codex depicts the Tagalogs, Visayans, Zambals, Cagayanons and Negritos of the Philippines in vivid colors. Except for the Chinese, however, its illustrations of inhabitants of neighboring countries are odd looking. This suggests that the artist did not actually visit the places mentioned from the text, but drew from imagination. Boxer notes that the descriptions of these countries are not original. The account of China, for example, was largely based on the narrative of Fray Martin de Rada. The technique of the paintings suggests that artist may have been Chinese, as does the use of Chinese paper, ink and paints. [4]   Native Pre-colonial inhabitants of the Philippines   Tagalog royalty and his wife, wearing the distinctive color of his class (red).   Tagalog maginoo (noble) and his wife, wearing the distinctive color of his class (blue.   A timawa or tumao (noble) couple, Visayan Pintados   Visayan kadatuan (royal) couple . References ^ Alfredo R. Roces, et. al., eds., Boxer Codex in Filipino Heritage: the Making of a Nation, Philippines: Lahing Pilipino Publishing, Inc., 1977, Vol. IV, p. 1003. ^ Ibid., p. 1004. ^ Ibid., p. 1003. ^ Ibid.     … [Read more...]

THE SIGLO DE ORO – The Golden Age of Spain in the fields of Military and Naval power, international politics, economy, arts, literature, and music. 15th – 17th Centuries.

The Siglo de Oro-mandirigma.org

THE SIGLO DE ORO The Siglo de Oro is the Golden Age of Spain in the fields of Military and Naval power, international politics, economy, arts, literature, and music. The actual length of Spain's golden age lasted for more than a hundred years, from 15th to the 17th Centuries. The above photo shows the areas of the world that at one time were territories of the Spanish Monarchy or Empire. The Spanish empire reached its greatest extent during the Siglo de Oro. … [Read more...]

Glendale FMA Academy proudly presents an Invitation Only Ilustrisimo Seminar with Guro Brandon Ricketts. Glendale, California. Saturday, September, 2012

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Glendale FMA Academy proudly presents an Invitation Only Ilustrisimo Seminar with Guro Brandon Ricketts. Glendale, California. Saturday, September, 2012 Guro Brandon Ricketts will be conducting a training seminar on the style of Tatang Illustrisimo (as taught by the late GM Topher Ricketts) on Saturday, September, 2012. Guro Brandon will be assisted by Guro Dino Flores.  The seminar is by invitation only and not open to the general public . It will be held at the Glendale FMA Academy.         … [Read more...]

Las Vegas Open Invitational Stick-Knife Tournament in Las Vegas, Nevada. Sunday, November 11th, 2012.

kapisanang-mandirigma-las-vegas-kali-arnis-eskrima 2012 - kapisanang-mandirigma-las-vegas-kali-arnis-eskrima 2012

  Las Vegas Open Invitational Stick-Knife Tournament. Sunday, November 11th, 2012. Sponsored by Manaois Systems, Fanged Blade, Kapisanang Mandirigma and South Jersey Tactical Fighting Arts For more information: Contact: Ariel Flores Mosses LV Tactical Training Center 6366 W. Sahara, Las Vegas, NV 89146 Email: arielfmosses@yahoo.com Phone: (702) 533-9688 http://www.lvtacticaltraining.com/#!events … [Read more...]

The Combat Academy presents a Kapisanang Mandirigma Seminar with Guro Dino Flores in Cuernavaca City, Mexico, October 6 & 7, 2012

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  The Combat Academy presents a Kapisanang Mandirigma Seminar with Guro Dino Flores in Cuernavaca City, Mexico, October 6 & 7, 2012. Guro Dino Flores will be sharing some of his experience in Ilustrisimo and Backyard Lameco Eskrima. For more information contact Alex Garduño at the Combat Academy.   About Guro Dino: Guro Dino began informally training in the Philippines with family and  family friends in balisong for the streets. Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Master Bruce Ricketts and Guro Brandon Ricketts. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Guro Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego. Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. About The Combat Academy: The “Combat Academy” was born in February of 2012 as an Independent training center after 17 years of work and continuous training. The Combat Academy curriculum includes Filipino Martial Arts (Lameco Eskrima & Doce Pares Eskrima), Muay Thai/Boxing, Sambo/ Jiu Jitsu, JKD and AMOK! Alex Garduño, Director and chief Instructor of the “Combat Academy”, is a Lameco Eskrima student under Guro Dave Gould and Guro Roger Agbulos, holds the Guro Rank in Doce Pares Eskrima under SGM Cacoy Cañete and He´s student of Tom Sotis in AMOK! … [Read more...]

Through sponsorship by Senator Miguel Zubiri – Arnis Officially Declared National Martial Art and Sport, Dec. 11 2009,

Lameco Sulite-advanced-balisong www.mandirigma.org

UPDATE ON LAWS PASSED DURING THE 14th & 15th CONGRESS Researched by the Executive-Legislative Liaison Service LAWS OF NATIONAL SIGNIFICANCE (15th CONGRESS)   RA 9850 AN ACT DECLARING ARNIS AS THE NATIONAL MARTIAL ART AND SPORT OF THE PHILIPPINES (SIGNED INTO LAW ON DECEMBER 11,  2009)   **********   The principal author and sponsor of RA 9850 is Senator Juan Miguel “Migz” F. Zubiri. He is a dedicated Martial Artist and Eskrimador. His primary teacher since childhood is Grandmaster Christopher Ricketts, founder of Bakbakan Philippines. System that he studied under Grandmaster Ricketts include Bakbakan Sagasa Kickboxing, Ngo Cho Kung Fu and Kali Ilustrisimo. Other teachers include Bakbakan Members Grandmaster Alex Co (Ngo Cho), Punong Guro Edgar G. Sulite (Lameco Eskrima), Grandmaster Tony Diego (Kali Ilustrisimo) and Grandmaster Antonio Ilustrisimo himself.   Miguel with some of his teachers and fellow Bakbakan members.   On the cover of the "Advanced Balisong" book with one of his teachers, Punong Guro Edgar Sulite. Senator Juan Miguel F. Zubiri In 2008, Senator Juan Miguel “Migz” F. Zubiri, at age 39, became the youngest to be elected as Senate Majority Leader since the First Congress in 1946. A veteran legislator, he served the 3rd District of Bukidnon from 1998 to 2007 and was always cited as one of the most outstanding solons in the House of Representatives. He has also maintained a perfect attendance in the Plenary Sessions for the last 12 years (4 Congresses) both as Congressman and as Senator, and including this 15th Congress. In the 14th Congress and during his stint as Senate Majority Leader, Sen. Zubiri helped steer the Senate to a record performance of around 650 bills enacted into laws. Sen. Migz is the principal author and sponsor of more than 20 major laws, both in the Senate and during his stint as Congressman. As a fervent advocate of clean energy, he worked for the passage of RA 9513 or the Renewable Energy Act of 2008 and RA 9367 or the Biofuels Act of 2006, earning him the moniker Mr. Clean Energy. Among the other laws he sponsored, principally authored or co-authored are:   RA10068 – Organic Agriculture Act of 2010; RA 9147 – Wildlife Conservation and Protection Act; RA 10121 – Philippine Disaster Risk Management Act; RA 9165 – Comprehensive Dangerous Drugs Act of 2002; RA 9679 – the Home Development Mutual Fund Law of 2009 (Pag-IBIG Fund); RA 9653 – the Rent Control Act of 2009; RA 9997 – the National Commission on Muslim Filipinos Act of 2009; RA 9996 – the Mindanao Development Authority Act of 2010; RA 9904 – the Magna Carta for Homeowners and Homeowners’ Associations; RA 9903 – Condonation of Penalties on Delinquent Social Security Contributions; RA 9507 – the Socialized and Low-Cost Housing Loan Condonation Program; RA 9850 – Declaring Arnis as the National Martial Art and Sport; RA 9500 – UP Charter Amendments; RA 9163 – National Service Training Program; RA 9166 – Armed Forces of the Philippines Rate Pay Base Increase Act; RA 10072 – the New Charter of the Philippine Red Cross; RA 9645 – Declaring July 27 of Every Year as Araw ng Iglesia Ni Cristo and as Special Working Holiday; and RA 9849 – Declaring Eidul Adha as a National Holiday. He is also considered the “father” of the New Cooperative Code being the principal sponsor and author of RA 9520 or the Philippine Cooperative Code of 2008. Sen. Migz is known as a champion of environmental concerns, an advocacy he pursues in the Senate and among his top legislative agenda. In the current 15th Congress, he chairs the Committee on Environment and Natural Resources. He also chairs the Committee on Cooperatives and 3 Joint Congressional Oversight Committees such as the Joint Congressional Oversight Committee on the Ecological Solid Waste Management Act; Joint Congressional Committee on Clean Air Act; and the Joint Congressional Oversight Committee on Cooperatives. He is also a member of 20 other Senate standing committees. Sen. Migz is involved in concrete environmental programs such as being the founder of the Philippine Deer Foundation, a deer conservation project, and as President of the Palawan-based Katala Foundation which protects endangered wildlife species and their habitats. A trained first aider and certified rescue diver, he is a Governor of the Philippine Red Cross and active member of the Red Cross Youth Committee and Concerned Divers of the Philippines. Senator Zubiri has published two books: the Philippine Cooperative Code of 2008, and Bukidnon: The Philippine Frontier. He is a graduate of Master’s in Environment and Natural Resources Management at the University of the Philippines Open University and Bachelor of Science in Agri-Business Management at the University of the Philippines in Los Baños. He has also … [Read more...]

Kapisanang Mandirigma and LV Tactical Training presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar. Las Vegas, Nevada, Saturday, September 22, 2012

Kapisanang Mandirigma and LV Tactical Training presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar. Las Vegas, Nevada, Saturday, September 22, 2012 Kapisanang Mandirigma and LV Tactical Training presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar. Las Vegas, Nevada, Saturday, September 22, 2012

Kapisanang Mandirigma and LV Tactical Training presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar.Las Vegas, Nevada, Saturday, September 22, 2012  … [Read more...]

Movie: Supremo (2012), Andres Bonifacio as husband, brother, soldier and hero

supremo movie 2012 katipunan pilipinas supremo movie 2012 katipunan pilipinas supremo movie 2012 katipunan pilipinas supremo movie 2012 katipunan pilipinas supremo movie 2012 katipunan pilipinas supremo movie 2012 katipunan pilipinas

http://youtu.be/oHQ34CKnkIM     About Andres Bonifacio's Biopic Description Andres Bonifacio as husband, brother, soldier and hero Release date August 2012 Genre Epic Drama Studio Alternative Vision Cinema and Strawdogs Studio Productions Plot outline Manila, year 1896. The cry for independence from the tyranny of Spain peals louder than ever. Andres Bonifacio, leader of the rebel movement the Katipunan, leads his men to war. Though ill-equipped and untried in the field of battle, the Katipuneros launch an offensive against a vastly superior Spanish military. What follows is a series of events that will test the nation's brave sons, and an aftermath that will separate the genuine patriots from mere participants. Starring Alfred Vargas, Mon Confiado, Nicco Manalo, Alex Vincent Medina, Edmon Romawac, Shielbert Manuel, Lehner Mendoza, Manu Respall, Jeff Fernandez, Banjo Romero, Alex Cabodil, Nica Naval and Hermie Concepcion Directed by Richard V. Somes Written By Jimmy Flores Produced by PM Vargas, Alfred Vargas, Riza Montelibano, Mai Montelibano and Ellen Ilagan   Supremo (2012) Full Trailer Director: Richard V. Somes Starring: Alfred Vargas Mon Confiado Hermie Concepcion Nicco Manalo Alex Vincent Medina Nica Naval Edmon Romawag Shielbert Manuel Lehner Mendoza Jeff Fernandez Banjo Romero Mano Respall Alex Cabodil Production Manager: Darryl De la Cruz Sound Engineer Jedd Chriss Dumaguina Musical Scorer: Von De Guzman Editors: Carlo Francisco Manatad + Joris Fernandez Director of Photography: Alex Espartero Production Designers: Erin John Martir + Adrian Torres Screenplay: Jimmy Flores Associate Producer: Ellen Ilagan + Maimai Montelibano Line Producer: Riza Montelibano Executive Producers: PM Vargas + Alfred Vargas   http://www.facebook.com/pages/Supremo/407515249292352     … [Read more...]

Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011

dvd-lameco-eskrima-backyard-sulite-original-group www.mandirigma.org

Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011 February 1, 2012 By dinof2 Leave a Comment (Edit) Guro Dino Flores DVD Release and Magazine  article for Budo International, November 2011     Excerpt from the DVD backcover: Punong Guro Edgar Sulite was one of the great revolutionaries in Philippine Martial Arts history. There were two types of students that learnt under him, those who took classes under him periodically and those whom he selected and prepared personally for becoming fighters in private training sessions in the backyard of his home, these students belonged to the Sulite Orihinal Group. Dino Flores belongs to this second elite group of specially trained fighters in Lameco and shines with his own light as one of the top selected fighters of the Lameco Eskrima backyard group. In this work he introduces and shows us a series of exercises which Punong Guro Sulite emphasized greatly upon and that develop correct distancing in a real combat situation. This dvd will help you refine the combative motions, enable you to increase the intensity within a drill, as well as show you how to use equipment correctly and help you overcome a well protected opponent. You will learn how to avoid being hit and grabbed. These exercises practiced under real contact and tension will allow you to react against the most common attacks in real time and in an effective way. The most important thing is to hit well, to have good footwork and mainly to have a great foundation. http://www.budointernational.net/arnis-kali-escrima/1564-dvd-lameco-eskrima-backyard-sulite-original-group.html     About Budo International Magazine Budo International is the only martial arts magazine published in seven different languages (English, Spanish, French, Italian, Portuguese, German, and Croatian) and sold worldwide. Budo Magazine is undisputedly the largest specialized magazine in over 60 countries. They are the foremost martial arts publication in Europe, South America, Central America and Australia, as well as having editions in Greece and Czechoslovakia.Their monthly publication brings exciting and exotic masters and material that is truly universal. Budo also covers all types of events, from tournaments to movies and the magazine brings a gust of fresh air mixed with European quality to the American culture. Click on the magazine image below to read English issues of Budo. http://www.budointernational.net/   http://youtu.be/_F-WsyfWAhs   Backyard Lameco DVD clip produced by Budo International … [Read more...]

Interview: Guro Dino Flores by Christof Froehlich, March 2012

solo-mandirigma-institute kali arnis escrima lameco solo-mandirigma-institute kali arnis escrima lameco

Interview: Guro Dino Flores by Christof Froehlich, March 2012 Q: Guro Dino, please introduce yourself. Guro Dino: I am Guro Dino Flores and I am a member of the organization Kapisanang Mandirigma. I was a member of the late Punong Guro Edgar Sulite’s Backyard Group, also known as the Lameco SOG (Sulite Orehenal Group). I am also a practitioner of Ilustrisimo taught primarily by the late Master Christopher Ricketts. — Q: How did you first start in the Warrior Arts of the Philippines? Guro Dino: I was first introduced to the existence of the Philippine Warrior Art in 1975 by my father. As a child, my father would tell me stories about the battles against the Spanish and Americans during the struggle for Philippine independence. Some of the stories he told were of his grandfather, Segundo Morato Flores, who was a Katipunero in the Bicol Province during the Philippine Revolution. His grandfather would proudly celebrate Philippine independence day by putting on his Katipunero uniform. He would dress my father in a matching outfit and wooden sword. Then with great pride they would march to the town square and meet with other veterans. Other stories involved my paternal grandfather, as a decorated Captain in the USAFFE (United States Armed Forces in the Far East). He was also a guerilla fighter after the Americans surrendered with the fall of the Philippines to Japan. On my mothers side, my grandfather fought on the Island Fortress of Corrigador as a staff sergeant in the USAFFE where he was in charge of a unit of 50 caliber water cooled machine guns. He survived the infamous Bataan “Death March” and numerous solo recon missions. One day during story time, my father showed me the sword my paternal grandfather used in World War II. It was in a leather scabbard and had a water buffalo horn handle (Kalabaw). He held it proudly over his head pointing to the sky telling me these swords were used in “Filipino Arnis”! He did a few fighting stances, and that was how the seeds of the Philippine Warrior Arts were first planted in me. My first instruction was in the early 80′s as a young teen in my mother’s province of Laguna, Philippines. I had bought my first Balisong knife and would practice with it constantly. The town of Balisong where the knife was invented was less than 30 miles away in my maternal grandmothers province of Batangas. Laguna was known for practitioners of the balisong knife and there was an abundance of these knives available at the traditioal outdoor market (Palenke). One day, I way fooling around with the knife in front of my uncles who were having a “Tagay” or loosely translated, a serious drinking session. They yelled at me that the balisong wasn’t a toy and that relatives have been seriously injured in knife encounters. One of their friends showed me his scar from a knife fight. This began my “informal lessons” in the knife arts. One of the first lessons was to “never brandish that thing unless you plan to use it”. When I moved to Los Angeles in the late 80′s, my cousins, Ariel Flores Mosses and Choy Flores and I would train with each other. Our first “formal studies” in Eskrima were with Grandmaster Henry Bio in Sikaran Arnis and Grandmaster Conrad Manaois in his family system of Ninoy Cinco Teros. — Q: Can you tell us some things about your training with Punong Guro Edgar Sulite & Master Christopher Ricketts. Guro Dino: They were both in love with the Philippine Warrior Arts. Both were very attentive and respectful of the proper form and function of the fundamental and original movements taught to them. From my first day to my last day of training with them, we always began with the basic foundations. They were both at the conclusion that real fighting must be kept simple. One of the primary things Punong Guro focused on with the Backyard Group was sparring at various levels of intensity. Frequently with live stick with full punching, kicking, elbows, knees, takedowns and grappling permitted. Even though he acknowledged that the sword was the soul of the art, he found sword techniques did not always work with a stick in these conditions, especially with headgear. It was an amazing learning opportunity for me. Master Ricketts’ primary focus became the perfection and preservation of the original ways Grandmaster Ilustrisimo actually moved with his sword. He constantly sought to master these techniques even further, and this is what he wanted me to perfect. When I first met Master Ricketts in the Philippines, within minutes I was sparring some of his senior students. He was a big believer in the importance of physical conditioning and sparring. It was an honor and privilege to train with these Grandmasters and I miss my friends dearly. I miss being their student. I will always do my best to conduct myself in a way that they would make them proud … [Read more...]

Kapisanang Mandirigma and LV Tactical Training presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Las Vegas, Nevada, July 29, 2012

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Seminar Series. Instructors: Guro Dino Flores & Guro Ariel Flores Mosses Date: July 29, 2012 Location: LV Tactical Training Facility 6366 W. Sahara Las Vegas, NV 89146 Time:  10:00am-3:00pm Cost:  $99.00 per person Contact:  Ariel Flores Mosses – email arielfmosses@yahoo.com http://www.lvtacticaltraining.com/#!events About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts "Ilustrisimo" organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued  training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses. … [Read more...]

Master Joe Tan of Tapado/Vinas Eskrima to appear at Magda Institute Camp in California, July 4th – 7th, 2013

Master Joe Tan Seminar Kali Arnis Eskrima Vinas Tapado

Master Joe Tan of Tapado/Vinas Eskrima to appear at Magda Institute Camp, July 4th - 7th, 2013   … [Read more...]

Guro Balinado of Balinado Arnis-Kursada & Guro Roger Agbulos of Lameco Astig Combatives teamed up to showcase FMA self-defense and combatives at the FILIPINO MARTIAL ARTS SUMMERCAMP IN GERMANY 2013

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Guro Balinado of Balinado Arnis-Kursada & Guro Roger Agbulos of Lameco Astig Combatives teamed up to showcase FMA self-defense and combatives at the FILIPINO MARTIAL ARTS SUMMERCAMP 2013. https://www.facebook.com/events/358303297612020/   … [Read more...]

Protected: Invitation Only, Private Ilustrisimo Seminar – NEW DATES – Los Angeles & Las Vegas

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