
HISTORY OF THE PHILIPPINE FLAG CHART … [Read more...]
Mandirigma Research Organization
HISTORY OF THE PHILIPPINE FLAG CHART … [Read more...]
Company B of the U.S. Army's 2nd Filipino Infantry Regiment 1943 Source: https://www.facebook.com/groups/laginguna1942/?fref=nf Shown in this photo were Filipino soldiers assigned to Company B of the U.S. Army's 2nd Filipino Infantry Regiment. While here, they conducted their intensive infantry training at Camp Cooke, California. In this picture, they brandished their "Bolo" knives (all-purpose jungle machetes) in the air. They did this in anticipation of the day when they would finally meet the Japanese and avenge the overrunning of their island homes. Here at their training camp in 1943, a ceremonial event took place when prominent businessmen arrived from Los Angeles. During this event, "Bolo" knives were presented to the officers and senior noncommissioned officers (NCO's) of the regiment. The enlisted personnel were previously issued this weapon and were honing their skills for use in combat. *** The original photo was creased so I cropped it to make it presentable. "LAGING UNA" - "ALWAYS FIRST" "SULUNG" - "FORWARD" "BAHALA NA!" - "COME WHAT MAY!" "IN HONOR OF OUR FATHERS!" "77TH ANNIVERSARY (1942-2019)” — at Camp Cooke, CA. (near Lompoc - now Vandenberg AFB). … [Read more...]
Courtesy of: https://tambulimedia.com/alex-co-remembers-edgar-sulite/ Sifu Alex Co Remembers Punong Guro Edgar Sulite *The following is an essay by Sifu Alexander Lim Co, excerpted from the book, Lameco Eskrima: The Legacy of Edgar Sulite. I first met Edgar Sulite in the early 1980s under very unique circumstances. I was invited by Yuli Romo, an Arnis grandmaster, to attend a tournament sponsored by Master Picate. Yuli told me that the grandmaster considered the “King of Kings” in the field of Arnis, named Antonio “Tatang” Ilustrisimo, shall be present in the tournament. Usually, I don’t attend tournaments because I find them boring, as I am already used to their routines. But this time, curiosity got the better of me; I desired to meet the grand master touted to be the king of Arnis. Ironically, as even in kung-fu events, which is my field, I am hardly present; but in this event, with its system then alien to me, I was very visible. I asked my best buddy, Topher Ricketts, to come along with me. It was when we reached the tournament site that we found out that Yuli will challenge and fight a young master from Cagayan de Oro, one of the provinces of the Mindanao region. Their fight will be the main highlight of the event, using live sticks and without the use of body armor. Unfortunately, their anticipated fight did not push through, as Master Picate failed to come up with the prize money. Considering that the renowned masters were already in the venue, it was decided that there would be a demonstration where each master would be presented. In the event, I was introduced by Yuli to the great “Tatang” Ilustrisimo. I cannot remember the other demonstrators, but what I vividly remembered were the ones presented by Grandmaster “Tatang” Ilustrisimo and Ka Piryong Lanada of the Lanada Style. “Tatang” did the single baston, and Ka Piryong did the double baston. The reason why I singled out these two was simply because they were the ones I knew; “Tatang” having been introduced to me there by Yuli, and Lanada, who had been featured in Inside Kung-Fu magazine through the workings of his students in the U.S. So basically, knowledge wise at that time, I could not distinguish the versatility and salient points of their different styles. After the tournament, Yuli introduced me to Edgar Sulite, whom I noticed to be very well mannered, respectful and who projected an aura of self-confidence, though still younger than most masters. I had just finished publication of my first book on Ngo Cho Kun, and I was aware that there as a demand for reference materials for the ever-growing market of Arnis practitioners. During those times, the only available book on Arnis was the one published by Remy Presas. In the course of our conversation, publishing a book on Arnis came up. I thought a book on the art would be a great idea as the art of Arnis, though well-known in the Visayas and Mindanao regions, was then not so well-known in the metropolis of Manila and its neighboring cities. In fact, it was widely believed that Arnis was personified and represented only by the style of Remy Presas, who had established quite a name in this field, by virtue of his book. I found the young Edgar Sulite very skilled, educated and very passionate about Arnis. I gave my business card to him to pay me a visit, and sure enough, the following week, he appeared at my doorstep, presented me with a manuscript of his work, and was indeed looking for a publisher. This started our business and personal relationship, and together with Topher Ricketts, we three established a lifelong friendship. Edgar would come to my office almost every day to discuss his book and demonstrate his Arnis knowledge to us. I would in turn expose him to the field of kung-fu, sharing my knowledge of Ngo Cho, Hung-gar, Praying Mantis, internal strength training, while Topher would delve into full-contact, pugilistic fighting with boxing basics and scientific training methods. So, in essence, we three became brothers in the martial arts, and at nighttime, would regularly practice at the penthouse of my residence in Makati. Since the three of us were in constant company, I got to introduce Edgar and Topher to the different kung-fu masters, and Edgar also utilized some internal kung-fu techniques in his Lameco Eskrima, which explains his seemingly internal strength. I also learned Edgar’s Arnis style: Lameco. So the three of us each had knowledge in Arnis, Kung-fu, pugilistic fighting with specific strength on our own individual systems. The publication of Edgar Sulite’s book was a great challenge to me. First, we had to change his original manuscript to be able to appeal to the readers. As I was more experienced in the field of book publishing I suggested we incorporate many items to make the book attractive enough to the readers, like putting its history, calisthenics, basics and fundamentals, strides, … [Read more...]
February 28, 1997 By MO1
This article was reprinted with the author’s permission from the Souvenir Edition of Arnisador Magazine published by Goodwill Publications Limited. More information about the magazine can be obtained by calling Peter Morgan in London at +44 (0) 171-895 0800. Saturday, June 1st, 1996 LAMECO: Legacy of Steel By Steve Tarani Swollen knuckles, bleeding forearms and […]
April 10, 1997 By MO1
There is no excerpt because this is a protected post.
January 10, 1998 By MO1
Kapisanang Mandirigma – A federation of warriors from different disciplines of the Warrior Arts of the Philippines. It is not a style, nor a representation of any singular style, but rather a federation of practitioners with similar goals to provide a vehicle for growth and personal discovery through continued training. Founded in 1998 by Guros […]
May 24, 1998 By MO1
Mandirigma.org - Online Since 1998 Mandirigma Research Organization also known as mandirigma.org is a project of Kapisanang Mandirigma. Their focus includes preserving and promoting the Warrior Arts commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve […]
February 21, 1999 By MO1
Baybayin Baybayin is a pre-Spanish Philippine writing system. It is a member of the Brahmic family and is recorded as being in use in the 16th century. It continued to be used during the Spanish colonization of the Philippines up until the late 19th Century. The term Baybay literally means “to spell” in Tagalog. Baybayin […]
May 18, 1999 By MO1
Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum’s “Top 200 Living Guro’s” List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, […]
February 13, 2000 By MO1
Sticks of Death (Arnis: The Sticks of Death) This Filipino Martial Arts action film features Roland Dantes. Dantes plays Johnny Guerrero, a man who masters the ancient art of arnis with the help of his grandfather to get revenge on a group of crooks who attempted to beat him to death. Using two deadly sticks, […]
July 1, 2000 By MO1
The Battle of Manila – Starts with discussion from 2 Vets memories of the WW2 Japanese invasion and internment of civilians to the military incursion to rescue the civilian prisoners at Santo Tomas and Battle of Corregidor. Battle scenes in Philippines, views of rescued US civilians, street fighting in Manila at Intramuros, bridges destroyed. […]
July 17, 2000 By MO1
“PHILIPPINE LANGUAGE TREE”, William Henry Scott (1984)
June 10, 2001 By MO1
June 12 as Independence Day by Diosdado Macapagal Former President of the Philippines “A nation is born into freedom on the day when such a people, moulded into a nation by a process of cultural evolution and sense of oneness born of common struggle and suffering, announces to the world that it asserts its natural […]
January 29, 2002 By MO1
The Moro Kris The kris is the most famous Moro weapon. Variations are found in every Moro tribe and it was a key symbol of a man’s status and rank in society as well as being a powerful talisman. Kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight […]
January 26, 2003 By MO1
Inhabiting the rugged terrain of the Cordillera Region of Northern Philippines are six ethno-linguistic tribes known as the Ibaloy, Kankana-ey, Ifugao, Kalinga, Apayao/Isneg, and the Bontoc. They are referred to by a generic term, Igorot, a word coined from the root word, “golot” meaning mountain. Unlike most of the Philippines, which were ruled by Spaniards […]
May 23, 2003 By MO1
World Filipino Martial Arts Expo 2003, Bellevue, Washington
January 28, 2005 By MO1
The Butuan Silver Strip by Hector Santos © 1996 by Hector Santos All rights reserved. http://www.bibingka.com/dahon/mystery/silver.htm The Butuan area has been a rich source of material from ancient Philippines for both treasure hunters and trained archaeologists. So it was in the mid-seventies when a team from the National Museum of the Philippines excavating a site […]
May 23, 2006 By MO1
Noli Me Tangere is a novel by Filipino polymath José Rizal and first published in 1887 in Berlin, Germany. Early English translations used titles like An Eagle Flight and The Social Cancer, but more recent translations have been published using the original Latin title. Though originally written in Spanish, it is more commonly published […]
June 21, 2007 By MO1
Cordillera Administrative Region The Cordillera Administrative Region (CAR) of the Philippines is a land-locked region consists of the provinces of Abra, Benguet, Ifugao, Kalinga, Mountain Province and Apayao. Baguio City is the regional center. The Cordillera region encompasses most of the areas within the Cordillera Central mountain range of Luzon, the largest range in the […]
January 10, 2011 By MO1
Mandirigma Research Organization/Mandirigma.org, a project of Kapisanang Mandirigma, is a research organization dedicated to cultural research. Their focus includes preserving and promoting the Warrior Arts of the Philippines commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend […]
January 10, 2011 By MO1
Kali Klub Kali Klub, an award-winning project of Kapisanang Mandirigma, initially started as a positive diversion against drugs and gangs for youths in the Temple-Beverly corridor, now known as Historic Filipinotown. It is; a collaboration with several non- profit agencies in the area such as FilAm Arts, SIPA and PWC. Now entering their 9th year, […]
January 11, 2011 By MO1
Lameco SOG – Kapisanang Mandirigma The Los Angeles – Historic Filipinotown Chapter of Lameco SOG – Kapisanang Mandirigma includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold A. Noche, Gary Quan and Hans Anton Tan . It is also this core group that came up with the term “SOG” […]
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