Lameco Eskrima

Los Angeles – Historic Filipinotown Chapter of Lameco SOG

February 12, 2011 By MO1

Los Angeles – Historic Filipinotown Chapter of Lameco SOG By Mandirigma.org Lameco SOG members including: Joel Adriatico, Roger Agbulos, Jason Ancheta, Hospecio "Bud" Balani Jr., Ron Balicki, Rem V. Cruz, Marc F. Denny, Mar Elepaño, Bryant Emerson, Choy Flores, Dino Flores, Dave Gould, Steven Grody, Elmer R. Hebia, Sung Han Kim, Eric Dupois Koh, Arnold A. Noche, Lowell Pueblos, Gary Quan, Phillip Rapagna, Pantaleon "Mang Leo" Revilles, Jr. (RIP), Hans Anton Tan, Steve Tarani, Pelix Velenciar and Rodney Wilson. The group occasionally gets together to train or collaborate. Many are busy with heading their own organizations. A good number of the Lameco SOG members have continued to train together regularly since their teacher's death in 1997. Besides continued training in the Lameco Backyard Method, the group also continued study in the Lameco primary root fighting systems of Ilustrisimo and De Campo Uno-Dos-Tres Orihinal. This group is sometimes reffered to as The Los Angeles – Historic Filipinotown Chapter of Lameco SOG. This includes Guros Joel Adriatico, Hospecio "Bud" Balani Jr., Mar Elepaño, Choy Flores, Dino Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). It is also this group that came up with the term “SOG” or Sulite Orehenal Group with the guidance and approval of the two highest-ranking Lameco Eskrima International members, Master Christopher N. Ricketts and Master Reynaldo S. Galang. A few of these members to teach the public, however most prefer to keep their knowledge a private matter. When Christopher N. Ricketts moved to California backyard members Hospecio "Bud" Balani Jr., Mar Elepaño, Bryant Emerson, Ron Baliki, Choy Flores, Dino Flores and Arnold Noche trained under Master Rickets in Ilustrisimo and recognized him as the highest ranking Lameco Eskrima Member. With the tragic passing of Master Ricketts, the highest ranking Lameco Eskrima Member is currently Master Rey Galang Above is the largest Filipino-American mural in the U.S.A. located in Historic Filipinotown, Los Angeles. Painted by Eliseo Art Silva. The mural measures 145 feet x 25 feet. The mural was created in commemoration of the Centennial of the Philippine Revolution against Spain … [Read more...]

Filed Under: Kali Klub sa Historic Filipinotown, Lameco Eskrima Tagged With: De Campo uno dos tres orihinal, Ilustrismo, Lameco, Lameco Eskrima, Lameco SOG, Mandirigma.org, Master Christopher Ricketts, Menu, Punong Guro Edgar Sulite

Who Discovered the Philippines? by Perry Diaz

February 7, 2011 By MO1

Who Discovered the Philippines? PerryScope Perry Diaz, Global Balita Philippine history books have been saying that Ferdinand Magellan discovered the Philippines. But was he really the one who discovered the Philippines? Long before Magellan landed in the Philippine archipelago, visitors and colonizers from other lands had come to our shores. The earliest evidence of the existence of modern man — homo sapiens sapiens — in the archipelago was discovered in 1962 when a National Museum team led by Dr. Robert Fox uncovered the remains of a 22,000-year old man in the Tabon Caves of Palawan. The team determined that the Tabon Caves were about 500,000 years old and had been inhabited for about 50,000 years. In the late 1990s, Jared Diamond, Professor of Geography at UCLA and winner of the Phi Beta Kappa Award in Science, and Peter Bellwood, Professor of Archaeology at the Australian National University, postulated that the Austronesians had their roots in Southern China. Diamond said that they migrated to Taiwan around 3,500 B.C. However, Bellwood believed that the Austronesian expansion started as early as 6,000 B.C. Around 3,000 B.C., the Malayo-Polynesians — a subfamily of the Austronesians — began their migration out of Taiwan. The first stop was northern Luzon. Over a span of 2,000 years, the Malayo-Polynesian expansion spread southward to the rest of the Philippine archipelago and crossed the ocean to Celebes, Borneo, Timor, Java, Sumatra, Malay Peninsula, and Vietnam; westward in the Indian Ocean to Madagascar; and eastward in the Pacific Ocean to New Guinea, New Zealand, Samoa, Fiji, Marquesas, Cook, Pitcairn, Easter, and Hawaii. Today, the Malayo-Polynesian speaking people have populated a vast area that covers a distance of about 11,000 miles from Madagascar to Hawaii, almost half the circumference of the world. In 2002, Bellwood and Dr. Eusebio Dizon of the Archaeology Division of the National Museum of the Philippines led a team that conducted an archaeological excavation in the Batanes Islands, which lie between Taiwan and Northern Luzon. The three-year archaeological project, financed by National Geographic, was done to prove — or disprove — the “Out of Taiwan” hypothesis for the Austronesian dispersal. The archaeological evidence that they gathered proved that the migration from Taiwan to Batanes and Luzon started about 4,000 years ago. For the next 500 years after the arrival of the Malayo-Polynesians in Batanes and Northern Luzon, native settlements flourished throughout the archipelago. The Philippine islands’ proximity to the Malay Archipelago, which includes the coveted Moluccas islands — known as the “Spice Islands” — had attracted Arab traders who had virtual monopoly of the Spice Trade until 1511. By the 9th century, Muslim traders from Malacca, Borneo, and Sumatra started coming to Sulu and Mindanao. In 1210 AD, Islam was introduced in Sulu. An Arab known as Tuan Mashaika founded the first Muslim community in Sulu. In 1450 AD, Shari’ful Hashem Syed Abu Bakr, a Jahore-born Arab, arrived in Sulu from Malacca. He married the daughter of the local chieftain and established the Sultanate of Sulu. In the early 16th century, Sharif Muhammad Kabungsuan, a Muslim preacher from Malacca arrived in Malabang in what is now Lanao del Sur and introduced Islam to the natives. In 1515 he married a local princess and founded the Sultanate of Maguindanao with Cotabato as its capital. By the end of the 18th century, more than 30 sultanates were established and flourished in Mindanao. The Sultanates of Maguindanao and Sulu were the most powerful in the region. Neither of them capitulated to Spanish dominion. Chinese traders — who were also involved in the Spice Trade — started coming to the Philippine archipelago in the 11th century. They went as far as Butuan and Sulu. However, most of their trade activities were in Luzon. In 1405, during the reign of the Ming Dynasty in China, Emperor Yung Lo claimed the island of Luzon and placed it under his empire. The Chinese called the island “Lusong” from the Chinese characters Lui Sung. The biggest settlement of Chinese was in Lingayen in Pangasinan. Lingayen also became the seat of the Chinese colonial government in Luzon. When Yung Lo died in 1424, the new Emperor Hongxi, Yung Lo’s son, lost interest in the colony and the colonial government was dissolved. However, the Chinese settlers in Lingayen — known as “sangleys” — remained and prospered. Our national hero Dr. Jose P. Rizal descended from the sangleys. The lucrative Spice Trade attracted the European powers. In 1511 a Portuguese armada led by Alfonso d’Albuquerque attacked Malacca and deposed the sultanate. Malacca’s strategic location made it the hub of the Spice Trade; and whoever controlled Malacca controlled the Spice Trade. At that time, Malacca had a population of … [Read more...]

Filed Under: General, Pre Colonial Philippines, Regional History Tagged With: Ilustrisimo, kali arnis eskrima, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma Research Organization, Mandirigma.org, Philippine History, Warrior Arts of the Philippines

Lameco Sulite Orihinal Group

January 28, 2011 By MO1

Mandirigma.org Guro Dino Flores Lameco Ilustrisimo

Lameco Sulite Orihinal Group Sulite Orihinal Group is comprised of dedicated Lameco Eskrima International practitioners who were handpicked by Punong Guro himself to be a part of his regular "backyard" training sessions. Many loyal Lameco practitioners have trained in the "backyard", yet there was and always will be a distinction between "Invitation Only" and "Open Invitation" students. The open invitation students were the selected few individuals who attended the rigorous, 3 days a week, 4-hour sessions and were frequently shown numerous techniques not shared with the general public. An important factor among the core members was that they held no administrative ties to other Filipino Martial Arts styles and systems. One of the primary reasons Punong Guro created the elite group was to create a first generation of practitioners that owed allegiance, first and foremost, to Lameco Eskrima. Because the sessions were conducted at his personal residence, Punong Guro was extremely selective about whom he allowed to participate. Punong Guro often mentioned that although many individuals were eager to train, very few actually allowed themselves to be trained. It is not a system, for it already exists, but a fraternity of dedicated practitioners with a common bond. One factor that is prevalent among the original core members is that they initially joined Lameco Eskrima International for reasons of pride, culture and heritage. The primary aim of the group is to keep the art of Lameco Eskrima alive through continued training in a combat realistic, non-commercial and non-political environment. Passion for the art was, and always will be, the prime motivator. As a sign of respect so that Punong Guro’s name shall always be remembered for many generations to come, the core members named themselves “Sulite Orihinal Group.” Sulite Orihinal Group considers their inherited knowledge more precious beyond any material compensation, just as much as the blood, sweat and tears that were spilled by our forefathers in order to obtain it, so we strive to be worthy of the generations of warriors before us. The desire of the brotherhood is to continue traveling upon the same path, which Punong Guro Edgar G. Sulite had started them on. They wish to keep his legacy, and the heritage, alive and pure and pursue it with a mind, body and sprit that is nothing short of being honorable. Sulite Orihinal Group will continue to uphold this tradition in order to maintain the spirit of brotherhood and unity amongst its members. Lameco Sulite Orihinal Group circa 1992 -1997 Lameco Sulite Orihinal Group circa 1992 -1997  Lowell Pueblos, Eric Koh, Ron Balicki Mar Elepano, Hospecio "Bud" Balani, jr., Rem V. Cruz, Dino Flores, Arnold Noche, Hans Anton Tan, Pelix Balencia, Dave Gould, Steve Grody  Elmer "Bong" Hebia, Roger Agbulos, Jason Ancheta Marc F. Denny, Steve Tarani, Phil Rapagna , Choy Flores, Gary Quan Joel '"Jay" Adriatico, Bryant Emerson, Sung Han Kim, Rodney Wilson, Pantaleon " Mang Leo" Revilles, jr. ( R.I.P. ) … [Read more...]

Filed Under: General, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org Tagged With: kali arnis eskrima, Kapisanang Mandirigma, Lameco, Lameco Eskrima, Lameco SOG, Mandirigma Research Organization, Mandirigma.org, Punong Guro Edgar Sulite

What Makes A Grandmaster? By Punong Guro Edgar G. Sulite

January 28, 2011 By MO1

What Makes A Grandmaster? By Punong Guro Edgar G. Sulite To be recognized as a Grandmaster or Master of combat arts in the Philippines, you must have made your reputation and show mental maturity and physical age. Grandmasters question the rankings of other grandmasters. Masters and grandmasters are criticized and questioned regarding their skills and abilities. Who bestowed their title? Do they have enough skills for the titles they carry? How many years have they been practicing the art? How old is he? How many followers and students does this man have? In other martial arts, the attainment of a certain level automatically designates the title Master or Grandmaster. In the Philippines, there are certain norms to be satisfied before one can be called and accepted as a Master or Grandmaster. A master of the art must be a master of himself. He must be in control. His daily life epitomizes a man in control of his life, his destiny. A master of the art must know his art, its origins, its history, its philosophy. He must know the techniques, the interplay of techniques, and the reversals of techniques. A master must know the basics, the intermediate forms and techniques, and the advance levels of the art. Mastery of the art does not only mean so many years in the art, but the amount of experience using the art, one's personal evolution within the art and personal dedication and contribution to the art. A master of the art must know how to teach and impart knowledge from the art. He must be able to communicate, elaborate and present the art in such a way that each student learns on a personal basis. Each instruction is adapted to the learning process and ability of the student. A master must be a real maestro, a real teacher. A master of the art must be of good character. He should epitomize the qualities of a leader, the majesty of a noble, and the courage and strength of a warrior. A master of the art is called and acknowledged a Master by other masters, never by himself. … [Read more...]

Filed Under: Lameco Eskrima Tagged With: Lameco, Lameco Eskrima, Largo Medio Corto, Punong Guro

LAMECO: Legacy of Steel By Steve Tarani

February 28, 1997 By MO1

This article was reprinted with the author's permission from the Souvenir Edition of Arnisador Magazine published by Goodwill Publications Limited. More information about the magazine can be obtained by calling Peter Morgan in London at +44 (0) 171-895 0800. Saturday, June 1st, 1996 LAMECO: Legacy of Steel By Steve Tarani Swollen knuckles, bleeding forearms and battered shins - two warriors face off in a clearing. Sharp strikes of clashing rattan mix with the drawl of heavy breathing and shuffling feet. Intensely focused and alert, both combatants melt into the sweltering humidity. Glistening beads of sweat roll down to fingers wrought with open blisters. Ignoring the searing pain, each man continues fighting. Skillfully, cautiously - each life hinges upon immediate reaction to a deadly salvo of crushing blows. Such is the way of life of an Arnisador - a path chosen by Punong Guro Edgar G. Sulite. Since and before the days of Magellan, the Filipino martial arts have proven themselves highly effective standing in defiance of determined warring tribes, rabid Conquistadors and greedy foreign hordes. The LAMECO system, systematically structured and easily assimilatable according to modern training methods, is the stainless steel link in an unbroken chain of training succession. Great-grandfather to grandfather to father to son, a continual succession of knowledge and commitment breathes life into the ancient art from those very early days of foreign aggression to the current days of domestic violence. The heritage of combat-ready warriors runs deeply through the bloodline of the Sulite family tree. Born on September 25, 1957 in a rural province on the Visayan Island of Leyte, Tacloban City, Punong Guro Edgar G. Sulite was raised by a family of martial arts devotees in a rugged barrio neighborhood where deadly brawls and Bolo knife skirmishes were commonplace. In other martial arts, the attainment of a certain level automatically designates the title Master or Grandmaster. In the Philippines, there are certain norms to be satisfied before one can be called and accepted as a Master or Grandmaster. After expressing great interest in the Filipino fighting arts at a very early age, young Edgar was introduced to the rigorous training by his own father - Grandmaster Helacrio Sulite Sr. Grandmaster Helacrio first studied with his father Grandmaster Timoteo Sulite in the 1930s. Grandmaster Helacrio went on to further enhance his skills under the tutelage of several other Arnis masters of varied styles (such as the late Grandmaster Melicio Ilustrisimo and Master Almario of Cebu among others.) Grandmaster Timoteo Sulite's instructors were active in the mid-19th century and their grandfathers recalled stories of their grandfathers which included the defeat of several infamous Spanish conquistadors using the very same styles of Arnis that have been meticulously passed down to Punong Guro Edgar G. Sulite who, in turn, continues the solemn tradition to this very day. While simultaneously training under his father and coming to master the family system known as Sulite Rapelon, Punong Guro Edgar G. Sulite continually expanded his skills and combat technology by training intently with several other masters and Grandmasters all across the Philippine Islands. Punong Guro devoted his entire life to the study of the ancient systems and masters who transformed him from young eager aspirant to the refined physical embodiment of technical perfection that he has become today. Among the long list of such distinguished curators of the ancient ways is Grandmaster Antonio Ilustrisimo of Bag-on Bantayan - founder of Kali Ilustrisimo, Grandmaster Jose D. Caballero of Ozamis City, Western Mindanao - founder of De Campo 1-2-3 Orihenal and Grandmaster Leo T. Gaje Jr. of Negros Occidental - founder of Pekiti Tirsia (a close quarters combat system that specializes in knife and Espada y Daga.) Punong Guro sheds further light on the methods of his masters in a series of educational books and video tapes available to the general public. Especially in his third book, MASTERS OF ARNIS, KALI & ESKRIMA, Punong Guro provides a rare glimpse into the arcane and mystical world of the traditional Filipino warrior class. Punong Guro is also the author of ADVANCED BALISONG: FILIPINO BUTTERFLY KNIFE and THE SECRETS OF ARNIS and has produced a total of ten instructional video tapes. Punong Guro Sulite believes that the ancient tradition of keeping the sacred art only in the family is a double-edged sword. On the one hand the art is kept pure and in accordance with tradition. On the other hand, as modern times erode the interests of today's youth, (who would much rather play video games rather than listen to grandpa tell old war stories,) the passing of the torch becomes more and more limited to only a select few. Unfortunately, when such masters pass away, so goes with them, forever, the art which they … [Read more...]