2014

New Lameco Eskrima Book by Guro David Gould released 2014. Published by Mark Wiley’s – Tambuli Media.

December 8, 2014 by MO1

New Lameco Eskrima Book by Guro David Gould released 2014. Published by Mark Wiley's - Tambuli Media. In the art of Eskrima, few names stand out like the late Edgar Salute’s. He dedicated his life to mastering the art of Eskrima and put his reputation on the line, taking challenges for money and honor. He earned the confidence of a collection of legendary grandmasters of the day, and earned the mutual respect of his era’s newest masters. When Sulite came to the United States he took the country—and then the world—by storm. In this unique book, Guro David E. Gould recounts the life, the art and the legacy of Punong Guro Edgar G. Sulite and his Lameco Eskrima system. Broken down into 10 distinct chapters, Lameco Eskrima: The Legacy of Edgar Sulite, presents the evolution of a fighter and his art, from his early days in Tacloban City and Ozamis City, through his middle period in Manila, and finally his later years in the United States. http://www.amazon.com/Lameco-Eskrima-Legacy-Edgar-Suilite/dp/0692306757/ref=sr_1_2?ie=UTF8&qid=1415230995&sr=8-2&keywords=lameco+eskrima http://tambulimedia.com/ … [Read more...]

Filed Under: Books & Film, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Warrior Arts of the Philippines

Lameco/Ilustrisimo/Bakbakan Workshop with Guro Doran Sordo and Guro Dino Flores in FMA Informative Newspaper Vol3 No12 – 2014

December 8, 2014 by MO1

Lameco/Ilustrisimo/Bakbakan Workshop with Guro Doran Sordo and Guro Dino Flores in FMA Informative Newspaper Vol3 No12 – 2014 … [Read more...]

Filed Under: Bakbakan Philippines, Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Lameco Eskrima Mexico Camp 2014 in FMA Informative Newspaper – Vol3 No11 – 2014

December 8, 2014 by MO1

Lameco Eskrima Mexico Camp 2014 in FMA Informative Newspaper - Vol3 No11 - 2014 … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Close Quarter Gun vs Knife Tactics – 8 week course with live fire in Las Vegas, Nevada. With Guro Ariel Mosses of Combat FMA

December 4, 2014 by MO1

Quarter Gun vs Knife Tactics - 8 week course with live fire in Las Vegas, Nevada. Close Quarter Gun vs Knife Tactics - 8 week course with live fire in Las Vegas, Nevada. With Guro Ariel Mosses of Combat FMA http://t.co/S7hhM1WbGm http://combatfma.com/special-events.html http://combatfma.com/about-ariel-f.-mosses.html … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Workshop: Grandmaster Conrad A. Manaois, Sunday Dec. 7, 2014. Las Vegas Lohan School of Shaolin

December 3, 2014 by MO1

Grand Master Conrad A. Manaois Workshop Grand Master Conrad A. Manaois will be conducting a workshop this Sunday Dec. 7 at Las Vegas Lohan School of Shaolin showcasing his combat proven, close quarter fighting techniques! … [Read more...]

Filed Under: Classes and Seminars, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

The first written account of “KALI” as the pre-Hispanic name of the Filipino Martial Arts by FMA History Redux

November 27, 2014 by MO1

The first written account of "KALI" as the pre-Hispanic name of the Filipino Martial Arts Source: http://fmahistoryredux.blogspot.com/2014/11/the-first-written-account-of-kali-as.html?spref=fb http://fmahistoryredux.blogspot.com/2014/11/philippine-hero-rev-fr-gregorio-aglipay.html “Mga Karunungan sa Larong Arnis” by Placido Yambao and Buenaventura Mirafuente, University of the Philippines Press, 1957... the first book on the Filipino Martial Arts that we know now... its section on the history of the Filipino Martial Arts stated that when the Spaniards arrived in the Philippines, Filipino Martial Arts was not yet called "ARNIS" but "KALI" (“Ang KALI na dinatnan ng mga Kastila ay hindi pa ARNIS ang tawag noong 1610")... The book also mentioned that a KALI demonstration was once performed in honor of the newly-arrived Conquistador Miguel Lopez de Legazpi on the order of a tribal leader in the Island of Leyte... Philippine Hero Rev. Fr. Gregorio Aglipay, the source of Yambao & Mirafuente's "KALI"... REV. FR. GREGORIO AGLIPAY, 1860-1940 (center), the first Supreme Bishop of the Philippine Independent Church (Wikipedia photo)...Rev. Fr. Aglipay was the source of the information that the original name of the Filipino Martial Arts is KALI in the book “Mga Karunungan sa Larong Arnis” authored by Placido Yambao and Buenaventura Mirafuente (University of the Philippines Press, 1957):'Ang KALI na Dinatnan ng mga Kastila ay Hindi pa Arnis ang Tawag nuong 1610.... Noong unang panahon ang larong ito'y kilala sa tawag na "KALI" ng ating mga ninuno, nguni't sa hindi maiwasang pagbabago ng panahon at pangyayari (underscoring mine) ay pinamagatan nila ng "Panandata" sa Tagalog, "Pagkalikali" sa kapatagan ng Kagayan ng mga Ibanag, "Kalirongan" sa Pangasinan, "Kaliradman" sa Bisaya at "Pagaradman" sa Ilongo nuong 1860, at "Didya" sa Ilokos at muling naging "Kabaroan," ayon kay Rev. Fr. Gregorio Aglipay na bantog din sa arnis nuong 1872.'TRANSLATION: 'The indigenous martial art that the Spanish encountered in 1610 was not yet called Arnis at that time. During those times, this martial art was known as "KALI" to our ancestors. Due to theunavoidable changing of the times and circumstances (underscoring mine), this martial art became known as "Panandata" to the Tagalogs, "Pagkalikali" to the Ibanags of the plains of Cagayan, "Kalirongan" to the people of Pangasinan, "Kaliradman" to the Visayans, "Pagaradman" to the Ilonggos in 1860, and "Didya" to the Ilocanos (but later on changed to "Kabaroan"). This is according to Rev. Fr. Gregorio Aglipay, who himself was a famous Arnis practitioner in 1872.' … [Read more...]

Filed Under: Books & Film, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Historic Figures, Kali Arnis Eskrima Escrima, Warrior Arts of the Philippines

Eskrima Workshop: with Guro Doran Sordo and Guro Dino Flores. Boracay Island, Philippines. Oct 30th to Nov 5th, 2014.

October 23, 2014 by MO1

Bakbakan Combat Arts International Senior Instructor -Doran Sordo. Guro Doran Sordo has had the privilege to begin training in his teens under the legendary Punong Guro Edgar Sulite, Master Yuli Romo, Master Tony Diego, Master Christopher Ricketts and Grandmaster Antonio Ilustrisimo himself. Guro Dino is a long time practitioner who has had the privilege to train with under legendary Masters - Punong Guro Edgar Sulite, Master Yuli Romo, Master Tony Diego and Master Christopher Ricketts. … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Filipino Martial Arts Reported in a New York Newspaper, 1900

September 25, 2014 by MO1

Filipino Martial Arts Reported in a New York Newspaper, 1900 Article From: http://martialartsnewyork.org/2014/10/14/filipino-martial-arts-reported-in-a-new-york-newspaper-1900/ On October 28, 1900, a lengthy article appeared in the Rochester Democrat and Chronicle, describing the many weapons used by the native inhabitants of the Philippines, as well as details pertaining to the method of their use, and rituals in the duel. The article, complete with illustrations, is probably one of the first in America to detail the martial culture of the Philippines, and is almost certainly the first such article to appear in New York State. Although Filipino martial arts such as Kali and Arnis had likely not yet made their appearances in New York, this article offers a fascinating glimpse at how such fighting arts were viewed by visiting Americans at the turn of the century. After an initial examination of the social importance of the Bolo and its method of manufacture, the article proceeds to describe other indigenous weapons and their manner of use. The first is the Sundang, or northern (Luzon) version of the Bolo: “The weapon is curiously shaped and cunningly balanced so as to throw the weight toward the striking end. Even a light blow is terribly effective. The average Filipino is as dextrous in handling the sundang as a fencing master is with the rapier.” Next, the Campilan is described: “It is carried over the shoulder and is never unsheathed for the first stroke. When necessity for its use arises it is brought down on the head with the scabbard on it. The blade cuts through the thread, thus unsheathing itself…There is a regular drill the Moros go through with this weapon, cutting and chopping with extraordinary swiftness while continually leaping hither and thither to avoid the return of the enemy. An individual encounter between two natives armed with the campilan presents a curious and startling spectacle. One sees the sudden stroke, hears the clap and rattle of the wooden scabbard as it lands and watches it fall to the ground in halves…It seems hideously incongruous that the recipient of the stroke should go down with his skull split at the same moment. But the sheathed steel does its work swiftly and such duels are over with the first swing that reaches the mark.” Next, the article describes the method of using the Kris, the staff officer’s favorite weapon: “The approved kris stroke is for the body with a peculiar weaving motion of the wrist, supposed to send the blade home and spread the wound…it is brandished above the head of the charging leader, a beacon of victory.” Also described is the smaller punal de kris, a “diminutive but deadly weapon,” as well as the quinabasi, or knife of the private soldier: “He carries it very much as the American private does his bayonet…Generally speaking it is a utensil rather than a weapon, though by no means to be despised at close quarters.” The author describes other weapons as well such as the terciada, borong, andtalibong. If you’d like to read more, the entire article can be loaded and read by clicking on the image below. Also, if you enjoyed this article, see: Filipino versus Spanish Knife Fighters and a Duel in New York City, 1931 … [Read more...]

Filed Under: DVDs/Magazines/TV, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Warrior Arts of the Philippines

Tribute and tribulation by Romeo Macapagal for Manila Times. A Tribute to Grandmaster Tony Diego.

August 30, 2014 by MO1

Tribute and tribulation by Romeo Macapagal for Manila Times. A Tribute to Grandmaster Tony Diego. Original article at this link: http://www.manilatimes.net/tribute-tribulation/122855/ When a human being rises to the greatest heights of achievement possible in spite of in surmountable obstacles, this is greatness. When this level of accomplishment is matched with kindness and compassion, with surpassing generosity even at the sacrifice of personal material needs, this greatness is defined by spirituality and becomes the “Grandeur of the Human Spirit.” This was Antonio Ramoneda Diego. Father, husband, friend, student, mentor, benefactor. A measure of Tony’s humanity and greatness is the fact that he has raised a brood of eight children, two children-in-law, and two grandchildren, and yet none of these children are his and his wife’s biological issue. Yet, he has struggled, worked hard and honestly to raise them, still looking after them till the time of his death, being especially fond of the grandchildren. As a husband, Tony was especially devoted to his wife Gelynn and loved her so much he could not face life without her. When she was stricken with cancer, he too deteriorated in health and overtook her in death. Gelynn is now very frail and may follow Tony soon. It seems she too cannot live without Tony. When his house burned down, the proceeds of his retirement went up in smoke. It is a measure of his loving, caring character that his students gathered resources so that Tony could rebuild his house to provide a home for his family. And when his wife needed medical care, his students returned in full measure the loving attention and generous instruction he had given them. He was as attentive, caring and generous to his students as he was with his own children. Under Antonio “Tatang” Ilustrisimo, Tony was a diligent student, loyal and generous as much as his resources would allow. He modeled Tatang in practically every aspect of living and his goal was to become exactly like Tatang. When Tony became a master in his own right, he taught ceaselessly, sharing unstintingly of his knowledge. He studied and planned endlessly to be able to transmit his knowledge and skill to the increasing number of adherents to the Ilustrisimo system under him. Tony contributed very much to the popularity and fame of Filipino Martial Arts (FMA). He had given a foreign seminar only once, 30 years ago, and in spite of moving no further than the confines of Tondo district, the Luneta, and rarely beyond the City of Manila, he was able to contribute to the fame of the FMA, that icon of the Filipino, so that the FMA is the object of study of so many followers around the world. Tony was a good friend, warm, generous, loyal and sincere. He had a gift of natural leadership and charisma. While prone to fits of temper, this was mostly directed at those who would offend his friends. Tony’s material resources were never enough. Yet he maintained his dignity and honesty at his work as a stevedoring supervisor and later manager. Even when other FMA teachers were making a good living from student’s payments, Tony remained undemanding, accepting whatever amount was given him, never charging a fixed fee. When paid, he took care to share with those who helped him teach. Even when his house burned down, part of funds he received for reconstruction were shared as food for his neighboring fire victims. Tony’s undemanding and gentle approach made him victim by many unscrupulous students who exploited his knowledge and generous nature. He would be hurt by their actions but then forgave easily. The trials and tribulations of Tony’s life eventually wore him down, both physically and emotionally, but his spirit as a swordsman and teacher prevailed, always thinking of the future of his students in terms of their continuing learning. A man’s character is measured by the sincere regard given him by others. With Tony, it is the love, affection and gratitude given by students all over the world to provide for those he has left behind because they know he loved them so much. Tony is gone, and like all great men there is no replacing him. Once in several lifetimes, there are such men as him, but not very often. Faced with adversity, they triumph over obstacles to rise to the heights of greatness in their chosen field. Like the “Grand Old Man of the Sword,” Antonio “Tatang” Ilustrisimo, his master, teacher and model, Antonio “Tony” Diego has achieved greatness. Original article at this link: http://www.manilatimes.net/tribute-tribulation/122855/ … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, IN MEMORY OF, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Guro Doran Sordo pays tribute to his long time teacher Grandmaster Tony Diego.

August 25, 2014 by MO1

I met Mang Tony Diego Kalis Ilustrisimo around 1986. He was introduced to me by my master, GM Topher Ricketts when we would accompany him to practice at the Luneta park on Sundays or the gym in Binondo. As the years passed, Master Topher would always ask Master Tony to teach me some techniques and polish details in my form whether it be stance, swing, footwork, etc. Master Tony was always so generous in his teaching and would share so much. I know him to be a quiet, humble man who would always tell me not to call him "Master". Whenever he saw me, he would always fondly greet me by exclaiming "Sord!" and he always had a smile on his face whenever i came to Luneta. We would sit sometimes between practice and just chat. He would tell me about the good old days with Master Topher, showing me techniques while we were chatting. How he remembers us when we were still young and would joke that we were thinner then. He was a learned man, who would often ask me how my spiritual practice was coming along. I remember one of the last conversations I had with Master Topher before he passed away. He told me "Never forget your Ilustrisimo. See Master Tony as often as you can and learn as much as you can. You practice what you learn until you are old." I remember now the last conversation i had with Master Tony at his home in Tondo. He said to always be mindful of the details. I remember the last time I saw him. It was a day before he passed away. We said a prayer together and I went downstairs so he could rest. I am honoured to be his student and proud to continue his legacy however way I can. I feel privileged to have been able to spend some time with him and learn from this great teacher. I can almost hear swords clashing as he is reunited once again with Grand Master Tatang Ilustrisimo, GM Topher Ricketts and PG Edgar Sulite. We miss you Master Tony. Paalam Po, GM Tony Diego. Pugay … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, IN MEMORY OF, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. August 25, 2014

August 25, 2014 by MO1

Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. Rest In Peace Master Tony Diego. Thank you for the friendship, knowledge and wisdom you shared. I hope you are now happily practicing again with your dear teacher - Grandmaster Antonio Ilustrisimo. Along with your old training buddies Master Christopher Ricketts and Punong Guro Edgar Sulite who also departed way too soon. Love & Respect,Dino Flores … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, IN MEMORY OF, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo.

August 24, 2014 by MO1

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo. I just wanted to pass on some sad news, that being the passing of Grand Master Tony Diego of Kalis Ilustrisimo fame. He passed due to a long illness yesterday on August 25, 2014 (Philippine Time). GM Tony Diego and Master Yuli Romo were the first students of GM Antonio "Tatang" Ilustrisimo who formally began their training with the old battle tested Grand Master in 1977. years later along came PG Edgar G. Sulite, Master Christopher N. Ricketts and Master Rey Galang who were recognized as the 5 Pillars of Kalis Ilustrisimo and were credited with spending the most time training directly under the astute tutelage of GM Antonio "Tatang" Ilustrisimo as well as them being credited with better organizing the Kalis Ilustrisimo system and creating its curriculum based on the movements and reactions of their teacher, "Tatang" Ilustrisimo regarding that discipline. For us in the Lameco Eskrima System Master Tony Diego was a great influence and he was the one who really brought PG Edgar G. Sulite to Kalis Ilustrisimo and to GM Antonio "Tatang" Ilustrisimo, basically resulting from a sparring match between PG Edgar G. Sulite and Master Tony Diego, this was a defining moment in the evolution of the Lameco Eskrima System as we know it today, simply because up until this sparring session Lameco Eskrima was comprised of only 4 major influences, those being; De Campo 1-2-3 Orehenal, Kali Pekiti-Tirsia, Modernos Largos and the Sulite Rapelon Style along with the 6 minor influences of the system. Kalis Ilustrisimo would prove to be the missing piece of the system and this was discovered during that very crucial sparring session between PG Edgar G.Sulite and Master Tony Diego so many years ago. The result of that sparring match saw PG Edgar G. Sulite becoming a student of Kalis Ilustrisimo under GM Antonio "Tatang" Ilustrisimo and over the years adding countless techniques, concepts and principles from Kalis Ilustrisimo to the Lameco Eskrima curriculum to strike a fine balance to the system, especially regarding the blade and dagger portion of the curriculum. Master Tony Diego became fast friends with PG Edgar G. Sulite and remained a very close friend for the rest of Edgar`s life and was partially responsible for the International Recognition of Kalis Ilustrisimo, Bakbakan International and Lameco Eskrima International along with Master Yuli Romo, Master Christopher Ricketts, PG Edgar G. Sulite and Master Rey Galang. After GM Antonio "Tatang" Ilustrisimo Passed away in 1997 Master Tony Diego being the heir apparent of the system was elected by the other senior members of kalis Ilustrisimo to take control of the system. It is a shame that he has been taken from us but he was taken contributing much back to the Filipino Warrior Arts Community from which much was given him over his life time. Rest in Peace Master Tony Diego and long live your legacy! … [Read more...]

Filed Under: Filipino Martial Arts, FMA, General, Ilustrisimo, IN MEMORY OF, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio

August 23, 2014 by MO1

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio Those who have seen The Bladed Hand would have understood that a lot of the Grand Masters in the Philippines are not well-off. They live in very tough conditions, some are employed for a paltry sum, and there are others who have no source of income other than when they have students to teach.Please be understanding when you approach them and do not ask for discounted rates, or take advantage of them by giving them empty promises of compensation or trips abroad.FMA may give some folks abroad a decent income, or even "street cred", but here in the Philippines, these Masters do not own gyms or schools or training facilities. They teach in public parks, or give private lessons at the students' homes.Pay them on time whatever rate you agreed on per session, and have the decency to acknowledge them for what they taught you. Pay, or at the very least, offer to pay them for their cab, or bus, or jeepney ride to meet up with you. Feed them as well, especially if ask to meet at a cafe or restaurant.Be mindful of the fact that photo ops with the Masters sometimes have consequences not favorable to them. Note that when you bug them to give you a certificate (when they normally don't because they have no registered business for their FMA system) for just a few days or hours of training, you are taking something away from them. There's just too much of this going around. A lot of them complain, but there is no avenue for them to adress any of their concerns. Sometimes they give in because they have no choice. It's a matter of understanding, and of respecting their intellectual property, among other things. http://youtu.be/2LK2SNOWqdI … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Respecting the Grand Masters of the Warrior Arts in the Philippines, Warrior Arts of the Philippines

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 – 2014.

August 21, 2014 by MO1

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 - 2014. … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Photo Archive: Lameco Practitioners & Friends at the Dog Brothers Gathering in 1997

August 21, 2014 by MO1

Photo Archive: Lameco Practitioners & Friends at the Dog Brothers Gathering in 1997 Photo courtesy of Arnold Noche. This photo was taken in 1997. It was at the Dog Brothers Gathering in Hermosa Beach, California. Arnold was in town from NYC. Some of the people in the photo: Arnold Noche, Dino Flores, Ron Balicki, Diana Inosanto, Sebastian, Al, Perla, JP, Crafty Dog, Hans Tan, Nick Papadakis, Sung Han, Felix and Dogzilla. … [Read more...]

Filed Under: Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org, Masters and Guros, Photo Archive, Photo Gallery

FMA Informative – Issue 138 – featuring Fanged Blade with Guro Ariel Flores Mosses and Lance Parvin.

August 15, 2014 by MO1

FMA Informative - Issue 138 - Fanged Blade What is the Fanged Blade Program? -Technique Examples --Fanged Blade --Manaois System --Lameco Footwork Within Filipino Martial Arts A Tactical Professionals’ View Fanged Blade in Action - A Students’ Perspective The Cultural Arts Training Foundation The FMA Informative in talking with Lance Parvin found out that the Fanged Blade was created by Ariel Mosses and Lance Parvin to address worst-case scenarios. The program incorporates several arts and systems, mainly comprised of Filipino martial arts including: Lameco S.O.G, Kali Ilustrisimo, and Manaois Eskrima, Ninoy Cinco Teros Arnis. Based on violent, destructive, and killing strikes, Filipino ground fighting (Buno), and “uninterrupted biting and eye gouging” (Kagatin at Mangamot ng Mata) techniques are emphasized. Fanged Blade comes under the main organization, “The Cultural Arts Training Foundation” which uses movement arts to empower those dealing with traumatic injury, PTSD, and bullying. The programs are developed by qualified professionals with dynamic backgrounds in movement including: kinesiology, gymnastics, martial arts, dance, and yoga. Lance Parvin, Founder and Executive Director, created the organization after his own traumatic injury from a near fatal car accident left him with spine damage. Visit www.fmainformative.info and download a copy. Link - www.fmainformative.info/Informative_Issues/2014/FMA_Informative-Issue138.pdf … [Read more...]

Filed Under: DVDs/Magazines/TV, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, FMA Informative Magazine, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014

August 13, 2014 by MO1

Ariel Dino Lameco Ilustrisimo Arnis Kali Eskrima FMA

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014 … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles.

August 8, 2014 by MO1

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles. When our teacher Punong Guro Edgar Sulite passed away, the group wanted to honor his work but in the least commercial way possible. We weren't sure how we could do it...and looking back I am not sure why we wanted to do it that way. One day after one of our countless demos around the city, Aki from PWC approached me to do a history workshop at Glendale City College. Afterwards she asked if I would like to use the art to help at risk to kids to gangs violence and drug use. My first reaction was "are you sure?" I was thinking we are kind of a rough bunch and we are wielding sticks, knives and swords and were more like a gang ourselves. I didn't think it was exactly appropriate at the time. I was reminded that the Rampart district (where the movie "Training Day" was set) had the highest murder rate in the city at the time and was kind of rough itself with numerous hyper violent gangs such as MS13 and 18th St. claiming the area as their turf. Thus I half heartedly accepted. Anyway, to cut a long story short - our recruiter was right. We had a surprisingly high success rate with the youth. Just a few minor glitches like gunshot wounds, knife fights, comas and molotov cocktails on roofs...but thats another story.From what I can gather, most of the rougher kids changed their ways....after maybe a little backyard method persuasion techniques. Two things were very effective. 1.Military style drilling, rules and lots of push ups for the whole class if someone was out of line - Guro Bud was an expert at this method. 2. Lots and lots of sparring. Be it Eskrima, Grappling, Kickboxing etc. If they were very bad they would have to spar everyone in class ending with me. It was truly a transformative and effective method...but probably illegal in several states...lol. Some parents told us their kids grades had gone up. Another parent told us that a school teacher said to her that her son was "The most moral student in the school" (since joining the program)...still makes me laugh. We had an amazing experience doing volunteer work with those great Non-Profit Community organization like SIPA, PWC and FilAm ARTS. The at risk youth positive diversion program from gangs and drugs we taught from 1997 to 2004 was a big learning experience for us all. I am proud that when government funding was low or disappeared, we didn't let it stop us. Instead myself, Guro Arnold A. Noche and Guro Bud Balani Jr. offered adult classes at the centers at an affordable rate and used the proceeds to assist in funding the youth programs. One of the adult students even got Asics to sponsor us for a semester and we got some cases of their wrestling shoes. It was a grand adventure that took us far and wide. What more could you ask for, help a few kids out, teach a few adults some culture and still train in the art you love. All that was missing was a small paycheck for the Eskrima staff...lol. It's funny to think that all those non-martial artist participants who went through the program where forced to learn our Eskrima lineage and history. They were exposed to Lameco and the teacher in our lineage such as GM Ilustrisimo and his 5 Pillars (GM Tony Diego, GM Yuli Romo, GM Rey Galang, GM Christopher Ricketts and PG Edgar Sulite), GM Caballero and various other arts over the years. Our first guest instructor at the program was none other than the legendary Grandmaster Doc Lengson - which was an incredible honor for me. Not only was GM Dr. Guillermo B. “Doc” Lengson one of Master Ricketts teachers. He was also the one who advised GM Presas to add "Modern" to Arnis. GM Lenson also advised PG Sulite to use the title" Punong Guro". Punong Guro was the first to use this term in the Martial Arts, all others since were somehow inspired by his usage. GM Lengson was the first to feature FMA on Philippine TV. One of the TV shows had a 14 year old Master Ricketts representing Sagasa Kickboxing fighting a seasoned professional boxer. With another legend GM Roland Dantes as a judge. Other guest instructors at our program included GM Taboada, GM Gaabucayan, GM Manaois, GM Olavides, Guro Ariel Mosses, Guro Hans Tan and half of Lameco SOG. What a journey. Maybe this is why the kids responded. Some items of recognition for our volunteer work back in the days of seemingly limitless energy. … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, Fundraisers/Causes/Donations, General, Kali Arnis Eskrima Escrima, Kali Klub sa Historic Filipinotown, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Guro Ariel Flores Mosses to teach Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas. August 4th, 2014.

July 31, 2014 by MO1

Escrima Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores to teach Mosses Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas … [Read more...]

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014

July 31, 2014 by MO1

Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014 Announcing the upcoming seminar in Honolulu, Hawaii September 13 & 14, 2014. Please check out our exciting new website at www.combatfma.com designed by humaninterestvideoproductions@gmail.com \ … [Read more...]

Seminar: Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014

July 31, 2014 by MO1

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014 Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts. Since the passing of Punong Guro Sulite, he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses. … [Read more...]

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

July 29, 2014 by MO1

Guro Ariel Flores Mosses: About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012. To contact Guro Ariel go to: http://combatfma.com/index.html … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Lameco Eskrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Illustration: Various Philippine Blades

July 2, 2014 by MO1

Illustration: Various Philippine Blades … [Read more...]

Filed Under: Blades & Artifacts, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Warrior Arts of the Philippines

Documentary: World War II: Manila Clean-Up (1945)

July 1, 2014 by MO1

http://youtu.be/NtR4UTFQOGM A month after the 1st Cavalry Division arrived in the Philippines, the battle for Manila’s liberation finally met its conclusion. The wrath of war resulted to the deaths of 100,000 Filipino civilians and the destruction of stunning landmarks that once made Manila the Pearl of the Orient. In 1995, a monument called the “Memorare-Manila 1945” was placed at Plazuela de Sta. Isabel in Intramuros to remember this dark chapter in country’s history. The inscription, which was penned by National Artist Nick Joaquin, says that “This memorial is dedicated to all those innocent victims of war, many of whom went nameless and unknown to a common grave, or never even knew a grave at all, their bodies having been consumed by fire or crushed to dust beneath the rubble of ruins.” From: http://www.filipiknow.net/rare-historical-videos-philippines/ … [Read more...]

Filed Under: American Occupation, DVDs/Magazines/TV, General, Regional History, WWII

Documentary: The End of Manila 1945, The Forgotten Atrocity (Warning: Graphic Content)

July 1, 2014 by MO1

http://youtu.be/RzmE8H5wiC8 Battle of Manila (1945) The month-long Battle of Manila in 1945 was one of the bloodiest moments of WWII, killing at least 100, 000 Filipino civilians who were either bombed or bayoneted–some were even burned alive. It all started when the American forces led by Field Marshal Douglas MacArthur arrived in Manila in January 1945. Their initial goals were to liberate Allied civilians interned at UST as well as seize the Malacañan Palace, which they were able to achieve. Threatened by the advancing American forces, the group under General Tomoyuki Yamashita withdrew to Baguio City. All hell broke loose when Rear Admiral Sanji Iwabuchi refused to surrender and chose to defend the city until death. Historical buildings and bridges were destroyed, Bayview Hotel served as a rape center, and entire row of houses were burned together with their occupants. Thousands of innocent Filipino civilians were killed using the most atrocious of methods–they were massacred with the help of machine guns, katanas, and bayonets. In his book “American Caesar,” author William Manchester wrote that the “devastation of Manila was one of the great tragedies of World War II. Seventy percent of the utilities, 72 percent of the factories, 80 percent of the southern residential district, and 100 percent of the business district were razed… Hospitals were set afire after their patients had been strapped to their beds. The corpses of males were mutilated, females of all ages were raped before they were slain, andbabies’ eyeballs gouged out and smeared on walls like jelly.” From: http://www.filipiknow.net/rare-historical-videos-philippines/ … [Read more...]

Filed Under: American Occupation, General, Regional History, WWII

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor

June 17, 2014 by MO1

An illustration by J. Alexander Mackay published in the book Bamboo Tales by Ira L. Reeves (1900) IMAGE FROM PROJECT GUTENBERG

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor Arma Blanca is the name of the clandestine regiment of Filipino bolomen active during the revolution against the Spaniards and the Americans. Arma Blanca is a Spanish singular term for a bladed weapon like a sword or a knife. A fairly recent mention of Arma Blanca was made in Orlino Ochosa’s book Bandoleros: The Outlawed Guerillas of the Philippine-American War of 1903 to 1907 (New Day Publications, 1995), and it reads, “Manila’s Arma Blanca that phantom army of bolomen whom General Luna had so much depended upon in his bold attack of Manila at the start of the war with the Americans.” An earlier reference to Arma Blanca can be found in The Philippines Past and Present, by Dean C. Worcester released in 1914. Worcester, who had served as Secretary of the Interior of the Philippine Islands from 1901 to 1913 and was a member of the Philippine Commission from 1900 to 1913, wrote, “The regiment of Armas Blancas had already been raised in Tondo and Binondo. It was in existence there in December, 1898, and may have been originally organized to act against Spain.” The bolo being both a farm implement and a weapon was carried with impunity by Filipinos even in the presence of Spanish and American soldiers. Its blade is often designed heavily weighted towards the tip for ease of chopping hence when used in combat, it can easily severe a limb with a single stroke. The Philippine bolo boasts of a sturdy construction and minor dents on its blade could easily be fixed by a little hammering and filing. In the absence of guns, the Philippine revolutionary forces greatly depended upon the bolo in inflicting casualty on the enemy. A part of Worcester’s book reads, “There is no reason for believing that this is a complete statement of sandatahan [Filipino armed groups] organized in Manila by the end of January, and yet this statement gives a force of at least 6,330 men. General Otis said that this force had been reported to him as being 10,000 men. It is probably true that only a small number of them had rifles; but armed with long knives and daggers they could have inflicted much damage in a sudden night attack in the narrow and badly lighted streets of Manila.” Filipino bolomen even received precise instructions on how to use the blade in conducting raids to snatch the guns of their enemies. A part of Emilio Aguinaldo’s order to the sandatahan was included in Worcester’s book, and it reads, “At the moment of the attack the sandatahan should not attempt to secure rifles from their dead enemies, but shall pursue, slashing right and left with bolos until the Americans surrender, and after there remains no enemy who can injure them, they may take the rifles in one hand and the ammunition in the other.” Continue reading story at: http://www.manilatimes.net/the-bolomen-of-the-revolution/104227/ … [Read more...]

Filed Under: General, Historic Figures, Philippine Revolution, Spanish Occupation, The Katipunan, Warrior Arts of the Philippines

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014

May 24, 2014 by MO1

kali kalis arnis eskrima escrima lameco ilustrisimo fma arnis sulite ricketts

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014 Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts. Since the passing of Punong Guro Sulite, he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses. … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Ilustrisimo, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room.

May 24, 2014 by MO1

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. http://youtu.be/11s-EeaYD6A Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. This GVR Tacticals class is included in the Club Membership and open to the public. The S.A.F.E. Program (Survive an Attack by Fighting Effectively) is based on Filipino Martial Arts. Utilizing everyday objects like a pen, keys, a rolled up magazine, stick and a knife, Ariel Mosses instructs on basic self-defense techniques. These techniques can be utilized and adapted for different age groups and physical ability. Every month GV Range offers a Skill Building Class called "GVR Tacticals" with guest instructors who specialize in specific self - defense arts. Be sure to like and share our video and stop on by to get some Trigger Time on at Green Valley Range! Stay Safe! Guro Ariel F. Mosses is also an advisor for Mandirigma.org and a founding member of Kapisanang Mandirigma. More information on him at: http://combatfma.com, http://backyardeskrima.com/?cat=43 and http://backyardeskrima.com/?p=858 … [Read more...]

Filed Under: Classes and Seminars, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Mandirigma.org, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Evidence of pre-colonial FILIPINO MARTIAL ARTS by Perry Gil S. Mallari FIGHT Times Editor

May 24, 2014 by MO1

Evidence of pre-colonial FILIPINO MARTIAL ARTS May 25, 2014 12:30 am by Perry Gil S. Mallari FIGHT Times Editor While there is scant mention of the specific names of the martial arts that pre-colonial Filipinos practiced, I believe that various prototypes of Filipino martial arts (FMA) were already in existence long before the arrival of Spain. To me, three things serve as indicators of the existence of indigenous FMA: organized method of warfare, metallurgical technology and sophisticated blade culture. All three aforementioned were chronicled by the Spaniards when they arrived in the Philippines. Organized method of warfareAsdang is the prehispanic Filipino term for hand-to-hand combat as mentioned by William Henry Scott in his excellent book Barangay: Sixteenth-Century Philippine Culture and Society (1994), “Asdang was hand-to-hand combat. Bulu was a duel. Hulaw was a man known to be on the lookout for an enemy,” he wrote. While it may be true that sheer number is the prime factor why the native army of Lapulapu defeated the forces of Magellan in Mactan, I am firm in my stand that the pre-colonial Filipinos were already schooled in their own methods of warfare. Scott in his book wrote that the Visayan general term for warfare was gubat. He distinguished combat engagements into two—gahat (by land) and mangayaw (by sea). Salakay is the word used for attacking.” On land attacks, he comments, “The preferred tactic on land was ambush—habon, saghid, hoom or pool—either by lying in wait or by such strategies as exposing a few agile warriors to enemy view to lure them into a trap. Sayang was to pass by hidden enemies unawares.” Scott even referred to an individual tactic used while being pursued by the enemy as well as how the concept of death could affect a warrior’s psyche, “Pinaorihiyan was for a fleeing warrior to turn and spear his pursuer; naga kamatayan was to fight to the death; and mangin matay was a desperate man determined to die on the field of battle.” Terminologies pertaining to military affairs also abound as the following lines from Scott’s book indicate, “Special roles connected with the conduct of war included away, enemy; bantay, sentinel; bila, allies; kagon, mediator; and laway, spy.” Continue reading article here: http://www.manilatimes.net/evidence-of-pre-colonial-filipino-martial-arts-2/99117/ … [Read more...]

Filed Under: DVDs/Magazines/TV, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Pre Colonial Philippines, Regional History, Warrior Arts of the Philippines

The PBS Film: Crucible of Empire – The Spanish American War

May 22, 2014 by MO1

The PBS Film: Crucible of Empire - The Spanish American War One hundred years ago, United States celebrated victory in the Spanish-American War. Popular songs and headlines popularized Commodore Dewey's victories at sea and Theodore Roosevelt's ride up Kettle Hill. Although the Spanish-American War sparked unprecedented levels of patriotism and confidence, the defeat of the Spanish also raised new questions about the nation's role as a world power. CRUCIBLE OF EMPIRE: THE SPANISH-AMERICAN WAR, narrated by award-winning actor Edward James Olmos, examines the colorful characters and historic events surrounding this 100-year-old war and its relevance to the twentieth century. When a declining Spain, beset by rebellion abroad, fell to American expansionism, the United States inherited her colonies and suddenly emerged as a world power. The experience and questions that the Spanish-American War raised about foreign intervention echo throughout the 20th century—as recent events in Kosovo show. Even in its own time, the war with Spain was understood as a turning point in American history. As the twentieth century ends, it is instructive to note the complexities and significance of this very brief war that began this century. In the words of noted historian Walter LaFeber, "The 1898 war literally as well as chronologically ushered in the United States as a major shaper, soon the major shaper, of twentieth-century world politics and commerce." In the process, it also unified a nation still embittered by Civil War divisions; debuted the media in its role as catalyst of U.S. intervention; built up the navy and inspired a re-evaluation of the army; and vastly broadened the powers of the president in wartime and foreign affairs. Clearly, the Spanish-American War was more than the war that ended the nineteenth century; it was also the war that launched the American century. Using original footage and period photographs, newspaper headlines, more than a dozen popular songs from the 1890s, and interviews with some of America's most prominent historians, CRUCIBLE OF EMPIRE tells how issues of race, economy, technology, yellow journalism, and public opinion propelled America into this war. Four 1990s Senators bring to life the 1899 Senate debate on imperialism: Patrick Leahy (VT), Frank Lautenberg (NJ), Paul Simon (IL), and Alan Simpson (WY). The film also features Larry Linville (Major Frank "Ferret Face" Burns of "M*A*S*H") as the voice of Rough Rider Theodore Roosevelt, Laurence Luckinbill as President William McKinley, and Lou Diamond Phillips as Philippine revolutionary Emilio Aguinaldo. Continue reading at: http://www.pbs.org/crucible/film.html https://www.youtube.com/watch?v=8g8NpQsmxj4 http://youtu.be/8g8NpQsmxj4 … [Read more...]

Filed Under: American Occupation, Books & Film, DVDs/Magazines/TV, General, Philippine American War, Philippine Revolution, Regional History, The Katipunan, Videos

Photo: Eskrimadors in the Korean War

May 22, 2014 by MO1

mandirigma.org kali arnis eskrima escrima philippines

Eskrimadors in the Korean War Philippine Army soldiers in South Korea display their bladed weapons (the Bolo) which they used in silently killing Chinese and North Korean sentries or during hand to hand fighting. The Filipino soldiers earned a well-deserved reputation in the Korean War as brutally efficient in killing the enemy soldiers with their bolos. The Philippine Expeditionary Force to Korea (PEFTOK): 1950-1955 THE KOREAN WAR, which began 63 years ago on 25 June 1950, remains a"Forgotten War" for most of today’s 100 million Filipinos. Hardly surprising in a country where three out of four persons is 35 years old or younger. But for the 7,420 officers and men of the Philippine Army that served in Korea from 1950 to 1955, and for those who actively supported our fighting men, the Korean War was probably the defining event of their lives. From 1950 to 1955, five Battalion Combat Teams (BCTs) of the Philippine Army served in Korea as the elite PHILIPPINE EXPEDITIONARY FORCE TO KOREA orPEFTOK. PEFTOK’s mission was to defend the Republic of Korea against communist conquest. Continue at: http://peftok.blogspot.com More about the Korean War at Office of the Historian, Bureau of Public Affairs, United States Department of State http://history.state.gov/milestones/1945-1952/korean-war-2 … [Read more...]

Filed Under: Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Korean War, Regional History, Warrior Arts of the Philippines

Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor – Doran Sordo. Boracay, Philippines. May 2014

May 7, 2014 by MO1

Grandmaster Antonio "Tatang" Ilustrisimo Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor - Doran Sordo. Introduction to Kalis Ilustrisimo. Covering basic strikes, body mechanics, combative ranges, footwork, blade drills and defense, and Punta y Daga or sword and dagger. Kalis Ilustrisimo is the blade art or system of the late Grand Master Antonio Ilustrisimo. Brought to you by Bakbakan Combat Arts International Senior Instructor -Doran Sordo. Dates to be announced for May, 2014. Demo class tomorrow at The Vessel, Mandala Spa & Villas. — at The Vessel, Mandala Spa & Villas. Boracay, Philippines This seminar is not to be missed! Bakbakan Combat Arts International Senior Instructor - Doran Sordo sharing Kalis Ilustrisimo! Just in case you need more convincing, the seminar is in Beautiful Boracay. Be there! Date in May to be announced. Proceeds go to Grandmaster Tony Diego's medical fund. More Information: http://facebook.com/doransordo Training with Master Christopher Ricketts in Makati, Philippines. Training with Master Tony Diego in Luneta Park, Philippines. Training session with Bakbakan Brothers Monsour del Rosario and Miguel Zubiri in Manila, Philippines. … [Read more...]

Filed Under: Bakbakan Philippines, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, Ilustrisimo, Kali Arnis Eskrima Escrima, Masters and Guros, Seminars/Classes, Warrior Arts of the Philippines

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite

April 21, 2014 by MO1

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite based on his training and experience with various Philippine Martial Arts masters, with heavy influence from Jose Caballero and Antonio Ilustrisimo. The word Lameco is actually a combination of words which are the three basic ranges of combat involved in the study and practice of Lameco Eskrima – Largo, Medio and Corto (Long, Middle, close). Contents One of the characteristics of Filipino martial arts is the use of weapons from the very beginning of training. Lameco uses Double and single Stick, Double and single Dagger, Stick and Dagger, Sword, Staff, Handkerchief, and Empty Hands. Lameco Eskrima is a synthesis of five major and six minor systems of Eskrima. Lameco training includes drills called Laban Laro (Play Fighting). Laban Laro allows the escrimador to come as close to real combat as possible without injury. It is also designed to get an uncountable number of repetitions in a short period of time. Through his constant efforts for developing new training innovations, Edgar invented unique armor for the hands and forearms that allowed practitioners to safely train more realistically. History At a young age Edgar Sulite’s father exposed him to the Filipino Martial Arts, himself being a boxer and Arnisador. Growing up in the Barrios of the Philippines, Edgar witnessed many skirmishes settled blade against blade. Edgar trained with martial arts masters who included Leo Gaje of Pekiti-Tirsia, Jose Cabellero of De Campo Uno-Dos-Tres Orehenal, Jesus Abella of Modern Largos, Antonio Illustrisimo of Kali Illustrisimo and many others. In 1981, he moved to Manila to train under Grandmaster Antonio Ilustrisimo. After relocating to the United States on June 30, 1989. … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, IN MEMORY OF, Kali Arnis Eskrima Escrima, Lameco Eskrima, Masters and Guros, Warrior Arts of the Philippines

Kalis Ilustrisimo Seminar with Arnold Narzo and Peachie Baron-Saguin. June 21-22 in Seminar in Denver, Colorado, USA

March 7, 2014 by MO1

Kalis Ilustrisimo in Colorado!!!! June 21-29, 2014 Denver and Estes Park, Colorado. Kapatiran Mandirigma is proud to announce the only appearance in the United States for Kalis Ilustrisimo Senior Instructors Arnold Narzo and Peachie Baron-Saguin. They are direct students of the Living Legend in the Philippines, Grandmaster Tony Diego of Kalis Ilustrisimo. Grandmaster Tony Diego is the top disciple of Grandmaster Antonio ‘Tatang’ Ilustrisimo and is continuing Tatang’s legacy through his Kalis Ilustrisimo Repeticion Orehenal. Do not miss this once in a lifetime chance to train with a legend! We are hosting a week’s worth of training in Colorado. June 21-22. 2 Day Seminar in Denver. Everyone is welcome to attend. Beginners or experts. Cost – Pre-Registration. $150 for 2 days and $90 for one day. Pre-Registration is Deadline May 17th. After May 17th, $180 for 2 days, $110 for one day. Location - Northglenn Rec Center. http://goo.gl/maps/cepWE Time – 9am-4pm with a one hour lunch. June 23-25. Private Training during the week GM Tony and his assistants will train you in a small group, or privately. Openings are limited, so please reserve your spot soon. We will have two days worth of private lessons in Denver and one day in Longmont. Locations of the private training will be announced to those who reserve spots. Cost - $150 for a 4-5 hour session. June 27-29. Kapatiran Mandirigma Camp in Estes Park. Please go here for the official Event Page -> https://www.facebook.com/events/443936922405914/ KM will host their yearly camp in Estes Park. This year, we will have Peachie Baron and Arnold Narzo teaching. We will also have a few special guest instructors. The camp is held on private land with cabins with bunk beds, lodge house with kitchen and entertainment area and acres of wilderness to explore. The camp is only a few minutes from old town Estes Park and many hotels and lodges. Camp lodging is limited to 25 persons. Camp attendance is limited to 40 persons. Location and schedule will be provided to those who reserve a spot. Cost – Pre-Registration. $180 for the whole camp. (which includes lodging, training and meals). $100 for Saturday only. Pre-Registration Deadline is May 17th. After May 17th, $220 for the whole camp and $110 for Saturday. If you attend both the Denver Seminar and the KM Camp, you will receive a 10% Discount. For more information, please email Shelley Millspaugh at sanduko@gmail.com We are only taking payments by Paypal or Money Order. To send your payment through Paypal, send to dan@theacademyofma.com with a description of what you are paying for (seminar, privates, camp). If sending a Money Order, please make it out to 'The Academy of martial Arts'' and send to: Dan Lowman 20210 West Sycamore Drive Spring Hill, KS 66083 Sponsored by Kapatiran Mandirigma, U.T.A.M.A. and Archipelago Sandata. … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, Ilustrisimo, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Movie Poster: The Pacific Connection – Philippines, 1974. Starring Master Roland Dantes

February 23, 2014 by MO1

Roland Dantes plays an avenging hero, who defeats the forces of oppression with the power of Arnis! Roland Dantes plays Ben, a farm boy who comes into conflict with the Evil Spanish Governor and his two sons. One of the sons is played by a young Dean Stockwell. To assist in their oppression the Governor hires a Samurai played by Hiroshi Tanaka to teach his son the Japanese Katana sword. To counter this, Ben studies under a blind Franciscan monk to obtain some advanced fighting secrets and develop his warrior senses. Additionally Ben must search for the legendary “Iron Reed”. A mystical stick so strong that grows in the lava of an active Volcano. One of the first full length movies featuring the Philippine Warrior Arts. A must see for any Filipino Martial Arts practitioner. Made in a similar spirit of the “Kung Fu” movies coming out of Hong Kong at the same time in the 1970′s. The fight scenes were choreographed by Professor Remy Presas himself and is jam packed with Arnis inspired fight scenes. Dean Stockwell learned Arnis for his role and continued his Arnis practice long after the filming was over. The success of this movie led to a follow up film “Arnis: Sticks of Death” in 1984 also starring Roland Dantes. Director: Luis Nepomuceno Country: Philippines Language: English Release Date: 1974 (Philippines) Stars: Roland Dantes, Dean Stockwell, Hiroshi Tanaka, Nancy Kwan, Guy Madison, Alejandro Rey, Gilbert Roland, Elizabeth Oropesa, Fred Galang, Gloria Sevilla, Vic Diaz, Cole Mallard … [Read more...]

Filed Under: Bakbakan Philippines, Books & Film, Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

February 22, 2014 by MO1

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Lameco Eskrima, Mandirigma.org, Masters and Guros, Warrior Arts of the Philippines

David Gould discusses comparing Spanish fencing Influence on the local Warrior Arts in both Mexico and the Philippines

February 9, 2014 by MO1

David Gould discusses comparing Spanish fencing Influence on the local Warrior Arts in both Mexico and the Philippines When comparing the results of Spanish Influence in both Mexico and the Philippines, there is a distinct difference between Filipino Sword Play (Eskrima; indigenous Filipino / Spanish Fencing influence) and Mexican Swordplay (Esgrime; Pure Spanish fencing not mixed with indigenous fighting arts). The Filipino version is quite different as it adopted a lot of the native Filipino practices at the time (1521 - 1898) and the Mexican style remained very much Spanish with Espada-y-daga and Cape and sword technique being brought to the forefront by the Doms and Nobles who were placed in charge of Mexico during its centuries of evolution. Compare the style of "Zorro" from Alta California fame (Mexico) with "Tatang" Ilustrisimo of kalis Ilustrisimo fame and you will get a better idea of what I am referring as there is a distinct difference even though the common thread for both seems to be Spanish Fencing. You can look at the two which were both influenced equally centuries back by the very same Spanish Sword play but each has a different result and appearance to them today. This is significant to the influences which were in each area before the Spanish arrived, native Filipinos in the Philippines and Aztec and Maya in Mexico. Spanish Swordplay was mixed with Filipino Martial Arts in its evolution in the Philippines which resulted in a hybrid of sorts but it remained pure in Mexico not being mixed with the fighting systems of the Mejica (Aztec) which seemed to have not survied in Mexico after Hernan Cortes and his conquistadors defeated that culture in the 1520`s in what is now Mexico City. Through the 1800`s in Mexico this was very obvious regarding the many duels fought in Mexico City with Sword play which had the appearance of remaining pure Spanish fencing. So with all things being equal you should not see any differences in the Spanish Fencing which influenced both Mexico (1519) and the Philippines (1521) but you do and this is because of pre-hispanic fighting methodology which existed in both geographical locations before Spanish Fencing reached the shores of either of the two cultures. Other wise you would not be able to see a distinct difference between Spanish Fencing as it was influenced equally in Manila and Mexico City as both would have the same appearance today as it would have been allowed to remain pure in both cultures equally. But it did not, so there had to have been an Indigenous Filipino component which influenced the evolution in the Philippines, hence the difference in concept, application and appearance yet still showing some Spanish influence and the usage of Spanish names with-in its curriculum regarding numerous fighting styles in the Philippines. When the Spanish invaded the Phiippines in 1521 they did so from Cebu, North to Manila and there was a lot of territory where native Filipinos lived who never saw a Spaniard or their influence. But the question remains for how long? Until the 1600`s? 1700`s? 1800`s? At some point in time the influence would have had to travel south into Mindanao and other areas where Spanish influence had not been felt or experienced before if only minimal by travelers or fishermen who ventured from Mindanao and those areas to other parts of the Philippines and then those influences could have been taken back with them to Mindanao. You are right, there are a lot of things found in the Filipino Warrior Arts regarding weapons, strikes, angles, footwork, etc... which are not found in Spanish Fencing from the 16th Century. So like I stated in my post above you have to come to the conclusion that there were indigenous Warrior Arts in the Philippines before the Spanish invaded at Mactan, but how long were those styles allowed to continue on and flourish unaltered before they were influenced with Spanish methodology, if at all? No one can say with certainty. I am sure that some styles in Mindanao and other areas may have gone generations without mixing the new technology and methodology with the old, but again for how long? It is evident that Spanish Fencing did not mix with the indigenous warior Arts of the Aztec or Maya in Mexico, as well as with the Inka in South America (Peru) because Spanish Fencing remained very pure and unaltered in those areas through out the 19th century and beyond. But this can not be said of the Philippines where the end result is so much different from Spanish Fencing. There clearly was another dominating influence which is responsible for the evolution in the Philippines. In saying all of the above let me make one thing clear. Regardless of the various influences and evolution regarding the Pilipino Warrior Arts in the Philippines and now around the world I am amazed and in awe by this knowledge and fighting ability. I have been fortunate to have trained in numerous Martial Arts from all around the world … [Read more...]

Filed Under: Eskrima Tournament/Competition/Challenge, Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Masters and Guros, Warrior Arts of the Philippines

Comparative table of Baybayin variations by Pedro Paterno, 19th century.

January 30, 2014 by MO1

Comparative table of Baybayin variations In the 19th century Pedro Paterno published this comparative table of the various baybayin variations. Baybayin the correct term for our pre-Spanish syllabary not "Alibata". … [Read more...]

Filed Under: Baybayin, General, Pre Colonial Philippines

Mandirigma.org – Online Since 1998 – A Project of Kapisanang Mandirigma

January 19, 2014 by MO1

Mandirigma.org – Online Since 1998 - A Project of Kapisanang Mandirigma Mandirigma.org Mandirigma Research Organization also known as mandirigma.org is a project of Kapisanang Mandirigma. Their focus includes preserving and promoting the Warrior Arts commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve the culture. Thus, mandirigma.org is also involved in researching issues from ancient to current. The primary objective of mandirigma.org is to do its part in keeping alive ancient knowledge and give honor to the sacrifices made by previous generations.Using both traditional and modern methods in its work, mandirigma.org has organized, collaborated with and participated in classes, conferences, demonstrations, festivals, lectures, seminars and workshops with prominent college and community organizations. Aside from their hands-on approach, mandirigma.org utilizes multimedia technologies such as audio, desktop, video and web to reach people across the globe. Researching since the 1970′s and online since 1998, mandirigma.org believes in being actively involved in giving back to the community. They have collaborated with and volunteered in various non-profit agencies. They have also arranged fundraisers in order to assist causes for indigenous tribal groups and organizations dedicated to cultural preservation in the Philippines. mandirigma.org believes that this expansive pursuit is at its best a collaborative effort. This has allowed mandirigma.org to meet and work with many fine individuals and organizations throughout the Philippines, the United States and the world. mandirigma.org welcomes all with an open and positive mind to participate and join them on this never-ending cultural adventure. This humble site is dedicated to honoring the sacrifices of Warriors throughout the many generations that have come before us. Maraming Salamat! … [Read more...]

Filed Under: Filipino Martial Arts, FMA, General, Kali Arnis Eskrima Escrima, Kapisanang Mandirigma, Mandirigma.org, Masters and Guros, Warrior Arts of the Philippines

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum’s “Top 200 Living Guro’s” List

January 19, 2014 by MO1

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum's "Top 200 Living Guro's" List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, history, literature and virtual artifacts. The writing ranges from incisive to light-hearted to even controversial, and the literary and virtual exhibits encompass all aspects of Filipino martial arts systems and disciplines including arnis, kali, eskrima, dumog, buno, hilot and other indigenous arts of the Philippines. Authors are well-known experts in their fields as well as volunteer writers. Article submissions are encouraged. The authors of these articles have consented to have their articles reprinted and republished in whole or in part, as long as the author’s name, website reference address and this website are acknowledged. I would like this site to become the most comprehensive online reader-written encyclopedia on FMA. It is meant to be a contemporary or living as well as an archival museum. Send your submissions for The Top 200 Living Masters, The Top 100 FMA Schools and other FMA Museum Who’s Who series, and then see your submissions published online. We also accept original articles and online book publications. http://www.filipinomartialartsmuseum.com/index.htm http://www.filipinomartialartsmuseum.com/FMA_masters-systems-schools/FMAguros-living-list.html 1 Dino Flores Lameco Los Angeles, CA, USA 2 Hospecio Balani Lameco Los Angeles, CA, USA 3 David Gould Lameco 4 Leonard Trigg Lameco 5 Arnold Noche Lameco Los Angeles, CA, USA 6 John Jacobo Bakbakan Maryland, USA 7 Roger Agbulos Lameco North Hills, CA, USA 8 Marc Denny Dog Brothers CA, USA 9 Eric Knauss Dog Brothers CA, USA 10 Tim Hartman Modern Arnis USA 11 Kelly Worden Modern Arnis WA, USA 12 Myrlino Hufana Modern Arnis WA, USA 13 Jeffrey Delaney Modern Arnis Canada 14 Randi Schea Modern Arnis 15 Jay de Leon Modern Arnis, Los Angeles, CA, USA 16 Alvis Solis Seneres Arnis TX, USA 17 Ron Balicki Inosanto Kali Los Angeles, CA, USA 18 Diana Balicki Inosanto Kali Los Angeles, CA, USA 19 Ramon Rubia San Miguel Eskrima CA, USA 20 Mel Lopez Villabrille-Largusa 21 Greg Alland Dekiti-Tirsia-Siradas 22 Mary Ann Presas Modern Arnis San Pablo, CA, USA 23 Demetrio Presas Modern Arnis San Pablo, CA, USA 24 Remy Presas, Jr. Modern Arnis San Pablo, CA, USA 25 Tom Bolden Modern Arnis NY, USA 26 Jerome Barber Modern Arnis NY, USA 27 Percival “Val” Pableo Doce Pares 28 Graciella Casillas CA, USA 29 Raffy Pambuan Pambuan Tulisan Arnis FL, USA 30 Steven Dowd Arnis Balite Fallon, NV, USA 31 Hock Hochheim Modern Arnis, Kombatan TX, USA 32 Jorge Penafiel Balintawak Cincinatti, OH, USA 33 Larry Alcuizar Doce Pares Los Angeles, CA, USA 34 Felix Valencia Lameco Santa Barbara, CA, USA 35 Anthony Davis Cabales Serrada CA, USA 36 Sultan Uddin Cabales Serrada CA, USA 37 Darren Tibbon Cabales Serrada CA, USA 38 Jason Inay Inayan Eskrima San Jose, CA, USA 39 Jena Inay Inayan Eskrima San Jose, CA, USA 40 Ray Dionaldo Sayoc Kali FL, USA 41 Edwin Mosqueda Doce Pares 42 Nate Defensor Doce Pares Chicago, IL, USA 43 Conrado Manaois Manaois Eskrima Los Angeles, CA, USA 44 Dan Anderson Modern Arnis WA, USA 45 Rocky Pasiwk Modern Arnis 46 Ron Harris Original Filipino Tapado New Orleans, LA, USA 47 Tim Waid Pekiti-Tirsia TX, USA 48 Leslie Buck Pekiti-Tirsia TX, USA 49 Erwin Ballarta Pekiti-Tirsia TX, USA 50 Gaudencia Ruby Comjuka TX, USA 51 Phil Rapagna Lameco, Inosanto Kali Los Angeles, CA, USA 52 Victor Gendrano Inosanto Kali Los Angeles, CA, USA 53 Stephen Aron Inosanto Kali Glendora, CA, USA 54 Menandro “Anding” de Leon Arnis de Leon Garland, TX, USA 55 Jaime Abregana Hawaii, USA 56 Vincent Cabales Cabales Serrada CA, USA 57 Vincent Cabales, Jr. Cabales Serrada CA, USA 58 Carlito Bonjoc Mata sa Bagyo CA, USA 59 Mark Wiley Cabales Serrada 60 Tom Bisio San Miguel Eskrima 61 Rafael Kayanan Sayoc Kali 62 Tom Kier Sayoc Kali 63 Jeff Chung Sayoc Kali 64 Paul Vunak Inosanto Kali CA, USA 65 Burton Richardon Inosanto Kali HI, USA 66 Steve Grody Lameco 67 Steve Tarani 68 Blaise Loong 69 Cass Magda CA, USA 70 Rick Tucci Inosanto Kali Princeton, NJ 71 James A. Keating Comtech Walla Walla, WA, USA 72 Ed Goco Galang Las Vegas, NV, USA 73 Michael Replogle Modern Arnis USA 74 Felix Roiles Doce Pares Los Angeles, CA, USA 75 Spencer Gee Pananandata NY, USA 76 Bruce Ricketts Kali Ilustrisimo San Diego, CA, USA 77 Maurice Gatdula CA, USA 78 Mar de Leon Tumba-tumba Arnis San Diego, CA, USA 79 Chris Siangco Pedoy Derobio Eskrima San Diego, CA, USA 80 Ernie Reyes, Jr. San Jose, CA, USA 81 Alex France Kombatan CA, USA 82 Alex Ercia Kombatan CA, USA 83 Arthur Gonzalez De Cuerdas Stockton, … [Read more...]