Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. August 25, 2014

Master Diego 1

  Rest In Peace Master Tony Diego, Head of Kalis Ilustrisimo. Rest In Peace Master Tony Diego. Thank you for the friendship, knowledge and wisdom you shared. I hope you are now happily practicing again with your dear teacher - Grandmaster Antonio Ilustrisimo. Along with your old training buddies Master Christopher Ricketts and Punong Guro Edgar Sulite who also departed way too soon. Love & Respect,Dino Flores … [Read more...]

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo.

Master Tony Diego Ilustrisimo

Guro Dave Gould of Lameco Eskrima pays tribute to Grandmaster Tony Diego of Kalis Ilustrismo. I just wanted to pass on some sad news, that being the passing of Grand Master Tony Diego of Kalis Ilustrisimo fame. He passed due to a long illness yesterday on August 25, 2014 (Philippine Time). GM Tony Diego and Master Yuli Romo were the first students of GM Antonio "Tatang" Ilustrisimo who formally began their training with the old battle tested Grand Master in 1977. years later along came PG Edgar G. Sulite, Master Christopher N. Ricketts and Master Rey Galang who were recognized as the 5 Pillars of Kalis Ilustrisimo and were credited with spending the most time training directly under the astute tutelage of GM Antonio "Tatang" Ilustrisimo as well as them being credited with better organizing the Kalis Ilustrisimo system and creating its curriculum based on the movements and reactions of their teacher, "Tatang" Ilustrisimo regarding that discipline. For us in the Lameco Eskrima System Master Tony Diego was a great influence and he was the one who really brought PG Edgar G. Sulite to Kalis Ilustrisimo and to GM Antonio "Tatang" Ilustrisimo, basically resulting from a sparring match between PG Edgar G. Sulite and Master Tony Diego, this was a defining moment in the evolution of the Lameco Eskrima System as we know it today, simply because up until this sparring session Lameco Eskrima was comprised of only 4 major influences, those being; De Campo 1-2-3 Orehenal, Kali Pekiti-Tirsia, Modernos Largos and the Sulite Rapelon Style along with the 6 minor influences of the system. Kalis Ilustrisimo would prove to be the missing piece of the system and this was discovered during that very crucial sparring session between PG Edgar G.Sulite and Master Tony Diego so many years ago. The result of that sparring match saw PG Edgar G. Sulite becoming a student of Kalis Ilustrisimo under GM Antonio "Tatang" Ilustrisimo and over the years adding countless techniques, concepts and principles from Kalis Ilustrisimo to the Lameco Eskrima curriculum to strike a fine balance to the system, especially regarding the blade and dagger portion of the curriculum. Master Tony Diego became fast friends with PG Edgar G. Sulite and remained a very close friend for the rest of Edgar`s life and was partially responsible for the International Recognition of Kalis Ilustrisimo, Bakbakan International and Lameco Eskrima International along with Master Yuli Romo, Master Christopher Ricketts, PG Edgar G. Sulite and Master Rey Galang. After GM Antonio "Tatang" Ilustrisimo Passed away in 1997 Master Tony Diego being the heir apparent of the system was elected by the other senior members of kalis Ilustrisimo to take control of the system. It is a shame that he has been taken from us but he was taken contributing much back to the Filipino Warrior Arts Community from which much was given him over his life time. Rest in Peace Master Tony Diego and long live your legacy! … [Read more...]

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio   Those who have seen The Bladed Hand would have understood that a lot of the Grand Masters in the Philippines are not well-off. They live in very tough conditions, some are employed for a paltry sum, and there are others who have no source of income other than when they have students to teach.Please be understanding when you approach them and do not ask for discounted rates, or take advantage of them by giving them empty promises of compensation or trips abroad.FMA may give some folks abroad a decent income, or even "street cred", but here in the Philippines, these Masters do not own gyms or schools or training facilities. They teach in public parks, or give private lessons at the students' homes.Pay them on time whatever rate you agreed on per session, and have the decency to acknowledge them for what they taught you. Pay, or at the very least, offer to pay them for their cab, or bus, or jeepney ride to meet up with you. Feed them as well, especially if ask to meet at a cafe or restaurant.Be mindful of the fact that photo ops with the Masters sometimes have consequences not favorable to them. Note that when you bug them to give you a certificate (when they normally don't because they have no registered business for their FMA system) for just a few days or hours of training, you are taking something away from them. There's just too much of this going around. A lot of them complain, but there is no avenue for them to adress any of their concerns. Sometimes they give in because they have no choice. It's a matter of understanding, and of respecting their intellectual property, among other things.   http://youtu.be/2LK2SNOWqdI … [Read more...]

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 – 2014.

Lameco Eskrima 2014

Lameco Eskrima S.O.G. in Mexico. October 3, 4, 5 - 2014.   … [Read more...]

FMA Informative – Issue 138 – featuring Fanged Blade with Guro Ariel Flores Mosses and Lance Parvin.

Ariel Mosses Lameco Ilustrisimo

  FMA Informative - Issue 138 - Fanged Blade What is the Fanged Blade Program? -Technique Examples --Fanged Blade --Manaois System --Lameco Footwork Within Filipino Martial Arts A Tactical Professionals’ View Fanged Blade in Action - A Students’ Perspective The Cultural Arts Training Foundation The FMA Informative in talking with Lance Parvin found out that the Fanged Blade was created by Ariel Mosses and Lance Parvin to address worst-case scenarios. The program incorporates several arts and systems, mainly comprised of Filipino martial arts including: Lameco S.O.G, Kali Ilustrisimo, and Manaois Eskrima, Ninoy Cinco Teros Arnis. Based on violent, destructive, and killing strikes, Filipino ground fighting (Buno), and “uninterrupted biting and eye gouging” (Kagatin at Mangamot ng Mata) techniques are emphasized. Fanged Blade comes under the main organization, “The Cultural Arts Training Foundation” which uses movement arts to empower those dealing with traumatic injury, PTSD, and bullying. The programs are developed by qualified professionals with dynamic backgrounds in movement including: kinesiology, gymnastics, martial arts, dance, and yoga. Lance Parvin, Founder and Executive Director, created the organization after his own traumatic injury from a near fatal car accident left him with spine damage. Visit www.fmainformative.info and download a copy. Link - www.fmainformative.info/Informative_Issues/2014/FMA_Informative-Issue138.pdf … [Read more...]

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014

Ariel Dino Lameco Ilustrisimo Arnis Kali Eskrima FMA

Ten Tigers Martial Arts Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 21st, 2014 … [Read more...]

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles.

eskrima kali arnis fma 1

Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles. When our teacher Punong Guro Edgar Sulite passed away, the group wanted to honor his work but in the least commercial way possible. We weren't sure how we could do it...and looking back I am not sure why we wanted to do it that way. One day after one of our countless demos around the city, Aki from PWC approached me to do a history workshop at Glendale City College. Afterwards she asked if I would like to use the art to help at risk to kids to gangs violence and drug use. My first reaction was "are you sure?" I was thinking we are kind of a rough bunch and we are wielding sticks, knives and swords and were more like a gang ourselves. I didn't think it was exactly appropriate at the time. I was reminded that the Rampart district (where the movie "Training Day" was set) had the highest murder rate in the city at the time and was kind of rough itself with numerous hyper violent gangs such as MS13 and 18th St. claiming the area as their turf. Thus I half heartedly accepted. Anyway, to cut a long story short - our recruiter was right. We had a surprisingly high success rate with the youth. Just a few minor glitches like gunshot wounds, knife fights, comas and molotov cocktails on roofs...but thats another story.From what I can gather, most of the rougher kids changed their ways....after maybe a little backyard method persuasion techniques. Two things were very effective. 1.Military style drilling, rules and lots of push ups for the whole class if someone was out of line - Guro Bud was an expert at this method. 2. Lots and lots of sparring. Be it Eskrima, Grappling, Kickboxing etc. If they were very bad they would have to spar everyone in class ending with me. It was truly a transformative and effective method...but probably illegal in several states...lol. Some parents told us their kids grades had gone up. Another parent told us that a school teacher said to her that her son was "The most moral student in the school" (since joining the program)...still makes me laugh. We had an amazing experience doing volunteer work with those great Non-Profit Community organization like SIPA, PWC and FilAm ARTS. The at risk youth positive diversion program from gangs and drugs we taught from 1997 to 2004 was a big learning experience for us all. I am proud that when government funding was low or disappeared, we didn't let it stop us. Instead myself, Guro Arnold A. Noche and Guro Bud Balani Jr. offered adult classes at the centers at an affordable rate and used the proceeds to assist in funding the youth programs. One of the adult students even got Asics to sponsor us for a semester and we got some cases of their wrestling shoes. It was a grand adventure that took us far and wide. What more could you ask for, help a few kids out, teach a few adults some culture and still train in the art you love. All that was missing was a small paycheck for the Eskrima staff...lol. It's funny to think that all those non-martial artist participants who went through the program where forced to learn our Eskrima lineage and history. They were exposed to Lameco and the teacher in our lineage such as GM Ilustrisimo and his 5 Pillars (GM Tony Diego, GM Yuli Romo, GM Rey Galang, GM Christopher Ricketts and PG Edgar Sulite), GM Caballero and various other arts over the years. Our first guest instructor at the program was none other than the legendary Grandmaster Doc Lengson - which was an incredible honor for me. Not only was GM Dr. Guillermo B. “Doc” Lengson one of Master Ricketts teachers. He was also the one who advised GM Presas to add "Modern" to Arnis. GM Lenson also advised PG Sulite to use the title" Punong Guro". Punong Guro was the first to use this term in the Martial Arts, all others since were somehow inspired by his usage. GM Lengson was the first to feature FMA on Philippine TV. One of the TV shows had a 14 year old Master Ricketts representing Sagasa Kickboxing fighting a seasoned professional boxer. With another legend GM Roland Dantes as a judge. Other guest instructors at our program included GM Taboada, GM Gaabucayan, GM Manaois, GM Olavides, Guro Ariel Mosses, Guro Hans Tan and half of Lameco SOG. What a journey. Maybe this is why the kids responded.     Some items of recognition for our volunteer work back in the days of seemingly limitless energy. … [Read more...]

Guro Ariel Flores Mosses to teach Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas. August 4th, 2014.

Escrima Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores to teach Mosses Kali, Arnis & Eskrima at Ten Tigers Martial Arts, Las Vegas   … [Read more...]

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014

Guro Ariel Flores Mosses Kali Arnis Eskrima

Guro Ariel Flores Mosses Seminar in Honolulu, Hawaii, Saturday, September 13th & 14th, 2014 Announcing the upcoming seminar in Honolulu, Hawaii September 13 & 14, 2014. Please check out our exciting new website at www.combatfma.com designed by humaninterestvideoproductions@gmail.com   \ … [Read more...]

Seminar: Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014

Kali Arnis Eskrima Lameco Ilustrisimo

    Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, September 20th, 2014       Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued  training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses.   … [Read more...]

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

combat fma

Guro Ariel Flores Mosses:   About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012.   To contact Guro Ariel go to: http://combatfma.com/index.html   … [Read more...]

Illustration: Various Philippine Blades

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    Illustration: Various Philippine Blades   … [Read more...]

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor

An illustration by J. Alexander Mackay published in the book Bamboo Tales by Ira L. Reeves (1900) IMAGE FROM PROJECT GUTENBERG

The Bolomen of the Revolution by Perry Gil S. Mallari , FIGHT Times Editor Arma Blanca is the name of the clandestine regiment of Filipino bolomen active during the revolution against the Spaniards and the Americans. Arma Blanca is a Spanish singular term for a bladed weapon like a sword or a knife. A fairly recent mention of Arma Blanca was made in Orlino Ochosa’s book Bandoleros: The Outlawed Guerillas of the Philippine-American War of 1903 to 1907 (New Day Publications, 1995), and it reads, “Manila’s Arma Blanca that phantom army of bolomen whom General Luna had so much depended upon in his bold attack of Manila at the start of the war with the Americans.” An earlier reference to Arma Blanca can be found in The Philippines Past and Present, by Dean C. Worcester released in 1914. Worcester, who had served as Secretary of the Interior of the Philippine Islands from 1901 to 1913 and was a member of the Philippine Commission from 1900 to 1913, wrote, “The regiment of Armas Blancas had already been raised in Tondo and Binondo. It was in existence there in December, 1898, and may have been originally organized to act against Spain.” The bolo being both a farm implement and a weapon was carried with impunity by Filipinos even in the presence of Spanish and American soldiers. Its blade is often designed heavily weighted towards the tip for ease of chopping hence when used in combat, it can easily severe a limb with a single stroke. The Philippine bolo boasts of a sturdy construction and minor dents on its blade could easily be fixed by a little hammering and filing. In the absence of guns, the Philippine revolutionary forces greatly depended upon the bolo in inflicting casualty on the enemy. A part of Worcester’s book reads, “There is no reason for believing that this is a complete statement of sandatahan [Filipino armed groups] organized in Manila by the end of January, and yet this statement gives a force of at least 6,330 men. General Otis said that this force had been reported to him as being 10,000 men. It is probably true that only a small number of them had rifles; but armed with long knives and daggers they could have inflicted much damage in a sudden night attack in the narrow and badly lighted streets of Manila.” Filipino bolomen even received precise instructions on how to use the blade in conducting raids to snatch the guns of their enemies. A part of Emilio Aguinaldo’s order to the sandatahan was included in Worcester’s book, and it reads, “At the moment of the attack the sandatahan should not attempt to secure rifles from their dead enemies, but shall pursue, slashing right and left with bolos until the Americans surrender, and after there remains no enemy who can injure them, they may take the rifles in one hand and the ammunition in the other.” Continue reading story at: http://www.manilatimes.net/the-bolomen-of-the-revolution/104227/ … [Read more...]

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014

kali kalis arnis eskrima escrima lameco ilustrisimo fma arnis sulite ricketts

Kapisanang Mandirigma Las Vegas Presents presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Ilustrisimo & Lameco Eskrima. Las Vegas, Nevada, Saturday, May 31st, 2014     Guro Dino and Guro Ariel have been training partners since the 1980′s. They first began teaching seminars together in the 1990′s in Wahington State, Oregon, Nevada and California. About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada.   About Guro Dino: Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Masters Bruce Ricketts and Guro Brandon Ricketts are now officially the head of the late Grandmaster Christopher Ricketts “Ilustrisimo” organization which strives to preserve the purity of the art. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego.Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. The group regularly continued  training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Guro Bong Hebia and honorary member Guro Ariel Flores Mosses.   … [Read more...]

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room.

guro ariel flores mosses

Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. http://youtu.be/11s-EeaYD6A Filipino Martial Arts with guest instructor Ariel Mosses at Green Valley Range in the Fight Room. This GVR Tacticals class is included in the Club Membership and open to the public. The S.A.F.E. Program (Survive an Attack by Fighting Effectively) is based on Filipino Martial Arts. Utilizing everyday objects like a pen, keys, a rolled up magazine, stick and a knife, Ariel Mosses instructs on basic self-defense techniques. These techniques can be utilized and adapted for different age groups and physical ability. Every month GV Range offers a Skill Building Class called "GVR Tacticals" with guest instructors who specialize in specific self - defense arts. Be sure to like and share our video and stop on by to get some Trigger Time on at Green Valley Range! Stay Safe! Guro Ariel F. Mosses is also an advisor for Mandirigma.org and a founding member of Kapisanang Mandirigma. More information on him at: http://combatfma.com, http://backyardeskrima.com/?cat=43 and http://backyardeskrima.com/?p=858         … [Read more...]

Evidence of pre-colonial FILIPINO MARTIAL ARTS by Perry Gil S. Mallari FIGHT Times Editor

Evidence of pre-colonial FILIPINO MARTIAL ARTS

Evidence of pre-colonial FILIPINO MARTIAL ARTS May 25, 2014 12:30 am by Perry Gil S. Mallari FIGHT Times Editor While there is scant mention of the specific names of the martial arts that pre-colonial Filipinos practiced, I believe that various prototypes of Filipino martial arts (FMA) were already in existence long before the arrival of Spain. To me, three things serve as indicators of the existence of indigenous FMA: organized method of warfare, metallurgical technology and sophisticated blade culture. All three aforementioned were chronicled by the Spaniards when they arrived in the Philippines.    Organized method of warfareAsdang is the prehispanic Filipino term for hand-to-hand combat as mentioned by William Henry Scott in his excellent book Barangay: Sixteenth-Century Philippine Culture and Society (1994), “Asdang was hand-to-hand combat. Bulu was a duel. Hulaw was a man known to be on the lookout for an enemy,” he wrote. While it may be true that sheer number is the prime factor why the native army of Lapulapu defeated the forces of Magellan in Mactan, I am firm in my stand that the pre-colonial Filipinos were already schooled in their own methods of warfare. Scott in his book wrote that the Visayan general term for warfare was gubat. He distinguished combat engagements into two—gahat (by land) and mangayaw (by sea). Salakay is the word used for attacking.” On land attacks, he comments, “The preferred tactic on land was ambush—habon, saghid, hoom or pool—either by lying in wait or by such strategies as exposing a few agile warriors to enemy view to lure them into a trap. Sayang was to pass by hidden enemies unawares.”  Scott even referred to an individual tactic used while being pursued by the enemy as well as how the concept of death could affect a warrior’s psyche, “Pinaorihiyan was for a fleeing warrior to turn and spear his pursuer; naga kamatayan was to fight to the death; and mangin matay was a desperate man determined to die on the field of battle.” Terminologies pertaining to military affairs also abound as the following lines from Scott’s book indicate, “Special roles connected with the conduct of war included away, enemy; bantay, sentinel; bila, allies; kagon, mediator; and laway, spy.”   Continue reading article here: http://www.manilatimes.net/evidence-of-pre-colonial-filipino-martial-arts-2/99117/     … [Read more...]

Photo: Eskrimadors in the Korean War

mandirigma.org kali arnis eskrima escrima philippines

Eskrimadors in the Korean War Philippine Army soldiers in South Korea display their bladed weapons (the Bolo) which they used in silently killing Chinese and North Korean sentries or during hand to hand fighting. The Filipino soldiers earned a well-deserved reputation in the Korean War as brutally efficient in killing the enemy soldiers with their bolos.         The Philippine Expeditionary Force to Korea (PEFTOK): 1950-1955 THE KOREAN WAR, which began 63 years ago on 25 June 1950, remains a"Forgotten War" for most of today’s 100 million Filipinos. Hardly surprising in a country where three out of four persons is 35 years old or younger. But for the 7,420 officers and men of the Philippine Army that served in Korea from 1950 to 1955, and for those who actively supported our fighting men, the Korean War was probably the defining event of their lives. From 1950 to 1955, five Battalion Combat Teams (BCTs) of the Philippine Army served in Korea as the elite PHILIPPINE EXPEDITIONARY FORCE TO KOREA orPEFTOK. PEFTOK’s mission was to defend the Republic of Korea against communist conquest. Continue at: http://peftok.blogspot.com         More about the Korean War at Office of the Historian, Bureau of Public Affairs, United States Department of State http://history.state.gov/milestones/1945-1952/korean-war-2 … [Read more...]

Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor – Doran Sordo. Boracay, Philippines. May 2014

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Grandmaster Antonio "Tatang" Ilustrisimo Introduction to Kalis Ilustrisimo with Bakbakan Senior Instructor - Doran Sordo. Introduction to Kalis Ilustrisimo. Covering basic strikes, body mechanics, combative ranges, footwork, blade drills and defense, and Punta y Daga or sword and dagger. Kalis Ilustrisimo is the blade art or system of the late Grand Master Antonio Ilustrisimo. Brought to you by Bakbakan Combat Arts International Senior Instructor -Doran Sordo. Dates to be announced for May, 2014. Demo class tomorrow at The Vessel, Mandala Spa & Villas. —  at The Vessel, Mandala Spa & Villas. Boracay, Philippines This seminar is not to be missed! Bakbakan Combat Arts International Senior Instructor - Doran Sordo sharing Kalis Ilustrisimo! Just in case you need more convincing, the seminar is in Beautiful Boracay. Be there! Date in May to be announced. Proceeds go to Grandmaster Tony Diego's medical fund. More Information: http://facebook.com/doransordo     Training with Master Christopher Ricketts in Makati, Philippines.   Training with Master Tony Diego in Luneta Park, Philippines.   Training session with Bakbakan Brothers Monsour del Rosario and Miguel Zubiri in Manila, Philippines. … [Read more...]

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite

edgar-sulite

Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite Lameco Eskrima is the system of Filipino martial arts founded by the late Punong Guro Edgar Sulite based on his training and experience with various Philippine Martial Arts masters, with heavy influence from Jose Caballero and Antonio Ilustrisimo. The word Lameco is actually a combination of words which are the three basic ranges of combat involved in the study and practice of Lameco Eskrima – Largo, Medio and Corto (Long, Middle, close). Contents One of the characteristics of Filipino martial arts is the use of weapons from the very beginning of training. Lameco uses Double and single Stick, Double and single Dagger, Stick and Dagger, Sword, Staff, Handkerchief, and Empty Hands. Lameco Eskrima is a synthesis of five major and six minor systems of Eskrima. Lameco training includes  drills called Laban Laro (Play Fighting). Laban Laro allows the escrimador to come as close to real combat as possible without injury. It is also designed to get an uncountable number of repetitions in a short period of time. Through his constant efforts for developing new training innovations, Edgar invented unique armor for the hands and forearms that allowed practitioners to safely train more realistically. History At a young age Edgar Sulite’s father exposed him to the Filipino Martial Arts, himself being a boxer and Arnisador. Growing up in the Barrios of the Philippines, Edgar witnessed many skirmishes settled blade against blade. Edgar trained with martial arts masters who included Leo Gaje of Pekiti-Tirsia, Jose Cabellero of De Campo Uno-Dos-Tres Orehenal, Jesus Abella of Modern Largos, Antonio Illustrisimo of Kali Illustrisimo and many others. In 1981, he moved to Manila to train under Grandmaster Antonio Ilustrisimo. After relocating to the United States on June 30, 1989. … [Read more...]

Kalis Ilustrisimo Seminar with Arnold Narzo and Peachie Baron-Saguin. June 21-22 in Seminar in Denver, Colorado, USA

WWW.MANDIRIGMA.ORG 2

Kalis Ilustrisimo in Colorado!!!! June 21-29, 2014 Denver and Estes Park, Colorado. Kapatiran Mandirigma is proud to announce the only appearance in the United States for Kalis Ilustrisimo Senior Instructors Arnold Narzo and Peachie Baron-Saguin. They are direct students of the Living Legend in the Philippines, Grandmaster Tony Diego of Kalis Ilustrisimo. Grandmaster Tony Diego is the top disciple of Grandmaster Antonio ‘Tatang’ Ilustrisimo and is continuing Tatang’s legacy through his Kalis Ilustrisimo Repeticion Orehenal. Do not miss this once in a lifetime chance to train with a legend! We are hosting a week’s worth of training in Colorado. June 21-22. 2 Day Seminar in Denver. Everyone is welcome to attend. Beginners or experts. Cost – Pre-Registration. $150 for 2 days and $90 for one day. Pre-Registration is Deadline May 17th. After May 17th, $180 for 2 days, $110 for one day. Location - Northglenn Rec Center. http://goo.gl/maps/cepWE Time – 9am-4pm with a one hour lunch. June 23-25. Private Training during the week GM Tony and his assistants will train you in a small group, or privately. Openings are limited, so please reserve your spot soon. We will have two days worth of private lessons in Denver and one day in Longmont. Locations of the private training will be announced to those who reserve spots. Cost - $150 for a 4-5 hour session. June 27-29. Kapatiran Mandirigma Camp in Estes Park. Please go here for the official Event Page -> https://www.facebook.com/events/443936922405914/ KM will host their yearly camp in Estes Park. This year, we will have Peachie Baron and Arnold Narzo teaching. We will also have a few special guest instructors. The camp is held on private land with cabins with bunk beds, lodge house with kitchen and entertainment area and acres of wilderness to explore. The camp is only a few minutes from old town Estes Park and many hotels and lodges. Camp lodging is limited to 25 persons. Camp attendance is limited to 40 persons. Location and schedule will be provided to those who reserve a spot. Cost – Pre-Registration. $180 for the whole camp. (which includes lodging, training and meals). $100 for Saturday only. Pre-Registration Deadline is May 17th. After May 17th, $220 for the whole camp and $110 for Saturday. If you attend both the Denver Seminar and the KM Camp, you will receive a 10% Discount. For more information, please email Shelley Millspaugh at sanduko@gmail.com We are only taking payments by Paypal or Money Order. To send your payment through Paypal, send to dan@theacademyofma.com with a description of what you are paying for (seminar, privates, camp). If sending a Money Order, please make it out to 'The Academy of martial Arts'' and send to: Dan Lowman 20210 West Sycamore Drive Spring Hill, KS 66083 Sponsored by Kapatiran Mandirigma, U.T.A.M.A. and Archipelago Sandata.     … [Read more...]

Movie Poster: The Pacific Connection – Philippines, 1974. Starring Master Roland Dantes

Master Roland Dantes

  Roland Dantes plays an avenging hero, who defeats the forces of oppression with the power of Arnis! Roland Dantes plays Ben, a farm boy who comes into conflict with the Evil Spanish Governor and his two sons. One of the sons is played by a young Dean Stockwell. To assist in their oppression the Governor hires a Samurai played by Hiroshi Tanaka to teach his son the Japanese Katana sword. To counter this, Ben studies under a blind Franciscan monk to obtain some advanced fighting secrets and develop his warrior senses. Additionally Ben must search for the legendary “Iron Reed”. A mystical stick so strong that grows in the lava of an active Volcano. One of the first full length movies featuring the Philippine Warrior Arts. A must see for any Filipino Martial Arts practitioner. Made in a similar spirit of the “Kung Fu” movies coming out of Hong Kong at the same time in the 1970′s. The fight scenes were choreographed by Professor Remy Presas himself and is jam packed with Arnis inspired fight scenes. Dean Stockwell learned Arnis for his role and continued his Arnis practice long after the filming was over. The success of this movie led to a follow up film “Arnis: Sticks of Death” in 1984 also starring Roland Dantes. Director: Luis Nepomuceno Country: Philippines Language: English Release Date: 1974 (Philippines) Stars: Roland Dantes, Dean Stockwell, Hiroshi Tanaka, Nancy Kwan, Guy Madison, Alejandro Rey, Gilbert Roland, Elizabeth Oropesa, Fred Galang, Gloria Sevilla, Vic Diaz, Cole Mallard … [Read more...]

Guro Ariel Flores Mosses Launches New Website @ http://combatfma.com

Guro Ariel Flores Mosses mandirigma.org

Guro Ariel Flores Mosses:   About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012.   To contact Guro Ariel go to: http://combatfma.com/index.html   … [Read more...]

David Gould discusses comparing Spanish fencing Influence on the local Warrior Arts in both Mexico and the Philippines

David Gould discusses comparing Spanish fencing Influence on the local Warrior Arts in both Mexico and the Philippines When comparing the results of Spanish Influence in both Mexico and the Philippines, there is a distinct difference between Filipino Sword Play (Eskrima; indigenous Filipino / Spanish Fencing influence) and Mexican Swordplay (Esgrime; Pure Spanish fencing not mixed with indigenous fighting arts). The Filipino version is quite different as it adopted a lot of the native Filipino practices at the time (1521 - 1898) and the Mexican style remained very much Spanish with Espada-y-daga and Cape and sword technique being brought to the forefront by the Doms and Nobles who were placed in charge of Mexico during its centuries of evolution. Compare the style of "Zorro" from Alta California fame (Mexico) with "Tatang" Ilustrisimo of kalis Ilustrisimo fame and you will get a better idea of what I am referring as there is a distinct difference even though the common thread for both seems to be Spanish Fencing. You can look at the two which were both influenced equally centuries back by the very same Spanish Sword play but each has a different result and appearance to them today. This is significant to the influences which were in each area before the Spanish arrived, native Filipinos in the Philippines and Aztec and Maya in Mexico. Spanish Swordplay was mixed with Filipino Martial Arts in its evolution in the Philippines which resulted in a hybrid of sorts but it remained pure in Mexico not being mixed with the fighting systems of the Mejica (Aztec) which seemed to have not survied in Mexico after Hernan Cortes and his conquistadors defeated that culture in the 1520`s in what is now Mexico City. Through the 1800`s in Mexico this was very obvious regarding the many duels fought in Mexico City with Sword play which had the appearance of remaining pure Spanish fencing. So with all things being equal you should not see any differences in the Spanish Fencing which influenced both Mexico (1519) and the Philippines (1521) but you do and this is because of pre-hispanic fighting methodology which existed in both geographical locations before Spanish Fencing reached the shores of either of the two cultures. Other wise you would not be able to see a distinct difference between Spanish Fencing as it was influenced equally in Manila and Mexico City as both would have the same appearance today as it would have been allowed to remain pure in both cultures equally. But it did not, so there had to have been an Indigenous Filipino component which influenced the evolution in the Philippines, hence the difference in concept, application and appearance yet still showing some Spanish influence and the usage of Spanish names with-in its curriculum regarding numerous fighting styles in the Philippines.   When the Spanish invaded the Phiippines in 1521 they did so from Cebu, North to Manila and there was a lot of territory where native Filipinos lived who never saw a Spaniard or their influence. But the question remains for how long? Until the 1600`s? 1700`s? 1800`s? At some point in time the influence would have had to travel south into Mindanao and other areas where Spanish influence had not been felt or experienced before if only minimal by travelers or fishermen who ventured from Mindanao and those areas to other parts of the Philippines and then those influences could have been taken back with them to Mindanao. You are right, there are a lot of things found in the Filipino Warrior Arts regarding weapons, strikes, angles, footwork, etc... which are not found in Spanish Fencing from the 16th Century. So like I stated in my post above you have to come to the conclusion that there were indigenous Warrior Arts in the Philippines before the Spanish invaded at Mactan, but how long were those styles allowed to continue on and flourish unaltered before they were influenced with Spanish methodology, if at all? No one can say with certainty. I am sure that some styles in Mindanao and other areas may have gone generations without mixing the new technology and methodology with the old, but again for how long? It is evident that Spanish Fencing did not mix with the indigenous warior Arts of the Aztec or Maya in Mexico, as well as with the Inka in South America (Peru) because Spanish Fencing remained very pure and unaltered in those areas through out the 19th century and beyond. But this can not be said of the Philippines where the end result is so much different from Spanish Fencing. There clearly was another dominating influence which is responsible for the evolution in the Philippines. In saying all of the above let me make one thing clear. Regardless of the various influences and evolution regarding the Pilipino Warrior Arts in the Philippines and now around the world I am amazed and in awe by this knowledge and fighting ability. I have been fortunate to have trained in numerous Martial Arts from all around the world … [Read more...]

Mandirigma.org – Online Since 1998 – A Project of Kapisanang Mandirigma

  Mandirigma.org – Online Since 1998 - A Project of Kapisanang Mandirigma Mandirigma.org Mandirigma Research Organization also known as mandirigma.org is a project of Kapisanang Mandirigma. Their focus includes preserving and promoting the Warrior Arts commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve the culture. Thus, mandirigma.org is also involved in researching issues from ancient to current. The primary objective of mandirigma.org is to do its part in keeping alive ancient knowledge and give honor to the sacrifices made by previous generations.Using both traditional and modern methods in its work, mandirigma.org has organized, collaborated with and participated in classes, conferences, demonstrations, festivals, lectures, seminars and workshops with prominent college and community organizations. Aside from their hands-on approach, mandirigma.org utilizes multimedia technologies such as audio, desktop, video and web to reach people across the globe. Researching since the 1970′s and online since 1998, mandirigma.org believes in being actively involved in giving back to the community. They have collaborated with and volunteered in various non-profit agencies. They have also arranged fundraisers in order to assist causes for indigenous tribal groups and organizations dedicated to cultural preservation in the Philippines. mandirigma.org believes that this expansive pursuit is at its best a collaborative effort. This has allowed mandirigma.org to meet and work with many fine individuals and organizations throughout the Philippines, the United States and the world. mandirigma.org welcomes all with an open and positive mind to participate and join them on this never-ending cultural adventure. This humble site is dedicated to honoring the sacrifices of Warriors throughout the many generations that have come before us. Maraming Salamat!   … [Read more...]

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum’s “Top 200 Living Guro’s” List

Mandirigma.org founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum's "Top 200 Living Guro's" List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, history, literature and virtual artifacts. The writing ranges from incisive to light-hearted to even controversial, and the literary and virtual exhibits encompass all aspects of Filipino martial arts systems and disciplines including arnis, kali, eskrima, dumog, buno, hilot and other indigenous arts of the Philippines. Authors are well-known experts in their fields as well as volunteer writers. Article submissions are encouraged. The authors of these articles have consented to have their articles reprinted and republished in whole or in part, as long as the author’s name, website reference address and this website are acknowledged. I would like this site to become the most comprehensive online reader-written encyclopedia on FMA. It is meant to be a contemporary or living as well as an archival museum. Send your submissions for The Top 200 Living Masters, The Top 100 FMA Schools and other FMA Museum Who’s Who series, and then see your submissions published online. We also accept original articles and online book publications. http://www.filipinomartialartsmuseum.com/index.htm   http://www.filipinomartialartsmuseum.com/FMA_masters-systems-schools/FMAguros-living-list.html 1 Dino Flores Lameco Los Angeles, CA, USA 2 Hospecio Balani Lameco Los Angeles, CA, USA 3 David Gould Lameco 4 Leonard Trigg Lameco 5 Arnold Noche Lameco Los Angeles, CA, USA 6 John Jacobo Bakbakan Maryland, USA 7 Roger Agbulos Lameco North Hills, CA, USA 8 Marc Denny Dog Brothers CA, USA 9 Eric Knauss Dog Brothers CA, USA 10 Tim Hartman Modern Arnis USA 11 Kelly Worden Modern Arnis WA, USA 12 Myrlino Hufana Modern Arnis WA, USA 13 Jeffrey Delaney Modern Arnis Canada 14 Randi Schea Modern Arnis 15 Jay de Leon Modern Arnis, Los Angeles, CA, USA 16 Alvis Solis Seneres Arnis TX, USA 17 Ron Balicki Inosanto Kali Los Angeles, CA, USA 18 Diana Balicki Inosanto Kali Los Angeles, CA, USA 19 Ramon Rubia San Miguel Eskrima CA, USA 20 Mel Lopez Villabrille-Largusa 21 Greg Alland Dekiti-Tirsia-Siradas 22 Mary Ann Presas Modern Arnis San Pablo, CA, USA 23 Demetrio Presas Modern Arnis San Pablo, CA, USA 24 Remy Presas, Jr. Modern Arnis San Pablo, CA, USA 25 Tom Bolden Modern Arnis NY, USA 26 Jerome Barber Modern Arnis NY, USA 27 Percival “Val” Pableo Doce Pares 28 Graciella Casillas CA, USA 29 Raffy Pambuan Pambuan Tulisan Arnis FL, USA 30 Steven Dowd Arnis Balite Fallon, NV, USA 31 Hock Hochheim Modern Arnis, Kombatan TX, USA 32 Jorge Penafiel Balintawak Cincinatti, OH, USA 33 Larry Alcuizar Doce Pares Los Angeles, CA, USA 34 Felix Valencia Lameco Santa Barbara, CA, USA 35 Anthony Davis Cabales Serrada CA, USA 36 Sultan Uddin Cabales Serrada CA, USA 37 Darren Tibbon Cabales Serrada CA, USA 38 Jason Inay Inayan Eskrima San Jose, CA, USA 39 Jena Inay Inayan Eskrima San Jose, CA, USA 40 Ray Dionaldo Sayoc Kali FL, USA 41 Edwin Mosqueda Doce Pares 42 Nate Defensor Doce Pares Chicago, IL, USA 43 Conrado Manaois Manaois Eskrima Los Angeles, CA, USA 44 Dan Anderson Modern Arnis WA, USA 45 Rocky Pasiwk Modern Arnis 46 Ron Harris Original Filipino Tapado New Orleans, LA, USA 47 Tim Waid Pekiti-Tirsia TX, USA 48 Leslie Buck Pekiti-Tirsia TX, USA 49 Erwin Ballarta Pekiti-Tirsia TX, USA 50 Gaudencia Ruby Comjuka TX, USA 51 Phil Rapagna Lameco, Inosanto Kali Los Angeles, CA, USA 52 Victor Gendrano Inosanto Kali Los Angeles, CA, USA 53 Stephen Aron Inosanto Kali Glendora, CA, USA 54 Menandro “Anding” de Leon Arnis de Leon Garland, TX, USA 55 Jaime Abregana Hawaii, USA 56 Vincent Cabales Cabales Serrada CA, USA 57 Vincent Cabales, Jr. Cabales Serrada CA, USA 58 Carlito Bonjoc Mata sa Bagyo CA, USA 59 Mark Wiley Cabales Serrada 60 Tom Bisio San Miguel Eskrima 61 Rafael Kayanan Sayoc Kali 62 Tom Kier Sayoc Kali 63 Jeff Chung Sayoc Kali 64 Paul Vunak Inosanto Kali CA, USA 65 Burton Richardon Inosanto Kali HI, USA 66 Steve Grody Lameco 67 Steve Tarani 68 Blaise Loong 69 Cass Magda CA, USA 70 Rick Tucci Inosanto Kali Princeton, NJ 71 James A. Keating Comtech Walla Walla, WA, USA 72 Ed Goco Galang Las Vegas, NV, USA 73 Michael Replogle Modern Arnis USA 74 Felix Roiles Doce Pares Los Angeles, CA, USA 75 Spencer Gee Pananandata NY, USA 76 Bruce Ricketts Kali Ilustrisimo San Diego, CA, USA 77 Maurice Gatdula CA, USA 78 Mar de Leon Tumba-tumba Arnis San Diego, CA, USA 79 Chris Siangco Pedoy Derobio Eskrima San Diego, CA, USA 80 Ernie Reyes, Jr. San Jose, CA, USA 81 Alex France Kombatan CA, USA 82 Alex Ercia Kombatan CA, USA 83 Arthur Gonzalez De … [Read more...]

FILIPINO MARTIAL ARTS – TYPHOON YOLANDA (HAIYAN) RELIEF SEMINAR. Saturday, 14 December 2013. Nashville, TN, USA

FILIPINO MARTIAL ARTIST TYPHOON YOLANDA (HAIYAN) RELIEF SEMINAR. Saturday, 14 December 2013. Nashville, TN, USA

Over the course of the last month, the Philippines has been rocked by a series of natural disasters. First was the 7.2 magnitude earthquake that destroyed homes, many historical churches, and buildings on the islands of Cebu and Bohol. And the most recent, super Typhoon Yolanda (Haiyan), cut a path of destruction through our island nation and other parts of Southeast Asia. Yolanda (Haiyan) has been declared the most powerful typhoon to make landfall in recorded history. The US Navy Joint Typhoon Warning Center stated that at its height, the storm produced sustained winds around 319kph (198mph) with gusts topping out at 379kph (235mph). The final details of fatalities, injuries, and property damage are yet unknown as many areas were left without power and are out of communication with emergency management services. This is a public event open to anyone wishing to learn the foundational concepts and principles of the Filipino Martial Arts. Guro David Gould of Lameco Eskrima, Guro Viko Perrine, and Guro Jerome Teague will be taking participants through some of the fundamentals of their respective systems including: sword, stick, knife, empty, hands, and weapon disarming. This will be an amazing gathering and will benefit a worthy cause. To register, please contact Guro Jerome Teague at (615) 319-3992. Cost is $40 with ALL proceeds going to the Philippine Red Cross. We will also be taking donations of clothing and other essential items. More Info at: https://www.facebook.com/events/169367563261944/ … [Read more...]

MANONUDA For The Philippines Typhoon Victims – “Hubud Session”, Brussels, Belgium

Typhoon

    Join our semianr in aid to the Philippines. All the profit will be donated here: http://www.1212.be/fr/haiyanfr/actualites-haiyan/item/5358-encourageant … [Read more...]

Filipino Martial Arts Fund Raising Event in favour of the Philippines Typhoon Victims, Brussels, Belgium. December 15th, 2013.

Fund Raising Event Banner

South East Asian Martial Arts Martial Arts Research Systems Belgium - Fund Raising Event in favour of the Philippines Typhoon Victims, Brussels, Belgium. December 15th, 2013.       We are all doing Filipino Martial Arts and thus are directly connected to the Filippins. I am setting up an event to support the victime of the Hayian Typhon that causes huge damage in the Filipins recently. I would ask all of my Martial Arts friends to relay the information of the event. The goal of the event is to raise a maximum of funds, During the event your will have the opportunity to train Filipino Martial arts technique and see some demontration. The event is open to all, practicioner as non martial arts practicioner. To be able to join this event, it will be requested that the particpants to give a donation of 15€ minimum directly to the NGO "Action Against Hunger" & "Philippine Red Cross" or any other NGO actively involved in helping the Filipinos victimes. The reason we have choosen "Action Against Hunger" & "Philippine Red Cross" as main NGO, we know from friends who are currently linving in the Philipines that those NGO's are active all the year long doing concret actions. All donations given to any other NGO's are of course welcome. Minimum participation is fixed at 15€ To register send your details and a copy of the proove of payment at info@seama.eu The proof of payement will be the ticket entrance. Minimum participation is fixed at 15€ for a 3hours event. Web Site : Philippine Red Cross: http://www.redcross.org.ph/donate Action Against Hunger: http://www.actionagainsthunger.org/take-action/donate Many thanks for your involvment https://www.facebook.com/events/185510098307114/ http://www.seama.eu/a … [Read more...]

Filipino Martial Artists Join with other Martial Arts Groups for a Typhoon Haiyan Relief Seminar.

Filipino Martial Artists Join with other Martial Arts Groups for a Typhoon Haiyan Relief Seminar.

  A "Foundations" Seminar -a multi disciplinary day of learning martial arts such as BJJ, Balintawak, Modern Arnis, Aikido, and other arts by some of the most talented instructors in the Carolinas. All proceeds will be donated to UNICEF to aid the families in need during this crisis. https://www.facebook.com/events/430164680418042/?ref_newsfeed_story_type=regular … [Read more...]

Arnis Philippines Inc. (ARPI) organized “Operation Tulong” for ARPI members who had been victims of super typhoon “Yolanda”

Arnis Philippines

Arnis Philippines OPERATION TULONG FOR ARNISADORS Arnis Philippines Inc. (ARPI) organized “Operation Tulong” for ARPI members who had been victims of super typhoon “Yolanda”. Directors Med Quiambao and Rene Pronstroller were tasked to monitor the donations. President Raymond Velayo said that all donations nationwide shall go directly to the victims. Their names, contact numbers and area are as follows: 1. Arnis GM Carlito Ondillo 0921-5226327 Capiz Province 2. Glerio Urmeneta 0949-6958970 Tacloban City * Others to follow Please give us your full name and the victims name and donation given for posting inwww.arnisphilippines.com and arnisphilippines. Thank you for whatever assistance that you will give. Please continue to pray for all the victims of the typhoon and may God always bless you! … [Read more...]

Kalis Ilustrisimo Book by Guro Peachie Baron on Punta y Daga to be released early 2014

punta book

Kalis Ilustrisimo Book by Guro Peachie Baron Saguin on Punta y Daga to be released early 2014         What Is It Like to Train with the Master of Kalis Ilustrisimo? By: Peachie Baron-Saguin Submitted by: Steven Dowd I first met Master Tony Diego when I joined Bakbakan International in 1989. He was a friend of the Master of Bakbakan Christopher Ricketts, and was invited frequently in our practice sessions, to share with the students of Bakbakan his style in sword and knife fighting. Master Tony Diego When Master Christopher Ricketts left for the States, I started training with Master Diego on a regular basis with his Binondo group, the Kalis Ilustrisimo. My training then took on a leap. I was showed the proper way to hold the blade, not to grip the handle too tight, to prevent it from being disarmed when struck heavily with another sword. I was then taught the different kinds and forms of striking and blocking, and the footwork and stances that goes for each attack and counter attack. I was asked to repeatedly execute a particular strike before moving on to the next. Master Diego has always reiterated the importance of a repetitive exercise for one to gain mastery of the form. Peachie Baron-Saguin training with Master Tony Diego Soon enough Master Diego taught me how to use the stick and knife at the same time. This style is called Puntai y Daga. From this style, my interest grew more and more and I always look forward to a sword play with Master Diego, where my speed and accuracy to block and strike are put to test, my distance and movements, checked and corrected. There are moments when Master Diego would attack me when my guard is down to find out how I would react. If I stopped, he would tell me not to think but just to react, otherwise I get hit. The word “sorry” is never use in the gym. If you get hit, it’s your fault. After considerable drills with a wooden sword, Master Diego gave me as a gift, a real sword to practice on. Again my strikes and counter strikes were checked. Using the real sword, Master Diego would ask me to execute the different strikes and counter strikes. The purpose of this exercise, he said, is to gain better control of the blade and to prevent improper techniques from developing, and thus trains the student to hit at the right angle. My first swordplay using a real sword with Master Diego was really scary, but then I passed with flying colors. Suffice it to say, I was taught not only to defend and attack on a standing position, but on a sitting and lying down position as well. The exercise of ascending and descending the stairs during a duel is so difficult and tiring. Disarming is also part of the drills. Training with Master Diego is not easy. I often find myself catching my breath during the swordplay, while Master Diego is laughing and comfortably attacking and parrying my strikes. At the end of each session, I am totally exhausted. My shoulders ache and I could hardly lift my arms. At home before going to bed, I would take a muscle relaxant to relieve the pain so I could train again in the next session. Master Tony Diego and Tommy Dy Tang (Tom) in action using a bladed bolo or sword in an exhib- ition of Kalis Ilustrisimo. Tom is an instructor of Kalis Ilustrisimo, owner of the gym in Binondo where the group practices. As I continue my training with Master Diego, I am learning not only the art of bladed weapons but also, the essence of a good swordsman, the discipline and the commitment that one must have to the art.   … [Read more...]

Fundraiser for Master Tony Diego of Kalis Ilustrisimo, July 2013

Master Tony Diego, Ilustrisimo, Kali Ilustrisimo, Kalis Ilustrisimo, Antonio Ilustrisimo, Arnis, Escrima, www.http://mandirigma.org, www.http://backyardeskrima.com/

  Greetings friends, We are seeking assistance for Master Tony Diego of Kalis Ilustrisimo. Master Diego's wife has breast cancer and has just had surgery for the second time. Sadly, even with surgery it has spread and costly chemotherapy is required. Master Diego is retired from work and has no medical or retirement benefits, so any amount donated will be very much appreciated and put to good use. If you would like to donate you can contact Dino at: mandirigma.org@gmail.com or you can contact Peachie Baron at:  peachiebaron@facebook.com … [Read more...]

The Films of Bakbakan Philippines member Master Ronnie Ricketts and the Warrior Arts of the Philippines

The Films of  Bakbakan Philippines member Ronnie Ricketts and the Warrior Arts of the Philippines ilustrisimo bakbakab

The Films of  Bakbakan Philippines member Ronnie Ricketts and the Warrior Arts of the Philippines Ronnie Ricketts is an actor, film producer and film director in the Philippine Movie and Film Industry. What is less commonly know is that he is a martial artist expert and a Master instructor in the Martial Arts group, Bakbakan International. He is currently the Chairman of the Optical Media Board (OMB), a Philippine Government Agency, which combats piracy of films, music, computer games and software. Ronnie in versed in several forms on Martial arts including the Filipino Warrior Art Kali Ilustrisimo. Ronnie is the brother of Grandmaster Christopher Ricketts the founder of the Martial Arts Brotherhood - Bakbakan International. Several of Ronnie's films feature the Martial Arts including the Warrior Arts of the Philippines generally know as Kali, Arnis or Eskrima. Bakbakan Members frequently appear in Ronnies movies. Ronnies latest movie "The Fighting Chefs". Some scenes feature the Philippines Martial Arts performed by himself and his nephews Bruce and Brandon Ricketts. Bruce and Brandon are Martial Arts experts and instructors in Kali Ilustrisimo.    Behind the scence for the movie "The Fighting Chefs. Ronnie with nephews Bruce and Brandons rehearsing some Ilustrisimo Filipino Martial Arts moves for the scene.   Ronnie with his brother, Grandmaster Christopher Ricketts. Poster for Mano Mano 3: The Lost Art.   Ronnie Ricketts Filmography 2013 The Fighting Chefs 2007 One Percent Full 2006 Lagot Ka Sa Kuya Ko 2005 Uno 2004 Mano Mano 3: Arnis The Lost Art 2003 Utang Ng Ama - Director (Uncredited) 2003 Dayo 2001 Mano Mano 2: Ubusan Ng Lakas 1999 Ang Boyfriend Kong Pari 1999 Desperado, Bahala Na Ang Itaas 1998 May Sayad 1998 My Guardian Debil 1998 Kamandag Ko Ang Papatay Sa 'Yo (Released Date: 4 February 1998) 1998 Anting-Anting 1997 Emong Salvacion 1997 Ilaban Mo Bayan Ko 1997 Wala Ka Ng Puwang Sa Mundo (Released Date: 22 October 1997) 1996 Kahit Sa Bala Kakapit Ako (Released Date: 9 October 1996) 1996 Hawak Ko Buhay Mo (Released Date: 25 September 1996) 1996 Madaling Mamatay, Mahirap Mabuhay (Released Date: 22 May 1996) 1995 Huwag Mong Isuko Ang Laban (Released Date: 25 December 1995) to (1995 MMFF) 1995 Mano Mano 1995 Angel On Fire 1995 Ultimate Revenge 1995 Matinik Na Kalaban (Released Date: 8 November 1995) 1994 Matira Ang Matibay (Released Date: 22 June 1994) 1993 Maton (Directed by: TOTO NATIVIDAD) (Released Date: 24 November 1993) 1993 Pambato (Released Date: 6 October 1993) 1993 Ikaw Lang (Released Date: 25 August 1993) 1993 Alejandro 'Diablo' Malubay (Released Date: 26 May 1993) 1992 Boy Recto (Released Date: 25 December 1992) to (1992 MMFF) 1992 Basagulero (Released Date: 14 October 1992) 1992 Dalawa man ang Buhay mo Pagsasabayin ko (Released Date: 12 August 1992) 1992 Aguila At Guerrero (Released Date: 22 July 1992) 1992 True Confessions (Evelyn, Myrna, & Margie) 1992 Zei Fa Wei Long 1991 Ganti Ng Api 1991 Kumukulong Dugo 1991 Anak ng Dagat 1990 Baril ko ang Uusig (Released Date: 14 November 1990) 1990 Isa-Isahin Ko Kayo (Released Date: 6 June 1990) 1990 Kakampi Ko Ang Diyos (Released Date: 8 May 1990) 1989 My Darling Domestic (Greyt Eskeyp) 1989 Black Sheep Baby (Released Date: 22 November 1989) 1989 UZI Brothers (Released Date: 27 September 1989) 1989 Uzi Brothers 9mm (Released Date: 9 August 1989) 1989 Tatak Ng Isang Api (Released Date: 26 April 1989) 1989 Gapos Gang (Released Date: 22 March 1989) 1988 Alex Boncayao Brigade: The Liquidation Arm Of The Npa 1988 Kumakasa, Kahit Nag-iisa 1988 Tumayo Ka't Lumaban 1988 Target: Maganto 1987 The Rookies And The Mighty Kids 1987 Mga Agila Ng Arkong Bato 1987 Ambush 1987 Target Sparrow Unit 1987 Cabarlo 1987 Kamandag Ng Kris 1986 Payaso 1986 Nakagapos Na Puso 1986 Agaw Armas 1986 Bodyguard: Masyong Bagwisa Jr. 1986 I Love You Mama, I Love You Papa 1986 The Graduates 1986 John En Marsha '86 TNT Sa America 1986 Dongalo Massacre 1985 The Crazy Professor 1985 Heated Vengeance 1984 Sa Hirap At Ginhawa 1983 Love Birds 1983 I Love You, I Hate You 1982 Good Morning, Professor 1982 My Heart Belongs To Daddy Directed by Ronnie Ricketts Rumble Boy (2007) Lagot ka sa kuya ko (2006) (as Ronn Rick) ... aka Isusumbong kita sa kuya ko (Uno (2005) (as Ronn Rick) Mano Mano 3: Arnis, the Lost Art (2004) (as Ronn Rick) Dayo (2003) (as Ronn Rick) Boyfriend kong pari, Ang (1999) (as Ronn Rick) Boy Buluran (1997) (as Ronn Rick) Wala ka nang puwang sa mundo (1997) (as Ronn Rick) Madaling mamatay, mahirap mabuhay (1996) (as Ronn Rick) Produced: Lagot ka sa kuya ko (2006) ... aka Isusumbong kita sa kuya ko (Philippines: Tagalog title) Mano Mano 3: Arnis, the Lost Art (2004) (producer) Wrote: Mano Mano 3: Arnis, the Lost Art (2004) Huwag mong isuko … [Read more...]

Second Lameco Eskrima DVD featuring Guro Dino Flores released by Budo International

guro dino flores budo

Second Lameco Eskrima DVD featuring Guro Dino Flores released by Budo International This dvd is focused in long distance with the sword, a special training that was heavily influenced by Great Grandmaster Antonio Ilustrisimo. Guro Flores will teach you the differences in strategy in long distance with either stick or sword, the footwork and five of the 12 Eskrima Drills in detail with their applications and variations. Guro Dino Flores has focused this work on long range distance, a distance you must master before venturing into medium or short range distance with any weapon and without protective gear. The 12 Eskrima Drills are a combination of the movements Punong Gruo Sulite found most common in real combat situations and referred to them as the “Soul of Lameco”, because many hidden secrets are found in these apparently simple exercises. Though most of the Eskrima exercises can be done either with stick or sword, this dvd is focused in long distance with the sword, a special training that was heavily influenced by Great Grandmaster Antonio Ilustrisimo. Guro Flores will teach you the differences in strategy in long distance with either stick or sword, the footwork and five of the 12 Eskrima Drills in detail with their applications and variations. These exercises are essential in order to understand the Great Art of Fighting know as Lameco Eskrima. LANGUAGES: ENGLISH. ESPAÑOL, ITALIANO, FRANÇAIS http://www.budointernational.net/296_dino-flores   http://youtu.be/kb2291PfCms     Information on the first DVD can be found at this link: http://backyardeskrima.com/?p=361 … [Read more...]

Kapisanang Mandirigma and other Eskrima Groups to perform at the 22nd Festival of Philippine Arts and Culture, 2013 in Los Angeles

fpac 22 2013

    Kapisanang Mandirigma and other Eskrima Groups to perform at the 22nd Festival of Philippine Arts and Culture, 2013 in Los Angeles     http://fpacpahayag.wordpress.com/2013/05/13/martial-artists/           The iconic festival and annual celebration returns, now in its 22nd year! FilAm ARTS invites you to join us Sep.7-8 at Pt Fermin Park for the largest and longest-running community tradition in Southern California -- the only event where you can see over 500 artists & performers from all over the world entertain you and 25,000 of your closest friends & family! Advance tickets are available at http://fpac22.eventbrite.com/ Whether it's your first time or 22nd, it's always a party at FPAC. Bring everyone you can to the Filipino party of the year! FPAC is produced by FilAm ARTS - the Association for the Advancement of Filipino American Arts & Culture, a non-profit 501(c)(3) organization, and sponsored by the City of Los Angeles, LA County Arts Commission, California Arts Council, National Endowment for the Arts, California Community Foundation, Toyota, The Getty Foundation, LA-18, Mavshack, The Asian Journal, Weekend Balita, BakitWhy.com, Oishi Media, The James Irvine Foundation, and LEAP, Inc.   Martial Artists Posted on May 13, 2013 Nick Papadakis Kombat Instruments Ltd. Nick “Pappy” Papadakis has 30 years experience in the martial arts with over 100 fights in the Dog Brothers Gathering of the Pack. Instructor Pekiti Tirsia Kali, Full Instructor Dog Brothers Martial Arts, Blue Belt BJJ, 2nd degree black belt North American Self Defense Institute Kombat Instruments Ltd. is a company created to serve the needs of combat martial artists by providing durable gear for full-contact stick fighting and weapon matches. For more information on Nick or Kombat Instruments Ltd visit www.bloodsport.com  ::: Master Joe Tan Modern Tapado Joe feels very lucky and privileged to have trained personally and forged friendship with the original founders of these three Arnis groups that have made their own unique contributions in the propagation of Stick fighting as an Art. He has lot to share with the world. Tapado is an Original Filipino Martial Art which came from a Hiligaynon ( a Filipino dialect) word ‘Tapat’ or ‘Tapos’ which means – finished or done in english.or to finish the job in one strike. For more information visit www.mastertapadoarnis.com  :::  Willie Laureano FMA Instructor Guro Willie Laureano is a Kali, Silat, and Kickboxing instructor at Elite Training Center.  Willie says, “I am proud to be associated with Elite Training Center where I offer the best in all aspects of the Martial way including physical training respect and confidence.” Willie has lots of Martial Arts training and teaching experience. He has even trained and taught under Guro Dan Inosanto. He has also trained and taught alongside many notable instructors from around the world. Elite Training Center is a martial arts school focusing on self-defense and fitness. Teaching confidence while respecting others, they are founded on the four principals of Respect, Honor, Discipline, and Strength. Techniques include LOTAR®(Close Quarter Battle techniques) and Krav Maga (intuitive self-defense independent of strength or size), Muay Thai kickboxing, Adult Mixed Martial Arts (MMA) as sport, Youth MMA that emphasizes our founding principles, and Kali/Silat/Eskrima (Filipino open hand and stick fighting). For more information visit www.elitetrainingcenter.net  ::: Dino Flores The Kapisanang Mandirigma Eskrima Training Institute Guro Dino has taught numerous seminars and classes over the years. He has appeared on Television, Instructional Videos, Independent Film and Radio Shows promoting the arts. He has contributed to magazine article for publications such as “Masters”, “Blitz” and “FMA Digest. Guro Dino has also contributed to book publications including “Masters of the Blade” and “Warrior Arts of the Philippines”. He is currently working on several book and video projects for various masters.

Guro Dino has conducted numerous seminars, lectures and demonstrations. Including conferences at UCLA, Cal State Fullerton, University of California Irvine, Loyola Marymount University, Glendale College, Cherry Blossom Festival, Lotus Festival, Philippie Tourism Expo, Sports Expo in Manila, Balintawak Cuentada Gathering Las Vegas and The Festival of Philippine Arts & Culture to name a few. Guro Dino was one of the first instructors invited to the World Filipino Martial Arts Association EXPO in Seattle, Washinton in 1993. One of his proudest moments was to be one of two cultural groups (the othe one being traditional dance) to perform in the world famous Los Angeles City Hall during the televised dedication of the the very first official … [Read more...]

2nd FMA Charity Festival in Trebur, Germany for Grandmaster Tony Diego of Kalis Ilustrisimo

Master Tony Dieg Ilustrisimo Kalis

2nd FMA Charity Festival in Trebur, Germany for Grandmaster Tony Diego of  Kalis Ilustrisimo https://www.facebook.com/events/492191180856607/?notif_t=plan_edited "Master Tony's wife has breast cancer and had her second surgery last week. Even with the surgery though, it has spread and chemo therapy is needed. Master Tony is very much affected. Master Diego is retired from work and has no medical or retirement benefits. They had been saving money to operate on Master Diego's knees as they have deteriorated considerably in recent years. Master Diego is constantly in pain because of it. When the cancer was discovered, all the saved knee operation funds went to his wife's first cancer operation costs."   Instructors: GM Datu Dieter Knuettel (National Coach Modern Arnis) Master Philipp Wolf (NickelStick Balintawak Eskrima) Guro Flavio Ruiz Van Hoof (M.A.R.S.) Guro Tobias Ricker (Cacoy Doce Pares) Guro Jojo Balinado (Balinado Arnis Krusada) Guro Lars Helms (Pekiti Tirsia Kali) Hanjo Bergmann (Giron Arnis Eskrima) Andreas Hofmann (Filipino Fighting Arts) Joe Brandt (Lightning Scientific Arnis) Christof Froehlich (Lameco Eskrima) Minimum Donation: 25€ you are more than welcome to donate more;-) ALL DONATIONS GO DIRECTLY TOWARDS GM TONY DIEGO WITHOUT ANY COMMISIONS!! MORE INFORMATIONS FOLLOW https://www.facebook.com/events/492191180856607/?notif_t=plan_edited Organized by Christof Froehlich of Kapisanang Mandirigma Germany and Lameco Eskrima Germany … [Read more...]

Magazine interview featuring Guro Dino Flores in July, 2013 issue of Cinturon Negro

guro dino flores www.mandirigma.org

Magazine interview featuring Guro Dino Flores in July, 2013 issue of Cinturon Negro http://www.budointernational.net/         … [Read more...]

Respecting the Grand Masters of the Warrior Arts in the Philippines by Jay Ignacio

kali, arnis, eskrima, escrima, www.mandirigma.org, www.backyardeskrima.com, kali, arnis, eskrima, escrima, www.mandirigma.org, www.backyardeskrima.com

Respecting the Grand Masters of the Warrior Arts in the Philippines   by Jay Ignacio   Those who have seen The Bladed Hand would have understood that a lot of the Grand Masters in the Philippines are not well-off. They live in very tough conditions, some are employed for a paltry sum, and there are others who have no source of income other than when they have students to teach.Please be understanding when you approach them and do not ask for discounted rates, or take advantage of them by giving them empty promises of compensation or trips abroad.FMA may give some folks abroad a decent income, or even "street cred", but here in the Philippines, these Masters do not own gyms or schools or training facilities. They teach in public parks, or give private lessons at the students' homes.Pay them on time whatever rate you agreed on per session, and have the decency to acknowledge them for what they taught you. Pay, or at the very least, offer to pay them for their cab, or bus, or jeepney ride to meet up with you. Feed them as well, especially if ask to meet at a cafe or restaurant. Be mindful of the fact that photo ops with the Masters sometimes have consequences not favorable to them. Note that when you bug them to give you a certificate (when they normally don't because they have no registered business for their FMA system) for just a few days or hours of training, you are taking something away from them. There's just too much of this going around. A lot of them complain, but there is no avenue for them to adress any of their concerns. Sometimes they give in because they have no choice. It's a matter of understanding, and of respecting their intellectual property, among other things.   http://youtu.be/2LK2SNOWqdI … [Read more...]

Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event, Las Vegas, Nevada, USA. June 27-30 – 2013

ariel flores mosses, kali, arnis, eskrima, www.mandirigma.org, www.backyardeskrima.com, manaois escrima, speakman

Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event Kapisanang Mandirigma Member Guro Ariel Flores Mosses to teach at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27-30 – 2013         … [Read more...]

The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013

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The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013   http://www.fmainformative.info/Informative_Issues/2013/FMA_Informative-Issue67.pdf http://www.fmainformative.info/Informative_Issues/past_informative-issues.html Informative Issue No #67 Kalis Ilustrisimo The FMA Informative publishes Master Tony Diego & Kalis Ilustrisimo Special Issue, March 2013 Master Antonio “Tony” Diego When Master Tony moved to Manila, he trained in the Balintawak style of Arnis with the Eskrimadors from Cebu while he was working at the docks and at the same time training with Berting Presas (Modern Arnis) in Quiapo, a district of Manila. Soon after, he met Antonio “Tatang” Ilustrisimo in 1974. Tatang’s simple but ferocious style greatly impressed him. He then requested Tatang to teach him. At first Tatang would not teach Master Tony, explaining that it was only for his use alone! He said he remained undefeated because others do not know his style. Master Tony, far from being deterred, relentlessly pestered Tatang with attention and gifts until the old man finally agreed to teach him the ways of the blade. As a teacher of Eskrima, Master Tony has earned the highest reputation as a person and as an instructor. He fully believes that a student who learns the Ilustrisimo system should give credit where credit is due, and not to learn and then claim it or its derivatives as a personal innovation or declare it as coming from an imagined family tradition. Compared with Tatang, Tony teaches almost the same way with the exception that he has structured his instruction procedures into sets of techniques which make learning easier. This comes from having seen it from the student’s point of view. Tony has insisted on maintaining the purity of the system as Tatang taught it. The only change is the way the Ilustrisimo system is now taught in a structured sense, which Tatang did not. Any Questions Contact: Ms. Peachie Baron-Saguin at: peachiebaron@yahoo.com ———————— Kalis Ilustrisimo in its Pure Form Kalis Ilustrisimo in its pure form tries to maintain the life and death combative perspective and ex- presses this point of view in its techniques and their applications. There has been also a need to enter the Filipino martial arts world, which has a greater emphasis on the sports aspect. For this, Ilus- trisimo methods and techniques have perforce been modified in order to keep within the structure of the necessary constricting rules of sports. These rules are meant for the safety of participants and life and death combat movements are illegal. This is true for other ing, etc. Because of the greater emphasis on sports in the present Filipino martial arts community, students are more – keen on learn- ing techniques believing these will enhance their skill and their chances of winning competitions. In contrast, instruction in Ilustri- simo is based on the foundational combat philosophy of Antonio “Tatang” Ilustrisimo when teach- ing the techniques and their appli- cation. This point of view delin- eates objectives which give rise to the movements or techniques necessary to achieve such objec- The original main objective of Tatang’s fighting system is win- ning in battle and coming out of it alive and unhurt. For this, a flexi- ble fighting capability is necessary. Thus the Ilustrisimo system has a varied set of techniques which are effective at various distances and with various weapons all the way to empty hands. In using Kalis Ilustrisimo they use what one would call fraction (Master strikes at the student according to numbers). The Master strikes the student first countering the strikes one through twelve strikes, Abierta: Compared with Tatang, Master Tony teaches almost the same way with the exception that he has structured his instruction procedures into sets of techniques which make learning easier. This comes from having seen it from the student’s point of view. Master Tony has insisted on maintaining the purity of the system as Tatang taught it. … [Read more...]

Kapisanang Mandirigma Spain

Spain Eskrima School kali arnis escrima kalis fma ilustrisimo lameco ricketts sulite

Kapisanang Mandirigma Spain Representative Tim B. Fredianelli is the Kapisanang Mandirigma Spain Representative. He is in the process of obtaining his Level One Trainer Credentials. He can be contacted at: tim.fredianelli@facebook.com +++++++++++++++++++ About Tim B. Fredianelli: Tim B. Fredianelli is Assistant Instructor iin Jeet Kune Do under Sifu Tim Tackett and Sifu Bob Bremmer, Certified Knife Expert under Hock Hocheim, 2ºdan Black Belt in Kick Boxing, was a senior member of the Instituto de Kali Jun Fan in Madrid for 11 years training in Inosanto Kali and Muay Thai, and Wing Chung, Jun Fan and Jeet Kune Do. Has more than 25 years of experience in martial arts. Was the first to train and promote Lameco and Kalis Ilustrisimo in Spain, and has been promoting and training Lameco and Kalis Ilustrisimo since 2003. He now trains a small group of dedicated students in all these arts. http://www.kali-jeetkunedo.com/7instructor.html   … [Read more...]

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013 kali arnis eskrima kalis

The FMA Informative publishes Punong Guro Edgar G. Sulite and Master Christopher Ricketts Memorial Seminar Special Issue, March 2013 The FMA Informative was very lucky to be able through the cooperation of Guro Dino Flores to be able to bring just a hint of the knowledge that was put forth and the skills that were demonstrated on March 16 and 17, 2013. At the Lameco S.O.G and Kali Ilustrisimo Memorial Seminar the instructors were the dedicated instructors of Punong Guro Edgar G. Sulite and Master Christopher Ricketts. They were: Guro Dino Flores, Guro Bud Balani, Guro David Gould, Guro Bong Hebia, Guro Ariel Flores Mosses, and the son of Master Christopher Ricketts Guro Brandon Ricketts. First you will read about the participant Dr. Bryan Stoops reflections on his experience in the 12 Week Backyard Lameco Eskrima course and the 2 day Lameco S.O.G and Ilustrisimo Eskrima Seminar. Then on another aspect Guro David Gould his thoughts on the 2nd Lameco Eskrima “SOG” Memorial Seminar held in Los Angeles, California. Visit www.fmainformative.info and download a copy. Download a copy - www.fmainformative.info/Informative_Issues/2013/FMA_Informative-Issue68.pdf   … [Read more...]

SEMINARIO DE “LAMECO ESKRIMA” CON EL RECONOCIDO ARTISTA MARCIAL GURO DAVE GOULD!! EN TUXTLA GUTIERREZ, CHIAPAS, JUNIO 29 Y 30

lameco eskrima kali arnis escrima fma

SEMINARIO DE "LAMECO ESKRIMA" CON EL RECONOCIDO ARTISTA MARCIAL GURO DAVE GOULD!! EN TUXTLA GUTIERREZ, CHIAPAS, JUNIO 29 Y 30 … [Read more...]

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013

Guro Dave Gould Lameco Seminar. Cuernavaca, Mexico. February 16th & 17th, 2013 For More Information: combatacademy.central@gmail.com Eduardo Herrera 777 254 58 35   … [Read more...]

Guro John Jacobo Kali Ilustrisimo Seminar. Humble, Texas. February 18th & 19th, 2012.

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Guro John Jacobo Kali Ilustrisimo Seminar. Humble, Texas. February 18th & 19th, 2013. For more information: http://www.swacom.com/   … [Read more...]

Am 15.05.2013 war es soweit. Der philippinische Kampfkunstmeister Dino Flores aus den USA

Guro Dino Flores

http://judo-club-limburg.de/kampfkunst-highlieght-in-limburg.html \ Kampfkunst Highlight in Limburg Am 15.05.2013 war es soweit. Der philippinische Kampfkunstmeister Dino Flores aus den USA besuchte die Modern-Arnis Gruppe des Judo Club Limburg, um seine Spezialitäten - Kalis ilustrisimo und Lameco Eskrima vorzustellen. Sowohl Kalis ilustrisimo als auch Lameco Eskrima sind Kampfkünste, die in Deutschland nur schwer zu finden sind. Dementsprechend groß war die Vorfreude auf das Seminar. Guro Dino Flores verstand es, die Teilnehmer mit seinen kurzen und schnellen Schwerttechniken sowie seiner Präzision zu beeindrucken. Wir freuen uns auf einen weiteren Besuch von Guro Dino Flores in Limburg, vielleicht im nächsten Jahr. Externe Teilnehmer sind zu den Seminaren des Judo Club Limburg immer recht herzlich eingeladen. Das Modern Arnis Training findet jeweils mittwochs von 20 Uhr - 22 Uhr in der Heinz-Wolf-Halle in Limburg statt und ist für Frauen und Männer ab 16 Jahren gleichermaßen geeignet. Eine neue Anfängergruppe startet ab sofort. Interessenten sind hierzu herzlich eingeladen. … [Read more...]

The Combat Academy presents a Kapisanang Mandirigma Seminar with Guro Dino Flores in Cuernavaca City, Mexico, October 6 & 7, 2012

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  The Combat Academy presents a Kapisanang Mandirigma Seminar with Guro Dino Flores in Cuernavaca City, Mexico, October 6 & 7, 2012. Guro Dino Flores will be sharing some of his experience in Ilustrisimo and Backyard Lameco Eskrima. For more information contact Alex Garduño at the Combat Academy.   About Guro Dino: Guro Dino began informally training in the Philippines with family and  family friends in balisong for the streets. Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts.  Since the passing of Punong Guro Sulite,  he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Master Bruce Ricketts and Guro Brandon Ricketts. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Guro Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego. Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. About The Combat Academy: The “Combat Academy” was born in February of 2012 as an Independent training center after 17 years of work and continuous training. The Combat Academy curriculum includes Filipino Martial Arts (Lameco Eskrima & Doce Pares Eskrima), Muay Thai/Boxing, Sambo/ Jiu Jitsu, JKD and AMOK! Alex Garduño, Director and chief Instructor of the “Combat Academy”, is a Lameco Eskrima student under Guro Dave Gould and Guro Roger Agbulos, holds the Guro Rank in Doce Pares Eskrima under SGM Cacoy Cañete and He´s student of Tom Sotis in AMOK! … [Read more...]

Through sponsorship by Senator Miguel Zubiri – Arnis Officially Declared National Martial Art and Sport, Dec. 11 2009,

Lameco Sulite-advanced-balisong www.mandirigma.org

UPDATE ON LAWS PASSED DURING THE 14th & 15th CONGRESS Researched by the Executive-Legislative Liaison Service LAWS OF NATIONAL SIGNIFICANCE (15th CONGRESS)   RA 9850 AN ACT DECLARING ARNIS AS THE NATIONAL MARTIAL ART AND SPORT OF THE PHILIPPINES (SIGNED INTO LAW ON DECEMBER 11,  2009)   **********   The principal author and sponsor of RA 9850 is Senator Juan Miguel “Migz” F. Zubiri. He is a dedicated Martial Artist and Eskrimador. His primary teacher since childhood is Grandmaster Christopher Ricketts, founder of Bakbakan Philippines. System that he studied under Grandmaster Ricketts include Bakbakan Sagasa Kickboxing, Ngo Cho Kung Fu and Kali Ilustrisimo. Other teachers include Bakbakan Members Grandmaster Alex Co (Ngo Cho), Punong Guro Edgar G. Sulite (Lameco Eskrima), Grandmaster Tony Diego (Kali Ilustrisimo) and Grandmaster Antonio Ilustrisimo himself.   Miguel with some of his teachers and fellow Bakbakan members.   On the cover of the "Advanced Balisong" book with one of his teachers, Punong Guro Edgar Sulite. Senator Juan Miguel F. Zubiri In 2008, Senator Juan Miguel “Migz” F. Zubiri, at age 39, became the youngest to be elected as Senate Majority Leader since the First Congress in 1946. A veteran legislator, he served the 3rd District of Bukidnon from 1998 to 2007 and was always cited as one of the most outstanding solons in the House of Representatives. He has also maintained a perfect attendance in the Plenary Sessions for the last 12 years (4 Congresses) both as Congressman and as Senator, and including this 15th Congress. In the 14th Congress and during his stint as Senate Majority Leader, Sen. Zubiri helped steer the Senate to a record performance of around 650 bills enacted into laws. Sen. Migz is the principal author and sponsor of more than 20 major laws, both in the Senate and during his stint as Congressman. As a fervent advocate of clean energy, he worked for the passage of RA 9513 or the Renewable Energy Act of 2008 and RA 9367 or the Biofuels Act of 2006, earning him the moniker Mr. Clean Energy. Among the other laws he sponsored, principally authored or co-authored are:   RA10068 – Organic Agriculture Act of 2010; RA 9147 – Wildlife Conservation and Protection Act; RA 10121 – Philippine Disaster Risk Management Act; RA 9165 – Comprehensive Dangerous Drugs Act of 2002; RA 9679 – the Home Development Mutual Fund Law of 2009 (Pag-IBIG Fund); RA 9653 – the Rent Control Act of 2009; RA 9997 – the National Commission on Muslim Filipinos Act of 2009; RA 9996 – the Mindanao Development Authority Act of 2010; RA 9904 – the Magna Carta for Homeowners and Homeowners’ Associations; RA 9903 – Condonation of Penalties on Delinquent Social Security Contributions; RA 9507 – the Socialized and Low-Cost Housing Loan Condonation Program; RA 9850 – Declaring Arnis as the National Martial Art and Sport; RA 9500 – UP Charter Amendments; RA 9163 – National Service Training Program; RA 9166 – Armed Forces of the Philippines Rate Pay Base Increase Act; RA 10072 – the New Charter of the Philippine Red Cross; RA 9645 – Declaring July 27 of Every Year as Araw ng Iglesia Ni Cristo and as Special Working Holiday; and RA 9849 – Declaring Eidul Adha as a National Holiday. He is also considered the “father” of the New Cooperative Code being the principal sponsor and author of RA 9520 or the Philippine Cooperative Code of 2008. Sen. Migz is known as a champion of environmental concerns, an advocacy he pursues in the Senate and among his top legislative agenda. In the current 15th Congress, he chairs the Committee on Environment and Natural Resources. He also chairs the Committee on Cooperatives and 3 Joint Congressional Oversight Committees such as the Joint Congressional Oversight Committee on the Ecological Solid Waste Management Act; Joint Congressional Committee on Clean Air Act; and the Joint Congressional Oversight Committee on Cooperatives. He is also a member of 20 other Senate standing committees. Sen. Migz is involved in concrete environmental programs such as being the founder of the Philippine Deer Foundation, a deer conservation project, and as President of the Palawan-based Katala Foundation which protects endangered wildlife species and their habitats. A trained first aider and certified rescue diver, he is a Governor of the Philippine Red Cross and active member of the Red Cross Youth Committee and Concerned Divers of the Philippines. Senator Zubiri has published two books: the Philippine Cooperative Code of 2008, and Bukidnon: The Philippine Frontier. He is a graduate of Master’s in Environment and Natural Resources Management at the University of the Philippines Open University and Bachelor of Science in Agri-Business Management at the University of the Philippines in Los Baños. He has also … [Read more...]

Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011

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Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011 February 1, 2012 By dinof2 Leave a Comment (Edit) Guro Dino Flores DVD Release and Magazine  article for Budo International, November 2011     Excerpt from the DVD backcover: Punong Guro Edgar Sulite was one of the great revolutionaries in Philippine Martial Arts history. There were two types of students that learnt under him, those who took classes under him periodically and those whom he selected and prepared personally for becoming fighters in private training sessions in the backyard of his home, these students belonged to the Sulite Orihinal Group. Dino Flores belongs to this second elite group of specially trained fighters in Lameco and shines with his own light as one of the top selected fighters of the Lameco Eskrima backyard group. In this work he introduces and shows us a series of exercises which Punong Guro Sulite emphasized greatly upon and that develop correct distancing in a real combat situation. This dvd will help you refine the combative motions, enable you to increase the intensity within a drill, as well as show you how to use equipment correctly and help you overcome a well protected opponent. You will learn how to avoid being hit and grabbed. These exercises practiced under real contact and tension will allow you to react against the most common attacks in real time and in an effective way. The most important thing is to hit well, to have good footwork and mainly to have a great foundation. http://www.budointernational.net/arnis-kali-escrima/1564-dvd-lameco-eskrima-backyard-sulite-original-group.html     About Budo International Magazine Budo International is the only martial arts magazine published in seven different languages (English, Spanish, French, Italian, Portuguese, German, and Croatian) and sold worldwide. Budo Magazine is undisputedly the largest specialized magazine in over 60 countries. They are the foremost martial arts publication in Europe, South America, Central America and Australia, as well as having editions in Greece and Czechoslovakia.Their monthly publication brings exciting and exotic masters and material that is truly universal. Budo also covers all types of events, from tournaments to movies and the magazine brings a gust of fresh air mixed with European quality to the American culture. Click on the magazine image below to read English issues of Budo. http://www.budointernational.net/   http://youtu.be/_F-WsyfWAhs   Backyard Lameco DVD clip produced by Budo International … [Read more...]

Guro Ariel Flores Mosses

ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org Guro Ariel Flores Mosses: About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. He has experience as a professional bodyguard and is a former police officer. To contact Guro Ariel go to: http://www.lvtacticaltraining.com/ lameco ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org lameco ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org Guro Ariel Flores Mosses: About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. He has experience as a professional bodyguard and is a former police officer. To contact Guro Ariel go to: http://www.lvtacticaltraining.com/ lameco ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org lameco ariel mosses kali arnis eskrima manaois lameco ilustrisimo mandirigma.org

Guro Ariel with Grandmaster Manois in Washington State, 1998  Guro Ariel Flores Mosses: About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012. . http://mandirigma.org/?p=1537 To contact Guro Ariel go to: http://combatfma.com/index.html http://www.lvtacticaltraining.com/     http://www.youtube.com/watch?v=oeyr9T6qD34   Grandmaster Manois Tournament and Official at FACLA Historic Filipinotown, Los Angeles, 2000     Guro Ariel with student at his school Washington State, Guro Ariel, Guro Dino, Grandmaster Conrad Manaois and daughter, Historic Filipinotown, Los Angeles, 1998     Guro Ariel Flores Mosses, Punong Guro Sulite, Guro Choy Flores, Guro Dino Flores in Washington State Guro Ariel Flores Mosses with Master Ricketts in Washington State Guro Ariel Flores Mosses with Master Ricketts, Maste Galang, Master Dodong in Washington State Guro Ariel and Guro Dino being filmed by student Ron Gabriel. Location in the backyard of Guro Ariel's Mothers house in Los Angeles, 2000 Guro Ariels Lameco I.D. Number one for Washington State and Lameco Representative. 1995 … [Read more...]

Lameco Eskrima & Kali Ilustrisimo – Seminar mit Guro Dino Flores/USA presented by Kapisanang Mandirigma Germany

fma filipino martial arts fma filipino martial arts fma filipino martial arts fma filipino martial arts

Lameco Eskrima & Kali Ilustrisimo – Seminar mit Guro Dino Flores/USA presented by Kapisanang Mandirigma Germany Lameco Eskrima & Kali Ilustrisimo – Seminar mit Guro Dino Flores/USA presented by Kapisanang Mandirigma Germany sponsored by JuWe-Sticks Nach der überwältigenden Resonanz nach dem letzten Kurzbesuch von Guro Dino freuen wir uns Ihn in 2012 für einen längeren Aufenthalt gewinnen zu können. Das Seminar bildet die Grundlage für ein tieferes Verständnis des Kali Ilustrisimo (CNR) und des Lameco Eskrima (SOG) sowie den Start von Kapisanang Mandirigma Germany. Thema wird sein: Kali Ilustrisimo (Single & Double Blade) – Lameco Eskrima (Single & Double Stick) Laßt euch die Gelegenheit Kali Ilustrisimo von einem der wenigen zertifizierten Instruktoren unter Master Christopher Ricketts sowie Punong Guro Edgar. G. Sulite zu lernen nicht entgehen. KOSTEN: 1 Tag 55€ – 2 Tage 100€ bei Zahlung vor 13.04.2012, danach plus 10€ Nachmeldegebühr Seminarort wird noch bekanntgegeben, voraussichtlich Frankfurt/Main. Bei Nichterscheinen verfällt die bereits gezahlte Seminargebühr. Der Veranstalter übernimmt für Personen- und Sachschäden keinerlei Haftung. Die Teilnahme erfolgt auf eigenes Risiko! … [Read more...]

The first written account of “KALI” as the pre-Hispanic name of the Filipino Martial Arts by FMA History Redux

The first written account of "KALI" as the pre-Hispanic name of the Filipino Martial Arts Source: http://fmahistoryredux.blogspot.com/2014/11/the-first-written-account-of-kali-as.html?spref=fb http://fmahistoryredux.blogspot.com/2014/11/philippine-hero-rev-fr-gregorio-aglipay.html “Mga Karunungan sa Larong Arnis” by Placido Yambao and Buenaventura Mirafuente, University of the Philippines Press, 1957... the first book on the Filipino Martial Arts that we know now... its section on the history of the Filipino Martial Arts stated that when the Spaniards arrived in the Philippines, Filipino Martial Arts was not yet called "ARNIS" but "KALI" (“Ang KALI na dinatnan ng mga Kastila ay hindi pa ARNIS ang tawag noong 1610")... The book also mentioned that a KALI demonstration was once performed in honor of the newly-arrived Conquistador Miguel Lopez de Legazpi on the order of a tribal leader in the Island of Leyte...     Philippine Hero Rev. Fr. Gregorio Aglipay, the source of Yambao & Mirafuente's "KALI"...   REV. FR. GREGORIO AGLIPAY, 1860-1940 (center), the first Supreme Bishop of the Philippine Independent Church (Wikipedia photo)...Rev. Fr. Aglipay was the source of the information that the original name of the Filipino Martial Arts is KALI in the book “Mga Karunungan sa Larong Arnis” authored by Placido Yambao and Buenaventura Mirafuente (University of the Philippines Press, 1957):'Ang KALI na Dinatnan ng mga Kastila ay Hindi pa Arnis ang Tawag nuong 1610.... Noong unang panahon ang larong ito'y kilala sa tawag na "KALI" ng ating mga ninuno, nguni't sa hindi maiwasang pagbabago ng panahon at pangyayari (underscoring mine) ay pinamagatan nila ng "Panandata" sa Tagalog, "Pagkalikali" sa kapatagan ng Kagayan ng mga Ibanag, "Kalirongan" sa Pangasinan, "Kaliradman" sa Bisaya at "Pagaradman" sa Ilongo nuong 1860, at "Didya" sa Ilokos at muling naging "Kabaroan," ayon kay Rev. Fr. Gregorio Aglipay na bantog din sa arnis nuong 1872.'TRANSLATION: 'The indigenous martial art that the Spanish encountered in 1610 was not yet called Arnis at that time. During those times, this martial art was known as "KALI" to our ancestors.  Due to theunavoidable changing of the times and circumstances (underscoring mine), this martial art became known as "Panandata" to the Tagalogs, "Pagkalikali" to the Ibanags of the plains of Cagayan, "Kalirongan" to the people of Pangasinan, "Kaliradman" to the Visayans, "Pagaradman" to the Ilonggos in 1860, and "Didya" to the Ilocanos (but later on changed to "Kabaroan").  This is according to Rev. Fr. Gregorio Aglipay, who himself was a famous Arnis practitioner in 1872.' … [Read more...]

Balintawak Grandmaster Venancio Bacon

venancio-bacon-balintawak venancio-bacon-balintawak venancio-bacon-balintawak venancio-bacon-balintawak

  Balintawak History Born in 1912, Venancio "Anciong" Bacon would later become one of the Philippines' legendary and most influential eskrimadors in history. He was born in Carcar, Cebu, and moved later to San Nicolas Town, just outside of Cebu City. He learned eskrima in the 1920s as a teenager. His evolution as an eskrimador began in San Nicolas. This journey would later lead him to death matches, attacks, and eventually to jail. But, not all of this journey was dismal. Along the way, Venancio Bacon made life long friends, and cultivated a loyal cadre of students, who to this day maintain an affinity incomparable towards him. Venancio Bacon's legacy, Balintawak, has become a title synonymous to Deadly. Balintawak eskrima is Economy, Elegance, Strength, and Speed expertly woven into one art form. This is the story of Great Grandmaster Venancio Bacon and the account of his legacy. In the early 1900s, the Spaniards had just left the Philippines, ending their 300 year rule. In their place, came the Americans. The vanguard elite of Cebu still spoke Spanish, while the Americans began to "pacify" and teach the rest of the Filipinos American English and culture. It was during this time that Venancio Bacon was born into, a nation in the midst of change and upheaval. He was born in Carcar, Cebu, but grew up in San Nicolas Town outside of Ciudad de Cebu, which at that time was populated by Cebu's elite upper class. This elite class was made up of Europeans, Americans, Chinese and mestizo Filipinos. In contrast, San Nicolas was composed of local Cebuanos and immigrants from neighboring towns, or from other islands in the Visayas. The people who lived in San Nicolas were farmers, carpenters, fishermen, peasants, cargadors and the servants for the City of Cebu's upper class. Venancio Bacon began training in the art of eskrima in the 1920s. His only teacher was Lorenzo "Ensong" Saavedra, of San Nicolas, who during this time had established the historic Labangon Fencing Club. At a time when many different styles of eskrima abound, Lorenzo Saavedra's was called the Corto Linear, although he was also known to have mastered other styles. His best students would be Teodoro "Doring" Saavedra, his nephew, and Venancio Bacon. The two were also very close friends. Both matured into great eskrimadors, improving each other's skills and answering challenge matches that came as a result of their newly acquired titles. The Labangon Fencing Club eventually dissipated into oblivion, giving way to a new organization borne out of its ashes. In 1933, the Doce Pares Club was formed. Headed by Lorenzo Saavedra, the club was composed of three Saavedra eskrimadors and nine from the Canete family. This composed the original twelve needed to symbolically actualize the title Doce Pares, which was taken from a popular roving play in the Philippines during the late 1800s and early 1900s depicting the twelve warrior swordsmen of Charlemagne. Another twelve were inducted to the club soon after, making the initial membership twenty-four, or Twelve Pairs. Venancio Bacon was among the first twenty-four. Although there were certain personalities in the club which ran counter to Venancio Bacon's own personality, he stayed and carried his weight as one of its representing eskrimadors. World War II broke out in the 1940s. With the onset of Japanese occupation, many eskrimadors became guerilla fighters, employing their art for the defense of their nation. It was during this time that, Teodoro Saavedra died at the hands of Japanese soldier-executioners. Long after the War, in 1952, Venancio Bacon established the club now known as Balintawak. He finally had enough of the personal bickerings and internal politics of the Doce Pares club. Along with Vincente "Inting" Atillo, Delfin Lopez, Jesus Cui, Timoteo "Timor" Maranga, Lorenzo Gonzales, Isidro Bardilas, Andres Olaibar, and a few others, Venancio Bacon began a new club. The newly formed club started training in the backyard of a watch shop owned by Eduardo Baculi, one of Venancio Bacon's students. This shop was located in a small side street in Colon, called Balintawak Street. The significance of the name Balintawak evoked the three virtues of strength, courage, and honor befitting that of the new club. So, from that day forth the word Balintawak would forever be intertwined with the name Venancio Bacon and to the style of eskrima which has proven its calculated violence effective time and again. Standing at 5 feet, 2 inches tall and weighting no more that 120 pounds, Venancio Bacon was a very unassuming man. He was a veteran of a great many death matches in Cebu. Described by many of his students as lightning fast, Venancio Bacon maneuvered through a fight smoothly while exploiting his opponents' balance and coordination. He was known to be very surgical with a stick, able to employ varying force to his exact … [Read more...]

Grandmaster Jose Diaz Caballero, De Campo Uno-Dos-Tres Orihinal (1907-1987)

Guro Dino Flores

Grandmaster Jose Diaz Caballero was born on August 7, 1907 in Barrio Ibo, Toledo City, Cebu Province in the Philippine archipelago. As a youth he would travel from barangay (neighborhood) to barangay in order to watch eskrima matches during fiesta celebrations. These demonstrations mostly pre-arranged sparring called De Cadena were more of a cultural presentation than a display of real fighting which he was doggedly searching for. From his observations of these Eskrima exhibitions, he modified the moves with an emphasis on three striking levels: the eyes, lower arms (specifically elbows and hands), and knees. He was a fan of Western movies and often compared his style to the gunslinger “quick draw”. He later founded the devastating style known as De Campo Uno-Dos-Tres Orihinal. In his prime, Jose Caballero was the Juego Todo champion. Juego Todo was all-out, no-holds-barred and did not allow the combatants to wear any protective gear like masks and armour. Death and permanent injury resulting from these duels was not uncommon. He beat many highly skilled Eskrimadors such as: Simeon Saavedra of Talisay, Balbino Mancao, Vicente Labor, Juan Carolla of Ilocos, Alfredo Macalolan of Negros, Tanciong Lopez from Cebu City, Salomon Canonio, Heneroso Carbajosa, Horje Navajo, Pastor Hingoyon and many lesser known challengers. One of his more notable fights took place in 1936 against an Eskrimador named Anoy, from the nearby town of Tangub. Jose Caballero utilized his system of 1-2-3 strikes in order to disarm and wound the stunned Anoy, who promptly surrendered. The combination of strikes was delivered so quickly, that the crowd had not fully understood what had just taken place. This resulted in the perception that the match was fixed, and they began shouting “TAYOPE!” (fixed). Unlike many so-called death match “duelists” and “unbeaten champions” who can’t even recall the names of the opponents they conquered, the foregoing list of eskrimadors vanquished by GM Caballero is a testament of the authenticity of his title as the Juego Todo champion of his era. No less than GM Filemon “Momoy” Canete of San Miguel Eskrima a good friend of GM Caballero once vouched: “Dili ko makig duwa ana imong eskrima Joe, pangpatay man nag sawa.” (I won’t fool around with your eskrima Joe, it’s for killing pythons.) Grandmaster Caballero served in the Philippine Constabulary and was once assigned to the hostile Moro country of Lanao province. After his retirement from the Constabulary, he continued to teach his brand of Eskrima, and at the same time, the challenges that were part and parcel of the art continued to hound him. The remaining living witness to GM Caballero’s Juego Todo duels is Egmidio Tubal a retired PC soldier of Davao City. The old warrior died on August 24 1987 … [Read more...]

Grandmaster Antonio “Tatang” Ilustrisimo (1904 – 1997)

GranMaestro_Antonio-Ilustrisimo

Grandmaster Antonio Ilustrisimo,                                                                                    Courtesy of Bakbakan International  and  GM Tony Diego Grandmaster Antonio Ilustrisimo (1902 - 1997) originally came from Santa Fe in Bantayan Island.   He came from a family that has a very long history of martials and mystical tradition.   His cousin, Floro Villabrialle, was the most famous Arnis master of Hawaii.  His youngest uncle, Regino Ellustrisimo, was an Arnis master in Stockton, USA.  Both men were mentioned in Dan Inosanto's book on Filipino martial arts.  However, the most famous of his 4 direct paternal uncles, and the most powerful fighter of the 5 brothers (some say he has more than 7 uncles) was Melecio Ilustrisimo, one of the most famous Kali masters of the Philippines of the early 20th Century, being influential in northern Cebu - Bantayan and Bohol islands.  All his forbears were expert warriors and were known to posses strange mystical powers. Grandmaster Ilustrisimo's students, fondly call him "Tatang" which  means "grandfather".  Tatang learnt Arnis under the tutelage of his father (Isidro Illustrisimo) and uncles (especially the famous Melecio Ilustrisimo) in the old way.  There were 3 famous Eskrima families in Cebu at that time:-  the Ilustrisimos,  the Saavedras,  and the Romos. Footwork was one of the first things he had to master.  As a tiny boy, he was put on a small table and his teachers would use sticks to beat his legs.  He had to learn how to avoid the blows.  He was also put on 3 half coconut shells in a triangular pattern and given the same harsh treatment.  This footwork is known as Tatlong Bao in the Ilustrisimo family. As a result he has mastered evasion and dodging at an early age.  This is a training that Melecio Ilustrisimo himself thoroughly mastered as he was said to have nailed one foot to the ground and challenge all and sundry to defeat him.  No one could,  and that footwork is called "Walong Apak" (Nail Footwork) in Kalis Ilustrisimo.  These skills of evasive footwork have all been mastered by Grandmaster Antonio Illustrisimo. He learnt the solo and double baston, espada daga, daga, bolo (sword), dos manos (a long stick/sword - roughly equivalent to the Samurai's sword) and various "weapons of convenience".   In particular, as a speciality, Grandmaster Ilustrisimo is noted for is his expertise in bladed weapons - something which many modern Grandmasters of Arnis can not lay proper claim to since their real practical experience concentrated on the rattan sticks. (Claims by most systems that they can use swords are disputable and only partially true).  This expertise as a swordman is not merely from personal experience and practice, but is the legacy of his family art of Ilustrisimo Kali which is a bladed art that stretches so far back in the family line that nobody could remember when it started. As a boy, the young Ilustrisimo had a very tough, stubborn, determined and indominatable spirit. When he heard of a far country called 'America', he decided to go there - at the age of 9 years old!   When his parents would not  listen to his panderings, he 'took' some family money and a machete, and again, 'took' a small rowing boat and paddled out to the sea to what he thought would be America, not realising how far America really is.  He fortunately chance across a ship.  The sailors aboard were  surprised to see a young boy rowing out in the sea.  Out of curiousity, perhaps concern as well, there approached him and asked him where he was going.  "I am going to America in this boat!" was the confident answer.  The sailors rocked in laughter.  They somehow persuaded him to come with them.   Of course, he did not get to America.  But he did sail to a few ports, still not quite realising that America is still very, very far away.......... At a port, he chance on a family friend who recognised him, but not wishing to betray the high ideals of this young boy, he took him to the south as that friend was a Muslim.  There the young boy grew up - strong, determined, proud and skillful in combat as ever.  He was adopted into a the royal court as an adopted son of the Sultan of Sulu.  (This was Hadji Butu who ascended to become HH Hadji Mohammad Jamalul Kiram II, the Sultan of Sulu) While in the South, he was priviledged to train in the the best of teachers that the royal court could have.  He also trained with Pedro Cortes, another very famous master in the Mindanao region, who was used by the government to control the 'Rebelious South'.   Pedro Cortes was a close friend a sparring partner of his father Isidro Ilustrisimo. Then one day, he was drinking at a beer house, he got into dispute with another man.  The man drew his sword to kill Tatang, but the defty young boy beat him to the draw and, with one … [Read more...]

Kali Klub Sa Historic Filipinotown Los Angeles

historic filipinotown

Kali Klub Kali Klub, an award-winning project of Kapisanang Mandirigma, initially started as a positive diversion against drugs and gangs for youths in the Temple-Beverly corridor, now known as Historic Filipinotown. It is; a collaboration with several non- profit agencies in the area such as FilAm Arts, SIPA and PWC. Now entering their 9th year, they have expanded to teaching Children (ages 5-12), Youths (ages 13-17), Adults (ages 18 & over) and Elders (ages 40 & Over) the Warrior Arts of the Philippines in a non-commercial, non-political environment where art, culture and heritage are integrated into their curriculum. Presentations include the dedication of Historic Filipinotown at the Los Angeles City Hall and a lecture/demo at the Filipino Historical Society Conference at Loyola University. Kali Klub sa FilAm ARTS - www.filamarts.org The Association for the Advancement of Filipino American Arts & Culture ("FilAm ARTS") was founded in 1999 but has consistently delivered the annual presentation of the Festival of Philippine Arts & Culture (FPAC) since their early beginnings in 1992 and has now added two other programs: the California-statewide Pilipino Artists Network (PAN) and the Eskuwela Kultura Neighborhood Cultural School. Kali Klub sa FilAm ARTS, established in 2004, is a joint project between Kapisanang Mandirigma and the Association for the Advancement of Filipino American Arts & Culture (FilAm ARTS) under their community-based nonprofit 501(c)(3) status. Kali Klub sa SIPA - www.esipa.org Founded in 1972, Search to Involve Pilipino Americans ("SIPA") has long established itself as a key service provider among the low-income and underserved multi- ethnic youth and families in the Temple Beverly corridor and the Pilipino American community of Los Angeles County. Their mission is to enhance the quality of life of the Pilipino American community by: Supporting youth development and leadership; Providing family programs, health and human services and affordable housing; Facilitation of collaborative actions within multi-ethnic communities. Kali Klub sa SIPA, established in 1999, is a joint project between Kapisanang Mandirigma and Search to Involve Pilipino Americans (SIPA) under their community- based nonprofit 501(c)(3) status. Kali Klub sa PWC - www.pwcsc.org The Pilipino Workers' Center ("PWC") was founded in 1997 on the idea that all workers have a right to safe working conditions, living wages, a decent standard of living and quality of life. Their mission is to organize Filipino Workers to collectively address our needs and issues both in the work place and in the community. Kali Klub sa PWC, established in 2003, is a joint project between Kapisanang Mandirigma and Pilipino Workers' Center (PWC) under their community-based nonprofit 501(c)(3) status.   … [Read more...]

Lameco Eskrima Founder Punong Guro Sulite Books, DVDs, Artcles and Magazines

Punong Guro Edgar Suite

                  … [Read more...]