Mandirigma Research Organization
THE SIGLO DE ORO The Siglo de Oro is the Golden Age of Spain in the fields of Military and Naval power, international politics, economy, arts, literature, and music. The actual length of Spain's golden age lasted for more than a hundred years, from 15th to the 17th Centuries. The above photo shows the areas of the world that at one time were territories of the Spanish Monarchy or Empire. The Spanish empire reached its greatest extent during the Siglo de Oro. … [Read more...]
The Combat Academy presents a Kapisanang Mandirigma Seminar with Guro Dino Flores in Cuernavaca City, Mexico, October 6 & 7, 2012. Guro Dino Flores will be sharing some of his experience in Ilustrisimo and Backyard Lameco Eskrima. For more information contact Alex Garduño at the Combat Academy. About Guro Dino: Guro Dino began informally training in the Philippines with family and family friends in balisong for the streets. Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts. Since the passing of Punong Guro Sulite, he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Master Bruce Ricketts and Guro Brandon Ricketts. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Guro Dodong Sta. Iglesia, Grandmaster Rey Galang, Grandmaster Yuli Romo and Grandmaster Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego. Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. About The Combat Academy: The “Combat Academy” was born in February of 2012 as an Independent training center after 17 years of work and continuous training. The Combat Academy curriculum includes Filipino Martial Arts (Lameco Eskrima & Doce Pares Eskrima), Muay Thai/Boxing, Sambo/ Jiu Jitsu, JKD and AMOK! Alex Garduño, Director and chief Instructor of the “Combat Academy”, is a Lameco Eskrima student under Guro Dave Gould and Guro Roger Agbulos, holds the Guro Rank in Doce Pares Eskrima under SGM Cacoy Cañete and He´s student of Tom Sotis in AMOK! … [Read more...]
UPDATE ON LAWS PASSED DURING THE 14th & 15th CONGRESS Researched by the Executive-Legislative Liaison Service LAWS OF NATIONAL SIGNIFICANCE (15th CONGRESS) RA 9850 AN ACT DECLARING ARNIS AS THE NATIONAL MARTIAL ART AND SPORT OF THE PHILIPPINES (SIGNED INTO LAW ON DECEMBER 11, 2009) ********** The principal author and sponsor of RA 9850 is Senator Juan Miguel “Migz” F. Zubiri. He is a dedicated Martial Artist and Eskrimador. His primary teacher since childhood is Grandmaster Christopher Ricketts, founder of Bakbakan Philippines. System that he studied under Grandmaster Ricketts include Bakbakan Sagasa Kickboxing, Ngo Cho Kung Fu and Kali Ilustrisimo. Other teachers include Bakbakan Members Grandmaster Alex Co (Ngo Cho), Punong Guro Edgar G. Sulite (Lameco Eskrima), Grandmaster Tony Diego (Kali Ilustrisimo) and Grandmaster Antonio Ilustrisimo himself. Miguel with some of his teachers and fellow Bakbakan members. On the cover of the "Advanced Balisong" book with one of his teachers, Punong Guro Edgar Sulite. Senator Juan Miguel F. Zubiri In 2008, Senator Juan Miguel “Migz” F. Zubiri, at age 39, became the youngest to be elected as Senate Majority Leader since the First Congress in 1946. A veteran legislator, he served the 3rd District of Bukidnon from 1998 to 2007 and was always cited as one of the most outstanding solons in the House of Representatives. He has also maintained a perfect attendance in the Plenary Sessions for the last 12 years (4 Congresses) both as Congressman and as Senator, and including this 15th Congress. In the 14th Congress and during his stint as Senate Majority Leader, Sen. Zubiri helped steer the Senate to a record performance of around 650 bills enacted into laws. Sen. Migz is the principal author and sponsor of more than 20 major laws, both in the Senate and during his stint as Congressman. As a fervent advocate of clean energy, he worked for the passage of RA 9513 or the Renewable Energy Act of 2008 and RA 9367 or the Biofuels Act of 2006, earning him the moniker Mr. Clean Energy. Among the other laws he sponsored, principally authored or co-authored are: RA10068 – Organic Agriculture Act of 2010; RA 9147 – Wildlife Conservation and Protection Act; RA 10121 – Philippine Disaster Risk Management Act; RA 9165 – Comprehensive Dangerous Drugs Act of 2002; RA 9679 – the Home Development Mutual Fund Law of 2009 (Pag-IBIG Fund); RA 9653 – the Rent Control Act of 2009; RA 9997 – the National Commission on Muslim Filipinos Act of 2009; RA 9996 – the Mindanao Development Authority Act of 2010; RA 9904 – the Magna Carta for Homeowners and Homeowners’ Associations; RA 9903 – Condonation of Penalties on Delinquent Social Security Contributions; RA 9507 – the Socialized and Low-Cost Housing Loan Condonation Program; RA 9850 – Declaring Arnis as the National Martial Art and Sport; RA 9500 – UP Charter Amendments; RA 9163 – National Service Training Program; RA 9166 – Armed Forces of the Philippines Rate Pay Base Increase Act; RA 10072 – the New Charter of the Philippine Red Cross; RA 9645 – Declaring July 27 of Every Year as Araw ng Iglesia Ni Cristo and as Special Working Holiday; and RA 9849 – Declaring Eidul Adha as a National Holiday. He is also considered the “father” of the New Cooperative Code being the principal sponsor and author of RA 9520 or the Philippine Cooperative Code of 2008. Sen. Migz is known as a champion of environmental concerns, an advocacy he pursues in the Senate and among his top legislative agenda. In the current 15th Congress, he chairs the Committee on Environment and Natural Resources. He also chairs the Committee on Cooperatives and 3 Joint Congressional Oversight Committees such as the Joint Congressional Oversight Committee on the Ecological Solid Waste Management Act; Joint Congressional Committee on Clean Air Act; and the Joint Congressional Oversight Committee on Cooperatives. He is also a member of 20 other Senate standing committees. Sen. Migz is involved in concrete environmental programs such as being the founder of the Philippine Deer Foundation, a deer conservation project, and as President of the Palawan-based Katala Foundation which protects endangered wildlife species and their habitats. A trained first aider and certified rescue diver, he is a Governor of the Philippine Red Cross and active member of the Red Cross Youth Committee and Concerned Divers of the Philippines. Senator Zubiri has published two books: the Philippine Cooperative Code of 2008, and Bukidnon: The Philippine Frontier. He is a graduate of Master’s in Environment and Natural Resources Management at the University of the Philippines Open University and Bachelor of Science in Agri-Business Management at the University of the Philippines in Los Baños. He has also … [Read more...]
Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011 February 1, 2012 By dinof2 Leave a Comment (Edit) Guro Dino Flores DVD Release and Magazine article for Budo International, November 2011 Excerpt from the DVD backcover: Punong Guro Edgar Sulite was one of the great revolutionaries in Philippine Martial Arts history. There were two types of students that learnt under him, those who took classes under him periodically and those whom he selected and prepared personally for becoming fighters in private training sessions in the backyard of his home, these students belonged to the Sulite Orihinal Group. Dino Flores belongs to this second elite group of specially trained fighters in Lameco and shines with his own light as one of the top selected fighters of the Lameco Eskrima backyard group. In this work he introduces and shows us a series of exercises which Punong Guro Sulite emphasized greatly upon and that develop correct distancing in a real combat situation. This dvd will help you refine the combative motions, enable you to increase the intensity within a drill, as well as show you how to use equipment correctly and help you overcome a well protected opponent. You will learn how to avoid being hit and grabbed. These exercises practiced under real contact and tension will allow you to react against the most common attacks in real time and in an effective way. The most important thing is to hit well, to have good footwork and mainly to have a great foundation. http://www.budointernational.net/arnis-kali-escrima/1564-dvd-lameco-eskrima-backyard-sulite-original-group.html About Budo International Magazine Budo International is the only martial arts magazine published in seven different languages (English, Spanish, French, Italian, Portuguese, German, and Croatian) and sold worldwide. Budo Magazine is undisputedly the largest specialized magazine in over 60 countries. They are the foremost martial arts publication in Europe, South America, Central America and Australia, as well as having editions in Greece and Czechoslovakia.Their monthly publication brings exciting and exotic masters and material that is truly universal. Budo also covers all types of events, from tournaments to movies and the magazine brings a gust of fresh air mixed with European quality to the American culture. Click on the magazine image below to read English issues of Budo. http://www.budointernational.net/ http://youtu.be/_F-WsyfWAhs Backyard Lameco DVD clip produced by Budo International … [Read more...]
Master Joe Tan of Tapado/Vinas Eskrima to appear at Magda Institute Camp, July 4th - 7th, 2013 … [Read more...]
Guro Balinado of Balinado Arnis-Kursada & Guro Roger Agbulos of Lameco Astig Combatives teamed up to showcase FMA self-defense and combatives at the FILIPINO MARTIAL ARTS SUMMERCAMP 2013. https://www.facebook.com/events/358303297612020/ … [Read more...]
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The FMA Informative has a Newspaper with information for the Filipino martial arts community, short stories, introductions of practitioners or styles, theories and/or technical aspects, short write ups on a past event etc, pertinent to the Filipino martial arts and the culture of the Philippine. The FMA Informative also has an Online Magazine which each issue is dedicated to a subject such as certain aspects of a style, historical, theoretical and technical aspects, reflections, and other related subjects, also the culture of the Philippines etc... Both can be subscribed to for Free. The ideas and opinions expressed in the FMA Informative newspaper or online magazine are those of the authors of the articles or practitioners being interviewed and are not necessarily the views of the FMA Informative. For more information go to their website: http://www.fmainformative.info/ Join FMA Informative on Facebook: http://www.facebook.com/pages/FMA-Informative/205930022842825 … [Read more...]
About Grandmaster Nonato "Nene" Gaabucayan "Standing at 5 feet, 2 inches tall and weighting no more that 120 pounds, Venancio "Anciong" Bacon was a very unassuming man. He was a veteran of a great many "death" matches in Cebu. Described by many of his students as lightning fast, Venancio Bacon maneuvered through a fight smoothly while exploiting his opponents’ balance and coordination. He was known to be very surgical with a stick, able to employ varying force to his exact targets throughout his adversary’s body. But, his greatest virtue and asset was his constant desire to innovate and improve his art, diligently discovering techniques through the years, never ceasing in this path. He taught his art to those who desired to learn it." At age 16, Nonato "Nene" Gaabucayan was introduced to Venancio "Anciong" Bacon's BALINTAWAK. In early 1976, "Nene" Gaabucayan moved to Cebu City from Cagayan de Oro to attend college. He lived in a boarding house owned by "Ben" Marapao in Urgello area. Upon learning that Nene was interested in continuing his Karate training, Dr. Marapao suggested he take up Eskrima. Nene attended one training session, in which he was given a demonstration by Teofilo Velez. He'd never seen anything like it, since then he had always been a loyal student and teacher of BALINTAWAK. Along with Teofilo Velez, Nene trained with Bobby Taboada, Chito Velez, Monnie Velez, Eddie Velez, Romeo de la Rosa, and Hector Rizzari. Training was hard, and he made a point to be there every day. Like a sponge, everybody poured whatever Balintawak knowledge they had to this very eager 16 year old. In return, he learned from them. At 18, Nene began teaching his own crop of students in Lapu-Lapu City. He divided his time between his studies at the Philippine Air Force College of Aeronautics and the YMCA in Lapu-Lapu. The photo below are some of his students, from left to right is Nonoy Patalinghug, Boy Booc (judo instructor), Nene, Dr. Marapao, Tonying Patalinghug, Fred Baguio, seated wearing a gi is Boy Baguio (karate instructor), seated wearing a jean jacket is Conrado "Condring" Ybanez (nephew of Tinong Ybanez). After completing his studies in Cebu, Nene returned to Cagayan de Oro. As one of Teofilo Velez' master instructors, he carried the Gold Chapter of Teovel Balintawak. He continued to teach Balintawak. In 1987, Nene traveled to Germany and later to Switzerland to teach BALINTAWAK. He stayed in Europe for 3 years, then returned to Cagayan de Oro. Nene has been teaching BALINTAWAK for 35 years. For more information: http://www.nngbalintawak.com/index.html http://www.facebook.com/events/119784368151790/?notif_t=plan_edited … [Read more...]
The Origins of Philippines Boxing, 1899-1929 By Joseph R. Svinth Copyright © Joseph R. Svinth 2001. All rights reserved. The assistance of Pat Baptiste, Hank Kaplan, Paul Lou, Eric Madis, Curtis Narimatsu, John Ochs, Michael Machado, and Kevin Smith is gratefully acknowledged. On June 18, 1923, Francisco "Pancho Villa" Guilledo beat Jimmy Wilde to become the world flyweight boxing champion, an accomplishment that was (and remains) a matter of great pride to people of Filipino descent. Unfortunately, while there has been some documentation of the many excellent Filipino boxers who subsequently followed Guilledo to the United States, there has not been as much attention paid to documenting the origins of boxing in the Philippines. This article represents a step toward correcting that omission. People with additional information or corrections are invited to contact the author at jsvinth@ejmas.com. "Pancho Villa, gone but not forgotten." Illustration by Ed Hughes, 1925. Boxing Enters the Philippines US servicemen introduced boxing to the Philippines during the late nineteenth and early twentieth centuries. How this came about is that on April 25, 1898, the United States declared war on Spain, whose colonial holdings included the Philippines. So, on April 27, 1898, Commodore George Dewey ordered his squadron of five cruisers and two gunboats to steam from China to the Philippines, and there, on May 1, 1898, he issued the famous command, "You may fire when ready, Gridley." The resulting US naval victory effectively ended Spanish control of the region, and in August 1898 the US Army began the occupation of Luzon. Then, to the horror of the Filipinos, the Americans did not cede the Philippines to them: instead they decided to keep the islands for themselves. Between 1899 and 1913, this resulted in savage wars of peace whose heroes included Emilio Aguinaldo on one side and Arthur MacArthur, Frederick Funston, Leonard Wood, and John J. Pershing on the other. Casualties in these battles were heavy and one-sided: US casualties were listed as 4,243 killed and 2,818 wounded in action while Filipino casualties are estimated at 16,000 killed, plus another several hundred thousand dead from famine or disease (generally cholera). However, after Theodore Roosevelt’s unilateral declaration of victory in July 1902, US commanders began thinking about how to reduce the rates of desertion, suicide, sexually transmitted diseases, drug abuse, and drunkenness among their soldiers and sailors. Boxing was offered as a potential solution. The reason was that boxers in training were taught to avoid tobacco, alcohol, and sexual activity. Furthermore, explained writer Charles L. Clay in 1887, "Boxing also makes a man self-reliant and resourceful when assailed by sudden or unexpected dangers or difficulties." This, in turn, said a YMCA director named C.H. Jackson in 1909, made young men "Christlike and manly." So, in 1902, Major Elijah Halford (a former secretary to President Benjamin Harrison) asked philanthropists for $200,000 to construct a YMCA in Manila, and by 1904, Army officers such as Edmund Butts were extolling the virtues of boxing in tropical environments such as Hawaii, Puerto Rico, and the Philippines. US Military Boxers On November 18, 1899, soldiers of the 11th US Cavalry reported finding a pair of boxing gloves made by Sol Levinson of San Francisco abandoned in the Luzon village of San Mateo. According to Damon Runyon, writing in October 1925, Filipino prisoners reported that the "gloves had been brought in by a renegade soldier from the negro Twenty-fourth Infantry, and that he had been schooling the Filipinos in their use." Many early boxers in the Philippines were African American, as the all-black 9th and 10th US Cavalry, 24th and 25th US Infantry, and 48th and 49th US Volunteer Infantry formed a significant percentage of the American soldiers serving in the Philippines between 1899 and 1902. Following Roosevelt’s declaration of peace, most of the black troops were sent back to the United States but in 1913, the 25th was in Hawaii. There the Honolulu Advertiser noted: The Twenty-fifth is proud of its colored ringmasters and particularly of Hollie Giles, a welterweight of 155 pounds, who is described by the men as a ‘whirlwind’ fighter; Morgan, a heavyweight at 190 pounds; Carson, a light heavyweight, and Ananias Harris, a light heavyweight. Meanwhile, from 1913 until 1917, the 24th was in the Philippines, serving at Camp McGrath (Batangas) and Fort Mills (Corregidor). Noted African American fighters from this period included the middleweights Joe Blackburn, "Craps" Johnson, and "Demon" White. Of course, there were also white soldiers who boxed in the Philippines. The most famous was New Jersey’s Mike Ballerino. "Ballerino had a chip on his shoulder," Pancho Villa recalled in early 1925. "He dared any of the Filipinos to knock it off." So Pancho Villa did, … [Read more...]
Arnis: A Question of Origins by Bot Jocano Rapid Journal Vol. 2, No. 4 4th Qtr 1997Taichi Works Publications 458 Jaboneros St. Binondo, Manila 1006 Arnis: A Question of Origins by Bot Jocano The term arnis evokes a number of reactions from people every time it is mentioned in a conversation. Some people start fanning their hands in the air, imitating the distinctive movements of the two-stick (doble baston) training method. This image of arnis is one of the most popular to the layman. A second reaction, and quite as common as the first, is the question: "Saan ba talaga galing ang arnis?" (Where did arnis really come from?) Alternatively, "Di ba, sa atin nanggaling ang arnis?î (Isn't it that arnis comes from us?) is a question also heard. This article is an attempt to critically examine the roots of one of the martial arts of the Philippines, arnis. It must be noted that in no way does this article claim to be the final say on the origins of arnis. It is actually a preliminary look, a start if you will, into re-examining carefully the origins of an art form. Arnis, also known as kali, escrima, baston, etc. is a complete martial art system, encompassing weapons training and empty-hand self-defense. It includes training in single stick techniques (solo baston), double stick techniques (doble baston), stick and knife or dagger techniques (espada y daga) and knife techniques (daga). Some styles may include staff and spear (sibat) training in their curriculum. Others will include the practice of medium to long bladed weapons (bolo) in their repertoire. Many styles have some form of empty hand combat, encompassing striking, kicking, locking, throwing and even choking methods. These are usually taught when the practitioner has demonstrated a reasonable degree of proficiency with the weapons of his style of arnis. Different arnis styles, from different parts of the country, may emphasize different areas of the training methods noted above. The term arnis is believed to be a Tagalog corruption of the Spanish term arnes, or harness, a reference to the decorations worn by the early Filipinos. Kali is another term used to refer to the same kind of martial arts. Different provinces may have different names for arnis, such as baston and kaliradman (Ilonggo, Bisaya), pagkalikali (Ibanag) and kalirongan (Pangasinan). These are only a few examples of the terms already recorded in different sources. With such a comprehensive system of martial arts being taught and promoted in different areas of the country, it is inevitable that people would ask, where did such a complete martial art system come from? One suggestion is that it originally came from another martial art system, called tjakalele. This is actually the name of a branch of the Indonesian martial art system known as pentjak silat. Another suggestion is that it was brought here from the Southeast Asian mainland, particularly during the Madjapahit and Shri-Visayan empires. Yet another suggestion is that it was propagated by the so-called ten Bornean datus fleeing persecution from their homeland. We shall critically examine these assertions one at a time. The idea that arnis evolved or was derived from another martial art system, namely tjakalele silat, is due to linguistics. The alternative name for arnis is kali. It is widely held that this is the older term for arnis, and that kali itself emphasizes bladed weaponry apart from practice with the stick. It is not surprising that a connection could be seen between the term kali and tjakalele. However, linguistic similarity alone is not enough ground to assert that kali was indeed derived from tjakalele. There has to be documented proof that one came from the other. What form should this proof take? Authenticated documents certainly are one of the best pieces of evidence - if such could be found, and proven to be genuine. A close and thorough comparison of both styles would help, but it must be remembered that they would have changed over time, reflecting the different changes that have happened in their cultures of origin. On the other hand, one of the local terms for a bladed weapon is kalis. It is also believed that kali is a derived term from kalis. This assertion will require study before it can be validated. Another oft-quoted idea is that kali was brought here during the Shri-Vishayan (7th -14th centuries and Madjapahit (13th -16th centuries) empires. This reflects the notion that the Philippines then was somehow an integral part of both empires. It must be noted that the archaeological evidence for the role of the Philippines in both empires is very meager. About the best that could be said is that there was commercial contact, but whether such contact also included the spreading of martial arts is circumstantial at best. A third idea regarding the spreading and propagation of kali in the Philippines is that ten Bornean datus (sometimes nine) fled here and settled in various parts of … [Read more...]
History of Tapado Tapado is an Original Filipino Martial Art which came from a Hiligaynon (a Filipino dialect) word ‘Tapat’ or ‘Tapos’ which means – finished or done in english or to finish the job in one strike. This art was founded in 1960 by the late Grandmaster Romeo ‘Nono’ Mamar of Taloc, Bago City, Negros Occidental, Philippines. ‘Nono’ as he was fondly called, was an accomplished stickfighter specializing in lagas, sinamak and oido arnis systems. But despite his proficiencies in these various arts of arnis/kali/escrima, he found them wanting because according to his actual experiences during matches among his peers, he could still be hit by his opponent. As in a boxing match..where even the champion could still be pummeled despite his experiences, training and exposures, Nono didn’t like the idea of taking hits at all. So after experiencing these various hits and a few times, even defeats, he decided to take a break from stickfighting for a couple of years. But due to his undying love of this art, he continued his personal search along the line of other arts in relations to stickfighting. He noticed that a sword with its longer length has an advantage of reach and power. And so this prompted him to experiment with longer sticks of various sizes and length. After his rigid testing and re testing, he finally settled for a longer stick 43 to 47 inches long. The length is based on the height of the person. But then again, he started thinking : what if the opponent has the same size and length of stick.too?. Thru persistent research and self discovery, he came up with the solutions. He developed various unseen hand, wrist, arm, shoulder and body movements, that jibed with the law of Physics, that generated a lot of power to his strikes and always resulted in overpowering all incoming strikes. Not content to just the overpowering strike, Nono wanted to add a simultaneous offensive hit at the same time thereby rendering the opponent incapacitated with just one powerful and speedy blow. And thus the birth of Tapado. Tapado ,in its early inception, was secretly propagated and practiced only by relatives and family members of the clan. There was an early Tapado Association formed in 1980 but it was still limited and exclusive for members of the family , close relatives and associates. In 1983, Tapado was formally organized and introduced to the public. When the founder died on February 15, 2005, the leadership of the original tapado organization was handed down to his nephew GM Benefredo ‘Bebing’ Lobrido . It took on the official name of Original Filipino Tapado Longstick Fighting Association. Inc. Another Tapado group was set up under GM Mike F. Vasquez, the founder of Vasquez Modified Martial Art International. An undefeated heavy weight Karate champion of the Philippines , a Master Arnis practicioner and a top tapado student of Nono Mumar. GM Mike introduced modifications in the tapado system and called it MODIFIED TAPADO. GM Mike had discussed his ideas of modifications with the original founder while he was alive and was given the authority to do so. The author Master Jose Valencia Tan, has the privilege of having studied under both Grandmasters, GM Nono Mumar and GM Mike Vasquez and including GM Lobrido (when the latter was the Chief Instructor of Original Tapado ). The author is recognized and Certified as Master of Tapado by both Organizations. Currently, Master Joe is propagating Tapado in the US and is an authorized Sole representative of Modified Tapado Organization in the State of California. Photos Master Joe Tan w/ GM Jose Vinas (Founder of Lapu Lapu Vinas Arnis Afficionado) JTan in yellow w/black stripe polo shirt. Master Tan w/ GM Nono Mamar (Founder of Original Tapado Arnis Organization) Grandmaster Jose Vinas - Founder of Lapu Lapu Vinas Arnis Afficianado and Teacher of Master Joe Tan in Arnis. Grandmaster Nono Mamar and Grandmaster Mike Vasquez Master Joe Tan w/ GM Bebing Lobrido (Inhiritor of Original Tapado) Master Joe Tan w/ GM Mike Vasquez (Founder of Modified Tapado) Vasquez Modified Martial Arts Copyright © by MasterTapadoArnis.com | Design Copyright © by E. Kelly … [Read more...]
Giving the Right Credits By Punong Guro Edgar G. Sulite This article was first published in VORTEX (Volume 4, Number 1) in 1995. A quarterly newsletter of Lameco Eskrima International, the publisher was the late Punong Guro Edgar G. Sulite who passed away on April 10, 1997. The editor was Arnold A. Noche. Giving the Right Credits By Punong Guro Edgar G. Sulite In today’s society, martial arts practitioners are constantly bombarded by the knowledge and techniques of various martial arts arriving from all four corners of the world. These are the same exact techniques that were once forbidden to be taught outside the family circle by the very same people who created it and used it. Those people dedicated their lives in the laboratory of the battlefield just to experiment whether their techniques would work or not. Many lives had been wasted before the techniques were ever refined. The masters from the different martial arts devoted their time, energy and, above all, their life in the development of their fierce combat techniques. The Filipino martial arts (Eskrima, Kali, Arnis), Kung-Fu, Thai Boxing, Karate, Indonesian Silat, Jiu-Jitsu, Western Boxing, Tai-Chi, Judo, Savate and other martial arts are just a mere phone call away. In our generation today, we are extremely fortunate to have these different types of martial arts available within our grasp. I remember Grandmaster Jose D. Caballero who was my teacher in the De Campo Uno-Dos-Tres Orihinal System. It took me more than one year to court him, bringing him food each day on every visit as a means of a gift, just for him to accept me as a student. It was primarily because I was an outsider, one who didn’t belong to their family, that I was not accepted right away. It was also because of my perseverance, that I never stopped coming to his house to ask him to teach me, that I was finally accepted to become one of his disciples. Nowadays, you can study any and all kinds of martial arts as you wish, because they are available within your reach, for as long as you have the determination to learn. Due to the abundance of these martial arts that we study, we somehow consciously or subconsciously mix it together as one. This bring us now to the big problem that evolves due to the fact that some martial arts teachers, as well as some students, are not honest enough in giving the right credits to where they have gotten the knowledge from or where they have attained the techniques from. One afternoon in Manila, Philippines, during our Sunday sessions with Grandmaster Antonio Ilustrisimo in Luneta Park, we noticed two bystanders carefully observing our training with extremely watchful eyes. I, being one of the spokesmen of the Kali Ilustrisimo System, approached the two men and asked them if they knew Eskrima, Kali or Arnis. I also asked them if they would show us some of their moves. The demonstration that they performed for us was quite impressive. Grandmaster Ilustrisimo, who does not impress easily at all especially if you are from another style of Kali, was astounded. After their demonstration we asked immediately who their teacher was. One of the young men replied that they did not have a teacher that they just went to the mountains and meditated to formulate the techniques, which they had just performed. We did not believe him nor them. Master Tony Diego said to me that it was such a pity to their teacher, whoever it was, that these two men would turn out to be so disrespectful. Less than a year later, during our meeting with the different grandmasters of Arnis Philippines, I met an old master that demonstrated the same techniques that I saw earlier from the two men. When I asked the master if he knew of the two, he replied that they were his students. The truth will always come out. Giving the right credits to where we have learned the techniques from pays a lot of respect to the people who invented it and devoted their life in battle just to prove that it works. It is their pride that their names are being remembered and honored by us who are now practicing or who have practiced their once called forbidden art. … [Read more...]
‘Arnis’ can now be seen on Philippine stamps QUEZON CITY, METRO MANILA- The Philippine Postal Corporation (PhilPost) recently released stamps featuring ‘arnis,’ a Filipino martial arts and the country’s national sport. This is part of efforts to promote the sport throughout the world, the PhilPost said. The special ‘arnis’ stamps capture the unique movement and artistry of this Filipino sport, said PhilPost Postage and Philatelic department manager Lenie San Diego. … [Read more...]
Warrior’s Helmet (Oklop), Ifugao, 19th-early 20th c., National Gallery of Australia. Courtesy of http://pupuplatter.tumblr.com … [Read more...]
Helmet, Masbate, 19th c., Museo Nacional de Antropología, Madrid. Courtesy of http://pupuplatter.tumblr.com … [Read more...]
Shield, Bagobo, c 1900-1910, Penn Museum. Courtesy of http://pupuplatter.tumblr.com … [Read more...]
Justiniano Asuncion, “A Guardia de Vino: An Officer to Look After the Government Monopolies, Such as Arrack and Tobacco,” c 1841, New York Public Library. Courtesy of http://pupuplatter.tumblr.com … [Read more...]
To all our Kalis Ilustrisimo brothers and sisters, On the morning of February 24, 2012 a fire raged through a small community in Manila. Many houses were razed to the ground leaving families homeless. We received sad news that the home of Master Tony Diego was among those houses that didn't survive the fire. Absolutely none of their possessions were saved except the clothes on their backs. Master Tony and family are alive and safe but in dire need of assistance. Since the fire, they have been given temporary shelter at the local community center. We would like to solicit the immediate help of our brothers and sisters in Kalis Ilustrisimo and other kind souls to send aid for Master Tony and his family. Since Master Tony has no home at the moment, donations in kind may pose a problem. Instead, cash donations would be preferred and much appreciated. All parties who would like to make a donation are requested to send us a private message on our facebook page or email us at kalis.ilustrisimo.hq@gmail.com so that we can make arrangements to receive your donation. Thank you! Kalis Ilustrisimo Headquarters … [Read more...]
Guro Ariel with Grandmaster Manois in Washington State, 1998 Guro Ariel Flores Mosses: About Guro Ariel: Guro Ariel F. Mosses has over 30 years of Filipino Martial Arts experience. He has trained under Filipino Hall of Fame Grand Master Conrad A. Manaois, the late Punong Guro Edgar G. Sulite, and Grand Master Christopher Ricketts of Kali Ilustrisimo. Guro Mosses is the Vice President and Chief Instructor for Manaois Systems International. He holds a 7th degree in Kali Jukune Do. Guro Ariel is a member of Kapisanang Mandirigma. He has experience as a professional bodyguard and is a former police officer. Guro Ariel is currently teaching at LV Tactical Training in Las Vegas, Nevada. Guro Ariel will be one of the instructors at Jeff Speakman’s 5.0 Fighter Event Las Vegas, Nevada, USA. June 27, 28, 29 – 2012. . http://mandirigma.org/?p=1537 To contact Guro Ariel go to: http://combatfma.com/index.html http://www.lvtacticaltraining.com/ http://www.youtube.com/watch?v=oeyr9T6qD34 Grandmaster Manois Tournament and Official at FACLA Historic Filipinotown, Los Angeles, 2000 Guro Ariel with student at his school Washington State, Guro Ariel, Guro Dino, Grandmaster Conrad Manaois and daughter, Historic Filipinotown, Los Angeles, 1998 Guro Ariel Flores Mosses, Punong Guro Sulite, Guro Choy Flores, Guro Dino Flores in Washington State Guro Ariel Flores Mosses with Master Ricketts in Washington State Guro Ariel Flores Mosses with Master Ricketts, Maste Galang, Master Dodong in Washington State Guro Ariel and Guro Dino being filmed by student Ron Gabriel. Location in the backyard of Guro Ariel's Mothers house in Los Angeles, 2000 Guro Ariels Lameco I.D. Number one for Washington State and Lameco Representative. 1995 … [Read more...]
Indigenous peoples of the Philippines From Wikipedia, the free encyclopedia The indigenous peoples of the Philippines consist of a large number of indigenous ethnic groups living in the country. They are the descendants of the original inhabitants of the Philippines who have managed to resist centuries of Spanish and United States colonization and in the process have retained their customs and traditions.[1] In the 1990s, there were more than 100 highland tribal groups constituted approximately 3% of the population. The upland tribal groups were a blend in ethnic origin like other lowland Filipinos, although they did not have contact with the outside world. They displayed a variety of social organization, cultural expression and artistic skills. They showed a high degree of creativity, usually employed to embellish utilitarian objects, such as bowls, baskets, clothing, weapons and spoons. These groups ranged from various Igorot tribes, a group that includes the Bontoc, Ibaloi, Ifugao, Isneg, Kalinga and Kankana-ey, who built the Rice Terraces. They also covered a wide spectrum in terms of their integration and acculturation with lowland Christian and Muslim Filipinos. Native groups such as the Bukidnon in Mindanao, had intermarried with lowlanders for almost a century. Other groups such as the Kalinga in Luzon have remained isolated from lowland influence. There were several indigenous groups living in the Cordillera Central of Luzon in 1990. At one time it was employed by lowland Filipinos in a pejorative sense, but in recent years it came to be used with pride by native groups in the mountain region as a positive expression of their ethnic identity. The Ifugaos of Ifugao Province, the Bontocs, Kalinga, Tinguian, the Kankana-ey and Ibaloi were all farmers who constructed the rice terraces for many centuries. Other mountain peoples of Luzon are the Isnegs of northern Kalinga-Apayao Province, the Gaddangs of the border between Kalinga-Apayao, and Isabela provinces and the Ilongots of Nueva Vizcaya Province and Caraballo Mountains all developed hunting and gathering, farming cultivation and headhunting. Other indigenous people such as the Negritos formerly dominated the highlands throughout the islands for thousands of years, but have been reduced to a small population, living in widely scattered locations, primarily along the eastern ranges of the mountains. In the southern Philippines, upland and lowland tribal groups were concentrated on Mindanao and western Visayas, although there are several indigenous groups such as the Mangyan living in Mindoro. Among the most important groups found on Mindanao are collectively called the Lumad, and includes the Manobo, Bukidnon of Bukidnon Province, Bagobo, Mandaya, and Mansaka, who inhabited the mountains bordering the Davao Gulf; the Subanon of upland areas in the Zamboanga; the Mamanua in the Agusan-Surigao border region; the Bila-an, Tiruray and Tboli in the region of the Cotabato province, and the Samal and Bajau in the Sulu Archipelago. The tribal groups of the Philippines are known for their carved wooden figures, baskets, weaving, pottery and weapons. Reservation The Philippine government succeeded in establishing a number of protected reservations for tribal groups. Indigenous people were expected to speak their native language, dress in their traditional tribal clothing, live in houses constructed of natural materials using traditional architectural designs and celebrate their traditional ceremonies of propitiation of spirits believed to be inhabiting their environment. They are also encouraged to re-establish their traditional authority structure in which, as in indigenous society were governed by chieftains known as Rajah and Datu. Contact between "primitive" and "modern" ethnic groups usually resulted in weakening or destroying tribal culture without assimilating the indigenous groups into modern society. It seemed doubtful that the shift of the Philippine government policy from assimilation to cultural pluralism could reverse the process. Several Filipino tribes tends to lead to the abandonment of traditional culture because land security makes it easier for tribal members to adopt the economic process of the larger society and facilitates marriage with outsiders. In the past, the Philippine government bureaus could not preserve tribes as social museum exhibits, but with the aid of various nationwide organizations, they hoped to help the tribes adapt to modern society without completely losing their ethnic identity. … [Read more...]
Majapahit was a vast archipelagic empire based on the island of Java from 1293 to around 1500. Majapahit reached its peak of glory during the era of Hayam Wuruk, whose reign from 1350 to 1389 marked by conquest which extended through Southeast Asia. His achievement is also credited to his prime minister, Gajah Mada. According to the Nagarakretagama (Desawarñana) written in 1365, Majapahit was an empire of 98 tributaries, stretching from Sumatra to New Guinea; consisting of present day Indonesia, Singapore, Malaysia, Brunei, southern Thailand, the Philippines, and East Timor, although the true nature of Majapahit sphere of influence is still the subject of studies among historians. Majapahit was one of the last major empires of the region and is considered to be one of the greatest and most powerful empires in the history of Indonesia and Southeast Asia, one that is sometimes seen as the precedent for Indonesia's modern boundaries. Its influence extended beyond the modern territory of Indonesia and has been a subject of many studies. German orientalist Berthold Laufer suggested that maja came from the Javanese name of Indonesian tree. (From Wikipedia) … [Read more...]
Balintawak History Born in 1912, Venancio "Anciong" Bacon would later become one of the Philippines' legendary and most influential eskrimadors in history. He was born in Carcar, Cebu, and moved later to San Nicolas Town, just outside of Cebu City. He learned eskrima in the 1920s as a teenager. His evolution as an eskrimador began in San Nicolas. This journey would later lead him to death matches, attacks, and eventually to jail. But, not all of this journey was dismal. Along the way, Venancio Bacon made life long friends, and cultivated a loyal cadre of students, who to this day maintain an affinity incomparable towards him. Venancio Bacon's legacy, Balintawak, has become a title synonymous to Deadly. Balintawak eskrima is Economy, Elegance, Strength, and Speed expertly woven into one art form. This is the story of Great Grandmaster Venancio Bacon and the account of his legacy. In the early 1900s, the Spaniards had just left the Philippines, ending their 300 year rule. In their place, came the Americans. The vanguard elite of Cebu still spoke Spanish, while the Americans began to "pacify" and teach the rest of the Filipinos American English and culture. It was during this time that Venancio Bacon was born into, a nation in the midst of change and upheaval. He was born in Carcar, Cebu, but grew up in San Nicolas Town outside of Ciudad de Cebu, which at that time was populated by Cebu's elite upper class. This elite class was made up of Europeans, Americans, Chinese and mestizo Filipinos. In contrast, San Nicolas was composed of local Cebuanos and immigrants from neighboring towns, or from other islands in the Visayas. The people who lived in San Nicolas were farmers, carpenters, fishermen, peasants, cargadors and the servants for the City of Cebu's upper class. Venancio Bacon began training in the art of eskrima in the 1920s. His only teacher was Lorenzo "Ensong" Saavedra, of San Nicolas, who during this time had established the historic Labangon Fencing Club. At a time when many different styles of eskrima abound, Lorenzo Saavedra's was called the Corto Linear, although he was also known to have mastered other styles. His best students would be Teodoro "Doring" Saavedra, his nephew, and Venancio Bacon. The two were also very close friends. Both matured into great eskrimadors, improving each other's skills and answering challenge matches that came as a result of their newly acquired titles. The Labangon Fencing Club eventually dissipated into oblivion, giving way to a new organization borne out of its ashes. In 1933, the Doce Pares Club was formed. Headed by Lorenzo Saavedra, the club was composed of three Saavedra eskrimadors and nine from the Canete family. This composed the original twelve needed to symbolically actualize the title Doce Pares, which was taken from a popular roving play in the Philippines during the late 1800s and early 1900s depicting the twelve warrior swordsmen of Charlemagne. Another twelve were inducted to the club soon after, making the initial membership twenty-four, or Twelve Pairs. Venancio Bacon was among the first twenty-four. Although there were certain personalities in the club which ran counter to Venancio Bacon's own personality, he stayed and carried his weight as one of its representing eskrimadors. World War II broke out in the 1940s. With the onset of Japanese occupation, many eskrimadors became guerilla fighters, employing their art for the defense of their nation. It was during this time that, Teodoro Saavedra died at the hands of Japanese soldier-executioners. Long after the War, in 1952, Venancio Bacon established the club now known as Balintawak. He finally had enough of the personal bickerings and internal politics of the Doce Pares club. Along with Vincente "Inting" Atillo, Delfin Lopez, Jesus Cui, Timoteo "Timor" Maranga, Lorenzo Gonzales, Isidro Bardilas, Andres Olaibar, and a few others, Venancio Bacon began a new club. The newly formed club started training in the backyard of a watch shop owned by Eduardo Baculi, one of Venancio Bacon's students. This shop was located in a small side street in Colon, called Balintawak Street. The significance of the name Balintawak evoked the three virtues of strength, courage, and honor befitting that of the new club. So, from that day forth the word Balintawak would forever be intertwined with the name Venancio Bacon and to the style of eskrima which has proven its calculated violence effective time and again. Standing at 5 feet, 2 inches tall and weighting no more that 120 pounds, Venancio Bacon was a very unassuming man. He was a veteran of a great many death matches in Cebu. Described by many of his students as lightning fast, Venancio Bacon maneuvered through a fight smoothly while exploiting his opponents' balance and coordination. He was known to be very surgical with a stick, able to employ varying force to his exact … [Read more...]
Kapisanang Mandirigma presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar in Las Vegas, Nevada , March 31st, 2012 February 1, 2012 By dinof2 Leave a Comment (Edit) Kapisanang Mandirigma Las Vegas presents Guro Dino Flores and Guro Ariel Flores Mosses Seminar, March 2012 Backyard Eskrima-Lameco SOG Seminar Date: March 31, 2012 Time:10am-4pm Location: 6366 W Sahara, Las Vegas, NV 89146 Rate: $99.00 per person Instructors: Guro Dino Flores & Guro Ariel Flores Mosses Contact: Ariel F. Mosses @ 702.533.9688 … [Read more...]
Grandmaster Jose Diaz Caballero was born on August 7, 1907 in Barrio Ibo, Toledo City, Cebu Province in the Philippine archipelago. As a youth he would travel from barangay (neighborhood) to barangay in order to watch eskrima matches during fiesta celebrations. These demonstrations mostly pre-arranged sparring called De Cadena were more of a cultural presentation than a display of real fighting which he was doggedly searching for. From his observations of these Eskrima exhibitions, he modified the moves with an emphasis on three striking levels: the eyes, lower arms (specifically elbows and hands), and knees. He was a fan of Western movies and often compared his style to the gunslinger “quick draw”. He later founded the devastating style known as De Campo Uno-Dos-Tres Orihinal. In his prime, Jose Caballero was the Juego Todo champion. Juego Todo was all-out, no-holds-barred and did not allow the combatants to wear any protective gear like masks and armour. Death and permanent injury resulting from these duels was not uncommon. He beat many highly skilled Eskrimadors such as: Simeon Saavedra of Talisay, Balbino Mancao, Vicente Labor, Juan Carolla of Ilocos, Alfredo Macalolan of Negros, Tanciong Lopez from Cebu City, Salomon Canonio, Heneroso Carbajosa, Horje Navajo, Pastor Hingoyon and many lesser known challengers. One of his more notable fights took place in 1936 against an Eskrimador named Anoy, from the nearby town of Tangub. Jose Caballero utilized his system of 1-2-3 strikes in order to disarm and wound the stunned Anoy, who promptly surrendered. The combination of strikes was delivered so quickly, that the crowd had not fully understood what had just taken place. This resulted in the perception that the match was fixed, and they began shouting “TAYOPE!” (fixed). Unlike many so-called death match “duelists” and “unbeaten champions” who can’t even recall the names of the opponents they conquered, the foregoing list of eskrimadors vanquished by GM Caballero is a testament of the authenticity of his title as the Juego Todo champion of his era. No less than GM Filemon “Momoy” Canete of San Miguel Eskrima a good friend of GM Caballero once vouched: “Dili ko makig duwa ana imong eskrima Joe, pangpatay man nag sawa.” (I won’t fool around with your eskrima Joe, it’s for killing pythons.) Grandmaster Caballero served in the Philippine Constabulary and was once assigned to the hostile Moro country of Lanao province. After his retirement from the Constabulary, he continued to teach his brand of Eskrima, and at the same time, the challenges that were part and parcel of the art continued to hound him. The remaining living witness to GM Caballero’s Juego Todo duels is Egmidio Tubal a retired PC soldier of Davao City. The old warrior died on August 24 1987 … [Read more...]
The book tells of a dark chapter in the history of the Philippines during World War 2. Publisher: Reader's Digest Author: Ricardo Jose Pages: 303 Contents: 1. The Zero Hour 2. The Advent of War 3. A Retreat to Bataan 4. The End of Organized Resistance 5. Under the Rising Sun 6. Independence Under Japan 7. Uniting a Nation At War 8. The controlled Economy 9. Never Enough Food 10. Reshaping the Filipino Mind 11. Free Areas and Resistnace Fighters 12. Waiting for Victory Joe … [Read more...]
Retaking the Philippines - America's Return to Corregidor and Bataan: October 1944 - March 1945. By William B. Brewer. "In 1944, General MacArthur launched a series of invasions he would later call 'the boldest and most daring in military history, ' the recapture of Manila, Corregidor and Bataan in the South Pacific. Here William B. Breuer reexamines and recreates this important episode of World War II: the initial clash between MacArthur and Navy brass; the raids on Japanese prison camps at Los Banos and Manila to rescue U. S. Soldiers and civilians, the heroics of Allied spies and Filipino guerrillas. … [Read more...]
Color Photos Of America's New Possessions by F. Tennyson Neely (1899) Collection of color photographs of the Spanish - American War military actions in the Philippines. Many of these photographs are not found in any other books! Read it online at The Library of Congress . http://www.archive.org/stream/neelyscolorphoto00newy#page/n0/mode/2up http://www.archive.org/details/neelyscolorphoto00newy … [Read more...]
Description: The book tells the history of struggle for freedom in the Philippines, from the first massive filipino alliance against Spain during the 16th century, to the Philippine Revolution, to the founding of the Philippine republic, and the succession of Presidents up to the time of President Marcos. Its a book that conditions citizens to the framing of the new Constitution in 1972. In the introduction reads: "Seventy-Three years ago, on 12 June 1898, General Emilio Aguinaldo, Commander-in-Chief of the Army of the Revolution, declared the independence of the Philippines at Kawit". Writers: Vicente Albano Pacis, Dr. Jose M. Aruego, Esteban De Ocampo, Carlos Quirino, Jose Luna Castro, Mauro Garcia, Isidro L. Retizos, D.H. Soriano Publisher: Elena Hollman Roces Foundation, Inc … [Read more...]
Illustrated with Photogravure, Colored Plates, Engravings and Maps Richly illustrated with 166 RARE vintage photographs and illustrations from the early 1900's ! You will take a journey with the author G. Waldo Browne and view many historical, cultural, and incredible photographs of a time forgotten. Writing about his travels, G. Waldo Browne gave his readers detailed stories and interesting information about the local history, myths, and facts of the countries he visited so that every American could get a glimpse, first hand of the worlds beyond our shores. Contents The Philippine Islands, By Maj.-Gen. Joseph Wheeler Japan, By Kogoro Takahira The Philippines The Pearls Of The Orient The People Of The Philippines The Animal Kingdom Spanish Discovery And Dominion Rivalry Of Church And State Colonial Wars Resources And Commerce Most Noted Towns Struggles For Liberty America In The Orient Japan The Land Of The Gods The Gateway Of The Orient First Glimpses The Imperial Roads The Modern Capital Customs And Costumes City And Country Full Page Engravings Courtyard To Chinese Temple Suspension Bridge Connecting Old And New Manila Water Front At Manila Native Milk Peddlers In The Suburbs Of Manila Santa Cruz Plaza, Manila Native Theatre, Taguig General Otis And Staff At The Governor’s Palace, Manila Rainy Season In The Eremita District Hawaiian Flowers, Coloured Principal Gateway, Old Manila Hawaiian Flowers. Coloured Manila Fire Department Group Of Insurgents, Taken Prisoners Cigar Factory, Manila A Company Of Insurgents Graves Of The Astor Battery Headquarters, Pasig Hawaiian Flowers. Coloured Three Little Maids. Coloured Fujiyama From Maeda Village, Tokaido Peony Garden, Kanazawa The Beautiful Iris Bluff Garden, Yokohai Chrysanthemums Walking Costume Coloured Tea-House Garden, Oji, Tokio A Typical Japanese Lady Planting Rice Kirifuri Cascade, Nikko Coloured Maps The Philippines Japan Illustrations The Philippines Landscape On East Side Of Mindanao Mail Station On Bay Of Ulugan Volcano Of Apo Volcano Of Mayon, Luzon Looking Up Pasig River At Pretil Just Above Manila Native Village, Island Of Negros Bamboo Bridge, Iloilo Construction Of A Philippino House Bamboo Yard Native Houses Village On Mindanao General View Of Iloilo Manila Street, Rainy Season Manila Street, Rainy Season Types Of Malays Negritos Native Warrior From Interior Of Mindanao Philippino Fruit Girl A Wealthy Half-Caste Philippino Lady Mestizos Sulu Prau Sultan Of Sulu Interviewing European Visitors Mohammed, Sultan Of Sulu Igorrotes Igorrote Pipes Carabaos Transporting Army Stores Village On The Island Of Guimaras Street-Cars In Manila Young Wild Goat Calao Bird Peacock Village On Mindanao River Scene On Mindanao Mindanao Warrior Merchant Vessels, Pasig River Mouth Of River Coihulo, Palawan Village Of Bahele, Palawan Oldest Church In Manila Arsenal At Puerto Princessa, Palawan Drawbridge And Gate Of Old City Old Cannon On Sea-Wall At Manila River Scene Near Iloilo Spanish Priest Ancient Gate At Manila A Tagalo Bungalow In Luzon Philippino Girl Church And Square At Malolos Old Stone Bridge Near Manila Manila Street, Rainy Season Manila Street, Rainy Season The Native Market At Manila On The Wall Of The Old City Of Manila Native Boats On Pasig Above Bridge Of Spain Rita Island, Bay Of Ulugan Cavite Arsenal And Shipyard Bathing Place At Manila A Tagalo Family Out For A Drive In A Caretela Travel In Rainy Season Volcano Of Apo Scene In Bulacan Plantation On Mindanao Scene At Puerto Princessa, Palawan Cigar Dealer Street In Old Manila Train On Manila And Dagupin Railway Manila And Dagupin Railway Station Governor’s Palace, Manila Village In The Suburbs Of Manila Street In Business Section Of Manila Fountain On Promenade San Miguel, Manila Cavite Arsenal Social Entertainment Under Spanish Regime Schoolhouse Village Of Olas Pinas, On Outskirts Of Manila Dagaupan, Rio Horno Sulu Woman A Native Of Malabon And His Family Emilio Aguinaldo, Leader Of Insurrection Of 1899 Cannon Used By Insurgents In 1899 Mountain Cataract Sentry Post On The Luneta Road Scene In Suburbs Of Manila Aguinaldo’s Family And Relatives Admiral George Dewey U. S. S. Olympia U. S. S. Baltimore The Battle Of Manila Bay Major-General Wesley Merritt Group Of Officers, Leaders Of Insurrection, 1899 General Augusti Islets Of Calamianes Group, Between Mindoro And Palawan General Otis F. Agoncillo, Envoy Of Insurgents Plaza Alfonso XII., Iloilo Mountain Inn, Luzon Exterior Of Insurgents Capitol At Malolos, 1899 Mushroom Islands Waterfall And Rapids On Taygula River, Mindanao Boar Japan Greeting Scenery Among The Pine Islands Fujiyama A Farmer Yokohama Harbour A Junk Street On Water-Front, Yokohama Lotus Lake, Myeno Double Bridge In Imperial … [Read more...]
The Project Gutenberg eBook, Uncle Sam's Boys in the Philippines, by H. Irving Hancock This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Uncle Sam's Boys in the Philippines or, Following the Flag against the Moros Author: H. Irving Hancock Release Date: November 11, 2007 [eBook #23447] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK UNCLE SAM'S BOYS IN THE PHILIPPINES*** E-text prepared by Juliet Sutherland and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Uncle Sam's Boys in the Philippines OR Following the Flag against the Moros By H. IRVING HANCOCK Author of Uncle Sam's Boys in the Ranks, Uncle Sam's Boys on Field Duty, Uncle Sam's Boys as Sergeants, The Motor Boat Club Series, The Grammar School Boys Series, The High School Boys Series, The West Point Series, The Annapolis Series, The Young Engineers Series, etc., etc. Illustrated PHILADELPHIA HENRY ALTEMUS COMPANY Copyright, 1912, by Howard E. Altemus Frontispiece. CONTENTS Uncle Sam's Boys in the Philippines The Filipino Dandy A Meeting at the Nipa Barracks Plotters Travel With the Flag Cerverra's Innocent Shop Enough to "Rattle" the Victim Life Hangs on a Word The Kind of Man Who Masters Others The Right Man in the Guard House News Comes of the Uprising The Insult to the Flag In the First Brush With Moros The Brown Men at Bay—For How Long? A Tale of Moro Blackmail The Call for Midnight Courage In a Cinch With Cold Steel Datto Hakkut Makes a New Move "Long" Green and Kelly Have Innings Sentry Miggs Makes a Gruesome Find Hal Turns the Gatling Gun Loose Corporal Duxbridge's Mistake Scouting in Deadly Earnest Playing Goo-Goo in a Grim Game Dooming the Datto Conclusion Uncle Sam's Boys in the Philippines CHAPTER I THE FILIPINO DANDY "We've solved one problem at last, Noll," declared Sergeant Hal Overton seriously. "Only one?" demanded young Sergeant Terry quizzically. But Hal, becoming only the more serious, went on earnestly: "At last we begin to understand just what the 'lure of the Orient' means! For years I've been reading about the Orient, and the way that this part of the world charms men and holds them. Now, that we are here on the spot, I begin to understand it all. Noll, my boy, the East is a great and wonderful place! I wonder if I shall ever tire of it?" "I believe I could tire of it in time," remarked Sergeant Terry, of the Thirty-fourth United States Infantry. "But you haven't yet," insisted Sergeant Hal. "What, when we've been here only three days? Naturally I haven't. And, besides, all we've seen is Manila, and certainly Manila can't be more than one little jumping-off corner of the Orient that you're so enthusiastic about." "You're wild about the Far East, too—even the one little corner of it that we've seen," retorted Sergeant Hal. "Don't be a grouch or a knocker, Noll. Own up that you wouldn't start for the United States to-morrow if you were offered double pay back in the home country." "No; I wouldn't," confessed Sergeant Terry. "I want to see a lot more of these Philippine Islands before I go back to our own land." "Just halt where you are and look about you," went on enthusiastic Sergeant Hal. "Try to picture this scene as Broadway, in New York." "Or Main Street in our own little home city," laughed Sergeant Terry quietly. Certainly the scene was entirely different from anything that the two young Army boys had ever seen before. They stood on the Escolta, which is the main business thoroughfare of New Manila, as that portion of the Philippine capital north of the little river is called. South of the river is Old Manila, the walled city of the old days of the Spanish conquerors. South of the walled city lie two rather fashionable residence suburbs, Ermita and Malate. But the Thirty-fourth was temporarily stationed in big nipa barracks at Malate. It was in the newer Manila that the two boyish young sergeants found their greatest interest. It was a busy, bustling scene. There is nothing exactly like the Escolta in any other part of the world. The whole of this crooked, winding thoroughfare seemed alive with horses and people—with the horses in more than goodly proportion. Along the Escolta are the principal wholesale and retail houses of the city. Here is the post office, there the "Botanica" or principal drug store, operating under English capital and a Spanish name; down near the water front is the Hotel de Paris, a place famous for the good dinners of the East. Further up the Escolta, just around a slight bend, is the Oriente Hotel, the stopping … [Read more...]
Project Gutenberg's The Philippine Islands, 1493-1803, by E.H. Blair This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Philippine Islands, 1493-1803 Volume III, 1569-1576 Author: E.H. Blair Release Date: December 6, 2004 [EBook #13616] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PHILIPPINE ISLANDS, 1493-1803 *** Produced by Jeroen Hellingman and the PG Distributed Proofreaders Team. The Philippine Islands, 1493–1803 Explorations by early navigators, descriptions of the islands and their peoples, their history and records of the catholic missions, as related in contemporaneous books and manuscripts, showing the political, economic, commercial and religious conditions of those islands from their earliest relations with European nations to the beginning of the nineteenth century Volume III, 1569–1576 Edited and annotated by Emma Helen Blair and James Alexander Robertson with historical introduction and additional notes by Edward Gaylord Bourne. Page 1 Contents of Volume III Preface. ... 15 Documents of 1569 Letter to Felipe II. Guido de Lavezaris; Cebu, June 5. ... 29 Letter to Felipe II. Andrés de Mirandaola; Cubu, June 8. ... 33 Letter to Marqués de Falçes. M.L. de Legazpi; Çubu, July 7. ... 44 Relation of the Filipinas islands. M.L. de Legazpi; [Çubu, July 7]. ... 54 Confirmation of Legazpi's title as governor and captain-general. Felipe II; Madrid, August 14. ... 62 Documents of 1570 Letter to Felipe II. Fray Diego de Herrera; Mexico, January 16. ... 69 Relation of the voyage to Luzón. [June, 1570?]. ... 73 Act of taking possession of Luzón. Martin de Goiti and Hernando Riquel; Manila, June 6. ... 105 Letter to Felipe II. M. L. de Legazpi; Panae, July 25. ... 108 Evidence regarding the Portuguese expedition against Cebú. M.L. de Legazpi; Çubu, October 21. ... 113 Page 2 Documents of 1571–72 Relation of the discoveries of the Malucos and Philippinas. [1571?]. ... 121 Requisitions of supplies for the Spanish forces in the Philippines [1571?]. ... 132 Conquest of the island of Luzon. Manila, April 20, 1572. ... 141 Foundation of the city of Manila. Fernando Riquel; Manilla, June 19, 1572. ... 173 Documents of 1573 Expenses incurred for the expedition to the Western Islands, 1569–72. Melchior de Legazpi; Mexico, March 2. ... 177 Affairs in the Philippines after the death of Legazpi. Guido de Lavezaris; Manila, June 29. ... 179 Relation of the Western Islands called Filipinas. Diego de Artieda. ... 190 Letter from the viceroy of New Spain to Felipe II. Martin Enriquez; Mexico, December 5. ... 209 Documents of 1574 Letter to Felipe II. Andrés de Mirandaola; January 8. ... 223 1Las nuevas quescriven de las yslas del Poniente Hernando Riquel y otros; Mexico, January 11. ... 230 Two royal decrees regarding Manila and Luzón. Felipe II; Madrid, June 21. ... 250 Opinion regarding tribute from the Indians. Fray Martin de Rada; Manila, June 21. ... 253 Page 3 Reply to Fray Rada's “Opinion.” Guido de Lavezaris and others; [Manila, June, 1574?]. ... 260 Two letters to Felipe II. Guido de Lavezaris; Manila, July 17 and 30. ... 272 Slavery among the natives. Guido de Lavezaris; [July?]. ... 286 Documents of 1575–76 Part of a letter to the viceroy. Guido de Lavezaris; [Manila, 1575?]. ... 291 Letter to Felipe II. Juan Pacheco Maldonado; [Manila, 1575?]. ... 295 Encomiendas forbidden to royal officials. Francisco de Sande, and others; Manila, May 26, 1576. ... 304 Letter to Felipe II. Francisco de Sande; Manila, June 2, 1576. ... 312 Bibliographical Data. ... 315 Page 4 1 This document is printed in both Spanish text and English translation. Illustrations Portrait of Fray Martin de Rada, O.S.A.; photographic reproduction of painting in possession of Colegio de Agustinos Filipinos, Valladolid. ... Frontispiece Landing of the Spaniards at Cebú, in 1565; photographic reproduction of a painting at the Colegio de Agustinos Filipinos, Valladolid. ... 35 Map showing the first landing-place of Legazpi in the Philippines; photographic facsimile of original (manuscript) map, contained in the pilots' log-book of the voyage, preserved in the Archivo General de Indias, at Sevilla. ... 47 “Asiae nova descriptio” (original in colors), map in Theatrum orbis terrarum, by Abraham Ortelius (Antverpiae, M. D. LXX), fol. 3; reduced photographic facsimile, from copy in Boston Public Library. ... 86, 87 Page 5 Preface The documents presented in this volume cover the last three years of Legazpi's administration in the islands, the governorship of Guido … [Read more...]
Author: Argensola, B. L. Lic. Title: Conquista de las Islas Malucas al Rey Felipe III. N. Sr. Escrita por el capellán de la Magestad de la Emperatriz y Retor de Villa hermosa. Date and publisher: Madrid. Ediciones de Alonso Martín. 1609. Description: First edition of one of the first books to deal fully with the Spanish conquest of the Moluccas, the Spice Islands, and of the Philippines, 1564--1572, under the conquistador Miguel López de Legaspi. This famous book deals with those exploits, with the natural history of these islands, the manners and customs of the natives and the voyages through the Straits of Magellan; regarded by Hill as an 'essential work for the history of Spanish and Portuguese exploration in the East Indies'. Argensolas´ narrative is noted for its breadth of knowledge and over-all grasp of world politics. 'In his digressions on people and places,' writes Lach (Asia in the making of Europe, III, pp. 311-12), 'Argensola´s adds significantly to the stockpile of information on Asia, especially on the Moluccas, Java, Sumatra, and Ceylon. His book also ties together neatly the affairs of Europe with struggles in the overseas areas, for he sees the spice trade in its worldwide ramifications and makes his reader acutely aware of its immediate and potential interest for Japan and China.´ Binding: Modern half-vellum. Size: 11 x 7.5 inches / 28,5 x 15 cm. An unusually large copy (most copies have the title page trimmed). Number of pages: 10 + 407 pages. Conquista de las Islas Molucas (1609) [Rare McPar DS674 .L4 1609], written by Bartolomé Leonardo de Argensola, a Spanish historian and poet who took holy orders and was later appointed royal chaplain and historiographer of Aragon. This particular text was commissioned by the Council of the Indies to commemorate the Spanish recapture of the Moluccan Islands of Ternate and Tidore in 1606. It was very well received upon its initial publication, and continues to be an important source for research into Spanish and Portuguese exploration in the East Indies, the conquest of the Philippines, and the history of the spice trade, especially since Argensola consulted numerous primary sources in the archives of the Indies when writing this work. Our volume is bound in its original brown leather over paper boards, though the spine has been rebacked in brown leather gilt and the endpapers replaced. The text itself is very finely printed, with numerous ornamental head- and tail-pieces and woodcut initials, and an especially fine engraved title page. This page, pictured below, illustrates, within an elaborate architectural border, an allegory of the Spanish conquest of the Moluccas. The amazon queen “Maluca” is depicted seated astride a crocodile, wearing a feather headdress and holding a sword in her left hand while in her right she raises a horn of plenty filled with the fruits of her lands. Her gaze is directed upward to where a rainbow is shown containing the royal crest of Spain, shimmering in the light, signifying, with the word simul, the fact that the sun never sets on the Spanish empire. In the background is an active volcano, of which there are several on these islands, and seashells are strewn before her feet. … [Read more...]
Description: "This fascinating story of cross and sword, laid in an extraordinary setting, describes the role of the Jesuits in the Philippines. Their history- as missionaries, educators, and colonizers - is so entwined with that of the Islands that one cannot be discussed without the other. Accordingly, documents in the Roman, Spanish and Philippines archives of the Prder, as well as those of the general colonial achives at Madrid and Seville, have been colorfully employed to present a wide segment of the general history of the Spanish empire in the PHilippines and the Far East." -- first paragraph of the dust jacket text. The book contains maps and illustrations Author: H. de la Costa, S.J. Pages: 702 … [Read more...]
A Woman's Journey Through The Philippines On A Cable Ship That Linked Together The Strange Lands Seen En Route. By Florence Kimball Russel Author of "Born to the Blue" Etc. Contents Introductory Statements Dumaguete Misamis Iligan Cagavan Cebu Zamboanga Sulu Bongao Tampakan and the Home Stretch Illustrations The Belle of Bongao Laying a Shore End in a Philippine Coast Town "Until eventide the summer skies above us slept, as sid the summer seas below us" A Philippine Coast Town Dumaguete Diving for Articles Thrown from the Ship "Hard at work establishing an office in the town" "Two women beating clothes on the rocks of a little stream" Church and convento, Dumaguete The Old Fort at Misamis "The native band serenaded us" The Lintogup River A Misamis Belle Laying Cable from a Native Schooner A Street in Iligan Market-day at Iligan "It was evident that he was a personage of no little importance" St. Thomas Church, Cebu Magellan's Chapel, Cebu Unloading Hemp at Cebu Grove of Palms near Cebu Ormoc Releasing the Buoy From the Cable in a Heavy Sea Quarters of the Commanding Officer, Zamboanga Officers' Quarters, Zamboanga A Street in Zamboanga Street Scene, Zamboanga Native Bathing-place, Zamboanga The Pier at Sulu Natives of Sulu Moro Houses, Tuli The Moro School for Boys, Sulu Chinese, Moro, and Visayan Children, Sulu Soldiers' Quarters, Bongao Natives of Bongao Toolawee Market-day in a Moro Village A Group of Moros A Collection of Moro Weapons Pasacao Illustrated With 40 Rare Photographic Plates … [Read more...]
Burton Holmes Lectures Hawaiian Islands Edge Of China Manila Old Antique Travelogue With Over 350 Photographs ! Subjects covered in this book Advertisements Chinese native runners at Hong Kong, Aguinaldo General military operations, Ah Cum Canton guide, Ah Fong Chinese Croesus, Hawaiian home, Macao residence, Ah Kee Incident on the Esmeralda, Ancestor Worship China, Ancestral Temples China, Aqueducts Hawaii, Bacoor Bay battle in distance, Baliuag military operations, Aguinaldo, American garrison, Church used by American soldiers, Distress signals, Exhibition of defense manoeuvers, Military rule, Page Colonel in command, Telegraph wires cut, Bank of Hongkong, Banquets U S troops in Honolulu, Barbara Fritchie uptodate incident on the Esmeralda, Barges used as houseboats Canton, Barracks, Baliuag church used by American soldiers, Manila theater, Bathing American troops at Honolulu, Beer American Manila, BetelNuts chewing China, Betting See Gambling, Binondo commercial district of Manila, Bluffs Hawaiian coast, Boats, Canton, Filipino bote, Surfriding at Waikiki, Bridge over Pasig river, Brumby FlagLieut U S S, Olympia at Hongkong, Bubonic Plague Hongkong, Buffalo in Manila, Business in Honolulu, Cabs Manila, Cafe de Paris Manila, Caldwell secretary to Admiral, Dewey, Calesa Filipino cart, Calle Nozaleda Manila, Camoens Luiz de, Caneflumes Hawaii, Cane See Sugarcane, Canton, Ah Cum guide, Arrival of travellers, Boats, Clocks, Commercial gateway to south China, Consul visit to U S, Dentists, Descriptions manners and customs, Emigration to United States, Execution place of, French cathedral, Gates of city closing, Hongkong to Canton journey, Hotel Victoria, Kerosene lamps, Literary refuse, Pawn shops, Photography difficulties, Port of Canton See Hongkong, Provincial mint, River front, River steamer from Macao, Sanitary conditions, Shameen foreign quarter, Shops, Streets, Care of, Life in, Signs and names, Temple of the emperor, Viceroy Yeh, Water dwellers on, Carabao, Carriage Filipino calesa, Cataracts Hawaii, Cathedrals, Canton French cathedral, Manila, Cavite scene of naval battle, Chairs bamboo, China, Ability of the Chinese, Ah Fong, Ambition of every Chinese boy, Ancestor worship, Betelnuts chewing, Canton See that title, Coolie labor, Commerce British, Consuls See that title, Currency, Day length and divisions, Dinner parties, Disembarkation methods, Education, Emigration from China to U S, Emperor temple of, First impressions, Food, Funeral rites and care of dead, Gods, Hawaiian Islands Chinese population, Heung Shan Island, Hongkong, Hotels Canton, Jinrikishas Honkong, Journey to, Kowloon shipyards, Li Hung Chang, Macao See that title, Money, Officials preliminary education, Paper with writing preservation of, Pawn shops Canton, Photography experiences, Canton, Dewey Admiral at Hongkong, Pigs sacred, Progress opposition to, Religion, Rivercraft, Sampans, Scholarship, Steerage passengers Chinese, Temples ancestral, Time measurement, Women, Churches, Baliuag used by American soldiers, Macao San Paulo, Manila San Sebastian, Clocks Chinese, Cockfights Manila prohibited by American government, Coffee in Hawaii, Commerce Hongkong, Consuls visits to United States, Smith Hub at Canton, Wildman R at Hongkong, Cook Captain in Hawaii, Coolies Chinese, Coral Reef Pearl Harbor, Corregidor Manila Bay, Cortes Brothers, Curfew law in Manila, Dagupan railway Philippines, Damien Father of Mobkai, Dampness Hongkong, Day length and division in China, Dead care of China, Deities Chinese, Dentists Canton, Dewey Admiral at Hongkong, Diamond Head Honolulu view of, Dinner Party Chinese, Dress, Hawaiian women’s holokus, Hongkong white suits, Dutch Wife Manila hotel, Education China, Emigrants from China, Empress of China voyage to China, Escolta Manila, Esmeralda voyage to Manila, Arrival at Manila, Bacoor Bay, Barbara Fritchie incident, Cavite, Corregidor, Heat, Humidity, Manila Bay, Quarantine, Rain, Sleeping places, Traveling companion, Execution place of Canton, Father Damien of Molokai, Father of Annexation Dr McGrew of Pearl Harbor, Ferries Manila, Filipinos See Philippines; Manila, Fire Brigade Manila, Fire Drill on Empress of China, Fire Goddess Pele, Flag Hawaiian, Flameflowers Honolulu bowers, Flowers, Flameflowers, Leis, Flowerboats as restaurants Canton, Food, Chinese, Hawaiian, Friars Spanish at Manila, Funerals Chinese, Garlands Hawaiian leis, Gates Canton closing, Gods Chinese, Government Building Honolulu, Griffin Far Eastern word for tenderfoot, Guide Ah Cumin Canton, Gulches Hawaiian, Haleakala Hawaiian volcanic crater, Harbor Pearl Hawaiian, Hawaii island of, Bluffs, Coffeeland, Hilo, Kealakekua Bay monument to Capt Cook, Kilauea volcano, Mauna Kea mountain, Mauna Loa, Ports, Hawaiian Islands, American soldiers, Annexation to U, Coffee plantations, Cook Captain, First impressions of, Flag description, Hawaii island of, Hilo, … [Read more...]
Title: Through The Philippines (and Hawaii) Date: 1925-1926 Author: Frank G. Carpenter - Litt. D., F.R.G.S. A wonderful old book richly illustrated with 112 RARE high quality vintage photographs taken in the early 1900's ! You will take a journey with the author Frank G. Carpenter and view many historical, cultural, and incredible photographs of a time forgotten. Writing about his travels in the series "Carpenter's World Travels", Frank G. Carpenter gave his readers detailed stories and fascinating information about the local history, myths, and facts of the countries he visited so that every American could get a glimpse, first hand of the worlds beyond our shores. This book is mainly about the Philippines, but it also has a section about Hawaii. Chapters Just a word before we start From Athens to Manila The Philippine capital, old and new In the Tondo market The fair Filipina Going to school in Manila Tobacco fields and factories Through Northern Luzon by rail Baguio Our heathen wards Camp John Hayand the Igorots The Benguet gold mines The School Republic of Munoz Homesteading in the Philippines By ponyback through the forest The rice terraces of Ifugaoland Where Magellan raised the flag of Spain Coconut farms The world's biggest leper colony On the Sugar Island of Negros In Zamboanga, capital of Moroland Basilan, our new Rubber Island Motoring across Jolo The Sultan of Sulu Davao, land of Manilla hemp The Bagobos and their neighbours The business man of the Philippines The question of independence Hawaii, at the crossroads of the Pacific Our sugar and pineapple islands List of photographs Scene in Zamboanga Riding in a chair through the mountains Mt. Taal San Juan Bridge The waterways of Manila The Luneta Business section of Manila The Parian Gate The walls of old Manila Residence of the Governor-General A Philippine stove Hauling coconut husks Market day in Manila The papaya A Filipina in business A fair Filipina Hat-making for export Girls' baseball team. Weaving by hand The high school at Batangas Learning the English language Exercising on the playgrounds Growing vegetables in a school garden A Philippine star baseball player A Philippine cigarette-maker Tobacco growing Bringing in the rice Threshing Rice planting Pounding out the grain. Lingayen Gulf Baguio The Benguet Road Philippine caddies Going to market on Sunday Mountain road of Luzon Igorot porter Igorot girls learning to sew Camp John Hay Ilongot head-hunters A family of Apayaos An Igorot miner The Benguet gold mine Studying mining methods in the wilds of Luzon "Poor man's rice" Farming at Munoz Ploughing with the carabao Student's house at Munoz Bamboo I gorot road-workers Carabaos taking a bath Homesteaders on the move Threshing rice with carabaos A motor truck in the wilds of Mountain Province A Philippine forest Hauling logs Rice terraces of the Ifugaos An Ifugao home Ifugao types Where Magellan heard mass at Cebu A solid wheeled cart of Cebu A fishing boat Eating coconuts Coconut rafts A copra pack train Drying coconuts Leper colony on Culion Island Penal farm at San Ramon Bilibid prisoners at work Meal-time at the prison A Shakespearean play at Silliman Institute Primitive sugar mill Cutting sugar cane American tractors in the Philippines Cock fighting Port at Zamboanga Moro girls studying the Koran A Mindanao policeman. A Moro chieftain's daughter Mr. Carpenter interviews a Moro Tapping a rubber tree Rubber gatherers of Basilan A sheet of crepe rubber Jolo, the capital of the Sulu Archipelago A Bajao woman climbing to her home Moro dattos Bamboo water tube The Sultan of Sulu Pearl fisherman of the Sulu Sea Manila hemp Stripping the hemp Drying the abaca fibre Mat-weaving Bagobo man wearing a grass jacket A house in the tree-tops A Chinese schoolhouse The Chinese pier at Jolo Manila's Chinatown The port at Manila The Executive Building in Manila A session of the Philippine Legislature Where the Philippine laws are made Army and Navy Club at Manila A Filipino school boy Rugged shores of the Hawaiian Islands Waikiki Beach Pineapple fields Sugar-cane flumes Laying paper mulch for pineapples Scene on the island of Oahu Mt. Kilauea A sampling of the author's writing... To-night I have been sitting in the Luneta, the great breathing place for Manila. As the sun dropped behind Mount Mariveles, the headland at the north entrance to Manila Bay, the sky flamed with a gorgeous colour. Gentle breezes from the ocean swept over the park and the lapping of the waves mingled with the murmur of talk or gave way before the stirring music of the military band. All Manila was out in full force, strolling about, chatting between numbers, sitting on benches or in cars and carriages. I have seldom seen so many motors parked at any Marine Band concert in Washington … [Read more...]
Description: Interesting stories, from Philippine myths and legends. Some of the stories are: The first people on earth; Ang Inahin, Legend of Mayon, The butterfly and the worm, the airplane, Ang Mayaman at Mahirap. Illustrated, large fonts. All stories are in Tagalog. Publisher: Philippine Book Co. 1950 Pages: 165 … [Read more...]
Our New Possessions Four Volumes in One…Philippine Islands, Cuba, Puerto Rico, and Hawaiian Islands by Trumbull White, Illustrated by numerous photos, First printing Edition (presumed,) 1898, A. B. Kuhlman Press Company Book Publisher Publishing, LCCC 00-0000, 9 X 7 inches, pp 676, Hard cover, Contents Vintage history book on the newest lands to the United States in 1898. These lands were to have very different futures as two remain key elements of the US while two others are independent once again. The real value and beauty of this book is in the huge number of vintage images and drawings from all four “possessions.” … [Read more...]
Larawan: Philippine Photographs Digital Archive, Univ. of Michigan Via: Filipino weapons & history ("Filhistory") … [Read more...]
Original Source: https://kahimyang.com/kauswagan/articles/792/the-filipino-people-early-contacts-of-the-malays-and-hindus-and-the-rise-islam The Filipino People - Early contacts of the Malays and Hindus, and the rise Islam More than two thousand years ago, India produced a remarkable civilization. There were great cities of stone, magnificient palaces, a life of splendid luxury a highly organized social and political system. Writing known as Sanskrit have been developed. Two great religions, Brahminism and Buddhism, arose, the latter still the dominant religion of Tibet, China, and Japan. The people who produced this civilization are known as the Hindus. Fourteen or fifteen hundred years ago Hinduism spread over Burma, Siam, and Java. Great cities were erected with splendid temples and huge idols, the ruins of which still remain, though their magnificence has gone and they are covered today with the growth of the jungle. This powerful civilization of the Hindus, established thus in Malaysia, greatly affected the Malayan people on these islands, as well as those who came to the Philippines. Many words in the Tagalog have been shown to have a Sanskrit origin, and the systems of writing which the Spaniards found in use among several of the Filipino peoples had certainly been developed from the alphabet then in use among these Hindu peoples of Java. A few hundred years later another great change, due to religious faith, came over the Malayan race - a change which has had a great effect upon the history of the Philippines, and is still destined to modify events far into the future. This was the conversion to Islam. Of all the great religions of the world, Mohammedanism was the last to arise, and its career has in some ways been the most remarkable. Mohammed, its founder, was an Arab, born about 572 A.D. At that time Christianity was established entirely around the Mediterranean and throughout most of Europe, but Arabia was idolatrous. Mohammed was one of those great, prophetic souls which arise from time to time in the world's history. All he could learn from Hebraism and Christianity, together with the result of his own thought and prayers, led him to the belief in one God, the Almighty, the Compassionate, the Merciful, who as he believed would win all men to His knowledge through the teachings of Mohammed himself. Thus inspired, Mohammed became a teacher or prophet, and by the end of his life he had won his people to his faith and inaugurated one of the greatest eras of conquest the world has seen. The armies of Arabian horsemen, full of fanatical enthusiasm to convert the world to their faith, in a century's time wrested from Christendom all Judea, Syria, and Asia Minor, the sacred land where Jesus lived and taught, and the countries where Paul and the other apostles had first established Christianity. Thence they swept along the north coast of Africa, bringing to an end all that survived of Roman power and religion, and by 720 they had crossed into Europe and were in possession of Spain. For the nearly eight hundred years that followed, the Christian Spaniards fought to drive Islam from the peninsula, before they were successful. Not only did Islam move westward over Africa and Europe, it was carried eastward as well. Animated by their faith, the Arabs became the greatest sailors, explorers, merchants, and geographers of the age. They sailed from the Red Sea down the coast of Africa as far as Madagascar, and eastward to India, where they had settlements on both the Malabar and Coromandel coasts. Thence Arab missionaries brought their faith to Malaysia. At that time the true Malays, the tribe from which the common term "Malayan" has been derived, were a small people of Sumatra. At least as early as 1250 they were converted to Islam, brought to then by these Arabian missionaries, and under the impulse of this mighty faith they broke from their obscurity and commenced that great conquest and expansion that has diffused their power, language, and religion throughout the East Indies. A powerful Muslim Malay settlement was established on the western coasts of Borneo probably as early as 1400. The more primitive inhabitants, like the Dyaks, who were a tribe of the primitive Malayans, were defeated, and the possession of parts of the coast taken from them. From this coast of Borneo came many of the adventurers who were traversing the seas of the Philippines when the Spaniards arrived. The Muslim population of Mindanao and Jolo owes something certainly to this same Malay migration which founded the colony of Borneo. But the Magindanao and Illanon Moros seem to be largely descendants of primitive tribes, such as the Manobo and Tiruray, who were converted to Islam by Malay and Arab proselyters. The traditions of the Magindanao Moros ascribe their conversion to Kabunsuan, a native of Johore, the son of an Arab father and Malay mother. He came to Magindanao with a band of … [Read more...]
Rajah Suliman, Last Muslim King of Manila Rajah Sulaiman III (1558 - 1575) was the last native Muslim king of Manila, now the site of the capital of the Philippines, Manila. He was one of three chieftains, along with Rajah Rajah Lakandula and Adults, to have played a significant role in the Spanish conquests of the kingdoms of the Manila Bay-Pasig River area, first by Martín de Goiti, and Juan de Salcedo in 1570; and later by Miguel Lopez de Legazpi in 1571 The following biography of Rajah Soliman was written in Tagalog by Jose N. Sevilla and Tolentino in the early 1920s: TALAMBUHAY NI RAHA SOLIMAN Bago nagíng̃ Rahá si Solimán, ay nagíng̃ katulong̃ muna sa pang̃ang̃asiwà ng̃ mg̃a súliranin dito sa Maynilà, ni Raháng̃ Matandâ. Si Lakán Dulà na nanánahanan sa Tundó ay siyá niyáng̃ kasama. Itó ay nang̃ kapanáhunan ni Raháng̃ Matandâ nang̃ taóng̃ 1570. Noón ay isáng̃ pulutóng̃ nang̃ mg̃a sasakyáng̃ kastilà na pinamumunuan ni Martin de Goití at Juan de Salcedo ang̃ dumaong̃ sa luók ng̃ Maynilà. Niyaóng̃ unang̃ datíng̃ dito niná Goití ay dî sila nakalunsád pagdaka. Ang̃ Maynilà, ay may matitibay na mg̃a muóg at sila'y pinaputukán at sinagupà. Nabalitaan niláng isá sa mg̃a makapang̃yarihan doón ay si Solimán, kaya't nagpadalá sina Goití rito ng̃ sugò na nagsásaysáy na silá'y dî naparito upáng̃ makidigmâ kundî upáng̃ makipagkásundô, at ang̃ ganitó'y tinugón sa pamamagitan ng̃ sugò, na ang̃ Hari sa Maynilà ay nagnanasà ng̃ makipagkaibigan sa mg̃a kastilà. Pagtang̃gáp ni Goití ng̃ paklí ni Solimán ay nasók siyá at ang̃ kanyáng̃ mg̃a tao sa ilog ng̃ Pasig at silá'y lumunsád sa isáng̃ baybáy na itinakdâ ng̃ Harì. Sinalubong̃ silá ni Raháng Matandâ at nakipagkamáy sa kanilá, pagkaliban ng̃ iláng̃ sandali ay dumatíng si Rahá Solimán at nakipágkamáy din ng̃uni't nagpasubalì ng̃ gayari: «Kamí ay nagnánasang̃ makipagkaibigan sa mg̃a kastilà samantalang̃ silá'y mabuti sa amin; ng̃uni't mahíhirapan silá ng̃ gaya ng̃ hirap na tiniís na ng̃ ibá, kailán ma't nasain niláng̃ kami'y alisán ng̃ puri». Pagkaraán ng̃ iláng̃ araw si Goití ay nagkulang̃ sa pagkakáibigan sa pagpapaputók ng̃ kaniláng̃ kanyón, at si Rahá Solimán ay napilitang̃ magbago ng̃ kilos. Ipinawasák nitó ang̃ mg̃a sasakyán nina Goití at ipinapuksâ ang̃ kanyáng̃ mg̃a kawal. Nápakabuti ang̃ pagtatang̃gól sa mg̃a kutà at dî nagawâ nang̃ mg̃a kastilà ang̃ makapasok agád, ng̃uni't nang̃ mang̃asalantà ang̃ mg̃a tao ni Solimán at maubos na ang̃ mg̃a punlô ay napipilan din. At nang̃ makuha ng̃ mg̃a kastilà ang̃ Maynilà ay sinalakay ang̃ bahay ni Solimán at dito'y nátagpuán nilá ang̃ isáng̃ mainam na gusali, maiinam na kasang̃kapang̃ sigay, mg̃a damit na mariring̃al na nagkakahalagá ng̃ may 23.000 piso. Hindî nagtaksíl kailán man si Solimán, gaya ng̃ ipinararatang̃ sa kanyá ng̃ mg̃a kastilà. Siyá'y tumupád lamáng̃ sa kanyáng̃ dakilang̃ katung̃kulan na makibaka sa sino mang̃ magnánasang̃ sumirà ng̃ kanyáng̃ kapuriháng̃ pagkaharì, at yáyamang̃ ang̃ mg̃a kastilà ay siyáng̃ nagpasimulâ ng̃ pagbabaka, ay siyá ay nagtang̃gól lamang̃ at natalo, ng̃uni't hindî kailán man nagtaksíl. Ang̃ kanyáng̃ pagibig sa sariling̃ Lupà ay nagudyók sa kanyáng̃ makibaka at siyá ay nakibaka dahil doón. Kung̃ saán mákikitang̃ ang pagguhò ng̃ kaharian ni Solimàn ay utang̃ sa kagahaman ng̃ isáng̃ lahing̃ mang̃aalipin; sa isáng̃ pámahalaáng̃ pinagágaláw ng̃ lakás ng̃ lakás at di ng̃ lakás ng̃ katuwiran. Kawawang̃ bayang̃ maliliít na linúlupig at ginágahasà ng̃ malalakíng bansâ. Ang̃ daigdíg ay patung̃o sa pagunlád, at buhat niyaóng̃ 1914 na gahasain ang̃ Belhika, ang malalakíng̃ Bansâ ay nagsasapì at ipinagtang̃gól ang̃ katwiran ng̃ maliliít na bayan. Panibagong̃ kilos sa daigdíg na bung̃a ng̃ mayamang̃ diwà ng̃ dakilang̃ Wilson sa kaamerikahan. … [Read more...]
Estudio de los antiguos alfabetos filipinos (1895) Author: Cipriano Marcilla y Martín Publisher: Tipo-litografia del asilo de huérfanos Year: 1895 Language: Spanish … [Read more...]
Colt Artillery Model 1873 Single Action Army(SAA) .45 - Barrel Length: 7" and 5½" - Weight: 2.3 lbs - Cartridge Caliber: .45 Long Colt (255 grain) - Muzzle Velocity: 830 fps - Service: 1873–1902 The Colt SAA .45 became the side arm issued to US Army in 1873. The Colt .45 revolver was considered cutting edge technology at the time. The large caliber was believed to quell conflicts and bring peace. It became known as the "Peacemaker". It would be the most popular revolver of the old west. Today it remains synonymous with the Cowboys of the western frontier. The original Colt SAA issued to troops had the 7" barrel. By early 1890s the US Army decided to downsize their force as well as find ways to save on spending. By 1893 many of the Colt SAA revolvers were replaced by the Colt DA .38. It should be noted the phasing out of the Colt SAA .45 was a long process and many still found use as the side arm of select few units. By 1898 the Colt revolvers were modified with a shorter 5½" and issued first to Artillery units. The altered Colts with 5½" barrels would be known and later called the "Artillery Model". The most popular unit to carry the old Colt .45 SAA would be Teddy Roosevelts Rough Riders during the Cuban Campaign. The Colt SAA .45 would truly shine just as the the Philippine-American War was coming to a close and the beginning of the pacification through out the Philippines; most particularly during patrols and expeditions in the Visayan and Moroland(Mindanao) regions. The Colt .38 revolvers provided to be insufficient in stopping and dropping frantically charged assailants. Few regulars and volunteers still carried the older Colt SAA .45 and noted the significant stopping and knock-down power the revolver had over the newer .38s. Officers soon requested an immediate re-issue of old Colt SAA .45s to the Philippine Islands. Because the Colt SAA .45 would still be used in service all the way up to the end of the Philippine-American War, it would be safe to say the Colt .45 was never truly retired in 1893. By the end of 1902 the Philippine-American War closed and the US volunteers began mustering out of service. As US troop presences began to drop in the Philippines, Tafts Philippine Commission would establish a native police force known as the Philippine Constabulary to fill the roll of bring law and order through out the islands. The Philippine Constabulary would be issued the old 1878 Colt Alaskan .45 revolver, which would be re-designated the Colt 1902 Philippine Model. Resulting from the effective use of the Colt Single Action Army .45. Researched and written by Dnvzs Zjzllg … [Read more...]
Colt 1902 Philippine Model Double Action .45LC Originally issued as: 1878 Colt Alaskan Revolver Barrel length: 6" Capacity: 6 round swing out cylinder Cartridge Caliber: .45 LC(Long Colt) Weight: 2 lbs Service: 1878-1892; 1902-1908 Adopted earlier in 1878 by US soldiers serving in Alaska, the pistol was nearly phased out by the new issued .38 revolvers. At the end of the Philippine-American War the Philippine Scouts, along with US military units, and the Philippine Constabulary(Native Police force) began expeditions and patrolling through Moroland and Visayan territory. There they found new adversaries waiting and lurking in the dense terrain of both regions, namely the Tad-Tad/Pulajanes of Samar/Leyte and the Juramentado Moros. The native police force were poorly equipped with Springfield Trapdoor "single shot" rifles, and a ill performing .38 Colt revolver side arm. Both proved to have insufficient stopping power of a hard charging swarm of combatants. A shot assailant does not necessarily make them incapacitated. Sword welding Moros and Filipinos were known to charge through heavy gun fire and still be capable of slashing and killing. Requests were quickly made for older issued .45 Colt revolvers, and the US government answered by reissuing out the older 1878 Alaskan Colt Revolvers to the Philippine Constabulary, re-designating them the 1902 Philippine Model. The .45 revolvers performed up to standard and as expected. The stopping power of the .45 cartridge against Filipinos during this era would result in the US government requesting their newly manufactured and issued sidearm to be chambered in .45. The end result is the M1911 Colt automatic pistol chambered in the newly engineered .45ACP cartridge. The Model 1902 revolver is unique by the enlarged trigger guard. At the time the new smokeless powder cartridges also required new primers, which took more effort to ignite; and with it required a stronger trigger spring. The trigger pull became immense. Colt modified the trigger group by use of the enlarged trigger guard, which gave more leverage to pull the trigger. Researched and written by Dnvzs Zjzllg … [Read more...]
895 Gatling Gun Weight: 395 lbs Barrel length: 32" (6-10 barrels) Cartridge Caliber: .30 cal and 45-70 Range: +1000 yards Rate fire: 600-1000 per minute Service: 1873-1906 Invented by American Dr. Richard Jordan Gatling(neighbor of the Colt family in Hartford Connecticut), the Gatling gun is considered by many to be the first machine gun. It was first introduced during the Civil War in 1865. Several different models existed through out its advent. 6 to 10 barrels are positioned in a cylinder. Each barrel having its own chamber and firing mechanism. Ammunition is placed in a magazine canister and attached on top of the cylinder breech. A crank would be operated by the gunner, which would rotate the cylinder and barrels. The rotation loaded, cocked, fired, and ejected spent cartridges. The Gatling gun initially suffered many issues, as nearly all were hand built at the time and many parts were not uniform. By the 1890s, the Gatling gun had significantly improved, and in 1895 the US Army adopted the weapon. The Gatling gun saw much action during the Spanish American War. It gained fame in Cuba giving support fire while Theodore Roosevelt and the Rough Riders assaulted San Juan Hill. Several examples were later shipped and used in the war in the Philippines. Researched and written by Dnvzs Zjzllg … [Read more...]
M1899 Philippine Constabulary Krag-Jørgensen Carbine Rifle - Bolt Action - Capacity: 5 round internal box magazine - Cartridge Caliber: .30-40 Krag (US Krags) Smokeless - Service: 1906-1917 The Philippine Constabulary were the native police established in 1902 by Tafts Philippine Commission which oversaw civil affairs of the Philippine Islands. It should be noted the PC's were not soldiers as many confused them to be; they were law enforcement officers paid the Civil Philippine Commission. The Philippine Constabulary were originally issued old US military stock Springfield Trapdoor single-shot 45 rifles from the Indian Wars. During the pacification of the islands after the Phil-Am War, the Trapdoor rifle proved to be inferior when fighting in the dense terrains of the Visayas and Mindanao regions where combatants would rush out in hoards. After the first initial shot, reloading another round became near impossible. As many PC inspectors complained: the Trapdoor rifle became a one shot club. The Springfield Trapdoors were later replaced by the Krag Carbines in early 1906. Unique to only the Philippines, the Krag full length rifles were modified and cut down to a shorter size at the POD(Philippine Ordnance Depot) in Intramurous. The Krag Carbine was also short lived, they would later be replaced by Springfield M1903 rifles by 1910(but Krags would still be in service until 1917). Less than a handful of these Philippine Constabulary Krag Carbines exist today. Making them the mostly highly sought after and prized rifle of all Krag models by gun collectors and Springfield Krag Jørgensen Rifle - Manufactured: Springfield Armory(under license by Krag Jørgensen) - Design: Norwegian - Weight: 8.6lb - Length: 49" - Barrel length: 30" - Cartridge Caliber: 30-40 Krag Smokeless - Capacity: 5 round internal box magazine - Service in US Army: 1892-1903 - Service in Philippine Constabulary: 1906-1917 The US Army adopted the Krag rifle in 1892. Springfield would produce several different variants of the Krag from 1892 to 1899 at their plant in Massachusetts. An estimated 500,000 rifles were produced at Springfield Armory. Production ceased in 1904. The Krag would be the rifle credited for winning the Spanish American War, as well as the Philippine American War. It still remains synonymous to the Span-Am War era. The Krag how ever was very short lived. It only saw two short wars and was already proven to be outclassed, out matched, and obsolete during the first war. The Spanish Mauser proved to be a better all around performer, as well as being a more robust war rifle than the Krag. Loading the Krag was also tedious, as it required loading one round at a time in to the box magazine, where as the Spanish Mauser took 5 round stripper clips that allowed for extremely fast reload. The Mauser was the superior rifle of the two wars, but the American soldiers outnumbered and out-gunned the Spanish and Filipino soldiers armed with Mausers. By 1901 Springfield had developed a new and improved battle rifle that incorporated features and characteristics of both the Spanish Mauser as well as the Krag. The US Army soon adopted Springfields new rifle and named it the M1903. The M1903 were quickly mass produced and outfitted to US Regulars. The Krags however would still find a niche in service. By 1905 the Krags would be re-issued to the Philippine Constabulary and other provincial police departments around the Philippines. Researched and written by Dnvzs Zjzllg … [Read more...]
Spanish Mauser Model 1893 Bolt Action Rifle - Manufactured: Loewe Berlin Germany - Weight: 8.6lb - Barrel length: 29" - Cartridge Caliber: 7mm (7x57mm) Smokeless - Service in Spanish Army: Since 1893 The 1893 Mauser bolt action rifle is considered by many to be one of the most revolutionary firearms in history and way ahead of it's era. Accuracy of the rifle being unmatched during its time. The Mauser rifle saw little improvements to its design through out its service. It would be used by nearly all countries up to and during the second world war. Even by todays standards it is considered extremely accurate next to modern firearms. Nearly all bolt action rifles produced today take some design from the Mauser rifle. The 7mm round created a distinctive sound when whizzing by, the American soldiers called it the "Spanish Hornet". Spain contracted Mauser in Loewe Berlin to produce these rifles for their entire military in the early 1890s. The Mauser were to replace outdated rifles like the Remington Rolling Block. The Mauser later shined and gained an infamous reputation during the Spanish American War at Cuba. The Battle of San Juan Hill would be the most famous battle of the Spanish-American War, as well as being the turning point of the war. 800 Spanish soldiers held the hill against an opposing force made up of nearly 20,000 armed men. 15,000 being made of US Soldiers armed with Krags and Springfield Trapdoor rifles. Although the fight lasted only 2 days and the US gained control of the hill, the end result was near disastrous for the Americans. 200 US soldiers lay dead with 1,100 being wounded. The Spanish resulted in only 58 deaths and 170 wounded. The Spanish Mauser rifle was quickly noted by the US military and the US government for its lethality and superiority in this one battle. At the same time in the Philippines, the 2nd phase of the Revolution was in motion and the Philippine Army trampled across the Spanish troops through out the islands. The Filipinos began to equip themselves with captured and left over Spanish firearms. They would also account for the superior performance in the Mauser. Each battalion would have a separate special unit of expert riflemen/snipers(known as Tiradors); and all were to be armed with nothing but Mauser rifles. The most popular Filipino riflemen unit being under the command of General Geronimo, whom he would name "Tiradores de la Muerte"(Shooters of Death). After the outbreak of the Philippine American War, the Tiradores de la Muerte would gain fame in Dec 1899 when the unit defended the town of San Mateo against 800 US troops under the command of Gen Henry Lawton. On the morning of the battle Lawton walked along the firing line in open field to gain a better view of his troops and the opposing force. The troops noted the distinct firing sound of the Mauser rifles and advised the general to take cover. The general ignored their warning and at that instant was struck in the chest by round fired by one of the tiradores Mauser rifle. Gen Lawton would die with in a few minutes. The rifle shot coming from a distance of 300 yards during a storm with rain. Also during the Spanish American War in the Philippines, in the town of Baler a small detachment of 50 Spanish soldiers barracked themselves inside the towns fortified church. Lt Col Teodorico Luna(relative of Juan and Antonio Luna) would lead the attack against the Spaniards and surrounded the church. The Spaniards would hold this position from July 1898 to June 1899. During their stand, the Spanish American War would end, America would purchase the islands, and Philippine American War was in full swing. The Spanish troops finally surrendered to the Philippine Army and were received as friendly allies. The dominance of the Mauser rifle was accredited for the 11 month long stand off. Due to the superiority and success of the Mauser rifle over the newly issued Krag rifles through out the Spanish American War, the US Government took captured Mausers and gave them to Springfield Armory for their own research and development. The US Government would give Springfield Armory the order to build their own Mauser type rifle. In 1900 Springfield had a prototype rifle with similar characteristics of both the Mauser and Krag rifle. The US Government approved the design, and the end result is the M1903 Springfield bolt action rifle in 30-06. It should be noted that Springfield Armory at the time was under government control, but in itself was still a separate entity as a firearms manufacturer. The US Government in a way did not purposely copy the designs, but being Springfield Armory fell under the control of the US Government, Mauser took action against the US government and not Springfield Armory. Both Mauser and the US Government realized the similar features and agreed it infringed on Mausers design patents. The US Government … [Read more...]
U.S. Army: 11 Infantry Regiment By The Institute of Heraldry Distinctive Unit Insignia Description A silver color metal and enamel device 1 1/8 inches (2.86cm) in height overall consisting of a shield blazoned: Azure, Satanta's arrow in fess Argent between in chief a castle Or in base a kampilan and bolo in saltire of the second hilted of the third. On a chief embattled of the second a cross Gules. Symbolism The symbolism is that of the coat of arms. Background The distinctive unit insignia was approved on 28 Mar 1923. Coat Of Arms Blazon Shield Azure, Satanta's arrow in fess Argent between in chief a castle Or in base a kampilan and bolo in saltire of the second hilted of the third. On a chief embattled of the second a cross Gules. Crest On a wreath of the colors a fusil Gules bearing a cross patée Argent charged with an acorn of the first. Motto SEMPER FIDELIS (Always Faithful). Symbolism The shield is blue for infantry. Service in the Spanish War is shown by the castle and in the Indian Wars by Satanta's "arrow." The most important Indian campaign of this regiment was against the Kiowas, Comanches and Cheyenne in 1874. Satanta was a noted Kiowa chief who died just previous to this campaign. His "arrow" was really a spear with feathers on the end and a handle. The kampilan and bolo represent engagements against the Moros of Mindanao and the Filipinos of the Visayas. Service in the World War is shown by the chief bearing the cross of the ancient Lords of Dun to commemorate the crossing of the Meuse at Dun. The embattled partition represents the siege of Chattanooga in 1863. The crest consists of the Civil War badges of the 1st Division, 14th Army Corps and 2d Division, 5th Army Corps, and the World War 5th Division shoulder sleeve insignia. Background The coat of arms was approved on 12 Oct 1920. … [Read more...]
Apolinario Mabini Hero of the Philippine Revolution Conscience of the Philippine Revolution the Sublime Paralytic key adviser of Emilio Aguinaldo proposed the first constitution of the Philippine Republic born July 22, 1864 Barrio Talaga, Tanawan Batangas to Inocencio Mabini, Dionisia Maranan died May 13, 1903 It was immediately before the proclamation of independence that a young man was brought before Aguinaldo as his adviser. He was Apolinario Mabini. Born of very poor parents, Inocencio Mabini and Dionisia Maranan, in Talaga, Tanawan, Batangas. Mabini studied in a school in Tanawan, then conducted by a certain Simplicio Avelino. Much later, he transferred to a school conducted by the famous pedagogue, Father Valerio Malabanan. He continued his studies at the San Juan de Letran and at the University of Sto. Tomas where he received his law degree in 1894. His dream to defend the poor led him to forsake the priesthood, which his mother wanted him to take. Early in 1896, he contracted an illness, probably infantile paralysis, that led to the paralysis of his lower limbs. When the revolution broke out the same year, the Spanish authorities, suspecting that he was somehow involved in the disturbance, arrested him. The fact, however, that he could not move his lower limbs showed the Spaniards that they had made a mistake. He was released and sent to the San Juan de Dios Hospital. Mabini, it must be noted, was not entirely free from nationalistic association, for he was a member of Rizal's La Liga Filipina and worked secretly for the introduction of reforms in the administration of government. In 1898, while vacationing in Los Baños, Aguinaldo sent for him. It took hundreds of men taking turns at carrying the hammock he was in to bring Mabini to Kawit. Aguinaldo, upon seeing Mabini's physical condition, thought that he must have made a mistake in calling for him to help him in his work. What could a man in such a condition do to help him? But when Mabini spoke, Aguinaldo's doubts vanished. There was firmness in the sick man's voice, and Aguinaldo decided to make him his trusted adviser. From then on, it was Mabini who stood behind Aguinaldo. Envious enemies called him the "Dark Chamber of the President", but his admirers called him the "Brains of the Revolution". History of the Filipino People. Teodoro A. Agoncillo --- Apolinario Mabini Born of a poor family, Apolinario Mabini was always studious. He was always sad and silent and liked to sit alone to meditate. Mabini studied at San Juan de Letran where he got his Bachelor of Arts degree and Professor of Latin. He also finished Law. He was a spokesman of the Congress, and a notary public. In early 1896, he contracted a severe fever which paralyzed him for the rest of his life. He was later called the Sublime Paralytic. Mabini was most active in the revolution in 1898, when he became the chief adviser of Gen. Aguinaldo during the revolution. He drafted decrees and proposed a constitution for the Philippine Republic. He made the plans for the revolutionary government. In 1899, he was captured by the Americans but was later set free. In 1901, he was exiled to Guam but returned to the Philippines in 1903 after agreeing to take an oath of allegiance to the US. He took his oath on February 26, 1903 before the Collector of Customs. On May 13, 1903, he died of cholera in Manila. Excerpts from Talambuhay ng mga Bayani by Rene Alba --- Apolinario 'Lumpo' Mabini y Maranan (July 23, 1864 — May 13, 1903) Apolinario 'Lumpo' Mabini y Maranan (July 23, 1864 — May 13, 1903) was a Filipino political philosopher and revolutionary who wrote a constitutional plan for the first Philippine republic of 1899-1901, and served as its first prime minister in 1899. In Philippine history texts, he is often referred to as "the Sublime Paralytic", and as "the Brains of the Revolution." To his enemies and detractors, he is referred to as the "Dark Chamber of the President." Early life of Apolinario Mabini Mabini was born on July 23, 1864 in Barangay Talaga in Tanauan, Batangas. He was the second of eight children of Dionisia Maranan, a vendor in the Tanauan market, and Inocencio Mabini, an unlettered peasant. Mabini began informal studies under his maternal grandfather, who was the village teacher. Because he demonstrated uncommon intelligence, he was transferred to a regular school owned by Simplicio Avelino, where he worked as a houseboy, and also took odd jobs from a local tailor - all in exchange for free board and lodging. He later transferred to a school conducted by the Fray Valerio Malabanan, whose fame as an educator merited a mention in José Rizal's novel El Filibusterismo. In 1881 Mabini received a scholarship to go to the Colegio de San Juan de Letran in Manila. An anecdote about his stay there says that a professor there decided to pick on him because his shabby … [Read more...]
15th Cavalry Regiment Distinctive Unit Insignia Description A Gold color metal and enamel device 1 1/8 inches (2.86 cm) in height overall consisting of a shield blazoned: Per fess Gules and Argent in chief a lion passant Or and in base a kris and kampilan saltirewise Sable fimbriated Or. Attached below and to the left of the shield a Gold turning scroll inscribed "TOUS POUR UN" in Red letters. And attached below and to the right of the shield a Gold turning scroll inscribed "UN POUR TOUS" in Red letters. Symbolism The red and white divided shield represents the old Cavalry guidon. The regiment saw good fighting in the Philippines as indicated by the crossed kris and kampilan of the Moro and Lake Lanao campaigns. In the war with Germany, the regiment was in France in the vicinity of Bordeaux and the golden lion is taken from the arms of that city. The translation of the motto "All for one, one for all" is indicative of the spirit , which has made the regiment. Background The distinctive unit insignia was originally approved for the 15th Cavalry on 6 April 1935. It was redesignated for the 15th Cavalry Reconnaissance Squadron, Mechanized on 10 November 1944. It was redesignated on 21 January 1948, for the 15th Constabulary Squadron. The insignia was redesignated for the 15th Cavalry on 28 November 1958. It was redesignated for the 15th Armor on 13 November 1963. The distinctive unit insignia was redesignated for the 15th Cavalry on 2 August 1968. The insignia was amended to correct the description on 4 October 2002. Coat Of Arms Blazon Shield Per fess Gules and Argent in chief a lion passant Or and in base a kris and kampilan saltirewise of the first hilted Sable. Crest On a wreath of the colors Argent and Gules a setting sun behind "the Golden Gate" all Proper. Motto TOUS POUR UN, UN POUR TOUS (All For One, One For All). Symbolism Shield The red and white divided shield represents the old Cavalry guidon. The regiment saw good fighting in the Philippines as indicated by the crossed kris and kampilan of the Moro and Lake Lanao campaigns. In the war with Germany, the regiment was in France in the vicinity of Bordeaux and the golden lion is taken from the arms of that city. The translation of the motto "All for one, one for all" is indicative of the spirit , which has made the regiment. Crest The "Golden Gate" is the portico called "through the portals of the past" which is now in Golden Gate Park, San Francisco. It was one of the few things left standing after the fire of 1906 and was removed and reerected as noted. The birthplace of the regiment is indicated by the crest. Background The coat of arms was originally approved for the 15th Cavalry on 2 November 1921. It was redesignated for the 15th Cavalry Reconnaissance Squadron on 10 November 1944. It was redesignated on 21 January 1948, for the 15th Constabulary Squadron. The insignia was redesignated for the 15th Cavalry on 28 November 1958. It was redesignated for the 15th Armor on 13 November 1963. The coat of arms was redesignated for the 15th Cavalry on 2 August 1968. … [Read more...]
112 Military Police Battalion Distinctive Unit Insignia Description A silver color metal and enamel device 1 1/8 inches (2.86 cm) in width consisting of a red and blue arrowhead surmounted by a spearhead of white affixed to a green shaft; overall two silver color metal Barongs in saltire. Attached below the device a silver metal scroll inscribed “GUARDIANS OF HONOUR” in black letters. Symbolism The arrowhead alludes to New Guinea, World War II. The spearhead, representative of the arrowhead on the campaign streamer, is indicative of the Battalion’s participation in the assault landing on New Guinea. The crossed Barongs refer to service in the Philippines, World War II. The colors red, white, and blue represent the Philippine Presidential Unit Citation awarded the unit for service in World War II. The blue area is also commemorative of the Distinguished Unit Citation awarded the Battalion. The green is the color of the Military Police Corps. The upright position of the spear further alludes to the capabilities of the Battalion in their current mission. Background The distinctive unit insignia was approved on 13 December 1968. Coat Of Arms Blazon Shield Or, an arrowhead point up per pale Gules and Azure surmounted by a spear, palewise point to chief Vert fimbriated Argent barb of the last, overall a pair of Barongs in saltire of the like, all within a bordure Green. Crest That for the regiments and separate battalions of the Mississippi Army National Guard: From a wreath Or and Vert, a slip of magnolia full flower with leaves Proper behind a trident Sable. Motto GUARDIANS OF HONOUR. Symbolism Shield The arrowhead and spear, representative of the arrowhead on the campaign streamer, is indicative of the Battalion’s participation in the assault landing on New Guinea during World War II. The crossed Barongs refer to service in the Philippines, World War II. The colors red, white, and blue represent the Philippine Presidential Unit Citation awarded the unit for service in World War II. The blue area is also commemorative of the Presidential Unit Citation awarded the Battalion. Green is the color of the Military Police Corps. The upright position of the spear further alludes to the capabilities of the Battalion in their current mission. Crest The crest is that of the Mississippi Army National Guard. Background The coat of arms was approved on 26 January 1998. The insignia was amended to correct the spelling of the motto on 29 January 2009. … [Read more...]
138 Signal Battalion Distinctive Unit Insignia Description A silver color metal and enamel device 1 1/8 inches (2.86cm) in height overall consisting of a shield emblazoned: Per pale Tenné and Sable, a pile between a mullet of eight points and three kampilans bendwise in pale Argent. Attached below the shield a silver motto scroll inscribed "SUCCESS OF COMMAND" in black letters. Symbolism Orange and white are the colors used by the Signal Corps. The three kampilans represent the unit’s campaign service in the Philippines and the star is for the award of the Philippine Presidential Unit Citation. The searchlight in center suggests one of the functions of the unit. Background The distinctive unit insignia was approved 20 Feb 1962. Coat Of Arms Blazon Shield Per pale Tenné and Sable, a pile between a mullet of eight points and three kampilans bendwise in pale Argent. Crest That for the regiments and separate battalion of the Indiana National Guard: On a wreath of the colors, Argent and Tenné, a demi-lion rampant Argent, holding in dexter paw a laurel branch Vert. Motto SUCCESS OF COMMAND Symbolism Orange and white are the colors used by the Signal Corps. The three kampilans represent the unit’s campaign service in the Philippines and the star is for the award of the Philippine Presidential Unit Citation. The searchlight in center suggests one of the functions of the unit. Background The coat of arms was approved on 20 Feb 1962. … [Read more...]
Philippine Command By The Institute of Heraldry Shoulder Sleeve Insignia Description On a blue oval 2 1/2 inches in length by 2 inches in width a white sea lion brandishing a sword in its right paw. Symbolism The sea lion is from the coat of arms of Spain (Aragon) and suggest the Spanish heritage as well as the maritime nature of the area where the command was operational. Background The insignia was originally approved for the Philippines Department on July 8, 1922. It was redesignated for the Philippines-Ryukyus Command on August 14, 1947 and redesignated for the Philippines Command on August 1, 1949. (TIOH Drawing Number A-1-54) … [Read more...]
U.S. Army: 11 Infantry Regiment Distinctive Unit Insignia Description A silver color metal and enamel device 1 1/8 inches (2.86cm) in height overall consisting of a shield blazoned: Azure, Satanta's arrow in fess Argent between in chief a castle Or in base a kampilan and bolo in saltire of the second hilted of the third. On a chief embattled of the second a cross Gules. Symbolism The symbolism is that of the coat of arms. Background The distinctive unit insignia was approved on 28 Mar 1923. Coat Of Arms Blazon Shield Azure, Satanta's arrow in fess Argent between in chief a castle Or in base a kampilan and bolo in saltire of the second hilted of the third. On a chief embattled of the second a cross Gules. Crest On a wreath of the colors a fusil Gules bearing a cross patée Argent charged with an acorn of the first. Motto SEMPER FIDELIS (Always Faithful). Symbolism The shield is blue for infantry. Service in the Spanish War is shown by the castle and in the Indian Wars by Satanta's "arrow." The most important Indian campaign of this regiment was against the Kiowas, Comanches and Cheyenne in 1874. Satanta was a noted Kiowa chief who died just previous to this campaign. His "arrow" was really a spear with feathers on the end and a handle. The kampilan and bolo represent engagements against the Moros of Mindanao and the Filipinos of the Visayas. Service in the World War is shown by the chief bearing the cross of the ancient Lords of Dun to commemorate the crossing of the Meuse at Dun. The embattled partition represents the siege of Chattanooga in 1863. The crest consists of the Civil War badges of the 1st Division, 14th Army Corps and 2d Division, 5th Army Corps, and the World War 5th Division shoulder sleeve insignia. Background The coat of arms was approved on 12 Oct 1920. … [Read more...]
Katipunero: Emilio Jacinto. Revolutionary and writer. Emilio Jacinto y Dizon was considered as one of the greatest military genius during his time. He was very close to Andres Bonifacio. Like Bonifacio, Emilio also comes from a poor family. He was born in Trozo, Manila on December 15,1875. His parents were Mariano Jacinto and Josefa Dizon. Despite being orphaned, he managed to send himself to Colegio de San Juan de Letran. He was also able to study law at the University of Santo Tomas although he was not able to finish it because his Spanish classmates often abused him. Emilio was only 19 when he joined the Katipunan. He was known as the brains of the Katipunan when it comes to military matters. His book entitled Kartilya was the one used by the Katipuneros as their guide in fighting the Spanish colonizers. It contained the constitution and by-laws ofthe Katipunan. Reading books was one of Emilio's greatest passions. One of his favorite books was the one about the French Revolution. He also has in his collection a book on how to make gunpowder and dynamite. He also learned quite a few things about the art of war, military strategies and ways of making weapons of war. --- Emilio Jacinto – Utak ng Katipunan Si Emilio Jacinto ay anak nila Mariano Jacinto at Josefa Dizon. Namatay agad ang kanyang ama ilang sandali lamang matapos na siya ay isilang na nagtulak sa kanyang ina na ipaampon si Emilio sa kanyang tiyuhin na si Don Jose Dizon upang magkaroon ng magandang buhay. Si Emilio ay bihasa sa pagsasalita ng Tagalog at Kastila pero mas gusto niya ang Kastila. Siya ay nag-aral sa Kolehiyo ng San Juan de Letran at nang maglaon ay lumipat sa Pamantasan ng Sto. Tomas para mag-aral ng batas. Hindi niya natapos ang kurso at sa edad na 20 ay sumapi siya sa isang sikretong samahan na ang pangalan ay Katipunan. Nang mamatay si Bonifacio, ipinagpatuloy ni Jacinto ang paglaban sa mga Kastila bagamat hindi siya sumali sa puwersa ni Aguinaldo. Namatay si Emilio Jacinto sa sakit na malaria noong Abril 16, 1899 sa Majayjay, Laguna sa edad na 23. Dr. Jose Rizal and Marcelo H. Del Pilar inspired him to be a good writer during his time. He used Dimes Haw as his pen name. He also wrote A la Patria, which he based from Dr. Jose Rizal's Mi Ultimo Adios. He was seriously injured in one bloody encounter that resulted to his death on April 16,1899 in Majayjay, Laguna at a young age of 24. Known as the "Brains of the Katipunan", Emilio Jacinto was born in Trozo, Tondo, Manila, on Dec 15,1875. He was the son of Mariano Jacinto and Josefa Dizon. He was fluent in both Spanish and Tagalog, but he spoke more in Spanish. He studied in the Universidad de Santo Tomas, but did not finish college and at 20 joined the Katipunan. Because he was very brilliant, he became the advisor on fiscal matters and secretary to Andres Bonifacio. He also edited and wrote for the Katipunan newspaper "Kalayaan"--Freedom in Tagalog. He wrote in the newspaper under the pen name Dimasilaw, and in the Katipunan he was called Pingkian. Emilio Jacinto was the author of the Kartilya ng Katipunan. After Andres Bonifacio's death, he continued fighting the Spaniards. The appointment paper of Emilio Jacinto as commander-in-chief of the revolutionary forces north of Manila, signed by Andres Bonifacio as “Pangulo ng Haring Bayang Katagalugan.” The letterhead cites Bonifacio as having founded the Katipunan and initiated the revolution. (ENE Collection) … [Read more...]
Watawat recalls the creation of the Philippine flag Also entered were actors James Blanco Carlos Morales and the appropriate-produced films. And not just ordinary this movie in terms of genre because it is a period movie titled Flag. Aside from being executive producers Carlos and James Flag, they also perform in the film as the Philippine national heroes. General Emilio Carlos plays Aguinaldao, while James also plays the role of Andres Bonifacio. From Ghalaxy Cinecilio Pictures and Film Productions, the film said the film debut of first-time director Dave Cecilio and two of them Deo Divinagracia the creation of stories. Features in this period film about the creation of the Philippine flag and how it became part of Philippine history. The other cast members of film were Chin-Chin Gutierrez, FAMAS awardee, Mercedes Cabral, Kisza Divinagracia. Those three women performing naghabi of the first flag of the Philippines. Among the cast as well as the flag were Monsour del Rosario, Justin Cuyugan, Mosang, Dan Fernnadez, Angie Ferro, Nathan Lopez, Maricar Madrid, Mara Lopez, Gigi Pirote, Dick Lindayag, Herminia Concpecion, and Fria Rivas. On December 12, 2009 had a trial screening at the University of the Philippines Baguio. Although the film is still raw pina preview it there, as requested. January 2010 now officially start actually present at screenings and walks of people in the movie production. Among the schools and universities is the Baguio Colleges Foundation, University of Baguio, UP Baguio, University of Cordillera, STI College, Colleges Data Center, St. Louis University, etc.. If you can not change the schedule, the target is screening this January 15-21 in Olongapo City area and also OCNHS Like the fourteen (14) public elementary and high schools in Sta.Rita and Subic, etc. Theater SUMVAC held it in Subic Freeport Zone. In February, it also targets to tour Bohol and Nueva Ecija, in March in Cebu and Davao and international screenings also plans soon. Synopsis: This is a journey in the past. The Flag (Flag) is pagsasapelikula a part in the history of the Philippines at the time made the symbol of freedom for the declaration of the First Republic the country. Symbol generated in an effort by Doña Marcela Agoncillo (Chin Chin Gutierrez) based on the request of General Emilio Aguinaldo (Carlos Morales) to create colors. They did it while they live in Hong Kong was caused by the occupation of Spain. There are five days Mrs. Marcela hinahabi also the standard, a partner with his son Enchang (Kisza Divinagracia) and Delfina Natividad (Mercedes Cabral). Obrang generated here represent a shape, color, and the image of courage and truth behind the efforts to achieve a desired freedom. Source of multicolor colors. Red, blue, black white and yellow. Taut the outbreak of the Association was against the repressive foreigners. Became the leader of the revolt were Dagohoy and Diego Silang until developed by Andres Bonifacio (James Blanco) the Katipunan. Also resulted in agreement by Aguinaldo Pakto of Biak-na-Bato the revolution. The eight rays of the sun in eight provinces also felt the first revolt. In Kawit, Cavite on June 12, 1898 was a historic wave of the official flag of the First Republic. This occurred in the middle window of the home of General Aguinaldo. It became the day of full independence. But more followed this revolution against the Spaniards, Americans and other war since switching Dr. Jose Rizal and the Supremo. Many of the historical truth and reveal it tumutulay present. Mute-witness piece of cloth on real events and was even now. Thy banner will continue to shine while gentle people continued to acknowledge its importance. Production staff: Story by Deo Divinagracia and Dave Cecilio Director of Photography: Marvin Reyes Music by Miguel Cortez Wild Sound Sound by AMI Edited by Thop Nazarene, wardrobe by Ronnie Martinez Assistant Directors were Danseco Cicero, Deo Divinagracia, Edmund Mijares, Alex Brin, Ricci Rono, and Carlos Morales. Production Manager: Christopher Manabal, Assistant Production Managers: Kemuel Nini Santos Cruz Executive Producers: Carlos Morales and James Blanco DIRECTOR'S PROFILE: The Director Dave Cecilio was born in Paranas, Samar on March 6, 1972. Native of Bacoor, Cavite City, he was a child and Nora by Cecilio Cecilio Domingo. Among his professional qualifications are as follows: Filmmaker and Writer at the International Academy of Film & Television, Big Foot Entertainment, Hollywood Boulevard (Mactan Lapu-lapu City, Cebu). He was also a TV commercial director, worked at the International Institute for Film & Arts (IIFA) in Makati City. He was also a registered nurse, became a product specialist, former teacher and professioanal medical representative, gained him many kunsaan honor in this field. Among its basic video editing … [Read more...]
Thousands of years ago, the ancestors of the Filipino people, the Austronesian speaking people traveled from the Asian mainland by land bridges across the continental shelf to the South East Asian archipelago. They then sailed onward to as far East as Polynesia, and as far West as Madagascar, aboard the ancient vessel: the Balangay. The Kaya ng Pinoy Inc., launches an exciting, new undertaking that will retrace the migration of our ancestors across the oceans using only the native Balangay, built faithful to the craftsmanship and materials used during the ancient times. Navigation will also remain accurate to the method that was used by the earliest mariners - steering by the sun, the stars, the wind, cloud formations, wave patterns and bird migrations. What is the Balangay? Early Filipinos were a people of the sea, living in coastal villages or near rivers. Boats were linked to many aspects of Filipino life: fishing, trade, warfare, piracy (trade-raiding for goods and slaves), travel, communication, and dwelling. The Balanghai or Balangay or Butuan Boat is a plank boat adjoined by a carved-out plank edged through pins and dowels. It was first mentioned in the 16th Century in the Chronicles of Pigafetta, and is known as the oldest Pre-Hispanic watercraft found in the Philippines. The first wooden watercraft excavated in Southeast Asia, the Balangay is only found in the Philippines where a flotilla of such prehistoric wooden boat exists throughout the world. Nine specimens were discovered in 1976 in Butuan City, Agusan Del Norte, Mindanao and 3 of which have been excavated. Examination and extensive investigation reveals that the extant boats found in the excavation site date back to 320, 990 and 1250 AD. The finely built boat, made without the use of blueprints but was taught from one generation to another, uses a technique still used by boat makers of Sibutu Island. Made 15 meters long and 3 to 4 meters wide, the Balangay is propelled by sail of buri or nipa fiber or padding and is large enough to hold 60 to 90 people. With the Balangay's size, it was used for cargo and raiding purposes, giving proof that Butuan played a central role in trade. http://www.balangay-voyage.com/index.php … [Read more...]
Guro Arnold, Guro Bud and Guro Dino, along with members of the adult and youth class of the Kali Klub, performed a demonstration of the Warrior Arts of the Philippines at LA City Hall for this unprecendented and historic event. Monday, August 5th, 2002 City of Los Angeles dedicates Historic Filipinotown By Elson Trinidad The cathedral-like chambers of the Los Angeles City Council erupted in a chorus of "Mabuhay!"s on the morning of Friday, August 2nd as the city formally recognized the heart of its Filipino-American community, known as "Historic Filipinotown." Over 100 community leaders, city workers, war veterans, students and residents of Filipino descent - many dressed in bright, traditional barongs - gathered at City Hall in Downtown Los Angeles to witness the dedication of a designated Filipino community in the ever-diverse City of Angels, bordered by Hoover Street, the 101 Freeway, Glendale Boulevard and Beverly Boulevard, located just west of Downtown. Los Angeles city councilman Eric Garcetti, whose district includes Historic Filipinotown, briefly ran down the history of Filipinos in Southern California from the 1587 landing of Manilamen in Morro Bay to earlier incarnations of Filipino districts in L.A. since the turn of the 20th century. "We celebrate today the fact that Filipinos have a historic home, a heart for their community, a place where all Filipinos are welcome, and will continue to prosper and flourish," said Garcetti. Flanked by several members of the Filipino community, Garcetti unveiled an eight-foot long blue sign that bore the name of the newly-dedicated district, which prompted fellow councilman Tom LaBonge to quip, "This is the longest sign in the history of the city of Los Angeles!" The first sign will be installed on Thursday, August 8 at the intersection of Temple Street and Union Avenue during a 9 a.m. dedication ceremony. Garcettiís predecessor Jackie Goldberg, now a California state assemblywoman, vowed that she would use her influence to have signs placed on the 101 Freeway directing motorists to Historic Filipinotown. Garcettiís staff organized the year-long project to create a Filipinotown, which involved the cooperation of non-profit agencies such as Filipino-American Service Group, Inc. (FASGI), Search to Involve Pilipino Americans (SIPA) and local residents and businesses, both Filipino and non-Filipino. According to George Villanueva, a Filipino-American who works under Garcetti as a community organizer, one of the reasons for the formation of Historic Filipinotown was to help stimulate the development and vitality of Filipino-American businesses in the area. The dedication ceremony was not only a chance for civic officials to applaud the contributions of Filipinos to Los Angeles and America as a whole, but for the leaders of the cityís Filipino community to express pride for their newly-recognized district in front of L.A.ís top politicos. "A Filipina-Australian tourist visiting town once asked me where Temple Street was," said community leader Jocelyn Geaga-Rosenthal, "She said, ëYou know, where all the Filipinos are.í" Geaga-Rosenthal, a one-time candidate for the California state assembly, also noted that the occasion would have also been a proud moment for her late mother, Remedios Geaga, who herself was a community leader in L.A.ís Filipinotown. "I hope to one day see Filipino-Americans sit within those chairs," said Joe Abella, another community leader, who also co-founded SIPA, pointing to the dignified, horseshoe-shaped table where the members of the city council are seated. One such Filipino-American elected official in Southern California, Tony Cartagena, mayor of Walnut, said, "This is a very significant occasion, itís a special day for each and every Filipino and Filipino-American...we feel like we are part of [the city] now. A brief ceremony hosted by Ed Ramolete and Jing S.J. Vida soon followed in the city hall rotunda where Garcetti and Los Angeles mayor James Hahn addressed the crowd. "Filipinos are one of the strongest ethnic communities in Southern California," said the mayor, decked in a white barong Tagalog, "this is long overdue." The mayor also commended the valor and efforts of Filipino-American World War II veterans, which filled the dimly-lit tile halls with applause and cheers. After he spoke, several attendees used Hahnís presence as an opportunity to have their photo taken with the mayor. Garcetti added that disunity in the Filipino community was the primary reason why the road to a recognized Filipinotown district was long and hard. "This is the first step in creating unity. We have not arrived, we have only begun," said the councilman. An unprecedented display of unity was demonstrated at a town fiesta-like lunch reception outside in the city hall courtyard where nearly every local Filipino restaurant collectively donated food for the event. As members of the community … [Read more...]
The Nikki Coseteng Filipiniana Series "Sinaunang Habi: Philippine Ancestral Weave" by Marian Pastor-Roces Photographs by Dick Baldovino and Wig Tysman Published by Anna Dominique "Nikki" Coseteng ABOUT THE BOOK "Sinaunang Habi's first edition was published in 1991, and reprinted in 2000. It has become a sought-after book in the international circuit of textile connoisseurs of indigenous traditions. This unique book gives us not only a rich collection of haberdashery imbued with artistry and beauty, but also a rich insight into the different ethnic groups in the Philippines. The extensive and informative essays provide a historical and anthropological background on the indigenous people inhabiting each region. The clothing silently but expressively speaks of a nation's unique cultures, customs, ceremonial life, rituals, and practical needs, lending beauty to handcrafted objects while continuing age-old traditions." … [Read more...]
Brisbane Stick fighting is a regular gathering of martial art practitioners interested in developing their stick fighting ability within a safe informal atmosphere. The current group is made up of a guys from different backgrounds each bringing their own different abilities and experiences into the sparing, with a variety of ages, nationalities and styles, the differences in fighting styles has proven to bring more out of us. We have previously discovered sparring with the same opponent over time can become predictable as each players learns instinctively the other players patterns of motions or tells. By bringing in new sparring partners we seek to avoid falling into the same old patterns, so that we can learn to flow or break the flow of our opponent, overcoming them no matter their size, strength or fighting ability. Visit the website @: http://www.brisbanestickfighting.com/index.html … [Read more...]
Friday, July 1, 2011 at 7:00pm - July 2 at 6:00pm Lameco Arnis Club Königsberger Strasse 6, 1ter Stock Frankfurt am Main, Germany Mit Lameco Guro Dino Flores wird uns ein weiterer Lameco Sulite Orehenal Group Member in Frankfurt besuchen!! Zum ersten Mal in Deutschland wird Kali Ilustrisimo von einem langjährigen Schüler von Punong Guro Edgar G. Sulite und Master Christopher Ricketts vorgestellt. Punong Guro Edgar G. Sulite und Master Christopher Ricketts sind 2 der 5 Pfeiler des Kali Ilustrisimo (5 Pillars : Grandmaster Tony Diego, Master Yuli Romo, Master Christopher Ricketts, Master Rey Galang and the late Punong Guro Edgar Sulite) Eine Gelegenheit dieses einmalige klingenbasierte System in Deutschland zu lernen, die man sich nicht entgehen lassen sollte!!! Lameco - WORKSHOP DATUM: Freitag 01.07.2011 ZEIT: 19:00 bis 22:00 ORT: Lameco Arnis Club Frankfurt, Königsberger Strasse 6, 1ter Stock, 60487 Frankfurt/Main PREIS: 35€ Kali-Ilustrisimo -SEMINAR DATUM: 02.07.2011 ORT: Lameco Arnis Club Frankfurt, Königsberger Strasse 6, 1ter Stock, 60487 Frankfurt/Main ZEIT: 10:00 bis 13:00 & 14:00 bis 18:00 PREIS 65€ http://www.lameco-arnis.de/ … [Read more...]
Guro Dino Flores Ilustrisimo, Lameco Seminars May 14th and 15th Brisbane Australia Southside Arnis Escrima Club is honored to be hosting Guro Dino Flores Seminars in Brisbane, Australia. The seminar will be on the highly respected Filipino Martial Systems of Kalis Ilustrisimo and Lameco. Details as follows: 1st available session Friday the 14th of May at 6pm in the Martial Arts Hall of the Sports Centre at University of Queensland St.Lucia Brisbane. The building closes up at 9pm so plan to arrive at around 5:30pm so we get a full 3 hour session in. Saturday 15th May in the same building but a different room (Multi Purpose Room) starting at 10:30am going for 3 hours. The prebooked price will be $65 per person per day. At the door price it will be $70 per person per day. Please contact me via email on alan.mcfarlane.beae@hotmail.com or Mobile (In Australia) 0466 442 913 if you wish to attend or if you have any enquiries. Again please contact me via email on alan.mcfarlane.beae@hotmail.com or Mobile (In Australia) 0466 442 913 if you wish to attend or if you have any enquiries. Last edited by Alan McFarlane; 04-22-2010 at 12:07 AM. … [Read more...]
This article was brought to our attention by Guro Hospecio "Bud" Balani, Jr. As it turns out both his father, Hospecio Balbuena Balani, Sr., and his uncle, Martin D. Balbuena, were both members of the Regiment. He also had numerous uncles in the Regiment but to get their names, he'd have to dig deep into the darkest recesses of his mind, and it might get ugly in there. From what he understands, "The United States wanted to be at Regiment strength so they eventually merged the three Battalions into one unit and formed the 1st Filipino Regiment (keeping the First Unit's Patch). Regiments are two or more Battalions, Battalions are three or more Companies. Companies are three or more Platoons. Platoons are three or more Squads. Squads are nine strong. These are just rough estimates. Also, any unit with the spelling of "Philippines" were US Army units that were recruited in the homeland. There were many Philippine Scout units, all in the Philippine islands. Any unit with the spelling of "Filipino", was a unit formed in the United States, with the only units being Laging Una, Sulong and Bahala Na." Saturday, August 14th, 2004 The 1st and 2nd Filipino Infantry Regiments By David T. Vivit, 1LT, AUS (Ret) Laging Una - Sulung The 1st & 2nd (Laging Una - Sulung) Filipino Infantry Regiments were units of the Army of the United States (AUS) inducted into service during World War II. They were wholly manned by Filipino citizens in this country and Hawaii and officered by both Filipinos and Americans, the only non citizen units in the American Citizen Army. They were similar to the Philippine Scouts in that the latter were also wholly manned by Filipino citizens with both Filipino and American officers, but the similarities ended there. The Scouts were professional soldiers in the Philippine Department of the United States Regular Army (USA). Most of the men were married and enjoyed a high economic and social status in the Philippines in contrast to the mostly single discriminated against (in the U.S.) "laborers" and students of the Filipino Regiments. Each group of Filipino soldiers played important but different roles in World War II. After the Japanese sneak attack on Pearl Harbor and Clark Field, Filipinos in the U.S. and Hawaii rushed to Army Recruiting Stations to enlist only to be rejected because they were not (US) citizens (Filipinos were not eligible for U.S. citizenship before the war). As residents, however, they were registered under the Draft Law, and when the first Filipino Battalion was activated in San Luis Obispo, California in April 1942, they "volunteered" for the draft instead of waiting for their call. This unique unit was to spearhead MacArthur's liberation forces when he returned to the Philippines. But the military authorities made a great miscalculation! In three months the 1st Filipino Battalion became the 1st Filipino Regiment, activated in Salinas on July 13, 1942 and on October 14th of the same year the 2nd Regiment was activated at Ft. Ord, bringing together a fighting force of more than 7,000 men. If created earlier, the Battalion very well could have become a Division. By the time it was activated hundreds had already joined the Navy and Army Air Corps. With an average age of over 30, they more than made up this overage by their spirit and enthusiasm. In no other units of the AUS in WWII, including the much publicized 442nd Regimental Combat Team (NISEI), was the motivation greater and the morale higher than in the 1st & 2nd Filipino Regiments. About the end of 1942 and in early 1943, these Filipino soldiers became American citizens under a new U.S Naturalization Law in mass oath taking ceremonies which made headlines throughout the country. After two years of intensive training in California without a single Court Martial case, these units went to New Guinea to prepare for their landings in the Philippines. Here the 2nd Regiment was split up into the Counter-Intelligence Units (CIC), the Alamo Scouts and the Philippine Civil Affairs Unit (PCAU) all of which played important roles during the liberation. The 1st Regiment remained intact as a combat team but for some unknown reason was not with the initial landing forces in Leyte. Instead it was relegated to the minor (but more dangerous against a fanatical enemy) role of mopping-up operations in Samar and Leyte. In accomplishing this difficult mission with minimum casualties, it earned the reputation of being the "most decorated regiment in the Pacific". It remained for a "child" of the regiments, 1st Reconnaissance Battalion (Bahala Na) known only as "commandos" in the Philippines, whose operations during the occupation had been kept secret until recently, to really "spearhead MacArthur's return to the Islands." But this is a story in itself. More significant than their military feats was their accomplishments in the field of romance. These gallant soldiers literally chased the shy, coy and above … [Read more...]
Movie: Amigo (2010) Amigo is a 2010 American drama film written and directed by John Sayles. The film takes place in the Philippines in 1900 during the Philippine–American War. It is one of only a small handful of films directed by an American to address the war. Plot Amigo centers on Rafael Dacanay, cabeza of the barrio of San Isidro in a rice-growing area of Luzon. His brother Simón, head of the local guerilla band, has forced the surrender of the Spanish guardia civil outpost and charged Rafael with the task of imprisoning the guardia Captain and the barrio’s Spanish friar, Padre Hidalgo, in the name of the revolutionary government. But when the American troops chasing General Aguinaldo arrive, the Spanish officer and Padre Hidalgo are freed, and a garrison under the command of Lieutenant Ike Compton is left to ‘protect’ the barrio. The American occupation policy now changes from ‘hearts and minds’ to ‘concentration’ (what was called ‘hamletting’ during the Vietnam war) and Rafael has to answer to both the Americans and the Filipino patriots, with deadly consequences. Cast • Chris Cooper as Col. Hardacre • Garret Dillahunt as Lt. Compton • DJ Qualls as Zeke • Yul Vàzquez as Padre Hidalgo • Joel Torre as Rafael • Lucas Neff as Shanker • James Parks as Sgt. Runnels • Dane DeHaan as Gill • Stephen Taylor as Pvt. Bates • Rio Locsin as Corazon • Jemi Paretas as Zuniga • Bill Tangradi as Dutch • Bembol Roco as Policarpio • Ronnie Lazaro as Simon • Irma Adlawan as Josefa Press Cinematical reports that the film was once titled Baryo, and that the idea for it came from a yet-to-be-published novel Some Time in the Sun, detailing U.S. imperialism in the Philippines. The book will actually be called A Moment in the Sun, though the unrealized screenplay which inspired it was called Some Time in the Sun. Distribution Amigo will show on September 14 at the 2010 Toronto International Film Festival. It will also screen at the San Sebastián International Film Festival and the Rio de Janeiro International Film Festival. In North America, the film will be released on August 20, 2011 by Variance Films. From Wikipedia … [Read more...]
Guro Dino of the Mandirigma Research Organization met Professor Angel Postigo and his father on one of his many business trips to Los Angeles from Mexico. Professor Postigo is a person with a very impressive resume in the warrior arts and journalism, among other things, having written for Artes Marciales, Katana, Kung Fu Magazine, Legitima Defensa and National Sports Directory of Mexico. They found that they both have a passion for history and its relationship to the warrior arts. Some of the discussions they had concerned the connections between the Philippines and Mexico for hundreds of years. Professor Postigo felt that mandirigma.org would be an excellent venue to present his articles of this often overlooked relationship between the Philippines and Mexico in history. Quoting Professor Postigo, "The reason why I am interested in working with "mandirigma.org" is to showcase my work as a writer interested in disseminating and spreading the culture of the Martial Arts of the Philippines, work that I have done in several Mexican magazines." Friday, October 12th, 2007 The Two Conquests By Angel Postigo Suddenly, the ascent they had begun at the beach, finally ended. Thousands of miles behind, their guides had led them to cross between those two volcanoes, the Popocatepetl and the Iztacihuatl. Standing in the snow, those iron men and their heraldic horses had that spectacle at their feet: beyond this wooded spot of splendid beauty, far beyond, into those mountains, a wide green valley was extended, and in the center the lakes shined like silver, and above the islands and the banks, those citadels with plazas and wide roads, the high roofs of its temples upon splendid hand-painted pyramids, and the woods and great fields full of exotic plants that enlightened those magic days of autumn. For the first time, western men looked at that wonderful landscape, as if painted on the evening air, and their eyes glowed as they contemplated the plain and remembered the gold and sacred feathered presents they had been offered as a plead to retire, to stay away. Cortes and his soldiers had started the advance to that plain, to Tenochtitlan, and the battles were about to begin. The great lord of the empire, Moctezuma II, intelligent and educated man, though deeply superstitious as most of his people, knew that his kingdom had come to its end. The news had spread as a desperate scream: Quetzalcoatl has returned, the Serpent God that promised to return in the year one, Acatl (1519), the prophecies are fulfilled now, the white-skinned bearded God has returned. Moctezuma knows a battle against a God is impossible, he has to have the help of other gods in order to save his nation. Being Cortes an extremely skillful politician and warrior, he perceives the rivalries between the different towns, and above all, the exacerbated hate against the Mexicas and their Aztec empire. Cortes returned to Tenochtitlan, not before suffering a defeat known as the Sad Night, when fallen and surrounded he was spared as many soldiers thanks to the tradition of not killing the enemy, just defeating them to take some prisoners for the ritual sacrifices. According to the number of prisoners, those warriors, Eagle men and Jaguar men, ascended in their military ranges. They were true conquerors who went further their frontiers of Guatemala, but their conquest had seeded rancor against the Aztec empire. Their armies were the best armed and trained. They had a regular troop, Yaoquizquel, and a lower but considerable number of noble warriors, Pipiltin, who belonged to a society known as the Eagle men, Quauhtin, and Jaguar men, Ocelomeh. Their elegant clothing had the skins of those felines and the feathers of those sacred birds. They were the sons of nobles who went to the Calmecac to receive military and cultural education, they learned astronomy, rhetoric, poetry, but above all, religion, and their status was well established, and how they could ascent according to their bravery, but above all, to the number of prisoners caught in battle. The Tlamani were the ones in charged of guarding the prisoners. This noble warriors, elegantly dressed, had as their main weapons the Macuahuitl, a kind of long club with sharp obsidian points, a round shield made of leather named Chimalli, an arc known as Tlauitolli, and a throwing spear, Atlatl. As he walks through many different spots of this empire, Cortes realizes the situation. In some places he has battles, but in others he comes to agreements easily, accomplishing an alliance in the first year of his arrival, and after establishing the Villa Rica de la Vera Cruz. One of the alliances was with the Zapoteca people, and afterwards, with others oppressed by the Aztec empire, the Texcocanos, the Huejotzincas and the Totonacas. Cortes starts his first march towards Mexico, Tenochtitlan, on August 16th, 1519, towards the heart of the empire. He has only 400 Spanish soldiers, 15 horses, 3 canons, … [Read more...]
Roland Dantes plays an avenging hero, who defeats the forces of oppression with the power of Arnis! Roland Dantes plays Ben, a farm boy who comes into conflict with the Evil Spanish Governor and his two sons. One of the sons is played by a young Dean Stockwell. To assist in their oppression the Governor hires a Samurai played by Hiroshi Tanaka to teach his son the Japanese Katana sword. To counter this, Ben studies under a blind Franciscan monk to obtain some advanced fighting secrets and develop his warrior senses. Additionally Ben must search for the legendary "Iron Reed". A mystical stick so strong that grows in the lava of an active Volcano. One of the first full length movies featuring the Philippine Warrior Arts. A must see for any Filipino Martial Arts practitioner. Made in a similar spirit of the "Kung Fu" movies coming out of Hong Kong at the same time in the 1970's. The fight scenes were choreographed by Professor Remy Presas himself and is jam packed with Arnis inspired fight scenes. Dean Stockwell learned Arnis for his role and continued his Arnis practice long after the filming was over. The success of this movie led to a follow up film "Arnis: Sticks of Death" in 1984 also starring Roland Dantes. Director: Luis Nepomuceno Country: Philippines Language: English Release Date: 1974 (Philippines) Stars: Roland Dantes, Dean Stockwell, Hiroshi Tanaka, Nancy Kwan, Guy Madison, Alejandro Rey, Gilbert Roland, Elizabeth Oropesa, Fred Galang, Gloria Sevilla, Vic Diaz, Cole Mallard … [Read more...]
Who Discovered the Philippines? PerryScope Perry Diaz, Global Balita Philippine history books have been saying that Ferdinand Magellan discovered the Philippines. But was he really the one who discovered the Philippines? Long before Magellan landed in the Philippine archipelago, visitors and colonizers from other lands had come to our shores. The earliest evidence of the existence of modern man — homo sapiens sapiens — in the archipelago was discovered in 1962 when a National Museum team led by Dr. Robert Fox uncovered the remains of a 22,000-year old man in the Tabon Caves of Palawan. The team determined that the Tabon Caves were about 500,000 years old and had been inhabited for about 50,000 years. In the late 1990s, Jared Diamond, Professor of Geography at UCLA and winner of the Phi Beta Kappa Award in Science, and Peter Bellwood, Professor of Archaeology at the Australian National University, postulated that the Austronesians had their roots in Southern China. Diamond said that they migrated to Taiwan around 3,500 B.C. However, Bellwood believed that the Austronesian expansion started as early as 6,000 B.C. Around 3,000 B.C., the Malayo-Polynesians — a subfamily of the Austronesians — began their migration out of Taiwan. The first stop was northern Luzon. Over a span of 2,000 years, the Malayo-Polynesian expansion spread southward to the rest of the Philippine archipelago and crossed the ocean to Celebes, Borneo, Timor, Java, Sumatra, Malay Peninsula, and Vietnam; westward in the Indian Ocean to Madagascar; and eastward in the Pacific Ocean to New Guinea, New Zealand, Samoa, Fiji, Marquesas, Cook, Pitcairn, Easter, and Hawaii. Today, the Malayo-Polynesian speaking people have populated a vast area that covers a distance of about 11,000 miles from Madagascar to Hawaii, almost half the circumference of the world. In 2002, Bellwood and Dr. Eusebio Dizon of the Archaeology Division of the National Museum of the Philippines led a team that conducted an archaeological excavation in the Batanes Islands, which lie between Taiwan and Northern Luzon. The three-year archaeological project, financed by National Geographic, was done to prove — or disprove — the “Out of Taiwan” hypothesis for the Austronesian dispersal. The archaeological evidence that they gathered proved that the migration from Taiwan to Batanes and Luzon started about 4,000 years ago. For the next 500 years after the arrival of the Malayo-Polynesians in Batanes and Northern Luzon, native settlements flourished throughout the archipelago. The Philippine islands’ proximity to the Malay Archipelago, which includes the coveted Moluccas islands — known as the “Spice Islands” — had attracted Arab traders who had virtual monopoly of the Spice Trade until 1511. By the 9th century, Muslim traders from Malacca, Borneo, and Sumatra started coming to Sulu and Mindanao. In 1210 AD, Islam was introduced in Sulu. An Arab known as Tuan Mashaika founded the first Muslim community in Sulu. In 1450 AD, Shari’ful Hashem Syed Abu Bakr, a Jahore-born Arab, arrived in Sulu from Malacca. He married the daughter of the local chieftain and established the Sultanate of Sulu. In the early 16th century, Sharif Muhammad Kabungsuan, a Muslim preacher from Malacca arrived in Malabang in what is now Lanao del Sur and introduced Islam to the natives. In 1515 he married a local princess and founded the Sultanate of Maguindanao with Cotabato as its capital. By the end of the 18th century, more than 30 sultanates were established and flourished in Mindanao. The Sultanates of Maguindanao and Sulu were the most powerful in the region. Neither of them capitulated to Spanish dominion. Chinese traders — who were also involved in the Spice Trade — started coming to the Philippine archipelago in the 11th century. They went as far as Butuan and Sulu. However, most of their trade activities were in Luzon. In 1405, during the reign of the Ming Dynasty in China, Emperor Yung Lo claimed the island of Luzon and placed it under his empire. The Chinese called the island “Lusong” from the Chinese characters Lui Sung. The biggest settlement of Chinese was in Lingayen in Pangasinan. Lingayen also became the seat of the Chinese colonial government in Luzon. When Yung Lo died in 1424, the new Emperor Hongxi, Yung Lo’s son, lost interest in the colony and the colonial government was dissolved. However, the Chinese settlers in Lingayen — known as “sangleys” — remained and prospered. Our national hero Dr. Jose P. Rizal descended from the sangleys. The lucrative Spice Trade attracted the European powers. In 1511 a Portuguese armada led by Alfonso d’Albuquerque attacked Malacca and deposed the sultanate. Malacca’s strategic location made it the hub of the Spice Trade; and whoever controlled Malacca controlled the Spice Trade. At that time, Malacca had a population of … [Read more...]
FMA DELEGATES GRACE CBF2008 Wednesday, March 12th, 2008 FMA DELEGATES GRACE CBF2008 (LOS ANGELES – March 12, 2008) Now entering its 7th year, the Martial Arts Arena at the Cherry Blossom Festival - Southern California continues to draw a steady crowd. Taking place on April 5th and 6th in the Little Tokyo district of downtown Los Angeles, this event is FREE and is produced by a 100% volunteer team and underwritten by private donations and sponsors. Volunteers Gary Endo, Arnold A. Noche and Gary Quan have been handling their business in the "arena" since the inception of the festival at the Pasadena Convention Center back in 2002. "My involvement with this festival was an honest attempt to introduce the Warrior Arts of the Philippines to yet another audience," said Noche, a guro from Lameco SOG. "We've been blessed to have so many FMA groups come through in the past (Doce Pares, Lameco Eskrima, Modern Arnis, Pakamut, San Miguel Eskrima) but this year, we're taking it up a notch with all the mainstream exposure that we've been getting." Perhaps a "notch" is an understatement as this year's FMA portion of the festival will feature delegates from the following disciplines of the Filipino Martial Arts. In alphabetical order: Master Rick Mitchell (Balintawak Eskrima - www.worldbalintawak.com) Master Christopher Ricketts (Kali Ilustrisimo - www.ilustrisimousa.com) Master Felix Roiles (Pakamut - www.pakamut.com) Master Jose Tan (Modified Tapado - www.modifiedmartialarts.com) Guro Arturo "Dino" Flores (Lameco SOG) Guro Pedro "Pete" Israel (Harbor Kickboxing / PI Kali) Guro Willie B. Laureano (Inosanto-Laureano Pag-Kali Kali) The Martial Arts Arena will feature non-stop action from open to close. The FMA portion of the festival will take place on Sunday, April 6th at 1:00pm. Other martial arts groups scheduled to perform are as follows: Aikido Institute of America Atemi Ryu Jujitsu California Sumo Association Capoiera Batuque Center for Practical Self Defense Goltz Judo Club Grappling / MMA - Villa Park Harmony Aikido IMB Academy Jinenkan Kage No Michi Ninjutsu Krav Maga Monterey Park Karate Club Monterey Park Wu Shu New Breed - Brazilian Jiu-Jitsu Northern Shoalim Ohana Academy of Martial Arts Paramount Karate Shindo Muso Ryu Shinkendo Sityodtong/Muay Thai South Bay Self Defense Westside Kendo Tell a friend. http://www.cherryblossomfestivalsocal.org … [Read more...]
Pinoy Martial Arts on Kababayan LA As if we weren't busy enough, Guro Dino took a short break to speak with Jannelle So, host of Kababayan LA on LA 18 KSCI-TV about the Warrior Arts of the Philippines. Guro Arnold was in town briefly from Washington, DC but was heads down getting ready for the 16th Annual Festival of Philippine Arts and Culture (FPAC). Friday, September 7th, 2007 Pinoy Martial Arts on Kababayan LA "Kababayan LA," is the first and only locally produced daily show here in LA that will talk about the Filipinos – the issues that concern them, the stories that affect them. Hosted by the popular TV personality and writer Jannelle So, "Kababayan LA" features a lively mix of news, information and entertainment designed exclusively for the Southern California's large and diverse Filipino community. Each day, Jannelle talks to the most interesting and exciting personalities making news around the Filipino community. A pioneer in this industry, "Kababayan LA" is the only daily program of its kind on the air in the United States that focuses exclusively on the Filipino American community. It is featured in LA's leading Asian language television station, LA 18 KSCI-TV. "Kababayan LA," which premiered last April 24, Monday, on LA 18 and airs during the weekdays at 4:45pm following the Filipino news program, TV Patrol. You can watch Kababayan LA weekdays for the latest local and Filipino news as well as the hottest entertainment, gossip and music. You can also see them online at http://www.la18.tv. http://www.filamarts.org http://www.la18.tv http://www.la18.tv/Video.aspx?vid=af28f5e2-0d64-4ac6-a143-a8474294fb84 http://www.la18.tv/Video.aspx?vid=d3473fce-850d-4ecd-bed7-099eb41bfadb … [Read more...]
Filipino Opera “Karim at Jasmin” to Stage in Southern California Karim at Jasmin is a groundbreaking first ever in history Filipino opera with Stage Director Jet Montelibano and Set Director Gerry Bautista, big supporters of our movement whom Guro Arnold and Guro Dino have worked with on countless occasions over the past five years filming commercials and concerts. Guro Dino was initially called to just work with the cameras, props, etc., but it evolved into being the fight coordinator for the production using authentic Filipino Martial Arts and then finally, assisted by Mark Rodriguez - one of our students from the Kali Klub, to act in the key battle where Guro Dino not only gets to kill one of the major bad guys but also Karim himself. All with just one days practice. Congrats to Jet on receiving his latest award. Friday, May 25th, 2007 Filipino Opera "Karim at Jasmin" to Stage in Southern California MRG Services, Incorporated, in cooperation with the Philippine Department of Tourism is bringing "Karim at Jasmin" to Long Beach California. This original Filipino opera is a timeless story of love and intrigue and of duty and passion. It is the first and only original Filipino musical opera, written and conceptualized by Dr. Ramon Sison-Geluz, who for the past 20 years has been writing, editing, revising and polishing each scene of the opera, composing the songs and writing the lyrics as well as creating and designing the costumes for the characters. Originally staged at the Cultural Center of the Philippines on 4 November 2006, "Karim and Jasmin" will debut in the United States on Saturday, 23 June 2007 at the Long Beach Convention Center Terrace Theater with a matinee at 2:00 pm and gala premiere at 8:00 pm. The cultural extravaganza will place the Filipino opera in the mainstream entertainment scene alongside classical productions such as "Madam Butterfly" and the like. World class talents breathing life to "Karim at Jasmin" are renowned performers Anthony "Gelo" Francisco, Maria Cristina "Kit" Navarro, Bones Deoso, Luningning Buan-Manahan, Everlita Rivera-David and a host of other talented actors. Award-winning director Jet Montelibano directs. Below is the synopsis. A Juramentado (amok) disrupts the wedding of Prince Karim to Rajita in an attempt to assassinate the neighboring Heneral who is a guest at the celebration. The King, Karim's father, perishes in the struggle and festivity quickly turns into mourning. The Heneral retaliates by poisoning the lake waters that sustain the villages. The villagers, including Karim fall sick. They seek the healing powers of the Ina ng Lawa (Mother Spirit) and the Diwatas (water spirits). Prince Karim, a mortal, falls in love and later marries Jasmin, the water spirit assigned to care him. The jilted Rajita connives with the Heneral in a bid to slay Jasmin and claim Karim for herself. The Ina ng Lawa reveals to the Heneral their past relationship and his cruelty to her people but was not able to convince the Heneral to abort his plan. Without remorse for his past evil acts, he attacks Karim's kingdom. It is only during the battle, where he learns that Jasmin, whom he planned to kill for his deal with Rajita is actually his own daughter, after the Ina ng Lawa reveals the truth to him. As the Heneral sought to ask forgiveness from Jasmin, Karim, thinking that his wife was in danger, engages the Heneral into a fight where they mortally wound each other. As the smoke of war clears, the Heneral and Karim lay dying. Over their bodies, Jasmin vows to pursue peace for the future of the baby she is carrying in her womb. Tickets to the opera are available at Ticketmaster at $50 and $65. For more information, visit the opera website at www.karimatjasmin.com. … [Read more...]
AN UNTOLD TRIUMPH AN UNTOLD TRIUMPH SELECTED FOR NATIONAL PRIMETIME BROADCAST ON PBS HONOLULU/WASHINGTON D.C. - The filmmakers of the award-winning documentary, AN UNTOLD TRIUMPH, which tells the story of the U.S. Army's 1st and 2nd Filipino Infantry Regiments, have just received word that PBS has accepted the film for its national primetime schedule. PBS has scheduled the documentary to air on Memorial Day, May 30, 2005 at 10:00 PM following a repeat broadcast of the American Experience program "Bataan Rescue." AN UNTOLD TRIUMPH includes a retelling of the Bataan Death March from the Filipino soldier's perspective. Major funding for AN UNTOLD TRIUMPH was provided by the National Asian American Telecommunications Association (NAATA). NAATA is funded by the Corporation for Public Broadcasting and presents stories that convey the richness and diversity of the Asian Pacific American experience. Getting on the national schedule in prime time is almost next to impossible, according to the film's director Noel Izon of Washington D.C. "Unless you have a great series, or your last name happens to be Burns or your program was produced by one of the major PBS stations, getting an independent documentary without those types of credentials into the system is truly a miracle. And I think that's what happened. "We have a lot of guys pulling for us up there. People are looking out for us. God is looking out for us. We have much to be thankful for and we give thanks!" said Izon, whose production credits with PBS go back more than 30 years. The film was co-written by Izon and Hawaii filmmaker Stephanie J. Castillo. Castillo also served as an associate producer on the project along with associate writer/humanities scholar Linda Revilla of Sacramento, California and project director Domingo Los Banos of Pearl City. Veteran Simeon Amor of Honolulu was the project's regiment historian. The film's director of photography was Academy Award-winning cinematographer Chris Li of Washington D.C. It will be presented on PBS by NAATA. AN UNTOLD TRIUMPH illuminates the most important period in the history of Filipinos in America when more than 7,000 immigrants and sons of immigrants rallied and joined the fight for freedom after the attack on Pearl Harbor and the immediate invasion of the Philippines by Japanese military forces. Most were trained as infantry troops in California; a select group was handpicked and given specialized training in Australia for reconnaissance and espionage. Together, they were General MacArthur's "secret weapon", an indispensable asset of Filipino soldiers and commandos to help him make good on his promise to return to the Philippines and rid it of the Japanese occupiers. For Los Banos, who was the project's chief fundraiser, this is a dream come true. He and the team struggled for eight years to get this film made. Los Banos was part of the 1st Regiment and part of a cadre of 50 "Hawaii boys" who helped do the dirty work of "mopping up" the Japanese soldiers holding out in the mountains of Samar and Leyte. "We are delighted with this news, because we wanted to produce a product worthy of public television. We are deeply grateful for the many organizations, institutions and individuals who through the eight years supported us with their donations, making it possible to complete this documentary," said Los Banos. Most of the $500,000 raised to make the film came from Hawaii. "And I would like to pay special tribute to the production team for their excellent efforts. This is a fitting tribute to each of the members of the 1st and 2nd regiments and their families, especially to those men who made the supreme sacrifice in the Philippine campaign," he said. Finishing the film also honors the memory of director Izon's father who on his deathbed made his son promise to finish the film. Esmeraldo Izon was a member of the Philippine guerillas officially recognized by the U.S. armed forces and served as a member of the Philippine underground press during the war. The film is narrated by actor Lou Diamond Phillips. Being half Filipino, Phillips saw this film as his story as well and has expressed his willingness to support the film's broadcast premiere. "It took a team of committed Filipino American filmmakers to care enough to persevere and finish this film," says Castillo. "With it, we hope that all Americans will feel a pride in our Filipino American soldiers who are indeed among what has been called 'the greatest generation'." PBS will broadcast a one-hour version of the film. The Director's cut along with an extended DVD version will be available later in the year. Castillo will join Izon in planning for the PBS broadcast. "On one evening in late May, AN UNTOLD TRIUMPH will enter the living rooms of America and present the heroism and sacrifices of the 1st and 2nd Filipino Infantry Regiments. What a great day that will be!" says Izon. "Now, our next job will be to … [Read more...]
American Guerrilla in the Philippines Director: Fritz Lang Writers: Lamar Trotti (screenplay), Ira Wolfert (novel) Stars: Tyrone Power, Micheline Presle and Tom Ewell The year is 1942. Ensign Chuck Palmer (Tyrone Power) is stranded in the Japanese-occupied Philippines after his ship is torpedoed. Linking up with several other American refugees, Palmer helps the Filipinos organize a resistance movement against the enemy. They even manage to construct a few jerry-built radio stations to keep tabs on Japanese fleet movements. Hard to believe that Palmer finds romance under these trying circumstances, but he does, in the form of Jeanne Martinez (Micheline Presle), the wife of a Filipino war hero. Based on the novel by Ira Wolfert, American Guerilla in the Philippines is directed with unvarnished efficiency by Fritz Lang. Standouts in the supporting cast include Tom Ewell as Tyrone Power's wisecracking buddy and Robert Barrat as General Douglas MacArthur. After his PT boat is sunk, U.S. naval officer Tyrone Power joins a group of Americans helping Filipinos fight Japanese occupation forces. He also falls for the wife of a deceased local hero and even meets MacArthur in this rousing WWII saga, based on a true story and directed by Fritz Lang. With Micheline Presle, Bob Patten, Tom Ewell, Jack Elam. AKA: "I Shall Return." … [Read more...]
Huling Mandirigma Philippines, Shown in 1957 CREDITS Director: Eddie Romero Cast: Leopoldo Salcedo, José Padilla Jr., Ben Pérez, Melita de León People’s Pictures Inc. Huling Mandirigma (The Last Warrior), a film from the Philippines, is much different from its predecessors in the festival, designed obviously for an audience that wanted vitality, energy, violence and a long picture. Just as Pather Panchali is universal in its appeal, The Last Warrior is specialized. It is set on Mindanao. The time is about the turn of the century, but the native tribes were even then virtually untouched by contemporary developments, so that actually the action might have occurred centuries before. Two brothers, one choosing the traditional pattern of killing to make his way, the other a Christian concept, are set against each other. The details of how these proud jungle warriors lived is skillfully reflected through director Eddie Romero's film, and, while its interest may be primarily academic, it is a rich contribution to the variety of the festival. —Paine Knickerbocker, San Francisco Chronicle … [Read more...]
Macario Sakay: Tulisán or Patriot? by Paul Flores © 1996 by Paul Flores and PHGLA All rights reserved Contrary to popular belief, Philippine resistance to American rule did not end with the capture of Emilio Aguinaldo in 1901. There were numerous resistance forces fighting for Philippine independence until the year 1910. One of these forces was led by Macario Sakay who established the Tagalog Republic. Born in 1870 in Tondo, Macario Sakay had a working-class background. He started out as an apprentice in a calesa manufacturing shop. He was also a tailor, a barber, and an actor in comedias and moro-moros. His participation in Tagalog dramas exposed him to the world of love, courage, and discipline. In 1894, Sakay joined the Dapitan, Manila branch of the Katipunan. Due to his exemplary work, he became head of the branch. His nightly activities as an actor in comedias camouflaged his involvement with the Katipunan. Sakay assisted in the operation of the Katipunan press. During the early days of the Katipunan, Sakay worked with Andres Bonifacio and Emilio Jacinto. He fought side by side with Bonifacio in the hills of Morong (now Rizal) Province. During the initial stages of the Filipino-American war, Sakay was jailed for his seditious activities. He had been caught forming several Katipunan chapters and preaching its ideals from town to town. Republika ng Katagalugan Released in 1902 as the result of an amnesty, Sakay established with a group of other Katipuneros the Republika ng Katagalugan in the mountains of Southern Luzon. Sakay held the presidency and was also called "Generalisimo." Francisco Carreon was the vice-president and handled Sakay's correspondence. Julian Montalan was the overall supervisor for military operations. Cornelio Felizardo took charge of the northern part of Cavite (Pasay-Bacoor) while Lucio de Vega controlled the rest of the province. Aniceto Oruga operated in the lake towns of Batangas. Leon Villafuerte headed Bulacan while Benito Natividad patrolled Tanauan, Batangas. In April 1904, Sakay issued a manifesto stating that the Filipinos had a fundamental right to fight for Philippine independence. The American occupiers had already made support for independence, even through words, a crime. Sakay also declared that they were true revolutionaries and had their own constitution and an established government. They also had a flag. There were several other revolutionary manifestos written by the Tagalog Republic that would tend to disprove the U.S. government's claim that they were bandits. The Tagalog Republic's constitution was largely based on the early Katipunan creed of Bonifacio. For Sakay, the new Katipunan was simply a continuation of Bonifacio's revolutionary struggle for independence. Guerilla tactics In late 1904, Sakay and his men took military offensive against the enemy. They were successful in seizing ammunition and firearms in their raids in Cavite and Batangas. Disguised in Philippine Constabulary uniforms, they captured the U.S. military garrison in Parañaque and ran away with a large amount of revolvers, carbines, and ammunition. Sakay's men often employed these uniforms to confuse the enemy. Using guerrilla warfare, Sakay would look for a chance to use a large number of his men against a small band of the enemy. They usually attacked at night when most of the enemy was looking for relaxation. Sakay severely punished and often liquidated suspected collaborators. The Tagalog Republic enjoyed the support of the Filipino masses in the areas of Morong, Laguna, Batangas, and Cavite. Lower class people and those living in barrios contributed food, money, and other supplies to the movement. The people also helped Sakay's men evade military checkpoints. They collected information on the whereabouts of the American troops and passed them on. Muchachos working for the Americans stole ammunition and guns for the use of Sakay's men. Unable to suppress the growth of the Tagalog Republic, the Philippine Constabulary and the U.S. Army started to employ "hamletting" or reconcentration in areas where Sakay received strong assistance. The towns of Taal, Tanauan, Santo Tomas, and Nasugbu in the province of Batangas were reconcentrated. This cruel but effective counter-insurgency technique proved disastrous for the Filipino masses. The forced movement and reconcentration of a large number of people caused the outbreak of diseases such as cholera and dysentery. Food was scarce in the camps, resulting in numerous deaths. Meanwhile, search and destroy missions operated relentlessly in an attempt to suppress Sakay's forces. Muslims from Jolo were brought in to fight the guerrillas. Bloodhounds from California were imported to pursue them. The writ of habeas corpus was suspended in Cavite and Batangas to strengthen counter-insurgency efforts. With support cut off, the continuous American military offensive caused the Tagalog Republic to weaken. Fall of … [Read more...]
Interview With GM Antonio "Tatang" Illustrisimo and Master Tony Diego This interview was conducted with Antonio Tatang Illustrisimo and his senior student, Tony Diego, on July 29, 1997, in Manila, for Australasian Fighting Arts Magazine. It was the last interview the Granmaster ever gave. At the time of the interview, Grandmaster Illustrisimo had been ill for the previous two weeks, so he tired quickly and had some trouble talking. We were accompanied by a live-in companion, who helped serve as a translator for some of the Grandmasters answers. He passed away about a month after this interview was conducted. Grandmaster Illustrisimo lives in one of the toughest sections of Manila, near the docks. He was a merchant seaman for 35 years, and has spent his life in this same area. As an example of the respect these people give to this legend, the story is told of a gang fight between a local Manila-born gang and a gang of men who had come from the Visayan Islands for work. At the height of the melee, with many men fighting, Tatang walked through the middle of the place, and everyone stopped fighting until he had passed. He is one of those rare men whose reality justifies the legend. Australasian Fighting Arts Magazine: Erle Montaigue visited you in Manilla around 1981 and was impressed with what you were doing. He wrote an article for Australasian Fighting Arts magazine at that time. I am happy to see that you are still enjoying life and your students. And also happy to see that most of the students that you were teaching back then are still with you. Have your ideas on your training methods changed at all since 1981? GM Illustrisimo: The principles of the Art are still the same principles, so of course it is the same. AFM: When you began teaching your students, like Antonio Diego, you had certain ideas as to what they would learn by now. Have they reached your expectations? GM Illustrisimo: Yeah! Tony has been with me a long time, since 1975. If you want to train with me, you must learn the old way. When we train, I will hit your hands, many times, so you learn. You must take the pain to learn. AFM: Tony Diego, youve been with GM Illustrisimo for more than 20 years. Have you been satisfied with your training in the art, and with Tatang? Tony Diego: At first, he wouldnt teach me. He said that the Art was only for fighting. I kept asking and finally he accepted me. Ive been very satisfied. I have never felt that I wanted to change, or stop training. At one time, I was a little frustrated, though, and I asked Tatang why I couldnt be more like him. He simply answered that You are you, you are not me. Everyone learns in a different way, so you must be satisfied with the result that you get. It cant be the same as your teacher. AFM: Do you feel like you have mastered everything the grandmaster has to teach? Tony Diego: Once I asked Tatang if he had taught everything, if I had the complete system. He replied, When a guest comes to your house and you give him food, you give him the rice from the top of the pan. Its the best rice that everyone likes to eat, but you save for yourself the rice from the bottom of the pan, where it has become hard and crusty. I think that means that he taught everything he could teach, but that there are things that he still has that are not teachable. Things that come from an individuals experience in life. AFM: Tony, you will retire from your job in a few years. Do you think tht you will take on more students, expand the teaching? Tony Diego: No. I dont think so. I have several students who have been with me for many years. Probably they will take over the job of passing on Kali Illustrisimo. AFM: GM Illustrisimo, your style of Arnis impressed Erle Montaigue as one of the most natural for self defense. Are your views still the same in that this art should only be for self defence using straight forward methods rather than the more flowery ones? GM Illustrisimo: The fancy stuff in arnis, all the flowery movements, is only for stage shows, for demonstrations, not for real fighting. AFM: What is your advice to students who would wish to take up arnis nowadays in the Western world? It seems that today, the old ways of learning are fading, and many students want to learn the tournament styles. GM Illustrisimo: Arnis is simple, only one-two-three (demonstrating a 3-strike combination in the air). The tournament styles are different, not really arnis. AFM: How long do you feel a student needs to train to learn arnis, how many years? GM Illustrisimo: Only two weeks, you can master the techniques! Arnis is simple, only one-two-three! AFM: Two weeks!!? GM Illustrisimo: Study with me one hour every day and you can learn how to fight for tournaments. My pupils usually win in the tournaments. Remember, though, that training for tournaments is not training for real fighting. Wearing armor is bad for the art, students dont learn well. AFM: … [Read more...]
Datu Lapu-Lapu/Kolipulako (1491-1542) Lapu-Lapu is considered one of the greatest figures of ancient Philippine history. Although the first thing that usually comes to mind when the name of Lapu-Lapu is mentioned is the fact that his battle with Magellan led to Magellan's death, Lapu-Lapu was not honored because of that. Rather, he is honored because he was among the first to reject submission to a foreign power even though Raja Humabon, ruler of the neighboring island of Cebu, and other chiefs recognized the king of Spain as their ruler and agreed to pay tribute. Chief Lapu-Lapu's (1491-1542) other name is Kolipulako. The hero of Mactan and conqueror of Magellan, is described as stern, proud, intelligent, unyielding. He waged continuous war against the powerful ruler of Cebu, then a very much greater kingdom than his little island of Maktang. Of him, President Gullas of the University of the Visayas writes: Lapu-Lapu is a good example of determination and willingness to work well. He learned how to ride on a horseback and on carabao proficiently at the age of six years; knew how to read and write at seven; boxed well at nine; became a champion swimmer, boxer and wrestler at eighteen; beat the Bornean marauders and pirates twice at twenty'. In the lives of men who have almost become legendary one finds it diffucult to separate fact from fiction. This must be true in the case of the material quoted above. History has it that Mactan Island although small was a thriving community when the great Magellan was in Cebu. The brave Spanish navigator and soldier, upon learning that some inhabitants on this tiny island across Cebu refused to recognize the King of Spain, burned one of the villages. Lapu-Lapu was one of he native leaders who refused to acknowledge the sovereignty of Spain over the Islands. When Magellan, with three boatloads of Spaniards and twenty boatloads of Cebuanos, went to Mactan to help a friendly chief, Lapu-Lapu and his men armed with native fighting elements, wooden shields, bows and arrows, lances, met them. The invading Spaniards and Cebuanos were driven back to their boats, but their brace leader, Magellan, met death in the hands of Lapu-Lapu. On what is believed to be the exact spot where Magellan fell and died, now stands an imposing monument in honor of the gallant explorer. In the well-kept plaza of Opon, one of the two towns on Mactan Island, stands today an inspiring monument in honor of Lapu-Lapu, considered the first Filipino to have repelled European aggression. The battle between Mactan Island Chieftain Lapu-Lapu and the Foreign aggressor Ferdinand Magellan occurred in April 27, 1521. It depicts the hero holding a bolo in one hand and a pestle on the other. Said weapons were believed to have been used during his combat with Magellan. This monument stands as a reminder of Filipino bravery. The historic battle for Mactan (Kadaugan sa Mactan) is re-enacted each year on the beach at Magellan Bay by amateur actors, providing a sponsor can be found. The Tourist Office should be able to provide you with up-to-date information. Lapu Lapu Comic by Francisco V. Coching … [Read more...]
Lameco Sulite Orihinal Group Sulite Orihinal Group is comprised of dedicated Lameco Eskrima International practitioners who were handpicked by Punong Guro himself to be a part of his regular "backyard" training sessions. Many loyal Lameco practitioners have trained in the "backyard", yet there was and always will be a distinction between "Invitation Only" and "Open Invitation" students. The open invitation students were the selected few individuals who attended the rigorous, 3 days a week, 4-hour sessions and were frequently shown numerous techniques not shared with the general public. An important factor among the core members was that they held no administrative ties to other Filipino Martial Arts styles and systems. One of the primary reasons Punong Guro created the elite group was to create a first generation of practitioners that owed allegiance, first and foremost, to Lameco Eskrima. Because the sessions were conducted at his personal residence, Punong Guro was extremely selective about whom he allowed to participate. Punong Guro often mentioned that although many individuals were eager to train, very few actually allowed themselves to be trained. It is not a system, for it already exists, but a fraternity of dedicated practitioners with a common bond. One factor that is prevalent among the original core members is that they initially joined Lameco Eskrima International for reasons of pride, culture and heritage. The primary aim of the group is to keep the art of Lameco Eskrima alive through continued training in a combat realistic, non-commercial and non-political environment. Passion for the art was, and always will be, the prime motivator. As a sign of respect so that Punong Guro’s name shall always be remembered for many generations to come, the core members named themselves “Sulite Orihinal Group.” Sulite Orihinal Group considers their inherited knowledge more precious beyond any material compensation, just as much as the blood, sweat and tears that were spilled by our forefathers in order to obtain it, so we strive to be worthy of the generations of warriors before us. The desire of the brotherhood is to continue traveling upon the same path, which Punong Guro Edgar G. Sulite had started them on. They wish to keep his legacy, and the heritage, alive and pure and pursue it with a mind, body and sprit that is nothing short of being honorable. Sulite Orihinal Group will continue to uphold this tradition in order to maintain the spirit of brotherhood and unity amongst its members. Lameco Sulite Orihinal Group circa 1992 -1997 Lameco Sulite Orihinal Group circa 1992 -1997 Lowell Pueblos, Eric Koh, Ron Balicki Mar Elepano, Hospecio "Bud" Balani, jr., Rem V. Cruz, Dino Flores, Arnold Noche, Hans Anton Tan, Pelix Balencia, Dave Gould, Steve Grody Elmer "Bong" Hebia, Roger Agbulos, Jason Ancheta Marc F. Denny, Steve Tarani, Phil Rapagna , Choy Flores, Gary Quan Joel '"Jay" Adriatico, Bryant Emerson, Sung Han Kim, Rodney Wilson, Pantaleon " Mang Leo" Revilles, jr. ( R.I.P. ) … [Read more...]
Anting Anting Shrouded in secrecy and mystery, the anting-anting is a subject close to the Filipino’s heart. It holds promise of invincibility, of victory and of heroic deeds. Legends have been born and men have died because of the lure of the mysterious and powerful anting-anting. The anting-anting made a resurgence into popularity in the early 70’s when the film Nardong Putik chronicling the life of the outlaw Leonardo Manecio made its debut. The hero of the film, a local Robin Hood, credited his ability to survive and escape numerous ambushes and gunfights to his anting-anting. There is much dispute as to what his anting-anting really was. Some claim it was a smooth pebble of rare and mysterious material that Nardong Putik kept under his tongue. While others say it is a 66-day old fetus that he kept in a small crystal container. Whatever his anting-anting was, Nardong Putik’s ability to elude the law and his enemies made him a legend and a hero to many people. Jikiri, the noted Muslim pirate, eluded the Philippine Constabulary and U. S. soldiers for over three years. Yet Jikiri boldly operated in broad daylight. The legendary source of his galing (gift) — an anting-anting, of course. These stories and more contribute to the growing number of legends and belief in the efficacy of the anting-anting. Combined with the equally mysterious Orascion (a special verse or prayer), warriors can be psyched to become confident and daring to undertake suicidal missions. There are many prescribed ways of acquiring an anting-anting. The easiest is to have an existing, sacred anting-anting bestowed to you as an inheritance or reward. This happens very rarely, for the agimat (amulet) is usually buried with its owner and master for continued protection against spirits from the nether world. Stealing an anting-anting makes it lose its power and is therefore a useless alternative. An anting-anting loses its power when it leaves its master’s possession without his knowledge or blessing. Various types of anting-anting can be bought at holy places but these are patay (dead/blanks) with no power whatsoever. These blanks have to undergo sacred and secret rituals to become empowered and effective. There are many different methods to make an anting-anting sagrado (sacred). The most popular day for the anting-anting to have birtud (power) is on Good Friday. This, according to legend, is when God abandons His creation and the spirits roam freely and can be lured, captured, harnessed and enslaved by the brave and mighty. Another popular occasion is at midnight during a full moon with the ritual taking place at a cross road or a cemetery with a sacrificial black cat as a bait or offering. Another kind of anting-anting, known as Mutya, comes from plants, such as a banana or a palm tree. This requires a lot of patience and diligence for one has to wait until the heart of the banana discharges its essence, a crystal clear solid drop that must not be allowed to touch the ground and must be swallowed immediately. With this captive prize, legends say that a successful and prosperous life is guaranteed. Some types of anting-anting or orascion are meant as love charms. Most are for protection — against the forces of darkness, against one’s enemies, and even against sickness. Others are for special gifts, such as the mysterious and esoteric art of Hilot (massage and healing), Hula (fortune telling) and Kulam (spells and witchcraft). However, every anting-anting and every orascion carries with it an immutable commitment. One must be prepared to perform the required rituals, the mandated daily devotion, the annual pilgrimage, to keep the birtud of the anting-anting. Man will always be fascinated with this mysterious harbinger of success, victory and protection. Many, though not all, of the Philippine Grand Masters and Masters of martial arts believe in the power and protection of the anting-anting and orascion. And everyone of these believers, without exception, recognize the value and worth of diligence, dedication and discipline in martial arts training. Like the anting-anting, the easiest way to learn a martial art is to find a good teacher, a worthy master. Someone who, like the anting-anting’s master, will pass on to you, the secret and power of his own knowledge and skills. Again, like the anting-anting, this knowledge and skill must be nurtured with diligent practice, with moral righteousness, discipline, devotion and dedication. Written by Reynaldo S. Galang Copyright © 1994, 1997 Bakbakan International … [Read more...]
Majapahit Empire The Majapahit Empire was an Indianized kingdom based in eastern Java from 1293 to around 1500. Its greatest ruler was Hayam Wuruk, whose reign from 1350 to 1389 marked the empire's peak when it dominated other kingdoms in the southern Malay Peninsula, Borneo, Sumatra, Bali, and the Philippines. The Majapahit empire was the last of the major Hindu empires of the Malay archipelago and is considered one of the greatest states in Indonesian history. Its influence extended to states on Sumatra, the Malay Peninsula, Kalimantan and eastern Indonesia. Historiography The detailed history of Majapahit is not very clear. he main sources that are used by historians are: the Pararaton ('Book of Kings') written in Kawi language and Nagarakertagama in Old Javanese. Pararaton is mostly about Ken Arok (the founder of Singhasari) but includes a number of shorter narrative fragments about the formation of Majapahit. Nagarakertagama, on the other hand, is an old Javanese epic poem written during the Majapahit golden age under the reign of Hayam Wuruk after which events are not so clear. In addition, there are some inscriptions in Old Javanese and Chinese records. The accuracy of all of the Javanese sources is in dispute. There is no doubt that they incorporate some non-historical, mythological elements, and some scholars such as C. C. Berg consider the entire corpus to be not a record of the past, but a supernatural means by which the future can be determined.However, most scholars do not accept this view, as the basic outline corresponds with Chinese records that could not share this intention. The list of rulers and the nature of the state, in particular, seem rather certain. After defeating Srivijaya in Java in 1290, Singhasari became the most powerful kingdom in the area. Kublai Khan, the ruler of the Chinese Yuan Dynasty, challenged Singhasari by sending emissaries demanding tribute. Kertanegara, the last ruler of Singhasari, refused to pay the tribute. In 1293, Kublai Khan sent a massive expedition of 1,000 ships to Java. By that time, a rebel from Kediri, Jayakatwang, had usurped and killed Kertanagara. Raden Wijaya, Kertanegara's son-in-law, allied himself with Yuan's army to fight against Jayakatwang. Once Jayakatwang was destroyed, Raden Wijaya forced his allies to withdraw from Java by launching a surprise attack. Yuan's army had to withdraw in confusion as they were in hostile territory. It was also their last chance to catch the monsoon winds home; otherwise, they would have had to wait for another six months on a hostile island. In AD 1293, Raden Wijaya founded a stronghold. The capital was named Majapahit, from maja (a fruit name) and pahit (or bitter). His formal name was Kerjarajasa Jayawarddhana. The new kingdom faced challenges. Some of Kertarajasa's most trusted men, including Ranggalawe, Sora, and Nambi rebelled against him, though unsuccessfully. It was suspected that the mahapati (equal with prime minister) Halayudha set the conspiracy to overthrow all of the king's opponents, to gain the highest position in the government. However, after following the death of the last rebel Kuti, Halayudha was captured and jailed for his tricks, and then sentenced to death. Wijaya himself died in AD 1309. Wijaya's son and successor, Jayanegara was notorious for immorality. One of his sinful acts was taking his own step-sisters as wives. He was entitled Kala Gemet, or "weak villain". In AD 1328, Jayanegara was murdered by his doctor. His stepmother, Rajapatni, was supposed to replace him, but Rajapatni retired from court to become a bhiksuni (a female Buddhist monk) in a monastery. Rajapatni appointed her daughter, Tribhuwana Wijayatunggadewi, as the queen of Majapahit under Rajapatni's auspices. During Tribhuwana’s rule, the Majapahit kingdom grew much larger and became famous in the area. Tribhuwana ruled Majapahit until the death of her mother in AD 1350. She was succeeded by her son, Hayam Wuruk. Golden age Hayam Wuruk, also known as Rajasanagara, ruled Majapahit in AD 1350–1389. During his period, Majapahit attained its peak with the help of his prime minister, Gajah Mada. Under Gajah Mada's command (AD 1313–1364), Majapahit conquered more territories. In 1377, a few years after Gajah Mada's death, Majapahit sent a punitive naval attack against Palembang, contributing to the end of the Srivijayan kingdom. Gajah Mada's other renowned general was Adityawarman, known for his conquest in Minangkabau. The nature of the Majapahit empire and its extent is subject to debate.[citation needed] It may have had limited or entirely notional influence over some of the tributary states in included Sumatra, the Malay Peninsula, Kalimantan and eastern Indonesia over which of authority was claimed in the Nagarakertagama. Geographical and economic constraints suggest that rather than a regular centralised authority, the outer states were most likely to have been connected mainly by … [Read more...]
Guro Dino Guro Dino Flores – Mandirigma Research Organization Director Guro Dino Flores was born in Honolulu, Hawaii . He has lived in various places including Fiji, Papua New Guinea, Australia as well as Manila and Laguna – Philippines. A glimpse into Guro Dino’s family tree finds a lineage as diverse as the Philippines itself. Ancestors ranging from Katipuneros in Bicol serving under General Simeón Ola y Arboleda the last general to surrender to American forces during the Philippine-American War, “Tulisan” in Luzon who never surrendered, Datus in Tanawan Batangas, Traditional Healers using methods such as Orasyon and Anting-Anting in Laguna, Filipino-Spanish Hacienda owners settling at the foot of Mayon Volcano in the early 1900′s after migrating from the Visayas, World War Two American Colonial Army officers fighting under General Douglas Macarthur in Bataan and Corregidor and surviving the infamous “death march” as well as Globetrotting Modern U.P. Scholars in the 1970′s reluctantly leaving the country to escape Martial Law and the possibility of being “Salvaged”. Guro Dino was first introduced to the concept of “Arnis” and Philippine Warrior history by his father Dr. A. S. Flores in the mid 1970′s. This was done through the oral tradition, Pilipino Komiks and hard to find publications during Martial Law. His first exposure to physical training was in the early 1980′s in Laguna Province, Philippines. Older relatives and neighbors to family ancestral lands of many generations, introduced him in backyard sessions to basic street applications and strategy of the balisong blade during stays in the Philippines. Many of these early instructors had experienced real blade situations with the scars to prove it. The first lessons were avoidance, environmental awareness and proper behavior to avoid conflict. The sad irony is that a member of this early group and a close friend has since passed away after a knife ambush by two attackers due to improper behavior. Guro Dino trained for many years with Grandmaster Conrad A. Manaois in Ninoy Cinco Teros Arnis and Master Henry Bio in Sikaran Arnis in the 1980′s along with his cousins Ariel Flores Mosses and Choy Flores. In the early 1990′s he was accepted as an initial member of Punong Guro Edgar Sulites’ newly forming Backyard Group AKA the Sulite Oriehenal Group. During the constant sparring in the Backyard he evolved from being an aggressive fighter to one who now more calm and precise. His fighting style in the early days of the the Backyard Group earned him the nickname “Aso’ng Gulo” from his fellow peers and was considered Punong Guro Sulites’ favorite backyard fighter due to the clear usage of curriculum during fighting. At the recommendation of Punong Guro Sulite, Guro Dino first visited Master Christopher Ricketts in the Philippines in 1995 and was introduced to his perspective on the Warrior Arts. Since the passing of Punong Guro Sulite, he has continuously train in Kali Ilustrisimo Under Master Christopher Ricketts, who gave Guro Dino permission to teach his method before his passing. Guro Dino was the Lameco representative for Master Ricketts and a member of Bakbakan Philippines sponsored by Master Ricketts. Guro Dino continues his training in Master Ricketts method of training with his two sons, the young Masters Bruce and Guro Brandon Ricketts. Additionally at Master Ricketts suggestion before his passing, Guro Dino also continues his studies in Ilustrisimo under Grandmaster Antonio Diego. Guro Dino additionally had good fortune to experience training in Kali Ilustrisimo with Dodong Sta. Iglesia, Guro Arnold Narzo, Guro Peachie Baron, Master Rey Galang, Master Yuli Romo and Master Tony Diego. He also trained in Kali Ilustrisimo with one of his training partners and fellow Lameco Backyard member Guro Hans Tan, who was certified to teach Kali Ilustrsimo under Master Tony Diego. Additionally Guro Dino trained privately for several years in California and the Philippines with Professor Ireneo L. Olavides in Eskrima De Campo JDC-IO. Guro Dino also cites the importance of his training partners in Lameco SOG and Kapisanang Mandirigma in his growth. After the passing of Punong Guro Edgar Sulite in 1997, certain members of the Lameco Backyard group reformed also became know as Kapisanang Mandirigma. Together the group regularly continued training, sparring, experimenting and seeking the deeper roots of their chosen arts. This group includes Guros Joel Adriatico, Hospecio “Bud” Balani Jr., Mar Elepaño, Choy Flores, Arnold Noche, Gary Quan, Hans Anton Tan and Pantaleon “Mang Leo” Revilles, Jr. (RIP). With frequent visits by Guro Lowell Pueblos, Bong Hebia and honorary member Ariel Flores Mosses. Guro Dino has taught numerous seminars and classes over the years. He has appeared on Television, Instructional Videos, Independent Film and Radio Shows promoting the arts. He … [Read more...]
A rare look at the Warrior Arts of the Philippines in the Nineteen Fifties. Filmed in black and white in French with English subtitles. View it on the Mandirigma Research Organization Youtube Channel. http://www.youtube.com/watch?v=HZg2i6Yq9rc … [Read more...]
Kali Klub Kali Klub, an award-winning project of Kapisanang Mandirigma, initially started as a positive diversion against drugs and gangs for youths in the Temple-Beverly corridor, now known as Historic Filipinotown. It is; a collaboration with several non- profit agencies in the area such as FilAm Arts, SIPA and PWC. Now entering their 9th year, they have expanded to teaching Children (ages 5-12), Youths (ages 13-17), Adults (ages 18 & over) and Elders (ages 40 & Over) the Warrior Arts of the Philippines in a non-commercial, non-political environment where art, culture and heritage are integrated into their curriculum. Presentations include the dedication of Historic Filipinotown at the Los Angeles City Hall and a lecture/demo at the Filipino Historical Society Conference at Loyola University. Kali Klub sa FilAm ARTS - www.filamarts.org The Association for the Advancement of Filipino American Arts & Culture ("FilAm ARTS") was founded in 1999 but has consistently delivered the annual presentation of the Festival of Philippine Arts & Culture (FPAC) since their early beginnings in 1992 and has now added two other programs: the California-statewide Pilipino Artists Network (PAN) and the Eskuwela Kultura Neighborhood Cultural School. Kali Klub sa FilAm ARTS, established in 2004, is a joint project between Kapisanang Mandirigma and the Association for the Advancement of Filipino American Arts & Culture (FilAm ARTS) under their community-based nonprofit 501(c)(3) status. Kali Klub sa SIPA - www.esipa.org Founded in 1972, Search to Involve Pilipino Americans ("SIPA") has long established itself as a key service provider among the low-income and underserved multi- ethnic youth and families in the Temple Beverly corridor and the Pilipino American community of Los Angeles County. Their mission is to enhance the quality of life of the Pilipino American community by: Supporting youth development and leadership; Providing family programs, health and human services and affordable housing; Facilitation of collaborative actions within multi-ethnic communities. Kali Klub sa SIPA, established in 1999, is a joint project between Kapisanang Mandirigma and Search to Involve Pilipino Americans (SIPA) under their community- based nonprofit 501(c)(3) status. Kali Klub sa PWC - www.pwcsc.org The Pilipino Workers' Center ("PWC") was founded in 1997 on the idea that all workers have a right to safe working conditions, living wages, a decent standard of living and quality of life. Their mission is to organize Filipino Workers to collectively address our needs and issues both in the work place and in the community. Kali Klub sa PWC, established in 2003, is a joint project between Kapisanang Mandirigma and Pilipino Workers' Center (PWC) under their community-based nonprofit 501(c)(3) status. … [Read more...]
Cordillera Administrative Region The Cordillera Administrative Region (CAR) of the Philippines is a land-locked region consists of the provinces of Abra, Benguet, Ifugao, Kalinga, Mountain Province and Apayao. Baguio City is the regional center. The Cordillera region encompasses most of the areas within the Cordillera Central mountain range of Luzon, the largest range in the country. This region is home to numerous indigenous tribes collectively called the Igorot. The Cordillera Administrative Region is the only landlocked region in the country. Source: wikipilipinas.org Cordillera Administrative Region Flag Cordillera Administrative Region Map Cordillera Administrative Provinces/Seals … [Read more...]
Noli Me Tangere is a novel by Filipino polymath José Rizal and first published in 1887 in Berlin, Germany. Early English translations used titles like An Eagle Flight and The Social Cancer, but more recent translations have been published using the original Latin title. Though originally written in Spanish, it is more commonly published and read in the Philippines in either English or Filipino. Together with its sequel (El Filibusterismo), the reading of Noli is obligatory for high school students all throughout the archipelago. References for the novel Jose Rizal, a Filipino nationalist and medical doctor, conceived the idea of writing a novel that would expose the ills of Philippine society after reading Harriet Beecher Stowe's Uncle Tom's Cabin. He preferred that the prospective novel express the way Filipino culture was backward, anti-progress, anti-intellectual, and not conducive to the ideas of the Age of Enlightenment. He was then a student of medicine in the Universidad Central de Madrid. In a reunion of Filipinos at the house of his friend Pedro A. Paterno in Madrid on 2 January 1884, Rizal proposed the writing of a novel about the Philippines written by a group of Filipinos. His proposal was unanimously approved by the Filipinos present at the party, among whom were Pedro, Maximino and Antonio Paterno, Graciano López Jaena, Evaristo Aguirre, Eduardo de Lete, Julio Llorente and Valentin Ventura. However, this project did not materialize. The people who agreed to help Rizal with the novel did not write anything. Initially, the novel was planned to cover and describe all phases of Filipino life, but almost everybody wanted to write about women. Rizal even saw his companions spend more time gambling and flirting with Spanish women. Because of this, he pulled out of the plan of co-writing with others and decided to draft the novel alone. Plot Having completed his studies in Europe, young Juan Crisóstomo Ibarra y Magsalin came back to the Philippines after a 7-year absence. In his honor, Don Santiago de los Santos, a family friend commonly known as Captain Tiago, threw a get-together party, which was attended by friars and other prominent figures. One of the guests, former San Diego curate Fray Dámaso Vardolagas belittled and slandered Ibarra. Ibarra brushed off the insults and took no offense; he instead politely excused himself and left the party because of an allegedly important task. The next day, Ibarra visits María Clara, his betrothed, the beautiful daughter of Captain Tiago and affluent resident of Binondo. Their long-standing love was clearly manifested in this meeting, and María Clara cannot help but reread the letters her sweetheart had written her before he went to Europe. Before Ibarra left for San Diego, Lieutenant Guevara, a Civil Guard, reveals to him the incidents preceding the death of his father, Don Rafael Ibarra, a rich hacendero of the town. According to Guevara, Don Rafael was unjustly accused of being a heretic, in addition to being a subservient — an allegation brought forth by Dámaso because of Don Rafael's non-participation in the Sacraments, such as Confession and Mass. Dámaso's animosity against Ibarra's father is aggravated by another incident when Don Rafael helped out on a fight between a tax collector and a child fighting, and the former's death was blamed on him, although it was not deliberate. Suddenly, all of those who thought ill of him surfaced with additional complaints. He was imprisoned, and just when the matter was almost settled, he died of sickness in jail. Still not content with what he had done, Dámaso arranged for Don Rafael's corpse to be dug up from the Catholic church and brought to a Chinese cemetery, because he thought it inappropriate to allow a heretic a Catholic burial ground. Unfortunately, it was raining and because of the bothersome weight of the body, the undertakers decide to throw the corpse into a nearby lake. Revenge was not in Ibarra's plans, instead he carried through his father's plan of putting up a school, since he believed that education would pave the way to his country's progress (all over the novel the author refers to both Spain and the Philippines as two different countries, which form part of a same nation or family, being Spain the mother and the Philippines the daughter). During the inauguration of the school, Ibarra would have been killed in a sabotage had Elías — a mysterious man who had warned Ibarra earlier of a plot to assassinate him — not saved him. Instead the hired killer met an unfortunate incident and died. The sequence of events proved to be too traumatic for María Clara who got seriously ill but was luckily cured by the medicine Ibarra sent. After the inauguration, Ibarra hosted a luncheon during which Dámaso, gate-crashing the luncheon, again insulted him. Ibarra ignored the priest's insolence, but when the latter slandered the memory of his dead father, he … [Read more...]
The Butuan Silver Strip by Hector Santos © 1996 by Hector Santos All rights reserved. http://www.bibingka.com/dahon/mystery/silver.htm The Butuan area has been a rich source of material from ancient Philippines for both treasure hunters and trained archaeologists. So it was in the mid-seventies when a team from the National Museum of the Philippines excavating a site was told that a strip of metal with some kind of writing had been found by a treasure hunter. Fortunately, the artifact was already in the hands of Proceso Gonzales, the city engineer of Butuan. He understood the importance of the find and took possession of it. Butuan Silver Strip The metal strip was found inside a wooden coffin by treasure hunters who were looking for ceramic and gold objects that could be sold for high prices to private collectors. According to Dr. Jesus Peralta, similar burials in wooden coffins in the vicinity of Butuan had previously been found to contain human remains with skulls that have been artificially deformed. This practice was apparently limited to Southern Philippines, the beauty standard for such head shapes never finding its way to Luzon. Ceramics and ornaments were usually placed in the coffins, the ceramic pieces dating from the 14th and 15th centuries. If the metal strip was found within a typical coffin, it would have logically come from the same era. While the metal piece could have come from foreign shores, the safest and most conservative position one can take is that an artifact belongs in the place where it was found unless it can be proven otherwise. The letters were cut into the piece of metal with a knife. The difficulty of making curved lines on metal with a knife is apparent in the clumsy shapes of the letters. The strip measures 17.8 x 1.3 cm. Peralta reports that the late Dr. Boechari of Indonesia identified the script as "similar to a Javanese script that had been in use from the 12th to the 15th century" (late Kavi?). At this time, the writing has not been convincingly deciphered nor have the letters in the strip been identified. A successful transliteration would not guarantee a decipherment because of the brevity of the sample, though. A companion piece with similar writing was also reportedly found in the same coffin. However, the owner refused to part with it because he believed it held the key to the location of a treasure hoard. How he hoped to use that piece to locate the treasure without translating the message is not known. Neither do we know why it is that piece and not the one he gave up that holds the secret. That second piece will play an important role in solving the mystery of the Butuan silver strip. Additional Reading 1. Peralta, Jesus T. "The Butuan palaeograph: ethnographic implications of an ancient script," in Archipelago 6:A-55 (1979): 31-33. 2. Santos, Hector. "Artifacts with writing revisited" in Sulat sa Tansô, 2:5 (June 1995), 1. 3. -----. "Other pre-Hispanic writing artifacts" in Sulat sa Tansô, 2:2 (February 1995), 1. 4. -----. "The Butuan Silver Strip" in Sulat sa Tansô, 2:2 (February 1995), 3. Butuan Silver Strip Deciphered? by Hector Santos © 1996 by Hector Santos All rights reserved. "Butuan paleograph deciphered using Eskaya script" by Jes Tirol (in UB Update) attempts to show that a "translation" of the Butuan silver strip had been done by using the Eskaya script. A clipping of this article was provided by Antoon Postma of Mindoro, who in turn obtained it from the late William Henry Scott of Mountain Province. This proves that "real" scholars do share information. Eskaya is a secret organization based on the island of Bohol. Its members claim that their ancestors arrived on the island in 677 A.D. from Sumatra. Tirol writes: One of the books of the Eskaya of Bohol is entitled Unang Katawhan Sa Bohol (First People of Bohol). According to the book, Dangko and his 12 children of 11 boys and one girl and his men arrived in Bohol in 677 A.D. They started from Sumatra-Manselis which is the western side of Sumatra, Indonesia on board a "Lutsa." (See: "Lorcha," Webster Int'l Dictionary, Unabridged.) The only daughter of Dangko got married to a chieftain of Butuan. From that time on until the present, the inner psyche of an Eskaya is geared towards Butuan. Since the center of Eskaya culture is now at Biyabas, Guindulman, Bohol, the migrant Eskaya in Butuan maintain close contact with the Eskaya of Bohol. Further on, Tirol continues: The Butuan Kingdom is no more. Its literature and writings are gone, except for the Butuan paleograph. But the Eskaya of Bohol is still existing with their system of writing. It is logographic system not alphabetic, and therefore older than the Malayan-Bisayan recorded by the Spanish writers. The Eskaya scrupulously transmitted their system of writing and literature by conducting classes. At present, classes are conducted every Saturday and Sunday. The Eskaya … [Read more...]
World Filipino Martial Arts Expo 2003, Bellevue, Washington … [Read more...]
Inhabiting the rugged terrain of the Cordillera Region of Northern Philippines are six ethno-linguistic tribes known as the Ibaloy, Kankana-ey, Ifugao, Kalinga, Apayao/Isneg, and the Bontoc. They are referred to by a generic term, Igorot, a word coined from the root word, "golot" meaning mountain. Unlike most of the Philippines, which were ruled by Spaniards for about four hundred years, the Cordillera region was generally unfazed by Spanish colonization. The Igorot tribes are held together by their common socio-cultural traits as well as their geographic proximity to each other. During pre-Christian Cordillera (and to some extent, the present), the six different tribes shared similar religious beliefs, generally nature-related, and they make proprietary offerings to "anitos" (spirits) as well as to household gods. Cordillera ethnic groups The Igorots are grouped into six ethno-linguistic groups, the Bontoc, Ibaloi, Isneg (or Apayao), Kalinga, and the Kankanaey. Below are brief descriptions of the Igorot ethnic groups The Bontoc A Bontoc warrior (c. 1908) The Bontocs (alternatively spelled Bontok) live on the banks of the Chico River in the Central Mountain Province. They speak the Bontoc language. They formerly practiced head-hunting and had distinctive body tatoos. The Bontoc describe three types of tattoos: The chak-lag′, the tattooed chest of the head taker; pong′-o, the tattooed arms of men and women; and fa′-tĕk, for all other tattoos of both sexes. Women were tattooed on the arms only. In the past, the Bontoc engaged in none of the usual pastimes or games of chance practiced in other areas of the country, but did perform a circular rhythmic dance acting out certain aspects of the hunt, always accompanied by the gang′-sa or bronze gong. There was no singing or talking during the dance drama, but the women took part, usually outside the circumference. It was a serious but pleasurable event for all concerned, including the children.[4] Present-day Bontocs are a peaceful agricultural people who have, by choice, retained most of their traditional culture despite frequent contacts with other groups. The pre-Christian Bontoc belief system centers on a hierarchy of spirits, the highest being a supreme deity called Lumawig. Lumawig personifies the forces of nature and is the legendary creator, friend, and teacher of the Bontoc. A hereditary class of priests hold various monthly ceremonies for this deity for their crops, the weather, and for healing. The Bontoc also believe in the "anito"—spirits of the dead who must be consulted before anything important is done. Ancestral anitos are invited to family feasts when a death occurs to ensure the well-being of the deceased's soul.This is by offering some small amount of food to show that they are invited and not forgotten. The Bontoc social structure used to be centered around village wards ("ato") containing about 14 to 50 homes. Traditionally, young men and women lived in dormitories and ate meals with their families. This gradually changed with the advent of Christianity. In general, however, it can be said that all Bontocs are very aware of their own way of life and are not overly eager to change. The Ibaloi The Ibaloi (also Ibaloy and Nabaloi) are one of the indigenous peoples of the Philippines who live mostly in the southern part of Benguet, located in the Cordillera of northern Luzon. The Ibaloi people were traditionally an agrarian society. Many of the Ibaloi people continue with their agriculture and rice cultivation. The Ibaloi language belongs to the Malayo-Polynesian branch of the Austronesian languages family. The Ibaloi language is closely related to the Pangasinan language, primarily spoken in the province of Pangasinan, located southwest of Benguet. Baguio City, the major city of the Cordillera, dubbed the "Summer Capital of the Philippines," is located in southern Benguet. The Ibaloi' major feast is the Pesshet, a public feast mainly sponsored by people of prestige and wealth. The Pesshet feast can last for weeks and involves the butchering and sacrifice of dozens of animals. One of the more popular dances of the Ibaloi is the Bendiyan Dance, participated in by hundreds of male and female dancers. The Itneg The Isneg (or Apayao) inhabit the banks of the Apayao River and its tributaries in Northern Luzon. Like most erstwhile headhunters, they are slash-and-burn farmers who have recently, under the influence of their neighbors, begun to practice wet-rice agriculture. As a dry rice farmer, the male head of a household annually clears a fresh section of tropical forest where his wife will plant and harvest their rice. Itneg women also cook the meals, gather wild vegetables and weave bamboo mats and baskets, while the men cut timber, build houses and take extended hunting and fishing trips. Often when a wild pig or deer is killed, its meat is skewered on bamboo and distributed to … [Read more...]
The Moro Kris The kris is the most famous Moro weapon. Variations are found in every Moro tribe and it was a key symbol of a man’s status and rank in society as well as being a powerful talisman. Kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight (straight blades were more practical in combat). Older kris had fewer waves and the waves were deeper and wider. Over time the waves became shallower, tighter, and more numerous and therefore required greater skill to prevent the blade bouncing off or being stuck in an enemy’s body. The higher number of waves meant the more potent the kris was in talismanic power. Sometimes engravings (often filled in with brass or silver inlay) are found on the blade in plant motifs (vines, foliage, etc.) or Arabic script. Many kris blades are forged with fullers. Moro kris are cutting and slashing swords versus the stabbing keris of the Malay and Indonesians. Kris range from 45 to 65 centimeters (18 to 26 inches) in length. Older kris before the 19th century tended to be smaller in size. Laminated steel patterns are sometimes evident. Opposite the hook like fretwork on the guard of the blade is a cavity in the form of an elephant, eagle, or mouth of a naga (a mythical snake). Hilts of krises are either straight or slightly curved. Commonly the pommel is in the form of a horse hoof, or a stylized cockatoo head with beak and crest. Usually the pommel is made of hardwood burl with the handle being wrapped in lacquered fiber. Upper-class kris pommels are often made of ivory, silver, brass, or other exotic materials with handles wrapped in chased bands of silver or swassa (copper-gold alloy) or braided wire. Large extravagant cockatoo pommels appeared toward the end of the 19th century and are called junggayan. Pommels before the 19th century were very small. Moro kris scabbards were made of wide grain native hardwoods like mahogany, teak, and narra, lashed together with rattan or metal strips. Sometimes the crosspiece is separate from the bottom, but more often they are carved together. Around the mid-20th century mother-of-pearl was introduced to scabbard work and kris pommels. Scabbards of the nobility are bound with bands of plain or chased silver, brass, or swassa instead of rattan bindings. Some nobility scabbards even have crosspieces made of ivory or horn. ----- There are two types of kris used by the Moros of the Philippines. Kalis is the name used by the Tausugs, Samals and Yakans. In the Mindanao it is called Sundang and is used by the Maranaos, Maguindanos and others. The Moro kris belongs to larger family of kris found in South East Asia: Indonesia, Borneo, Malaysia and part of Thailand. Its origin is mostly likely East Java near Yogya and Solo. The Moro kris has the most varied design and style amongst the bladed weapons found in the Philippines. The Moro Kris evolved from use in combat. The double edge blade is an advantage where there are numerous opponents, the blade can be used to cut in an upward stroke. A single edge blade in contrast , needs to be turned in the opposite direction to do the same cut. The Moro kris is highly regarded by the people of Mindanao and Sulu. It is used as a symbol of authority and prestige. Kris From Wikipedia The kris or keris is an asymmetrical dagger indigenous to Indonesia, Malaysia, Singapore, Thailand and Brunei. It is known as kalis in the southern Philippines. The kris is famous for its distinctive wavy blade, but many have straight blades as well. Both a weapon and spiritual object, kris are often considered to have an essence or presence, with some blades possessing good luck and others possessing bad. In 2005, UNESCO gave the title Masterpiece of the Oral and Intangible Heritage of Humanity to the kris of Indonesia. In return, UNESCO urged Indonesia to preserve their heritage Etymology The origin of the word kris derived from the old Javanese term ngiris which means to stab, wedge or sliver. "Kris" is the more frequently-used spelling in the West, but "keris" is more popular in the dagger's native lands,[2] as exemplified by the late Bambang Harsrinuksmo's popular book entitled Ensiklopedi Keris (Keris Encyclopedia). Two notable exceptions are the Philippines, where it is usually called kalis or kris, and Thailand where it is always spelled and pronounced as kris. Other spellings used by European colonists include "cryse", "crise", "criss", "kriss" and "creese". Origins Kris depicted on Borobudur bas-relief. Kris display Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is widely believed by archaeologists that the earliest kris prototype can be traced to Dong Son in Vietnam circa 300 BC. From there, the design would have been brought into present-day Malaysia by Cham migrants who made their way into the Malay Peninsula twenty centuries ago. Another theory is that … [Read more...]
June 12 as Independence Day by Diosdado Macapagal Former President of the Philippines "A nation is born into freedom on the day when such a people, moulded into a nation by a process of cultural evolution and sense of oneness born of common struggle and suffering, announces to the world that it asserts its natural right to liberty and is ready to defend it with blood, life, and honor." The promotion of a healthy nationalism is part of the responsibility of the leaders of newly independent nations. After they lay the foundation for economic development, they promote nationalism and spur the search for national identity. This we can do by honoring our distinguished forebears and notable periods in our history. A step we took in this direction was to change the date for the commemoration of Philippine Independence day. When I was a congressman, I formed the opinion that July 4 was not the proper independence day for Filipinos and should be changed to June 12-- the date General Emilio Aguinaldo proclaimed the independence of the Filipinos in Kawit, Cavite, in 1898. Having served in the foreign service, I noted that the celebration of a common independence day with the United States on July 4 caused considerable inconvenience. The American celebration dwarfed that of the Philippines. As if to compound the irony, July 4 seemed tantamount to the celebration of Philippine subjection to and dependence on the United States which served to perpetuate unpleasant memories. I felt, too, that July 4 was not inspiring enough for the Filipino youth since it recalled mostly the peaceful independence missions to the United States. The celebration of independence day on June 12, on the other hand, would be a greater inspiration to the youth who would consequently recall the heroes of the revolution against Spain and their acts of sublime heroism and martyrdom. These acts compare favorably with those of the heroes of other nations. In checking the reaction to my plan to shift independence day to June 12, I found that there was virtual unanimity on the desirability of transferring the celebration from July 4. Likewise, there was a preponderant view for choosing June 12 as the proper day. A few suggested January 21, the opening day of the Malolos Congress in 1899, or January 23, when the Malolos Congress, ratifying the independence proclamation of June 12, established a republican system of government. The reason for this view was that the government temporarily by Aguinaldo when he proclaimed independence on June 12 was a dictatorship. There was no difficulty in adhering to June 12, however, because although Aguinaldo Government was a dictatorship in view of the military operations he was then leading, he led in converting it into a republican Government in the Malolos Congress. Moreover, the celebration of independence refers to its proclamation rather than to the final establishment of the government. In the case of America, when independence was proclaimed on July 4, the American Government was still a confederation and it was much later when it finally became a federal government. The historical fact was that the Filipinos proclaimed their independence from foreign rule on June 12. Even the national anthem and the Filipino flag which are essential features in the birth of a nation were played and displayed respectively at the independence proclamation in Kawit. When I became President, I knew that this was the opportunity to take action on what had been in my mind since entering public life. The specific question was when to make the change. The opportunity came when the US House of Representatives rejected the $73 million additional war payment bill on May 9, 1962. There was indignation among the Filipinos. There was a loss of American good will in the Philippines, although this was restored later by the reconsideration of the action of the US lower chamber. At this time, a state visit in the United States had been scheduled for Mrs. Macapagal and me on the initiative and invitation of President John F. Kennedy. Unable to resist the pressure of public opinion, I was constrained to obtain the agreement of Kennedy to defer the state visit for another time. To postpone the state visit, I wrote a letter on May 14, 1962, to Kennedy, which read in part as follows: The feeling of resentment among our people and the attitude of the US Congress negate the atmosphere of good will upon which my state visit to your country was predicated. Our people would never understand how, in the circumstances now obtaining, I could go to the United States and in all honesty affirm that I bear their message of good will. It is with deep regret theredore that I am constrained to ask you to agree to the postponement of my visit to a more auspicious time. On May 28, 1962, Kennedy wrote me explaining the situation on the war damage bill. His letter stated: In the meantime, I must respect your decision that … [Read more...]
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"PHILIPPINE LANGUAGE TREE", William Henry Scott (1984) … [Read more...]
http://youtu.be/RYlEC94XgGU The Battle of Manila - Starts with discussion from 2 Vets memories of the WW2 Japanese invasion and internment of civilians to the military incursion to rescue the civilian prisoners at Santo Tomas and Battle of Corregidor. Battle scenes in Philippines, views of rescued US civilians, street fighting in Manila at Intramuros, bridges destroyed. Destruction of buildings from cannon fire. Japanese were told 'hold Manila or burn it' so it burned. They won by taking Intramuros. The surviving Filipinos from Intramuros did a mass exodus across the river. MacArthur then returned to Manila. … [Read more...]
Sticks of Death (Arnis: The Sticks of Death) This Filipino Martial Arts action film features Roland Dantes. Dantes plays Johnny Guerrero, a man who masters the ancient art of arnis with the help of his grandfather to get revenge on a group of crooks who attempted to beat him to death. Using two deadly sticks, slingshots, poisonous darts and more, Johnny also seeks to bring down an international drug ring and fights at a renowned arnis tournament alongside an Interpol agent. Director: Ave C. Caparas Release Date: 1984 Cast: Roland Dantes, Rosemarie Gil, Veronica Jones, Anita Linda, Mario Montenegro, Rusty Santos … [Read more...]
Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum's "Top 200 Living Guro's" List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, history, literature and virtual artifacts. The writing ranges from incisive to light-hearted to even controversial, and the literary and virtual exhibits encompass all aspects of Filipino martial arts systems and disciplines including arnis, kali, eskrima, dumog, buno, hilot and other indigenous arts of the Philippines. Authors are well-known experts in their fields as well as volunteer writers. Article submissions are encouraged. The authors of these articles have consented to have their articles reprinted and republished in whole or in part, as long as the author’s name, website reference address and this website are acknowledged. I would like this site to become the most comprehensive online reader-written encyclopedia on FMA. It is meant to be a contemporary or living as well as an archival museum. Send your submissions for The Top 200 Living Masters, The Top 100 FMA Schools and other FMA Museum Who’s Who series, and then see your submissions published online. We also accept original articles and online book publications. http://www.filipinomartialartsmuseum.com/index.htm http://www.filipinomartialartsmuseum.com/FMA_masters-systems-schools/FMAguros-living-list.html 1 Dino Flores Lameco Los Angeles, CA, USA 2 Hospecio Balani Lameco Los Angeles, CA, USA 3 David Gould Lameco 4 Leonard Trigg Lameco 5 Arnold Noche Lameco Los Angeles, CA, USA 6 John Jacobo Bakbakan Maryland, USA 7 Roger Agbulos Lameco North Hills, CA, USA 8 Marc Denny Dog Brothers CA, USA 9 Eric Knauss Dog Brothers CA, USA 10 Tim Hartman Modern Arnis USA 11 Kelly Worden Modern Arnis WA, USA 12 Myrlino Hufana Modern Arnis WA, USA 13 Jeffrey Delaney Modern Arnis Canada 14 Randi Schea Modern Arnis 15 Jay de Leon Modern Arnis, Los Angeles, CA, USA 16 Alvis Solis Seneres Arnis TX, USA 17 Ron Balicki Inosanto Kali Los Angeles, CA, USA 18 Diana Balicki Inosanto Kali Los Angeles, CA, USA 19 Ramon Rubia San Miguel Eskrima CA, USA 20 Mel Lopez Villabrille-Largusa 21 Greg Alland Dekiti-Tirsia-Siradas 22 Mary Ann Presas Modern Arnis San Pablo, CA, USA 23 Demetrio Presas Modern Arnis San Pablo, CA, USA 24 Remy Presas, Jr. Modern Arnis San Pablo, CA, USA 25 Tom Bolden Modern Arnis NY, USA 26 Jerome Barber Modern Arnis NY, USA 27 Percival "Val" Pableo Doce Pares 28 Graciella Casillas CA, USA 29 Raffy Pambuan Pambuan Tulisan Arnis FL, USA 30 Steven Dowd Arnis Balite Fallon, NV, USA 31 Hock Hochheim Modern Arnis, Kombatan TX, USA 32 Jorge Penafiel Balintawak Cincinatti, OH, USA 33 Larry Alcuizar Doce Pares Los Angeles, CA, USA 34 Felix Valencia Lameco Santa Barbara, CA, USA 35 Anthony Davis Cabales Serrada CA, USA 36 Sultan Uddin Cabales Serrada CA, USA 37 Darren Tibbon Cabales Serrada CA, USA 38 Jason Inay Inayan Eskrima San Jose, CA, USA 39 Jena Inay Inayan Eskrima San Jose, CA, USA 40 Ray Dionaldo Sayoc Kali FL, USA 41 Edwin Mosqueda Doce Pares 42 Nate Defensor Doce Pares Chicago, IL, USA 43 Conrado Manaois Manaois Eskrima Los Angeles, CA, USA 44 Dan Anderson Modern Arnis WA, USA 45 Rocky Pasiwk Modern Arnis 46 Ron Harris Original Filipino Tapado New Orleans, LA, USA 47 Tim Waid Pekiti-Tirsia TX, USA 48 Leslie Buck Pekiti-Tirsia TX, USA 49 Erwin Ballarta Pekiti-Tirsia TX, USA 50 Gaudencia Ruby Comjuka TX, USA 51 Phil Rapagna Lameco, Inosanto Kali Los Angeles, CA, USA 52 Victor Gendrano Inosanto Kali Los Angeles, CA, USA 53 Stephen Aron Inosanto Kali Glendora, CA, USA 54 Menandro "Anding" de Leon Arnis de Leon Garland, TX, USA 55 Jaime Abregana Hawaii, USA 56 Vincent Cabales Cabales Serrada CA, USA 57 Vincent Cabales, Jr. Cabales Serrada CA, USA 58 Carlito Bonjoc Mata sa Bagyo CA, USA 59 Mark Wiley Cabales Serrada 60 Tom Bisio San Miguel Eskrima 61 Rafael Kayanan Sayoc Kali 62 Tom Kier Sayoc Kali 63 Jeff Chung Sayoc Kali 64 Paul Vunak Inosanto Kali CA, USA 65 Burton Richardon Inosanto Kali HI, USA 66 Steve Grody Lameco 67 Steve Tarani 68 Blaise Loong 69 Cass Magda CA, USA 70 Rick Tucci Inosanto Kali Princeton, NJ 71 James A. Keating Comtech Walla Walla, WA, USA 72 Ed Goco Galang Las Vegas, NV, USA 73 Michael Replogle Modern Arnis USA 74 Felix Roiles Doce Pares Los Angeles, CA, USA 75 Spencer Gee Pananandata NY, USA 76 Bruce Ricketts Kali Ilustrisimo San Diego, CA, USA 77 Maurice Gatdula CA, USA 78 Mar de Leon Tumba-tumba Arnis San Diego, CA, USA 79 Chris Siangco Pedoy Derobio Eskrima San Diego, CA, USA 80 Ernie Reyes, Jr. San Jose, CA, USA 81 Alex France Kombatan CA, USA 82 Alex Ercia Kombatan CA, USA 83 Arthur Gonzalez De Cuerdas … [Read more...]
This article was reprinted with the author’s permission from the Souvenir Edition of Arnisador Magazine published by Goodwill Publications Limited. More information about the magazine can be obtained by calling Peter Morgan in London at +44 (0) 171-895 0800. Saturday, June 1st, 1996 LAMECO: Legacy of Steel By Steve Tarani Swollen knuckles, bleeding forearms and […]
Kapisanang Mandirigma – A federation of warriors from different disciplines of the Warrior Arts of the Philippines. It is not a style, nor a representation of any singular style, but rather a federation of practitioners with similar goals to provide a vehicle for growth and personal discovery through continued training. Founded in 1998 by Guros […]
Mandirigma.org - Online Since 1998 Mandirigma Research Organization also known as mandirigma.org is a project of Kapisanang Mandirigma. Their focus includes preserving and promoting the Warrior Arts commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend and preserve […]
Baybayin Baybayin is a pre-Spanish Philippine writing system. It is a member of the Brahmic family and is recorded as being in use in the 16th century. It continued to be used during the Spanish colonization of the Philippines up until the late 19th Century. The term Baybay literally means “to spell” in Tagalog. Baybayin […]
Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum’s “Top 200 Living Guro’s” List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, […]
Sticks of Death (Arnis: The Sticks of Death) This Filipino Martial Arts action film features Roland Dantes. Dantes plays Johnny Guerrero, a man who masters the ancient art of arnis with the help of his grandfather to get revenge on a group of crooks who attempted to beat him to death. Using two deadly sticks, […]
The Battle of Manila – Starts with discussion from 2 Vets memories of the WW2 Japanese invasion and internment of civilians to the military incursion to rescue the civilian prisoners at Santo Tomas and Battle of Corregidor. Battle scenes in Philippines, views of rescued US civilians, street fighting in Manila at Intramuros, bridges destroyed. […]
“PHILIPPINE LANGUAGE TREE”, William Henry Scott (1984)
June 12 as Independence Day by Diosdado Macapagal Former President of the Philippines “A nation is born into freedom on the day when such a people, moulded into a nation by a process of cultural evolution and sense of oneness born of common struggle and suffering, announces to the world that it asserts its natural […]
The Moro Kris The kris is the most famous Moro weapon. Variations are found in every Moro tribe and it was a key symbol of a man’s status and rank in society as well as being a powerful talisman. Kris blades are wide at the base, double-edged, and can be waved, half-waved half-straight, or straight […]
Inhabiting the rugged terrain of the Cordillera Region of Northern Philippines are six ethno-linguistic tribes known as the Ibaloy, Kankana-ey, Ifugao, Kalinga, Apayao/Isneg, and the Bontoc. They are referred to by a generic term, Igorot, a word coined from the root word, “golot” meaning mountain. Unlike most of the Philippines, which were ruled by Spaniards […]
World Filipino Martial Arts Expo 2003, Bellevue, Washington
The Butuan Silver Strip by Hector Santos © 1996 by Hector Santos All rights reserved. http://www.bibingka.com/dahon/mystery/silver.htm The Butuan area has been a rich source of material from ancient Philippines for both treasure hunters and trained archaeologists. So it was in the mid-seventies when a team from the National Museum of the Philippines excavating a site […]
Noli Me Tangere is a novel by Filipino polymath José Rizal and first published in 1887 in Berlin, Germany. Early English translations used titles like An Eagle Flight and The Social Cancer, but more recent translations have been published using the original Latin title. Though originally written in Spanish, it is more commonly published […]
Cordillera Administrative Region The Cordillera Administrative Region (CAR) of the Philippines is a land-locked region consists of the provinces of Abra, Benguet, Ifugao, Kalinga, Mountain Province and Apayao. Baguio City is the regional center. The Cordillera region encompasses most of the areas within the Cordillera Central mountain range of Luzon, the largest range in the […]
Mandirigma Research Organization/Mandirigma.org, a project of Kapisanang Mandirigma, is a research organization dedicated to cultural research. Their focus includes preserving and promoting the Warrior Arts of the Philippines commonly known as Kali, Eskrima and Arnis. The Warrior Arts is one of the most important aspects of any society because its very nature is to defend […]
